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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B9AF2F it is the complementary color #4650D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B9AF2F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B9AF2F shade: #BEAF2A, #CFC13D, #E0D350, #F1E563 and #FFF776

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B9AF2F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B9AF2F shade: #B9AF2F, #A89D1C, #978B09, #867900 and #756700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B9AF2F shade: #B6AD2F, #B6882F, #B6642F, #B63F2F and #B62F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B9AF2F shade: #B6AD2F, #9CB62F, #77B62F, #53B62F and #2FB630

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B9AF2F shade matches the following richer shades: #B6AD2F, #C9BD1C and #DCCC0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B9AF2F shade: #B6AD2F, #A49D42, #918D54, #7F7D67 and #6C6D79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B9AF2F shade: #B6632F, #B6872F, #B6AB2F, #9EB62F and #7AB62F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B9AF2F shade: #756F1E, #968E27, #B6AD2F, #CEC441 and #D6CE62

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B9AF2F shade: #B9AF2F, #2FB63F and #752FB6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B9AF2F shade: #B9AF2F, #2FB6AB and #AB2FB6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B9AF2F shade: #B9AF2F, #2FB63F, #2F3AB6 and #B62FA7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B9AF2F shade: #B9AF2F, #2FB667, #2F3AB6 and #B62F7E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 75 / 27

HEX #B9AF2F

RGB 185 175 47

HSL 55.65, 0.59%, 0.45%

LAB 70.3, -10.73, 62.49

 

Complementary color

CMYK 66 / 62 / 0 / 18

HEX #4650D0

RGB 70 80 208

HSL 235.65, 0.59%, 0.55%

LAB 40.56, 36.69, -67.38

 

CMYK 0 / 8 / 78 / 25

HEX #BEAF2A

RGB 190 175 42

HSL 53.92, 0.64%, 0.45%

LAB 70.72, -8.74, 64.69

 

CMYK 0 / 7 / 71 / 19

HEX #CFC13D

RGB 207 193 61

HSL 54.25, 0.6%, 0.53%

LAB 77.13, -9.86, 64.68

 

CMYK 0 / 6 / 64 / 12

HEX #E0D350

RGB 224 211 80

HSL 54.58, 0.7%, 0.6%

LAB 83.45, -10.79, 64.14

 

CMYK 0 / 5 / 59 / 5

HEX #F1E563

RGB 241 229 99

HSL 54.93, 0.84%, 0.67%

LAB 89.69, -11.59, 63.29

 

CMYK 0 / 3 / 54 / 0

HEX #FFF776

RGB 255 247 118

HSL 56.5, 1%, 0.73%

LAB 95.62, -13.45, 61.96

 

CMYK 0 / 5 / 75 / 27

HEX #B9AF2F

RGB 185 175 47

HSL 55.65, 0.59%, 0.45%

LAB 70.3, -10.73, 62.49

 

CMYK 0 / 7 / 83 / 34

HEX #A89D1C

RGB 168 157 28

HSL 55.29, 0.71%, 0.38%

LAB 63.77, -9.52, 61.95

 

CMYK 0 / 8 / 94 / 41

HEX #978B09

RGB 151 139 9

HSL 54.93, 0.89%, 0.31%

LAB 57.14, -8.05, 59.98

 

CMYK 0 / 10 / 100 / 47

HEX #867900

RGB 134 121 0

HSL 54.18, 1%, 0.26%

LAB 50.39, -6.27, 55.85

 

CMYK 0 / 12 / 100 / 54

HEX #756700

RGB 117 103 0

HSL 52.82, 1%, 0.23%

LAB 43.48, -4.26, 50.14

 

CMYK 0 / 5 / 74 / 29

HEX #B6AD2F

RGB 182 173 47

HSL 56, 0.59%, 0.45%

LAB 69.5, -11, 61.64

 

CMYK 0 / 25 / 74 / 29

HEX #B6882F

RGB 182 136 47

HSL 39.56, 0.59%, 0.45%

LAB 59.67, 8.92, 52.14

 

CMYK 0 / 45 / 74 / 29

HEX #B6642F

RGB 182 100 47

HSL 23.56, 0.59%, 0.45%

LAB 51, 28.84, 43.3

 

CMYK 0 / 65 / 74 / 29

HEX #B63F2F

RGB 182 63 47

HSL 7.11, 0.59%, 0.45%

LAB 43.81, 47.25, 35.55

 

CMYK 0 / 74 / 74 / 29

HEX #B62F2F

RGB 182 47 47

HSL 0, 0.59%, 0.45%

LAB 41.51, 53.54, 32.98

 

CMYK 0 / 5 / 74 / 29

HEX #B6AD2F

RGB 182 173 47

HSL 56, 0.59%, 0.45%

LAB 69.5, -11, 61.64

 

CMYK 14 / 0 / 74 / 29

HEX #9CB62F

RGB 156 182 47

HSL 71.56, 0.59%, 0.45%

LAB 69.99, -26.63, 61.39

 

CMYK 35 / 0 / 74 / 29

HEX #77B62F

RGB 119 182 47

HSL 88, 0.59%, 0.45%

LAB 67.71, -41.12, 58.41

 

CMYK 54 / 0 / 74 / 29

HEX #53B62F

RGB 83 182 47

HSL 104, 0.59%, 0.45%

LAB 66.14, -52.69, 56.32

 

CMYK 74 / 0 / 74 / 29

HEX #2FB630

RGB 47 182 48

HSL 120.44, 0.59%, 0.45%

LAB 65.18, -60.49, 54.69

 

CMYK 0 / 5 / 74 / 29

HEX #B6AD2F

RGB 182 173 47

HSL 56, 0.59%, 0.45%

LAB 69.5, -11, 61.64

 

CMYK 0 / 6 / 86 / 21

HEX #C9BD1C

RGB 201 189 28

HSL 55.84, 0.76%, 0.45%

LAB 75.39, -11.58, 72.77

 

CMYK 0 / 7 / 95 / 14

HEX #DCCC0A

RGB 220 204 10

HSL 55.43, 0.91%, 0.45%

LAB 80.97, -11.26, 80.5

 

CMYK 0 / 5 / 74 / 29

HEX #B6AD2F

RGB 182 173 47

HSL 56, 0.59%, 0.45%

LAB 69.5, -11, 61.64

 

CMYK 0 / 4 / 60 / 36

HEX #A49D42

RGB 164 157 66

HSL 55.71, 0.43%, 0.45%

LAB 63.67, -9.34, 47.39

 

CMYK 0 / 3 / 42 / 43

HEX #918D54

RGB 145 141 84

HSL 56.07, 0.27%, 0.45%

LAB 57.76, -7.25, 30.89

 

CMYK 0 / 2 / 19 / 50

HEX #7F7D67

RGB 127 125 103

HSL 55, 0.1%, 0.45%

LAB 52.02, -3.23, 12.29

 

CMYK 11 / 10 / 0 / 53

HEX #6C6D79

RGB 108 109 121

HSL 235.38, 0.06%, 0.45%

LAB 46.32, 2.21, -6.78

 

CMYK 0 / 46 / 74 / 29

HEX #B6632F

RGB 182 99 47

HSL 23.11, 0.59%, 0.45%

LAB 50.77, 29.38, 43.07

 

CMYK 0 / 26 / 74 / 29

HEX #B6872F

RGB 182 135 47

HSL 39.11, 0.59%, 0.45%

LAB 59.41, 9.48, 51.89

 

CMYK 0 / 6 / 74 / 29

HEX #B6AB2F

RGB 182 171 47

HSL 55.11, 0.59%, 0.45%

LAB 68.95, -9.96, 61.13

 

CMYK 13 / 0 / 74 / 29

HEX #9EB62F

RGB 158 182 47

HSL 70.67, 0.59%, 0.45%

LAB 70.13, -25.8, 61.57

 

CMYK 33 / 0 / 74 / 29

HEX #7AB62F

RGB 122 182 47

HSL 86.67, 0.59%, 0.45%

LAB 67.87, -40.02, 58.62

 

CMYK 0 / 5 / 74 / 54

HEX #756F1E

RGB 117 111 30

HSL 55.86, 0.59%, 0.29%

LAB 45.97, -7.81, 43.42

 

CMYK 0 / 5 / 74 / 41

HEX #968E27

RGB 150 142 39

HSL 55.68, 0.59%, 0.37%

LAB 58.01, -9.19, 52.61

 

CMYK 0 / 5 / 74 / 29

HEX #B6AD2F

RGB 182 173 47

HSL 56, 0.59%, 0.45%

LAB 69.5, -11, 61.64

 

CMYK 0 / 5 / 68 / 19

HEX #CEC441

RGB 206 196 65

HSL 55.74, 0.59%, 0.53%

LAB 77.87, -11.61, 63.87

 

CMYK 0 / 4 / 54 / 16

HEX #D6CE62

RGB 214 206 98

HSL 55.86, 0.59%, 0.61%

LAB 81.47, -11.16, 53.86

 

CMYK 0 / 5 / 75 / 27

HEX #B9AF2F

RGB 185 175 47

HSL 55.65, 0.59%, 0.45%

LAB 70.3, -10.73, 62.49

 

CMYK 74 / 0 / 65 / 29

HEX #2FB63F

RGB 47 182 63

HSL 127.11, 0.59%, 0.45%

LAB 65.29, -59.09, 48.87

 

CMYK 36 / 74 / 0 / 29

HEX #752FB6

RGB 117 47 182

HSL 271.11, 0.59%, 0.45%

LAB 36.35, 54.93, -58.87

 

CMYK 0 / 5 / 75 / 27

HEX #B9AF2F

RGB 185 175 47

HSL 55.65, 0.59%, 0.45%

LAB 70.3, -10.73, 62.49

 

CMYK 74 / 0 / 6 / 29

HEX #2FB6AB

RGB 47 182 171

HSL 175.11, 0.59%, 0.45%

LAB 67.28, -37.53, -4.66

 

CMYK 6 / 74 / 0 / 29

HEX #AB2FB6

RGB 171 47 182

HSL 295.11, 0.59%, 0.45%

LAB 44.33, 65.58, -45.6

 

CMYK 0 / 5 / 75 / 27

HEX #B9AF2F

RGB 185 175 47

HSL 55.65, 0.59%, 0.45%

LAB 70.3, -10.73, 62.49

 

CMYK 74 / 0 / 65 / 29

HEX #2FB63F

RGB 47 182 63

HSL 127.11, 0.59%, 0.45%

LAB 65.29, -59.09, 48.87

 

CMYK 74 / 68 / 0 / 29

HEX #2F3AB6

RGB 47 58 182

HSL 235.11, 0.59%, 0.45%

LAB 31.82, 38.47, -66.54

 

CMYK 0 / 74 / 8 / 29

HEX #B62FA7

RGB 182 47 167

HSL 306.67, 0.59%, 0.45%

LAB 45.31, 65.54, -35.06

 

CMYK 0 / 5 / 75 / 27

HEX #B9AF2F

RGB 185 175 47

HSL 55.65, 0.59%, 0.45%

LAB 70.3, -10.73, 62.49

 

CMYK 74 / 0 / 43 / 29

HEX #2FB667

RGB 47 182 103

HSL 144.89, 0.59%, 0.45%

LAB 65.78, -53.39, 30.18

 

CMYK 74 / 68 / 0 / 29

HEX #2F3AB6

RGB 47 58 182

HSL 235.11, 0.59%, 0.45%

LAB 31.82, 38.47, -66.54

 

CMYK 0 / 74 / 31 / 29

HEX #B62F7E

RGB 182 47 126

HSL 324.89, 0.59%, 0.45%

LAB 43.48, 59.96, -13.13

 

Description

Color code: HEX #B9AF2F | qconv.com Color code: HEX #B9AF2F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 175 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 175 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 75 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 75% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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