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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B9AD0F it is the complementary color #4652F0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B9AD0F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B9AD0F shade: #BEAD0A, #CFBF1D, #E0D130, #F1E343 and #FFF556

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B9AD0F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B9AD0F shade: #B9AD0F, #A89B00, #978900, #867700 and #756500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B9AD0F shade: #B8AC0F, #B87E0F, #B8510F, #B8230F and #B80F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B9AD0F shade: #B8AC0F, #96B80F, #69B80F, #3BB80F and #0FB810

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B9AD0F shade matches the following richer shades: #B8AC0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B9AD0F shade: #B8AC0F, #A89E1F, #98902F, #88833F and #78754F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B9AD0F shade: #B8500F, #B87D0F, #B8AA0F, #99B80F and #6CB80F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B9AD0F shade: #6C6509, #92880C, #B8AC0F, #DED012 and #EEE02C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B9AD0F shade: #B9AD0F, #0FB823 and #660FB8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B9AD0F shade: #B9AD0F, #0FB8AA and #AA0FB8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B9AD0F shade: #B9AD0F, #0FB823, #0F1DB8 and #B80FA4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B9AD0F shade: #B9AD0F, #0FB855, #0F1DB8 and #B80F72

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 92 / 27

HEX #B9AD0F

RGB 185 173 15

HSL 55.76, 0.85%, 0.39%

LAB 69.64, -10.62, 70

 

Complementary color

CMYK 71 / 66 / 0 / 6

HEX #4652F0

RGB 70 82 240

HSL 235.76, 0.85%, 0.61%

LAB 43.69, 46.26, -80.47

 

CMYK 0 / 9 / 95 / 25

HEX #BEAD0A

RGB 190 173 10

HSL 54.33, 0.9%, 0.39%

LAB 70.08, -8.47, 71.2

 

CMYK 0 / 8 / 86 / 19

HEX #CFBF1D

RGB 207 191 29

HSL 54.61, 0.75%, 0.46%

LAB 76.45, -9.98, 73.64

 

CMYK 0 / 7 / 79 / 12

HEX #E0D130

RGB 224 209 48

HSL 54.89, 0.74%, 0.53%

LAB 82.73, -11.27, 74.75

 

CMYK 0 / 6 / 72 / 5

HEX #F1E343

RGB 241 227 67

HSL 55.17, 0.86%, 0.6%

LAB 88.94, -12.37, 74.98

 

CMYK 0 / 4 / 66 / 0

HEX #FFF556

RGB 255 245 86

HSL 56.45, 1%, 0.67%

LAB 94.84, -14.54, 74.35

 

CMYK 0 / 6 / 92 / 27

HEX #B9AD0F

RGB 185 173 15

HSL 55.76, 0.85%, 0.39%

LAB 69.64, -10.62, 70

 

CMYK 0 / 8 / 100 / 34

HEX #A89B00

RGB 168 155 0

HSL 55.36, 1%, 0.33%

LAB 63.15, -8.99, 66.49

 

CMYK 0 / 9 / 100 / 41

HEX #978900

RGB 151 137 0

HSL 54.44, 1%, 0.3%

LAB 56.56, -7.11, 61.03

 

CMYK 0 / 11 / 100 / 47

HEX #867700

RGB 134 119 0

HSL 53.28, 1%, 0.26%

LAB 49.81, -5.15, 55.44

 

CMYK 0 / 14 / 100 / 54

HEX #756500

RGB 117 101 0

HSL 51.79, 1%, 0.23%

LAB 42.9, -3.11, 49.72

 

CMYK 0 / 7 / 92 / 28

HEX #B8AC0F

RGB 184 172 15

HSL 55.74, 0.85%, 0.39%

LAB 69.28, -10.54, 69.69

 

CMYK 0 / 32 / 92 / 28

HEX #B87E0F

RGB 184 126 15

HSL 39.41, 0.85%, 0.39%

LAB 57.22, 14.36, 60.5

 

CMYK 0 / 56 / 92 / 28

HEX #B8510F

RGB 184 81 15

HSL 23.43, 0.85%, 0.39%

LAB 47.12, 38.59, 53.06

 

CMYK 0 / 81 / 92 / 28

HEX #B8230F

RGB 184 35 15

HSL 7.1, 0.85%, 0.39%

LAB 40.29, 57, 48.28

 

CMYK 0 / 92 / 92 / 28

HEX #B80F0F

RGB 184 15 15

HSL 0, 0.85%, 0.39%

LAB 38.84, 61.13, 47.3

 

CMYK 0 / 7 / 92 / 28

HEX #B8AC0F

RGB 184 172 15

HSL 55.74, 0.85%, 0.39%

LAB 69.28, -10.54, 69.69

 

CMYK 18 / 0 / 92 / 28

HEX #96B80F

RGB 150 184 15

HSL 72.07, 0.85%, 0.39%

LAB 70.04, -31.15, 69.16

 

CMYK 43 / 0 / 92 / 28

HEX #69B80F

RGB 105 184 15

HSL 88.05, 0.85%, 0.39%

LAB 67.52, -48.17, 66.07

 

CMYK 68 / 0 / 92 / 28

HEX #3BB80F

RGB 59 184 15

HSL 104.38, 0.85%, 0.39%

LAB 65.94, -60.68, 64.12

 

CMYK 92 / 0 / 91 / 28

HEX #0FB810

RGB 15 184 16

HSL 120.36, 0.85%, 0.39%

LAB 65.29, -66.33, 63.16

 

CMYK 0 / 7 / 92 / 28

HEX #B8AC0F

RGB 184 172 15

HSL 55.74, 0.85%, 0.39%

LAB 69.28, -10.54, 69.69

 

CMYK 0 / 7 / 92 / 28

HEX #B8AC0F

RGB 184 172 15

HSL 55.74, 0.85%, 0.39%

LAB 69.28, -10.54, 69.69

 

CMYK 0 / 6 / 82 / 34

HEX #A89E1F

RGB 168 158 31

HSL 55.62, 0.69%, 0.39%

LAB 64.06, -9.95, 61.37

 

CMYK 0 / 5 / 69 / 40

HEX #98902F

RGB 152 144 47

HSL 55.43, 0.53%, 0.39%

LAB 58.81, -8.94, 50.3

 

CMYK 0 / 4 / 54 / 47

HEX #88833F

RGB 136 131 63

HSL 55.89, 0.37%, 0.39%

LAB 53.84, -7.83, 36.98

 

CMYK 0 / 3 / 34 / 53

HEX #78754F

RGB 120 117 79

HSL 55.61, 0.21%, 0.39%

LAB 48.61, -5.22, 21.42

 

CMYK 0 / 57 / 92 / 28

HEX #B8500F

RGB 184 80 15

HSL 23.08, 0.85%, 0.39%

LAB 46.92, 39.09, 52.92

 

CMYK 0 / 32 / 92 / 28

HEX #B87D0F

RGB 184 125 15

HSL 39.05, 0.85%, 0.39%

LAB 56.97, 14.91, 60.32

 

CMYK 0 / 8 / 92 / 28

HEX #B8AA0F

RGB 184 170 15

HSL 55.03, 0.85%, 0.39%

LAB 68.73, -9.5, 69.27

 

CMYK 17 / 0 / 92 / 28

HEX #99B80F

RGB 153 184 15

HSL 71.01, 0.85%, 0.39%

LAB 70.24, -29.91, 69.4

 

CMYK 41 / 0 / 92 / 28

HEX #6CB80F

RGB 108 184 15

HSL 86.98, 0.85%, 0.39%

LAB 67.65, -47.15, 66.24

 

CMYK 0 / 6 / 92 / 58

HEX #6C6509

RGB 108 101 9

HSL 55.76, 0.85%, 0.23%

LAB 42.02, -7.27, 46.4

 

CMYK 0 / 7 / 92 / 43

HEX #92880C

RGB 146 136 12

HSL 55.52, 0.85%, 0.31%

LAB 55.83, -8.68, 58.27

 

CMYK 0 / 7 / 92 / 28

HEX #B8AC0F

RGB 184 172 15

HSL 55.74, 0.85%, 0.39%

LAB 69.28, -10.54, 69.69

 

CMYK 0 / 6 / 92 / 13

HEX #DED012

RGB 222 208 18

HSL 55.88, 0.85%, 0.47%

LAB 82.21, -12.32, 80.61

 

CMYK 0 / 6 / 82 / 7

HEX #EEE02C

RGB 238 224 44

HSL 55.67, 0.85%, 0.55%

LAB 87.81, -12.96, 80.68

 

CMYK 0 / 6 / 92 / 27

HEX #B9AD0F

RGB 185 173 15

HSL 55.76, 0.85%, 0.39%

LAB 69.64, -10.62, 70

 

CMYK 92 / 0 / 81 / 28

HEX #0FB823

RGB 15 184 35

HSL 127.1, 0.85%, 0.39%

LAB 65.36, -65.48, 58.95

 

CMYK 45 / 92 / 0 / 28

HEX #660FB8

RGB 102 15 184

HSL 270.89, 0.85%, 0.39%

LAB 30.94, 63.61, -69

 

CMYK 0 / 6 / 92 / 27

HEX #B9AD0F

RGB 185 173 15

HSL 55.76, 0.85%, 0.39%

LAB 69.64, -10.62, 70

 

CMYK 92 / 0 / 8 / 28

HEX #0FB8AA

RGB 15 184 170

HSL 175.03, 0.85%, 0.39%

LAB 67.49, -41.26, -3.84

 

CMYK 8 / 92 / 0 / 28

HEX #AA0FB8

RGB 170 15 184

HSL 295.03, 0.85%, 0.39%

LAB 41.76, 73.07, -50.9

 

CMYK 0 / 6 / 92 / 27

HEX #B9AD0F

RGB 185 173 15

HSL 55.76, 0.85%, 0.39%

LAB 69.64, -10.62, 70

 

CMYK 92 / 0 / 81 / 28

HEX #0FB823

RGB 15 184 35

HSL 127.1, 0.85%, 0.39%

LAB 65.36, -65.48, 58.95

 

CMYK 92 / 84 / 0 / 28

HEX #0F1DB8

RGB 15 29 184

HSL 235.03, 0.85%, 0.39%

LAB 25.08, 53.24, -78.93

 

CMYK 0 / 92 / 11 / 28

HEX #B80FA4

RGB 184 15 164

HSL 307.1, 0.85%, 0.39%

LAB 43.08, 72.55, -36.77

 

CMYK 0 / 6 / 92 / 27

HEX #B9AD0F

RGB 185 173 15

HSL 55.76, 0.85%, 0.39%

LAB 69.64, -10.62, 70

 

CMYK 92 / 0 / 54 / 28

HEX #0FB855

RGB 15 184 85

HSL 144.85, 0.85%, 0.39%

LAB 65.78, -60.26, 39.2

 

CMYK 92 / 84 / 0 / 28

HEX #0F1DB8

RGB 15 29 184

HSL 235.03, 0.85%, 0.39%

LAB 25.08, 53.24, -78.93

 

CMYK 0 / 92 / 38 / 28

HEX #B80F72

RGB 184 15 114

HSL 324.85, 0.85%, 0.39%

LAB 40.81, 66.59, -9.69

 

Description

Color code: HEX #B9AD0F | qconv.com Color code: HEX #B9AD0F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 173 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 173 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 92 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 92% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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