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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B998D7 it is the complementary color #466728. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B998D7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B998D7 shade: #BE98D2, #CFAAE5, #E0BCF8, #F1CEFF and #FFE0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B998D7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B998D7 shade: #B998D7, #A886C4, #9774B1, #86629E and #75508B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B998D7 shade: #B998D7, #CA98D7, #D798D3, #D798C2 and #D798B1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B998D7 shade: #B998D7, #A898D7 and #9898D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B998D7 shade matches the following richer shades: #B998D7, #BA8DE3, #BA81EE and #BB76FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B998D7 shade: #B998D7, #B9A4CB, #B8AFC0, #B7BBB4 and #B7C6A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B998D7 shade: #9899D7, #A898D7, #B998D7, #C998D7 and #D798D4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B998D7 shade: #915DC0, #A57ACB, #B998D7, #CDB6E3 and #E1D4EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B998D7 shade: #B998D7, #D798AA and #98D7A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B998D7 shade: #B998D7, #D7B998 and #98D7B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B998D7 shade: #B998D7, #D798AA, #B7D798 and #98D7C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B998D7 shade: #B998D7, #D79998, #B7D798 and #98D6D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 29 / 0 / 16

HEX #B998D7

RGB 185 152 215

HSL 271.43, 0.44%, 0.72%

LAB 67.78, 24.19, -27.56

 

Complementary color

CMYK 32 / 0 / 61 / 60

HEX #466728

RGB 70 103 40

HSL 91.43, 0.44%, 0.28%

LAB 39.84, -23.8, 31.2

 

CMYK 10 / 28 / 0 / 18

HEX #BE98D2

RGB 190 152 210

HSL 279.31, 0.39%, 0.71%

LAB 68.06, 24.73, -24.32

 

CMYK 10 / 26 / 0 / 10

HEX #CFAAE5

RGB 207 170 229

HSL 277.63, 0.53%, 0.78%

LAB 74.62, 24.16, -24.59

 

CMYK 10 / 24 / 0 / 3

HEX #E0BCF8

RGB 224 188 248

HSL 276, 0.81%, 0.85%

LAB 81.07, 23.63, -24.86

 

CMYK 5 / 19 / 0 / 0

HEX #F1CEFF

RGB 241 206 255

HSL 282.86, 1%, 0.9%

LAB 87.03, 20.8, -19.4

 

CMYK 0 / 12 / 0 / 0

HEX #FFE0FF

RGB 255 224 255

HSL 300, 1%, 0.94%

LAB 92.48, 15.9, -11.1

 

CMYK 14 / 29 / 0 / 16

HEX #B998D7

RGB 185 152 215

HSL 271.43, 0.44%, 0.72%

LAB 67.78, 24.19, -27.56

 

CMYK 14 / 32 / 0 / 23

HEX #A886C4

RGB 168 134 196

HSL 272.9, 0.34%, 0.65%

LAB 61.1, 24.82, -27.38

 

CMYK 15 / 34 / 0 / 31

HEX #9774B1

RGB 151 116 177

HSL 274.43, 0.28%, 0.57%

LAB 54.29, 25.5, -27.2

 

CMYK 15 / 38 / 0 / 38

HEX #86629E

RGB 134 98 158

HSL 276, 0.24%, 0.5%

LAB 47.33, 26.25, -27.05

 

CMYK 16 / 42 / 0 / 45

HEX #75508B

RGB 117 80 139

HSL 277.63, 0.27%, 0.43%

LAB 40.22, 27.07, -26.9

 

CMYK 14 / 29 / 0 / 16

HEX #B998D7

RGB 185 152 215

HSL 271.43, 0.44%, 0.72%

LAB 67.78, 24.19, -27.56

 

CMYK 6 / 29 / 0 / 16

HEX #CA98D7

RGB 202 152 215

HSL 287.62, 0.44%, 0.72%

LAB 69.41, 29.6, -24.92

 

CMYK 0 / 29 / 2 / 16

HEX #D798D3

RGB 215 152 211

HSL 303.81, 0.44%, 0.72%

LAB 70.6, 33.06, -20.78

 

CMYK 0 / 29 / 10 / 16

HEX #D798C2

RGB 215 152 194

HSL 320, 0.44%, 0.72%

LAB 70.03, 30.05, -12.22

 

CMYK 0 / 29 / 18 / 16

HEX #D798B1

RGB 215 152 177

HSL 336.19, 0.44%, 0.72%

LAB 69.52, 27.27, -3.53

 

CMYK 14 / 29 / 0 / 16

HEX #B998D7

RGB 185 152 215

HSL 271.43, 0.44%, 0.72%

LAB 67.78, 24.19, -27.56

 

CMYK 22 / 29 / 0 / 16

HEX #A898D7

RGB 168 152 215

HSL 255.24, 0.44%, 0.72%

LAB 66.28, 18.92, -30

 

CMYK 29 / 29 / 0 / 16

HEX #9898D7

RGB 152 152 215

HSL 240, 0.44%, 0.72%

LAB 64.99, 14.13, -32.09

 

CMYK 14 / 29 / 0 / 16

HEX #B998D7

RGB 185 152 215

HSL 271.43, 0.44%, 0.72%

LAB 67.78, 24.19, -27.56

 

CMYK 18 / 38 / 0 / 11

HEX #BA8DE3

RGB 186 141 227

HSL 271.4, 0.61%, 0.72%

LAB 65.78, 33.25, -37.3

 

CMYK 22 / 46 / 0 / 7

HEX #BA81EE

RGB 186 129 238

HSL 271.38, 0.76%, 0.72%

LAB 63.6, 42.31, -46.79

 

CMYK 25 / 53 / 0 / 2

HEX #BB76FA

RGB 187 118 250

HSL 271.36, 0.93%, 0.72%

LAB 62.02, 51.17, -55.91

 

CMYK 14 / 29 / 0 / 16

HEX #B998D7

RGB 185 152 215

HSL 271.43, 0.44%, 0.72%

LAB 67.78, 24.19, -27.56

 

CMYK 9 / 19 / 0 / 20

HEX #B9A4CB

RGB 185 164 203

HSL 272.31, 0.27%, 0.72%

LAB 70.3, 14.99, -17.09

 

CMYK 4 / 9 / 0 / 25

HEX #B8AFC0

RGB 184 175 192

HSL 271.76, 0.12%, 0.72%

LAB 72.66, 6.4, -7.5

 

CMYK 2 / 0 / 4 / 27

HEX #B7BBB4

RGB 183 187 180

HSL 94.29, 0.05%, 0.72%

LAB 75.39, -2.69, 3.05

 

CMYK 8 / 0 / 15 / 22

HEX #B7C6A9

RGB 183 198 169

HSL 91.03, 0.2%, 0.72%

LAB 78.06, -10.38, 12.81

 

CMYK 29 / 29 / 0 / 16

HEX #9899D7

RGB 152 153 215

HSL 239.05, 0.44%, 0.72%

LAB 65.25, 13.56, -31.7

 

CMYK 22 / 29 / 0 / 16

HEX #A898D7

RGB 168 152 215

HSL 255.24, 0.44%, 0.72%

LAB 66.28, 18.92, -30

 

CMYK 14 / 29 / 0 / 16

HEX #B998D7

RGB 185 152 215

HSL 271.43, 0.44%, 0.72%

LAB 67.78, 24.19, -27.56

 

CMYK 7 / 29 / 0 / 16

HEX #C998D7

RGB 201 152 215

HSL 286.67, 0.44%, 0.72%

LAB 69.31, 29.28, -25.08

 

CMYK 0 / 29 / 1 / 16

HEX #D798D4

RGB 215 152 212

HSL 302.86, 0.44%, 0.72%

LAB 70.63, 33.24, -21.28

 

CMYK 24 / 52 / 0 / 25

HEX #915DC0

RGB 145 93 192

HSL 271.52, 0.44%, 0.56%

LAB 49.07, 40.32, -44.09

 

CMYK 19 / 40 / 0 / 20

HEX #A57ACB

RGB 165 122 203

HSL 271.85, 0.44%, 0.64%

LAB 58.25, 32.26, -35.77

 

CMYK 14 / 29 / 0 / 16

HEX #B998D7

RGB 185 152 215

HSL 271.43, 0.44%, 0.72%

LAB 67.78, 24.19, -27.56

 

CMYK 10 / 20 / 0 / 11

HEX #CDB6E3

RGB 205 182 227

HSL 270.67, 0.45%, 0.8%

LAB 77.27, 16.57, -19.49

 

CMYK 5 / 11 / 0 / 7

HEX #E1D4EE

RGB 225 212 238

HSL 270, 0.43%, 0.88%

LAB 86.64, 9.19, -11.13

 

CMYK 14 / 29 / 0 / 16

HEX #B998D7

RGB 185 152 215

HSL 271.43, 0.44%, 0.72%

LAB 67.78, 24.19, -27.56

 

CMYK 0 / 29 / 21 / 16

HEX #D798AA

RGB 215 152 170

HSL 342.86, 0.44%, 0.72%

LAB 69.33, 26.2, 0.09

 

CMYK 29 / 0 / 26 / 16

HEX #98D7A0

RGB 152 215 160

HSL 127.62, 0.44%, 0.72%

LAB 80.64, -30.93, 20.89

 

CMYK 14 / 29 / 0 / 16

HEX #B998D7

RGB 185 152 215

HSL 271.43, 0.44%, 0.72%

LAB 67.78, 24.19, -27.56

 

CMYK 0 / 14 / 29 / 16

HEX #D7B998

RGB 215 185 152

HSL 31.43, 0.44%, 0.72%

LAB 76.93, 5.86, 20.73

 

CMYK 29 / 0 / 14 / 16

HEX #98D7B9

RGB 152 215 185

HSL 151.43, 0.44%, 0.72%

LAB 81.17, -26.25, 8.43

 

CMYK 14 / 29 / 0 / 16

HEX #B998D7

RGB 185 152 215

HSL 271.43, 0.44%, 0.72%

LAB 67.78, 24.19, -27.56

 

CMYK 0 / 29 / 21 / 16

HEX #D798AA

RGB 215 152 170

HSL 342.86, 0.44%, 0.72%

LAB 69.33, 26.2, 0.09

 

CMYK 15 / 0 / 29 / 16

HEX #B7D798

RGB 183 215 152

HSL 90.48, 0.44%, 0.72%

LAB 82.34, -21.63, 27.69

 

CMYK 29 / 0 / 8 / 16

HEX #98D7C5

RGB 152 215 197

HSL 162.86, 0.44%, 0.72%

LAB 81.46, -23.78, 2.46

 

CMYK 14 / 29 / 0 / 16

HEX #B998D7

RGB 185 152 215

HSL 271.43, 0.44%, 0.72%

LAB 67.78, 24.19, -27.56

 

CMYK 0 / 29 / 29 / 16

HEX #D79998

RGB 215 153 152

HSL 0.95, 0.44%, 0.72%

LAB 69.11, 23.09, 9.8

 

CMYK 15 / 0 / 29 / 16

HEX #B7D798

RGB 183 215 152

HSL 90.48, 0.44%, 0.72%

LAB 82.34, -21.63, 27.69

 

CMYK 29 / 0 / 0 / 16

HEX #98D6D7

RGB 152 214 215

HSL 180.95, 0.44%, 0.72%

LAB 81.66, -19.32, -6.83

 

Description

Color code: HEX #B998D7 | qconv.com Color code: HEX #B998D7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 152 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 152 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 29 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 29% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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