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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B9AC4C it is the complementary color #4653B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B9AC4C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B9AC4C shade: #BEAC47, #CFBE5A, #E0D06D, #F1E280 and #FFF493

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B9AC4C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B9AC4C shade: #B9AC4C, #A89A39, #978826, #867613 and #756400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B9AC4C shade: #B9AC4B, #B98E4B, #B9714B, #B9534B and #B94B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B9AC4C shade: #B9AC4B, #A8B94B, #8BB94B, #6DB94B and #50B94B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B9AC4C shade matches the following richer shades: #B9AC4B, #CDBB37, #E1CB23 and #F6DA0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B9AC4C shade: #B9AC4B, #A59D5F, #918D74, #7C7E88 and #686E9C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B9AC4C shade: #B9704B, #B98D4B, #B9AA4B, #AAB94B and #8DB94B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B9AC4C shade: #807732, #9E923D, #B9AC4B, #C5BA69 and #D0C786

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B9AC4C shade: #B9AC4C, #4BB952 and #7E4BB9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B9AC4C shade: #B9AC4C, #4BB9AA and #AA4BB9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B9AC4C shade: #B9AC4C, #4BB952, #4B5AB9 and #B94BB2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B9AC4C shade: #B9AC4C, #4BB973, #4B5AB9 and #B94B91

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 59 / 27

HEX #B9AC4C

RGB 185 172 76

HSL 52.84, 0.44%, 0.51%

LAB 69.71, -7.47, 50

 

Complementary color

CMYK 61 / 54 / 0 / 30

HEX #4653B3

RGB 70 83 179

HSL 232.84, 0.44%, 0.49%

LAB 39.14, 24.82, -52.78

 

CMYK 0 / 9 / 63 / 25

HEX #BEAC47

RGB 190 172 71

HSL 50.92, 0.48%, 0.51%

LAB 70.11, -5.67, 52.84

 

CMYK 0 / 8 / 57 / 19

HEX #CFBE5A

RGB 207 190 90

HSL 51.28, 0.55%, 0.58%

LAB 76.58, -6.5, 51.79

 

CMYK 0 / 7 / 51 / 12

HEX #E0D06D

RGB 224 208 109

HSL 51.65, 0.65%, 0.65%

LAB 82.95, -7.19, 50.64

 

CMYK 0 / 6 / 47 / 5

HEX #F1E280

RGB 241 226 128

HSL 52.04, 0.8%, 0.72%

LAB 89.23, -7.77, 49.46

 

CMYK 0 / 4 / 42 / 0

HEX #FFF493

RGB 255 244 147

HSL 53.89, 1%, 0.79%

LAB 95.19, -9.44, 47.94

 

CMYK 0 / 7 / 59 / 27

HEX #B9AC4C

RGB 185 172 76

HSL 52.84, 0.44%, 0.51%

LAB 69.71, -7.47, 50

 

CMYK 0 / 8 / 66 / 34

HEX #A89A39

RGB 168 154 57

HSL 52.43, 0.49%, 0.44%

LAB 63.12, -6.6, 50.95

 

CMYK 0 / 10 / 75 / 41

HEX #978826

RGB 151 136 38

HSL 52.04, 0.6%, 0.37%

LAB 56.41, -5.52, 51.49

 

CMYK 0 / 12 / 86 / 47

HEX #867613

RGB 134 118 19

HSL 51.65, 0.75%, 0.3%

LAB 49.58, -4.17, 51.11

 

CMYK 0 / 15 / 100 / 54

HEX #756400

RGB 117 100 0

HSL 51.28, 1%, 0.23%

LAB 42.61, -2.53, 49.51

 

CMYK 0 / 7 / 59 / 27

HEX #B9AC4B

RGB 185 172 75

HSL 52.91, 0.44%, 0.51%

LAB 69.7, -7.54, 50.45

 

CMYK 0 / 23 / 59 / 27

HEX #B98E4B

RGB 185 142 75

HSL 36.55, 0.44%, 0.51%

LAB 61.8, 8.65, 41.42

 

CMYK 0 / 39 / 59 / 27

HEX #B9714B

RGB 185 113 75

HSL 20.73, 0.44%, 0.51%

LAB 54.69, 24.72, 32.89

 

CMYK 0 / 55 / 59 / 27

HEX #B9534B

RGB 185 83 75

HSL 4.36, 0.44%, 0.51%

LAB 48.27, 40.62, 24.82

 

CMYK 0 / 59 / 59 / 27

HEX #B94B4B

RGB 185 75 75

HSL 0, 0.44%, 0.51%

LAB 46.78, 44.51, 22.89

 

CMYK 0 / 7 / 59 / 27

HEX #B9AC4B

RGB 185 172 75

HSL 52.91, 0.44%, 0.51%

LAB 69.7, -7.54, 50.45

 

CMYK 9 / 0 / 59 / 27

HEX #A8B94B

RGB 168 185 75

HSL 69.27, 0.44%, 0.51%

LAB 71.91, -21.35, 52.52

 

CMYK 25 / 0 / 59 / 27

HEX #8BB94B

RGB 139 185 75

HSL 85.09, 0.44%, 0.51%

LAB 69.96, -32.89, 49.81

 

CMYK 41 / 0 / 59 / 27

HEX #6DB94B

RGB 109 185 75

HSL 101.45, 0.44%, 0.51%

LAB 68.36, -43.56, 47.55

 

CMYK 57 / 0 / 59 / 27

HEX #50B94B

RGB 80 185 75

HSL 117.27, 0.44%, 0.51%

LAB 67.21, -52.01, 45.94

 

CMYK 0 / 7 / 59 / 27

HEX #B9AC4B

RGB 185 172 75

HSL 52.91, 0.44%, 0.51%

LAB 69.7, -7.54, 50.45

 

CMYK 0 / 9 / 73 / 20

HEX #CDBB37

RGB 205 187 55

HSL 52.8, 0.6%, 0.51%

LAB 75.32, -7.92, 65.07

 

CMYK 0 / 10 / 84 / 12

HEX #E1CB23

RGB 225 203 35

HSL 53.05, 0.76%, 0.51%

LAB 81.2, -8.19, 76.85

 

CMYK 0 / 11 / 94 / 4

HEX #F6DA0E

RGB 246 218 14

HSL 52.76, 0.93%, 0.51%

LAB 86.88, -7.15, 85.51

 

CMYK 0 / 7 / 59 / 27

HEX #B9AC4B

RGB 185 172 75

HSL 52.91, 0.44%, 0.51%

LAB 69.7, -7.54, 50.45

 

CMYK 0 / 5 / 42 / 35

HEX #A59D5F

RGB 165 157 95

HSL 53.14, 0.28%, 0.51%

LAB 64.11, -6.25, 33.42

 

CMYK 0 / 3 / 20 / 43

HEX #918D74

RGB 145 141 116

HSL 51.72, 0.12%, 0.51%

LAB 58.35, -2.89, 13.89

 

CMYK 9 / 7 / 0 / 47

HEX #7C7E88

RGB 124 126 136

HSL 230, 0.05%, 0.51%

LAB 52.93, 1.34, -5.67

 

CMYK 33 / 29 / 0 / 39

HEX #686E9C

RGB 104 110 156

HSL 233.08, 0.21%, 0.51%

LAB 47.62, 9.07, -25.63

 

CMYK 0 / 39 / 59 / 27

HEX #B9704B

RGB 185 112 75

HSL 20.18, 0.44%, 0.51%

LAB 54.46, 25.27, 32.6

 

CMYK 0 / 24 / 59 / 27

HEX #B98D4B

RGB 185 141 75

HSL 36, 0.44%, 0.51%

LAB 61.54, 9.2, 41.12

 

CMYK 0 / 8 / 59 / 27

HEX #B9AA4B

RGB 185 170 75

HSL 51.82, 0.44%, 0.51%

LAB 69.16, -6.49, 49.85

 

CMYK 8 / 0 / 59 / 27

HEX #AAB94B

RGB 170 185 75

HSL 68.18, 0.44%, 0.51%

LAB 72.06, -20.53, 52.73

 

CMYK 24 / 0 / 59 / 27

HEX #8DB94B

RGB 141 185 75

HSL 84, 0.44%, 0.51%

LAB 70.08, -32.12, 49.98

 

CMYK 0 / 7 / 61 / 50

HEX #807732

RGB 128 119 50

HSL 53.08, 0.44%, 0.35%

LAB 49.51, -5.87, 38.37

 

CMYK 0 / 8 / 61 / 38

HEX #9E923D

RGB 158 146 61

HSL 52.58, 0.44%, 0.43%

LAB 60.04, -6.44, 45.55

 

CMYK 0 / 7 / 59 / 27

HEX #B9AC4B

RGB 185 172 75

HSL 52.91, 0.44%, 0.51%

LAB 69.7, -7.54, 50.45

 

CMYK 0 / 6 / 47 / 23

HEX #C5BA69

RGB 197 186 105

HSL 52.83, 0.44%, 0.59%

LAB 74.83, -7.27, 42.24

 

CMYK 0 / 4 / 36 / 18

HEX #D0C786

RGB 208 199 134

HSL 52.7, 0.44%, 0.67%

LAB 79.6, -6.47, 33.71

 

CMYK 0 / 7 / 59 / 27

HEX #B9AC4C

RGB 185 172 76

HSL 52.84, 0.44%, 0.51%

LAB 69.71, -7.47, 50

 

CMYK 59 / 0 / 56 / 27

HEX #4BB952

RGB 75 185 82

HSL 123.82, 0.44%, 0.51%

LAB 67.13, -52.38, 42.53

 

CMYK 32 / 59 / 0 / 27

HEX #7E4BB9

RGB 126 75 185

HSL 267.82, 0.44%, 0.51%

LAB 42.72, 43.69, -50.29

 

CMYK 0 / 7 / 59 / 27

HEX #B9AC4C

RGB 185 172 76

HSL 52.84, 0.44%, 0.51%

LAB 69.71, -7.47, 50

 

CMYK 59 / 0 / 8 / 27

HEX #4BB9AA

RGB 75 185 170

HSL 171.82, 0.44%, 0.51%

LAB 68.82, -34.88, -1.76

 

CMYK 8 / 59 / 0 / 27

HEX #AA4BB9

RGB 170 75 185

HSL 291.82, 0.44%, 0.51%

LAB 48.36, 54.68, -40.96

 

CMYK 0 / 7 / 59 / 27

HEX #B9AC4C

RGB 185 172 76

HSL 52.84, 0.44%, 0.51%

LAB 69.71, -7.47, 50

 

CMYK 59 / 0 / 56 / 27

HEX #4BB952

RGB 75 185 82

HSL 123.82, 0.44%, 0.51%

LAB 67.13, -52.38, 42.53

 

CMYK 59 / 51 / 0 / 27

HEX #4B5AB9

RGB 75 90 185

HSL 231.82, 0.44%, 0.51%

LAB 41.71, 23.35, -52.16

 

CMYK 0 / 59 / 4 / 27

HEX #B94BB2

RGB 185 75 178

HSL 303.82, 0.44%, 0.51%

LAB 50.17, 57.32, -33.88

 

CMYK 0 / 7 / 59 / 27

HEX #B9AC4C

RGB 185 172 76

HSL 52.84, 0.44%, 0.51%

LAB 69.71, -7.47, 50

 

CMYK 59 / 0 / 38 / 27

HEX #4BB973

RGB 75 185 115

HSL 141.82, 0.44%, 0.51%

LAB 67.6, -47.21, 26.4

 

CMYK 59 / 51 / 0 / 27

HEX #4B5AB9

RGB 75 90 185

HSL 231.82, 0.44%, 0.51%

LAB 41.71, 23.35, -52.16

 

CMYK 0 / 59 / 22 / 27

HEX #B94B91

RGB 185 75 145

HSL 321.82, 0.44%, 0.51%

LAB 48.75, 52.15, -16.58

 

Description

Color code: HEX #B9AC4C | qconv.com Color code: HEX #B9AC4C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 172 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 172 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 59 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 59% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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