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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B9A8AB it is the complementary color #465754. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B9A8AB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B9A8AB shade: #BEA8A6, #CFBAB9, #E0CCCC, #F1DEDF and #FFF0F2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B9A8AB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B9A8AB shade: #B9A8AB, #A89698, #978485, #867272 and #75605F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B9A8AB shade: #B8A7AA and #B8A7A7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B9A8AB shade: #B8A7AA, #B8A7AF, #B8A7B3, #B8A7B8 and #B4A7B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B9A8AB shade matches the following richer shades: #B8A7AA, #C59AA2, #D28D99, #DF8091 and #EB7489

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B9A8AB shade: #B8A7AA, #ABB4B2, #9FC0BA, #92CDC3 and #85DACB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B9A8AB shade: #B8A7B3, #B8A7AF, #B8A7AA, #B8A8A7 and #B8ADA7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B9A8AB shade: #93797E, #A69094, #B8A7AA, #CBBEC0 and #DDD5D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B9A8AB shade: #B9A8AB, #B8B8A7 and #A7B1B8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B9A8AB shade: #B9A8AB, #AAB8A7 and #A7AAB8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B9A8AB shade: #B9A8AB, #B8B8A7, #A7B8B5 and #A7A7B8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B9A8AB shade: #B9A8AB, #B3B8A7, #A7B8B5 and #ACA7B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 8 / 27

HEX #B9A8AB

RGB 185 168 171

HSL 349.41, 0.11%, 0.69%

LAB 70.36, 6.67, 0.68

 

Complementary color

CMYK 20 / 0 / 3 / 66

HEX #465754

RGB 70 87 84

HSL 169.41, 0.11%, 0.31%

LAB 35.52, -7.26, -0.45

 

CMYK 0 / 12 / 13 / 25

HEX #BEA8A6

RGB 190 168 166

HSL 5, 0.16%, 0.7%

LAB 70.67, 7.64, 3.95

 

CMYK 0 / 10 / 11 / 19

HEX #CFBAB9

RGB 207 186 185

HSL 2.73, 0.19%, 0.77%

LAB 77.21, 7.29, 3.22

 

CMYK 0 / 9 / 9 / 12

HEX #E0CCCC

RGB 224 204 204

HSL 0, 0.24%, 0.84%

LAB 83.65, 6.97, 2.52

 

CMYK 0 / 8 / 7 / 5

HEX #F1DEDF

RGB 241 222 223

HSL 356.84, 0.4%, 0.91%

LAB 89.99, 6.67, 1.85

 

CMYK 0 / 6 / 5 / 0

HEX #FFF0F2

RGB 255 240 242

HSL 352, 1%, 0.97%

LAB 95.99, 5.38, 0.84

 

CMYK 0 / 9 / 8 / 27

HEX #B9A8AB

RGB 185 168 171

HSL 349.41, 0.11%, 0.69%

LAB 70.36, 6.67, 0.68

 

CMYK 0 / 11 / 10 / 34

HEX #A89698

RGB 168 150 152

HSL 353.33, 0.09%, 0.62%

LAB 63.68, 7, 1.37

 

CMYK 0 / 13 / 12 / 41

HEX #978485

RGB 151 132 133

HSL 356.84, 0.08%, 0.55%

LAB 56.86, 7.38, 2.11

 

CMYK 0 / 15 / 15 / 47

HEX #867272

RGB 134 114 114

HSL 0, 0.08%, 0.49%

LAB 49.88, 7.81, 2.89

 

CMYK 0 / 18 / 19 / 54

HEX #75605F

RGB 117 96 95

HSL 2.73, 0.1%, 0.42%

LAB 42.72, 8.3, 3.75

 

CMYK 0 / 9 / 8 / 28

HEX #B8A7AA

RGB 184 167 170

HSL 349.41, 0.11%, 0.69%

LAB 69.99, 6.67, 0.68

 

CMYK 0 / 9 / 9 / 28

HEX #B8A7A7

RGB 184 167 167

HSL 0, 0.11%, 0.69%

LAB 69.91, 6.15, 2.23

 

CMYK 0 / 9 / 8 / 28

HEX #B8A7AA

RGB 184 167 170

HSL 349.41, 0.11%, 0.69%

LAB 69.99, 6.67, 0.68

 

CMYK 0 / 9 / 5 / 28

HEX #B8A7AF

RGB 184 167 175

HSL 331.76, 0.11%, 0.69%

LAB 70.12, 7.57, -1.89

 

CMYK 0 / 9 / 3 / 28

HEX #B8A7B3

RGB 184 167 179

HSL 317.65, 0.11%, 0.69%

LAB 70.23, 8.3, -3.94

 

CMYK 0 / 9 / 0 / 28

HEX #B8A7B8

RGB 184 167 184

HSL 300, 0.11%, 0.69%

LAB 70.38, 9.24, -6.49

 

CMYK 2 / 9 / 0 / 28

HEX #B4A7B8

RGB 180 167 184

HSL 285.88, 0.11%, 0.69%

LAB 70.04, 7.84, -7.03

 

CMYK 0 / 9 / 8 / 28

HEX #B8A7AA

RGB 184 167 170

HSL 349.41, 0.11%, 0.69%

LAB 69.99, 6.67, 0.68

 

CMYK 0 / 22 / 18 / 23

HEX #C59AA2

RGB 197 154 162

HSL 348.84, 0.27%, 0.69%

LAB 67.72, 17.26, 1.98

 

CMYK 0 / 33 / 27 / 18

HEX #D28D99

RGB 210 141 153

HSL 349.57, 0.43%, 0.69%

LAB 65.79, 27.86, 4.41

 

CMYK 0 / 43 / 35 / 13

HEX #DF8091

RGB 223 128 145

HSL 349.26, 0.6%, 0.69%

LAB 64.3, 38.5, 7

 

CMYK 0 / 51 / 42 / 8

HEX #EB7489

RGB 235 116 137

HSL 349.41, 0.75%, 0.69%

LAB 63.31, 47.91, 10.38

 

CMYK 0 / 9 / 8 / 28

HEX #B8A7AA

RGB 184 167 170

HSL 349.41, 0.11%, 0.69%

LAB 69.99, 6.67, 0.68

 

CMYK 5 / 0 / 1 / 29

HEX #ABB4B2

RGB 171 180 178

HSL 166.67, 0.06%, 0.69%

LAB 72.57, -3.52, -0.08

 

CMYK 17 / 0 / 3 / 25

HEX #9FC0BA

RGB 159 192 186

HSL 169.09, 0.21%, 0.69%

LAB 75.21, -12.28, -0.68

 

CMYK 29 / 0 / 5 / 20

HEX #92CDC3

RGB 146 205 195

HSL 169.83, 0.37%, 0.69%

LAB 78.29, -21.02, -1.12

 

CMYK 39 / 0 / 7 / 15

HEX #85DACB

RGB 133 218 203

HSL 169.41, 0.53%, 0.69%

LAB 81.53, -29.2, -0.74

 

CMYK 0 / 9 / 3 / 28

HEX #B8A7B3

RGB 184 167 179

HSL 317.65, 0.11%, 0.69%

LAB 70.23, 8.3, -3.94

 

CMYK 0 / 9 / 5 / 28

HEX #B8A7AF

RGB 184 167 175

HSL 331.76, 0.11%, 0.69%

LAB 70.12, 7.57, -1.89

 

CMYK 0 / 9 / 8 / 28

HEX #B8A7AA

RGB 184 167 170

HSL 349.41, 0.11%, 0.69%

LAB 69.99, 6.67, 0.68

 

CMYK 0 / 9 / 9 / 28

HEX #B8A8A7

RGB 184 168 167

HSL 3.53, 0.11%, 0.69%

LAB 70.17, 5.6, 2.6

 

CMYK 0 / 6 / 9 / 28

HEX #B8ADA7

RGB 184 173 167

HSL 21.18, 0.11%, 0.69%

LAB 71.46, 2.88, 4.48

 

CMYK 0 / 18 / 14 / 42

HEX #93797E

RGB 147 121 126

HSL 348.46, 0.11%, 0.53%

LAB 53.37, 10.93, 1.05

 

CMYK 0 / 13 / 11 / 35

HEX #A69094

RGB 166 144 148

HSL 349.09, 0.11%, 0.61%

LAB 61.82, 8.91, 0.91

 

CMYK 0 / 9 / 8 / 28

HEX #B8A7AA

RGB 184 167 170

HSL 349.41, 0.11%, 0.69%

LAB 69.99, 6.67, 0.68

 

CMYK 0 / 6 / 5 / 20

HEX #CBBEC0

RGB 203 190 192

HSL 350.77, 0.11%, 0.77%

LAB 78.07, 4.92, 0.63

 

CMYK 0 / 4 / 3 / 13

HEX #DDD5D6

RGB 221 213 214

HSL 352.5, 0.11%, 0.85%

LAB 85.91, 2.92, 0.47

 

CMYK 0 / 9 / 8 / 27

HEX #B9A8AB

RGB 185 168 171

HSL 349.41, 0.11%, 0.69%

LAB 70.36, 6.67, 0.68

 

CMYK 0 / 0 / 9 / 28

HEX #B8B8A7

RGB 184 184 167

HSL 60, 0.11%, 0.69%

LAB 74.36, -3.02, 8.63

 

CMYK 9 / 4 / 0 / 28

HEX #A7B1B8

RGB 167 177 184

HSL 204.71, 0.11%, 0.69%

LAB 71.64, -2.08, -4.78

 

CMYK 0 / 9 / 8 / 27

HEX #B9A8AB

RGB 185 168 171

HSL 349.41, 0.11%, 0.69%

LAB 70.36, 6.67, 0.68

 

CMYK 8 / 0 / 9 / 28

HEX #AAB8A7

RGB 170 184 167

HSL 109.41, 0.11%, 0.69%

LAB 73.3, -8.05, 6.98

 

CMYK 9 / 8 / 0 / 28

HEX #A7AAB8

RGB 167 170 184

HSL 229.41, 0.11%, 0.69%

LAB 69.77, 1.72, -7.54

 

CMYK 0 / 9 / 8 / 27

HEX #B9A8AB

RGB 185 168 171

HSL 349.41, 0.11%, 0.69%

LAB 70.36, 6.67, 0.68

 

CMYK 0 / 0 / 9 / 28

HEX #B8B8A7

RGB 184 184 167

HSL 60, 0.11%, 0.69%

LAB 74.36, -3.02, 8.63

 

CMYK 9 / 0 / 2 / 28

HEX #A7B8B5

RGB 167 184 181

HSL 169.41, 0.11%, 0.69%

LAB 73.44, -6.43, -0.49

 

CMYK 9 / 9 / 0 / 28

HEX #A7A7B8

RGB 167 167 184

HSL 240, 0.11%, 0.69%

LAB 68.98, 3.37, -8.72

 

CMYK 0 / 9 / 8 / 27

HEX #B9A8AB

RGB 185 168 171

HSL 349.41, 0.11%, 0.69%

LAB 70.36, 6.67, 0.68

 

CMYK 3 / 0 / 9 / 28

HEX #B3B8A7

RGB 179 184 167

HSL 77.65, 0.11%, 0.69%

LAB 73.97, -4.83, 8.03

 

CMYK 9 / 0 / 2 / 28

HEX #A7B8B5

RGB 167 184 181

HSL 169.41, 0.11%, 0.69%

LAB 73.44, -6.43, -0.49

 

CMYK 7 / 9 / 0 / 28

HEX #ACA7B8

RGB 172 167 184

HSL 257.65, 0.11%, 0.69%

LAB 69.38, 5.08, -8.08

 

Description

Color code: HEX #B9A8AB | qconv.com Color code: HEX #B9A8AB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 168 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 168 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 8 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 8% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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