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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B99A01 it is the complementary color #4665FE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B99A01. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B99A01 shade: #BE9A00, #CFAC0F, #E0BE22, #F1D035 and #FFE248

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B99A01. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B99A01 shade: #B99A01, #A88800, #977600, #866400 and #755200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B99A01 shade: #B79801, #B76701, #B73601, #B70501 and #B70101

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B99A01 shade: #B79801, #A4B701, #73B701, #42B701 and #11B701

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B99A01 shade matches the following richer shades: #B79801

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B99A01 shade: #B79801, #A88E10, #99841F, #8A7B2D and #7B713C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B99A01 shade: #B73401, #B76501, #B79501, #A8B701 and #77B701

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B99A01 shade: #655401, #8E7601, #B79801, #E0BA01 and #FED50C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B99A01 shade: #B99A01, #01B704 and #4D01B7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B99A01 shade: #B99A01, #01B795 and #9501B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B99A01 shade: #B99A01, #01B704, #0122B7 and #B701B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B99A01 shade: #B99A01, #01B73A, #0122B7 and #B7017D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 99 / 27

HEX #B99A01

RGB 185 154 1

HSL 49.89, 0.99%, 0.36%

LAB 64.51, -0.74, 68.07

 

Complementary color

CMYK 72 / 60 / 0 / 0

HEX #4665FE

RGB 70 101 254

HSL 229.89, 0.99%, 0.64%

LAB 49.21, 39.58, -79.26

 

CMYK 0 / 19 / 100 / 25

HEX #BE9A00

RGB 190 154 0

HSL 48.63, 1%, 0.37%

LAB 65.01, 1.5, 68.8

 

CMYK 0 / 17 / 93 / 19

HEX #CFAC0F

RGB 207 172 15

HSL 49.06, 0.86%, 0.44%

LAB 71.42, -0.35, 72.26

 

CMYK 0 / 15 / 85 / 12

HEX #E0BE22

RGB 224 190 34

HSL 49.26, 0.75%, 0.51%

LAB 77.75, -1.98, 74.21

 

CMYK 0 / 14 / 78 / 5

HEX #F1D035

RGB 241 208 53

HSL 49.47, 0.87%, 0.58%

LAB 84, -3.38, 74.96

 

CMYK 0 / 11 / 72 / 0

HEX #FFE248

RGB 255 226 72

HSL 50.49, 1%, 0.64%

LAB 89.92, -5.85, 74.59

 

CMYK 0 / 17 / 99 / 27

HEX #B99A01

RGB 185 154 1

HSL 49.89, 0.99%, 0.36%

LAB 64.51, -0.74, 68.07

 

CMYK 0 / 19 / 100 / 34

HEX #A88800

RGB 168 136 0

HSL 48.57, 1%, 0.33%

LAB 57.97, 1.31, 62.82

 

CMYK 0 / 22 / 100 / 41

HEX #977600

RGB 151 118 0

HSL 46.89, 1%, 0.3%

LAB 51.31, 3.46, 57.32

 

CMYK 0 / 25 / 100 / 47

HEX #866400

RGB 134 100 0

HSL 44.78, 1%, 0.26%

LAB 44.49, 5.73, 51.71

 

CMYK 0 / 30 / 100 / 54

HEX #755200

RGB 117 82 0

HSL 42.05, 1%, 0.23%

LAB 37.51, 8.14, 45.98

 

CMYK 0 / 17 / 99 / 28

HEX #B79801

RGB 183 152 1

HSL 49.78, 0.99%, 0.36%

LAB 63.78, -0.57, 67.46

 

CMYK 0 / 44 / 99 / 28

HEX #B76701

RGB 183 103 1

HSL 33.63, 0.99%, 0.36%

LAB 51.58, 26.43, 59.22

 

CMYK 0 / 70 / 99 / 28

HEX #B73601

RGB 183 54 1

HSL 17.47, 0.99%, 0.36%

LAB 42.32, 50.19, 53.89

 

CMYK 0 / 97 / 99 / 28

HEX #B70501

RGB 183 5 1

HSL 1.32, 0.99%, 0.36%

LAB 38.16, 61.89, 52.05

 

CMYK 0 / 99 / 99 / 28

HEX #B70101

RGB 183 1 1

HSL 0, 0.99%, 0.36%

LAB 38.01, 62.34, 51.99

 

CMYK 0 / 17 / 99 / 28

HEX #B79801

RGB 183 152 1

HSL 49.78, 0.99%, 0.36%

LAB 63.78, -0.57, 67.46

 

CMYK 10 / 0 / 99 / 28

HEX #A4B701

RGB 164 183 1

HSL 66.26, 0.99%, 0.36%

LAB 70.71, -25, 71.77

 

CMYK 37 / 0 / 99 / 28

HEX #73B701

RGB 115 183 1

HSL 82.42, 0.99%, 0.36%

LAB 67.66, -44.54, 68.12

 

CMYK 64 / 0 / 99 / 28

HEX #42B701

RGB 66 183 1

HSL 98.57, 0.99%, 0.36%

LAB 65.77, -59.15, 65.82

 

CMYK 91 / 0 / 99 / 28

HEX #11B701

RGB 17 183 1

HSL 114.73, 0.99%, 0.36%

LAB 64.95, -66.29, 64.83

 

CMYK 0 / 17 / 99 / 28

HEX #B79801

RGB 183 152 1

HSL 49.78, 0.99%, 0.36%

LAB 63.78, -0.57, 67.46

 

CMYK 0 / 17 / 99 / 28

HEX #B79801

RGB 183 152 1

HSL 49.78, 0.99%, 0.36%

LAB 63.78, -0.57, 67.46

 

CMYK 0 / 15 / 90 / 34

HEX #A88E10

RGB 168 142 16

HSL 49.74, 0.83%, 0.36%

LAB 59.62, -1.75, 61.38

 

CMYK 0 / 14 / 80 / 40

HEX #99841F

RGB 153 132 31

HSL 49.67, 0.66%, 0.36%

LAB 55.46, -2.71, 53.2

 

CMYK 0 / 11 / 67 / 46

HEX #8A7B2D

RGB 138 123 45

HSL 50.32, 0.51%, 0.36%

LAB 51.56, -3.89, 43.25

 

CMYK 0 / 8 / 51 / 52

HEX #7B713C

RGB 123 113 60

HSL 50.48, 0.34%, 0.36%

LAB 47.43, -3.86, 30.61

 

CMYK 0 / 72 / 99 / 28

HEX #B73401

RGB 183 52 1

HSL 16.81, 0.99%, 0.36%

LAB 42.04, 50.96, 53.75

 

CMYK 0 / 45 / 99 / 28

HEX #B76501

RGB 183 101 1

HSL 32.97, 0.99%, 0.36%

LAB 51.13, 27.52, 58.93

 

CMYK 0 / 19 / 99 / 28

HEX #B79501

RGB 183 149 1

HSL 48.79, 0.99%, 0.36%

LAB 62.98, 1.06, 66.9

 

CMYK 8 / 0 / 99 / 28

HEX #A8B701

RGB 168 183 1

HSL 64.95, 0.99%, 0.36%

LAB 71, -23.29, 72.13

 

CMYK 35 / 0 / 99 / 28

HEX #77B701

RGB 119 183 1

HSL 81.1, 0.99%, 0.36%

LAB 67.87, -43.08, 68.37

 

CMYK 0 / 17 / 99 / 60

HEX #655401

RGB 101 84 1

HSL 49.8, 0.98%, 0.2%

LAB 36.19, -1.01, 43.85

 

CMYK 0 / 17 / 99 / 44

HEX #8E7601

RGB 142 118 1

HSL 49.79, 0.99%, 0.28%

LAB 50.35, -0.77, 55.99

 

CMYK 0 / 17 / 99 / 28

HEX #B79801

RGB 183 152 1

HSL 49.78, 0.99%, 0.36%

LAB 63.78, -0.57, 67.46

 

CMYK 0 / 17 / 100 / 12

HEX #E0BA01

RGB 224 186 1

HSL 49.78, 0.99%, 0.44%

LAB 76.66, -0.38, 78.43

 

CMYK 0 / 16 / 95 / 0

HEX #FED50C

RGB 254 213 12

HSL 49.83, 0.99%, 0.52%

LAB 86.35, -1.24, 85.65

 

CMYK 0 / 17 / 99 / 27

HEX #B99A01

RGB 185 154 1

HSL 49.89, 0.99%, 0.36%

LAB 64.51, -0.74, 68.07

 

CMYK 99 / 0 / 98 / 28

HEX #01B704

RGB 1 183 4

HSL 120.99, 0.99%, 0.36%

LAB 64.87, -67.04, 64.35

 

CMYK 58 / 99 / 0 / 28

HEX #4D01B7

RGB 77 1 183

HSL 265.05, 0.99%, 0.36%

LAB 26.79, 63.72, -75.38

 

CMYK 0 / 17 / 99 / 27

HEX #B99A01

RGB 185 154 1

HSL 49.89, 0.99%, 0.36%

LAB 64.51, -0.74, 68.07

 

CMYK 99 / 0 / 19 / 28

HEX #01B795

RGB 1 183 149

HSL 168.79, 0.99%, 0.36%

LAB 66.55, -47.12, 6.37

 

CMYK 19 / 99 / 0 / 28

HEX #9501B7

RGB 149 1 183

HSL 288.79, 0.99%, 0.36%

LAB 37.54, 71.29, -57.32

 

CMYK 0 / 17 / 99 / 27

HEX #B99A01

RGB 185 154 1

HSL 49.89, 0.99%, 0.36%

LAB 64.51, -0.74, 68.07

 

CMYK 99 / 0 / 98 / 28

HEX #01B704

RGB 1 183 4

HSL 120.99, 0.99%, 0.36%

LAB 64.87, -67.04, 64.35

 

CMYK 99 / 81 / 0 / 28

HEX #0122B7

RGB 1 34 183

HSL 229.12, 0.99%, 0.36%

LAB 25.47, 50.25, -77.69

 

CMYK 0 / 99 / 2 / 28

HEX #B701B4

RGB 183 1 180

HSL 300.99, 0.99%, 0.36%

LAB 43.34, 76.05, -45.89

 

CMYK 0 / 17 / 99 / 27

HEX #B99A01

RGB 185 154 1

HSL 49.89, 0.99%, 0.36%

LAB 64.51, -0.74, 68.07

 

CMYK 99 / 0 / 68 / 28

HEX #01B73A

RGB 1 183 58

HSL 138.79, 0.99%, 0.36%

LAB 65.1, -64.01, 50.61

 

CMYK 99 / 81 / 0 / 28

HEX #0122B7

RGB 1 34 183

HSL 229.12, 0.99%, 0.36%

LAB 25.47, 50.25, -77.69

 

CMYK 0 / 99 / 32 / 28

HEX #B7017D

RGB 183 1 125

HSL 319.12, 0.99%, 0.36%

LAB 40.52, 69.02, -17.01

 

Description

Color code: HEX #B99A01 | qconv.com Color code: HEX #B99A01 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 154 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 154 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 99 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 99% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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