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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B9BB1D it is the complementary color #4644E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B9BB1D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B9BB1D shade: #BEBB18, #CFCD2B, #E0DF3E, #F1F151 and #FFFF64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B9BB1D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B9BB1D shade: #B9BB1D, #A8A90A, #979700, #868500 and #757300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B9BB1D shade: #B7B91D, #B9911D, #B9671D, #B93D1D and #B91D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B9BB1D shade: #B7B91D, #8DB91D, #63B91D, #39B91D and #1DB92B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B9BB1D shade matches the following richer shades: #B7B91D and #C8CB0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B9BB1D shade: #B7B91D, #A6A82E, #969740, #858551 and #747462

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B9BB1D shade: #B9661D, #B9901D, #B9B91D, #90B91D and #66B91D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B9BB1D shade: #717212, #949617, #B7B91D, #DADD23 and #E0E247

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B9BB1D shade: #B9BB1D, #1DB93C and #7B1DB9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B9BB1D shade: #B9BB1D, #1DB9B9 and #B91DB9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B9BB1D shade: #B9BB1D, #1DB93C, #1D1DB9 and #B91D9A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B9BB1D shade: #B9BB1D, #1DB96B, #1D1DB9 and #B91D6B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 84 / 27

HEX #B9BB1D

RGB 185 187 29

HSL 60.76, 0.73%, 0.42%

LAB 73.51, -17.47, 70.46

 

Complementary color

CMYK 69 / 70 / 0 / 11

HEX #4644E2

RGB 70 68 226

HSL 240.76, 0.73%, 0.58%

LAB 39.46, 49.78, -79.5

 

CMYK 0 / 2 / 87 / 25

HEX #BEBB18

RGB 190 187 24

HSL 58.92, 0.78%, 0.42%

LAB 73.9, -15.43, 71.99

 

CMYK 0 / 1 / 79 / 19

HEX #CFCD2B

RGB 207 205 43

HSL 59.27, 0.66%, 0.49%

LAB 80.24, -16.64, 73.41

 

CMYK 0 / 0 / 72 / 12

HEX #E0DF3E

RGB 224 223 62

HSL 59.63, 0.72%, 0.56%

LAB 86.49, -17.67, 73.84

 

CMYK 0 / 0 / 66 / 5

HEX #F1F151

RGB 241 241 81

HSL 60, 0.85%, 0.63%

LAB 92.67, -18.54, 73.66

 

CMYK 0 / 0 / 61 / 0

HEX #FFFF64

RGB 255 255 100

HSL 60, 1%, 0.7%

LAB 97.51, -18.57, 71.69

 

CMYK 1 / 0 / 84 / 27

HEX #B9BB1D

RGB 185 187 29

HSL 60.76, 0.73%, 0.42%

LAB 73.51, -17.47, 70.46

 

CMYK 1 / 0 / 94 / 34

HEX #A8A90A

RGB 168 169 10

HSL 60.38, 0.89%, 0.35%

LAB 67.07, -16.15, 68.08

 

CMYK 0 / 0 / 100 / 41

HEX #979700

RGB 151 151 0

HSL 60, 1%, 0.3%

LAB 60.53, -14.58, 63.91

 

CMYK 0 / 1 / 100 / 47

HEX #868500

RGB 134 133 0

HSL 59.55, 1%, 0.26%

LAB 53.86, -12.83, 58.37

 

CMYK 0 / 2 / 100 / 54

HEX #757300

RGB 117 115 0

HSL 58.97, 1%, 0.23%

LAB 47.03, -11.02, 52.7

 

CMYK 1 / 0 / 84 / 27

HEX #B7B91D

RGB 183 185 29

HSL 60.77, 0.73%, 0.42%

LAB 72.8, -17.33, 69.8

 

CMYK 0 / 22 / 84 / 27

HEX #B9911D

RGB 185 145 29

HSL 44.62, 0.73%, 0.42%

LAB 62.21, 4.64, 61.01

 

CMYK 0 / 44 / 84 / 27

HEX #B9671D

RGB 185 103 29

HSL 28.46, 0.73%, 0.42%

LAB 51.95, 27.79, 52.26

 

CMYK 0 / 67 / 84 / 27

HEX #B93D1D

RGB 185 61 29

HSL 12.31, 0.73%, 0.42%

LAB 43.86, 48.51, 45.17

 

CMYK 0 / 84 / 84 / 27

HEX #B91D1D

RGB 185 29 29

HSL 0, 0.73%, 0.42%

LAB 40.05, 59.07, 41.75

 

CMYK 1 / 0 / 84 / 27

HEX #B7B91D

RGB 183 185 29

HSL 60.77, 0.73%, 0.42%

LAB 72.8, -17.33, 69.8

 

CMYK 24 / 0 / 84 / 27

HEX #8DB91D

RGB 141 185 29

HSL 76.92, 0.73%, 0.42%

LAB 69.79, -34.9, 66.05

 

CMYK 46 / 0 / 84 / 27

HEX #63B91D

RGB 99 185 29

HSL 93.08, 0.73%, 0.42%

LAB 67.61, -50.08, 63.3

 

CMYK 69 / 0 / 84 / 27

HEX #39B91D

RGB 57 185 29

HSL 109.23, 0.73%, 0.42%

LAB 66.26, -60.88, 61.59

 

CMYK 84 / 0 / 77 / 27

HEX #1DB92B

RGB 29 185 43

HSL 125.38, 0.73%, 0.42%

LAB 65.85, -64.14, 57

 

CMYK 1 / 0 / 84 / 27

HEX #B7B91D

RGB 183 185 29

HSL 60.77, 0.73%, 0.42%

LAB 72.8, -17.33, 69.8

 

CMYK 1 / 0 / 94 / 20

HEX #C8CB0C

RGB 200 203 12

HSL 60.94, 0.89%, 0.42%

LAB 79.05, -19.31, 78.13

 

CMYK 1 / 0 / 84 / 27

HEX #B7B91D

RGB 183 185 29

HSL 60.77, 0.73%, 0.42%

LAB 72.8, -17.33, 69.8

 

CMYK 1 / 0 / 73 / 34

HEX #A6A82E

RGB 166 168 46

HSL 60.98, 0.57%, 0.42%

LAB 66.76, -15.44, 58.91

 

CMYK 1 / 0 / 58 / 41

HEX #969740

RGB 150 151 64

HSL 60.69, 0.4%, 0.42%

LAB 60.77, -12.4, 44.76

 

CMYK 0 / 0 / 39 / 48

HEX #858551

RGB 133 133 81

HSL 60, 0.24%, 0.42%

LAB 54.4, -8.33, 28.04

 

CMYK 0 / 0 / 16 / 55

HEX #747462

RGB 116 116 98

HSL 60, 0.08%, 0.42%

LAB 48.37, -3.38, 9.97

 

CMYK 0 / 45 / 84 / 27

HEX #B9661D

RGB 185 102 29

HSL 28.08, 0.73%, 0.42%

LAB 51.73, 28.34, 52.07

 

CMYK 0 / 22 / 84 / 27

HEX #B9901D

RGB 185 144 29

HSL 44.23, 0.73%, 0.42%

LAB 61.95, 5.19, 60.79

 

CMYK 0 / 0 / 84 / 27

HEX #B9B91D

RGB 185 185 29

HSL 60, 0.73%, 0.42%

LAB 72.96, -16.47, 70.01

 

CMYK 22 / 0 / 84 / 27

HEX #90B91D

RGB 144 185 29

HSL 75.77, 0.73%, 0.42%

LAB 69.98, -33.7, 66.29

 

CMYK 45 / 0 / 84 / 27

HEX #66B91D

RGB 102 185 29

HSL 91.92, 0.73%, 0.42%

LAB 67.73, -49.11, 63.46

 

CMYK 1 / 0 / 84 / 55

HEX #717212

RGB 113 114 18

HSL 60.63, 0.73%, 0.26%

LAB 46.43, -11.9, 47.92

 

CMYK 1 / 0 / 85 / 41

HEX #949617

RGB 148 150 23

HSL 60.94, 0.73%, 0.34%

LAB 60.04, -14.96, 59.39

 

CMYK 1 / 0 / 84 / 27

HEX #B7B91D

RGB 183 185 29

HSL 60.77, 0.73%, 0.42%

LAB 72.8, -17.33, 69.8

 

CMYK 1 / 0 / 84 / 13

HEX #DADD23

RGB 218 221 35

HSL 60.97, 0.73%, 0.5%

LAB 85.37, -20.11, 80.05

 

CMYK 1 / 0 / 69 / 11

HEX #E0E247

RGB 224 226 71

HSL 60.77, 0.73%, 0.58%

LAB 87.34, -18.72, 71.55

 

CMYK 1 / 0 / 84 / 27

HEX #B9BB1D

RGB 185 187 29

HSL 60.76, 0.73%, 0.42%

LAB 73.51, -17.47, 70.46

 

CMYK 84 / 0 / 68 / 27

HEX #1DB93C

RGB 29 185 60

HSL 131.92, 0.73%, 0.42%

LAB 65.97, -62.66, 50.79

 

CMYK 34 / 84 / 0 / 27

HEX #7B1DB9

RGB 123 29 185

HSL 276.15, 0.73%, 0.42%

LAB 35.19, 63.08, -62.51

 

CMYK 1 / 0 / 84 / 27

HEX #B9BB1D

RGB 185 187 29

HSL 60.76, 0.73%, 0.42%

LAB 73.51, -17.47, 70.46

 

CMYK 84 / 0 / 0 / 27

HEX #1DB9B9

RGB 29 185 185

HSL 180, 0.73%, 0.42%

LAB 68.36, -36.51, -10.8

 

CMYK 0 / 84 / 0 / 27

HEX #B91DB9

RGB 185 29 185

HSL 300, 0.73%, 0.42%

LAB 45.21, 73.54, -45.82

 

CMYK 1 / 0 / 84 / 27

HEX #B9BB1D

RGB 185 187 29

HSL 60.76, 0.73%, 0.42%

LAB 73.51, -17.47, 70.46

 

CMYK 84 / 0 / 68 / 27

HEX #1DB93C

RGB 29 185 60

HSL 131.92, 0.73%, 0.42%

LAB 65.97, -62.66, 50.79

 

CMYK 84 / 84 / 0 / 27

HEX #1D1DB9

RGB 29 29 185

HSL 240, 0.73%, 0.42%

LAB 25.69, 53.98, -78.5

 

CMYK 0 / 84 / 17 / 27

HEX #B91D9A

RGB 185 29 154

HSL 311.92, 0.73%, 0.42%

LAB 43.55, 69.07, -30.03

 

CMYK 1 / 0 / 84 / 27

HEX #B9BB1D

RGB 185 187 29

HSL 60.76, 0.73%, 0.42%

LAB 73.51, -17.47, 70.46

 

CMYK 84 / 0 / 42 / 27

HEX #1DB96B

RGB 29 185 107

HSL 150, 0.73%, 0.42%

LAB 66.54, -55.86, 29.03

 

CMYK 84 / 84 / 0 / 27

HEX #1D1DB9

RGB 29 29 185

HSL 240, 0.73%, 0.42%

LAB 25.69, 53.98, -78.5

 

CMYK 0 / 84 / 42 / 27

HEX #B91D6B

RGB 185 29 107

HSL 330, 0.73%, 0.42%

LAB 41.62, 63.68, -4.08

 

Description

Color code: HEX #B9BB1D | qconv.com Color code: HEX #B9BB1D | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 187 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 187 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 84 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 84% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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