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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B9A511CE it is the complementary color #465AEECE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B9A511CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B9A511CE shade: #BEA50CCE, #CFB71FCE, #E0C932CE, #F1DB45CE and #FFED58CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B9A511CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B9A511CE shade: #B9A511CE, #A89300CE, #978100CE, #866F00CE and #755D00CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B9A511CE shade: #BBA711, #BB7911, #BB4B11, #BB1E11 and #BB1111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B9A511CE shade: #BBA711, #A1BB11, #73BB11, #46BB11 and #18BB11

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B9A511CE shade matches the following richer shades: #BBA711 and #CBB301

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B9A511CE shade: #BBA711, #AA9A22, #9A8D32, #898143 and #797453

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B9A511CE shade: #BB4A11, #BB7711, #BBA411, #A4BB11 and #77BB11

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B9A511CE shade: #6F630A, #95850E, #BBA711, #E0C815 and #ECD633

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B9A511CE shade: #B9A511, #11BB1D and #6011BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B9A511CE shade: #B9A511, #11BBA4 and #A411BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B9A511CE shade: #B9A511, #11BB1D, #1128BB and #BB11AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B9A511CE shade: #B9A511, #11BB4F, #1128BB and #BB117D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 74 / 22

HEX #B9A511CE

RGBA 185 165 17 0.81

HSLA 52.86, 0.83%, 0.4%, 0.81

LABA 67.48, -6.4, 68.01, 0.81

 

Complementary color

CMYK 57 / 50 / 0 / 5

HEX #465AEECE

RGBA 70 90 238 0.81

HSLA 232.86, 0.83%, 0.6%, 0.81

LABA 45.34, 40.79, -76.65, 0.81

 

CMYK 0 / 11 / 76 / 21

HEX #BEA50CCE

RGBA 190 165 12 0.81

HSLA 51.57, 0.88%, 0.4%, 0.81

LABA 67.94, -4.24, 69.34, 0.81

 

CMYK 0 / 9 / 69 / 15

HEX #CFB71FCE

RGBA 207 183 31 0.81

HSLA 51.82, 0.74%, 0.47%, 0.81

LABA 74.34, -5.81, 71.46, 0.81

 

CMYK 0 / 8 / 63 / 10

HEX #E0C932CE

RGBA 224 201 50 0.81

HSLA 52.07, 0.74%, 0.54%, 0.81

LABA 80.66, -7.15, 72.29, 0.81

 

CMYK 0 / 7 / 58 / 4

HEX #F1DB45CE

RGBA 241 219 69 0.81

HSLA 52.33, 0.86%, 0.61%, 0.81

LABA 86.9, -8.3, 72.31, 0.81

 

CMYK 0 / 6 / 53 / 0

HEX #FFED58CE

RGBA 255 237 88 0.81

HSLA 53.53, 1%, 0.67%, 0.81

LABA 92.81, -10.52, 71.5, 0.81

 

CMYK 0 / 9 / 74 / 22

HEX #B9A511CE

RGBA 185 165 17 0.81

HSLA 52.86, 0.83%, 0.4%, 0.81

LABA 67.48, -6.4, 68.01, 0.81

 

CMYK 0 / 10 / 81 / 28

HEX #A89300CE

RGBA 168 147 0 0.81

HSLA 52.5, 1%, 0.33%, 0.81

LABA 60.95, -4.71, 64.92, 0.81

 

CMYK 0 / 12 / 81 / 33

HEX #978100CE

RGBA 151 129 0 0.81

HSLA 51.26, 1%, 0.3%, 0.81

LABA 54.32, -2.71, 59.44, 0.81

 

CMYK 0 / 14 / 81 / 38

HEX #866F00CE

RGBA 134 111 0 0.81

HSLA 49.7, 1%, 0.26%, 0.81

LABA 47.54, -0.63, 53.83, 0.81

 

CMYK 0 / 17 / 81 / 44

HEX #755D00CE

RGBA 117 93 0 0.81

HSLA 47.69, 1%, 0.23%, 0.81

LABA 40.59, 1.57, 48.1, 0.81

 

CMYK 0 / 11 / 91 / 27

HEX #BBA711

RGB 187 167 17

HSL 52.94, 0.83%, 0.4%

LAB 68.2, -6.56, 68.65

 

CMYK 0 / 35 / 91 / 27

HEX #BB7911

RGB 187 121 17

HSL 36.71, 0.83%, 0.4%

LAB 56.37, 18.5, 59.58

 

CMYK 0 / 60 / 91 / 27

HEX #BB4B11

RGB 187 75 17

HSL 20.47, 0.83%, 0.4%

LAB 46.5, 42.7, 52.22

 

CMYK 0 / 84 / 91 / 27

HEX #BB1E11

RGB 187 30 17

HSL 4.59, 0.83%, 0.4%

LAB 40.47, 59.17, 47.9

 

CMYK 0 / 91 / 91 / 27

HEX #BB1111

RGB 187 17 17

HSL 0, 0.83%, 0.4%

LAB 39.59, 61.67, 47.28

 

CMYK 0 / 11 / 91 / 27

HEX #BBA711

RGB 187 167 17

HSL 52.94, 0.83%, 0.4%

LAB 68.2, -6.56, 68.65

 

CMYK 14 / 0 / 91 / 27

HEX #A1BB11

RGB 161 187 17

HSL 69.18, 0.83%, 0.4%

LAB 71.66, -27.97, 70.48

 

CMYK 39 / 0 / 91 / 27

HEX #73BB11

RGB 115 187 17

HSL 85.41, 0.83%, 0.4%

LAB 68.91, -45.9, 67.1

 

CMYK 63 / 0 / 91 / 27

HEX #46BB11

RGB 70 187 17

HSL 101.29, 0.83%, 0.4%

LAB 67.19, -59.22, 64.97

 

CMYK 87 / 0 / 91 / 27

HEX #18BB11

RGB 24 187 17

HSL 117.53, 0.83%, 0.4%

LAB 66.35, -66.5, 63.92

 

CMYK 0 / 11 / 91 / 27

HEX #BBA711

RGB 187 167 17

HSL 52.94, 0.83%, 0.4%

LAB 68.2, -6.56, 68.65

 

CMYK 0 / 12 / 100 / 20

HEX #CBB301

RGB 203 179 1

HSL 52.87, 0.99%, 0.4%

LAB 72.85, -5.95, 74.81

 

CMYK 0 / 11 / 91 / 27

HEX #BBA711

RGB 187 167 17

HSL 52.94, 0.83%, 0.4%

LAB 68.2, -6.56, 68.65

 

CMYK 0 / 9 / 80 / 33

HEX #AA9A22

RGB 170 154 34

HSL 52.94, 0.67%, 0.4%

LAB 63.15, -6.83, 59.74

 

CMYK 0 / 8 / 68 / 40

HEX #9A8D32

RGB 154 141 50

HSL 52.5, 0.51%, 0.4%

LAB 58.18, -6.24, 48.43

 

CMYK 0 / 6 / 51 / 46

HEX #898143

RGB 137 129 67

HSL 53.14, 0.34%, 0.4%

LAB 53.41, -5.91, 34.42

 

CMYK 0 / 4 / 31 / 53

HEX #797453

RGB 121 116 83

HSL 52.11, 0.19%, 0.4%

LAB 48.49, -3.66, 18.97

 

CMYK 0 / 60 / 91 / 27

HEX #BB4A11

RGB 187 74 17

HSL 20.12, 0.83%, 0.4%

LAB 46.32, 43.17, 52.09

 

CMYK 0 / 36 / 91 / 27

HEX #BB7711

RGB 187 119 17

HSL 36, 0.83%, 0.4%

LAB 55.89, 19.61, 59.21

 

CMYK 0 / 12 / 91 / 27

HEX #BBA411

RGB 187 164 17

HSL 51.88, 0.83%, 0.4%

LAB 67.39, -4.97, 68.03

 

CMYK 12 / 0 / 91 / 27

HEX #A4BB11

RGB 164 187 17

HSL 68.12, 0.83%, 0.4%

LAB 71.88, -26.71, 70.74

 

CMYK 36 / 0 / 91 / 27

HEX #77BB11

RGB 119 187 17

HSL 84, 0.83%, 0.4%

LAB 69.11, -44.48, 67.35

 

CMYK 0 / 11 / 91 / 56

HEX #6F630A

RGB 111 99 10

HSL 52.87, 0.83%, 0.24%

LAB 41.73, -4.63, 46.04

 

CMYK 0 / 11 / 91 / 42

HEX #95850E

RGB 149 133 14

HSL 52.89, 0.83%, 0.32%

LAB 55.27, -5.61, 57.57

 

CMYK 0 / 11 / 91 / 27

HEX #BBA711

RGB 187 167 17

HSL 52.94, 0.83%, 0.4%

LAB 68.2, -6.56, 68.65

 

CMYK 0 / 11 / 91 / 12

HEX #E0C815

RGB 224 200 21

HSL 52.91, 0.83%, 0.48%

LAB 80.3, -7.37, 78.79

 

CMYK 0 / 9 / 78 / 7

HEX #ECD633

RGB 236 214 51

HSL 52.86, 0.83%, 0.56%

LAB 85.08, -8.6, 76.35

 

CMYK 0 / 11 / 91 / 27

HEX #B9A511

RGB 185 165 17

HSL 52.86, 0.83%, 0.4%

LAB 67.48, -6.4, 68.01

 

CMYK 91 / 0 / 84 / 27

HEX #11BB1D

RGB 17 187 29

HSL 124.24, 0.83%, 0.4%

LAB 66.33, -66.55, 61.44

 

CMYK 49 / 91 / 0 / 27

HEX #6011BB

RGB 96 17 187

HSL 267.88, 0.83%, 0.4%

LAB 30.58, 63.24, -71.4

 

CMYK 0 / 11 / 91 / 27

HEX #B9A511

RGB 185 165 17

HSL 52.86, 0.83%, 0.4%

LAB 67.48, -6.4, 68.01

 

CMYK 91 / 0 / 12 / 27

HEX #11BBA4

RGB 17 187 164

HSL 171.88, 0.83%, 0.4%

LAB 68.27, -44.15, 0.61

 

CMYK 12 / 91 / 0 / 27

HEX #A411BB

RGB 164 17 187

HSL 291.88, 0.83%, 0.4%

LAB 41.03, 72.32, -53.91

 

CMYK 0 / 11 / 91 / 27

HEX #B9A511

RGB 185 165 17

HSL 52.86, 0.83%, 0.4%

LAB 67.48, -6.4, 68.01

 

CMYK 91 / 0 / 84 / 27

HEX #11BB1D

RGB 17 187 29

HSL 124.24, 0.83%, 0.4%

LAB 66.33, -66.55, 61.44

 

CMYK 91 / 79 / 0 / 27

HEX #1128BB

RGB 17 40 187

HSL 231.88, 0.83%, 0.4%

LAB 27.37, 48.8, -76.91

 

CMYK 0 / 91 / 6 / 27

HEX #BB11AF

RGB 187 17 175

HSL 304.24, 0.83%, 0.4%

LAB 44.32, 74.39, -41.33

 

CMYK 0 / 11 / 91 / 27

HEX #B9A511

RGB 185 165 17

HSL 52.86, 0.83%, 0.4%

LAB 67.48, -6.4, 68.01

 

CMYK 91 / 0 / 58 / 27

HEX #11BB4F

RGB 17 187 79

HSL 141.88, 0.83%, 0.4%

LAB 66.69, -61.97, 43.17

 

CMYK 91 / 79 / 0 / 27

HEX #1128BB

RGB 17 40 187

HSL 231.88, 0.83%, 0.4%

LAB 27.37, 48.8, -76.91

 

CMYK 0 / 91 / 33 / 27

HEX #BB117D

RGB 187 17 125

HSL 321.88, 0.83%, 0.4%

LAB 41.92, 68.11, -14.81

 

Description

Color code: HEX #B9A511CE | qconv.com Color code: HEX #B9A511CE | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 165 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 165 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 74 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 74% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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