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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B998C4 it is the complementary color #46673B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B998C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B998C4 shade: #BE98BF, #CFAAD2, #E0BCE5, #F1CEF8 and #FFE0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B998C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B998C4 shade: #B998C4, #A886B1, #97749E, #86628B and #755078

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B998C4 shade: #B897C3, #C397C3, #C397B7, #C397AB and #C3979F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B998C4 shade: #B897C3, #AD97C3, #A197C3 and #9797C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B998C4 shade matches the following richer shades: #B897C3, #BF8AD1, #C67DDE, #CC70EB and #D363F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B998C4 shade: #B897C3, #B2A5B6, #ABB2A9, #A5BF9C and #9ECC8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B998C4 shade: #A197C3, #AD97C3, #B897C3, #C397C3 and #C397B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B998C4 shade: #9563A5, #A77DB4, #B897C3, #CAB2D2 and #DCCCE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B998C4 shade: #B998C4, #C3979A and #97C3A7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B998C4 shade: #B998C4, #C3B897 and #97C3B8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B998C4 shade: #B998C4, #C3979A, #A2C397 and #97C3C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B998C4 shade: #B998C4, #C3A297, #A2C397 and #97B8C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 22 / 0 / 23

HEX #B998C4

RGB 185 152 196

HSL 285, 0.27%, 0.68%

LAB 67.09, 20.24, -18.06

 

Complementary color

CMYK 32 / 0 / 43 / 60

HEX #46673B

RGB 70 103 59

HSL 105, 0.27%, 0.32%

LAB 40.11, -21.24, 21.1

 

CMYK 1 / 20 / 0 / 25

HEX #BE98BF

RGB 190 152 191

HSL 298.46, 0.23%, 0.67%

LAB 67.4, 20.95, -14.77

 

CMYK 1 / 19 / 0 / 18

HEX #CFAAD2

RGB 207 170 210

HSL 295.5, 0.31%, 0.75%

LAB 73.98, 20.42, -15.19

 

CMYK 2 / 18 / 0 / 10

HEX #E0BCE5

RGB 224 188 229

HSL 292.68, 0.44%, 0.82%

LAB 80.44, 19.94, -15.61

 

CMYK 3 / 17 / 0 / 3

HEX #F1CEF8

RGB 241 206 248

HSL 290, 0.75%, 0.89%

LAB 86.81, 19.48, -16.02

 

CMYK 0 / 12 / 0 / 0

HEX #FFE0FF

RGB 255 224 255

HSL 300, 1%, 0.94%

LAB 92.48, 15.9, -11.1

 

CMYK 6 / 22 / 0 / 23

HEX #B998C4

RGB 185 152 196

HSL 285, 0.27%, 0.68%

LAB 67.09, 20.24, -18.06

 

CMYK 5 / 24 / 0 / 31

HEX #A886B1

RGB 168 134 177

HSL 287.44, 0.22%, 0.61%

LAB 60.38, 20.8, -17.71

 

CMYK 4 / 27 / 0 / 38

HEX #97749E

RGB 151 116 158

HSL 290, 0.18%, 0.54%

LAB 53.53, 21.41, -17.35

 

CMYK 4 / 29 / 0 / 45

HEX #86628B

RGB 134 98 139

HSL 292.68, 0.17%, 0.46%

LAB 46.54, 22.08, -16.98

 

CMYK 3 / 33 / 0 / 53

HEX #755078

RGB 117 80 120

HSL 295.5, 0.2%, 0.39%

LAB 39.37, 22.82, -16.59

 

CMYK 6 / 23 / 0 / 24

HEX #B897C3

RGB 184 151 195

HSL 285, 0.27%, 0.68%

LAB 66.72, 20.26, -18.08

 

CMYK 0 / 23 / 0 / 24

HEX #C397C3

RGB 195 151 195

HSL 300, 0.27%, 0.68%

LAB 67.78, 23.97, -16.37

 

CMYK 0 / 23 / 6 / 24

HEX #C397B7

RGB 195 151 183

HSL 316.36, 0.27%, 0.68%

LAB 67.39, 21.75, -10.26

 

CMYK 0 / 23 / 12 / 24

HEX #C397AB

RGB 195 151 171

HSL 332.73, 0.27%, 0.68%

LAB 67.03, 19.65, -4.08

 

CMYK 0 / 23 / 18 / 24

HEX #C3979F

RGB 195 151 159

HSL 349.09, 0.27%, 0.68%

LAB 66.7, 17.69, 2.15

 

CMYK 6 / 23 / 0 / 24

HEX #B897C3

RGB 184 151 195

HSL 285, 0.27%, 0.68%

LAB 66.72, 20.26, -18.08

 

CMYK 11 / 23 / 0 / 24

HEX #AD97C3

RGB 173 151 195

HSL 270, 0.27%, 0.68%

LAB 65.72, 16.61, -19.7

 

CMYK 17 / 23 / 0 / 24

HEX #A197C3

RGB 161 151 195

HSL 253.64, 0.27%, 0.68%

LAB 64.68, 12.69, -21.37

 

CMYK 23 / 23 / 0 / 24

HEX #9797C3

RGB 151 151 195

HSL 240, 0.27%, 0.68%

LAB 63.88, 9.51, -22.67

 

CMYK 6 / 23 / 0 / 24

HEX #B897C3

RGB 184 151 195

HSL 285, 0.27%, 0.68%

LAB 66.72, 20.26, -18.08

 

CMYK 9 / 34 / 0 / 18

HEX #BF8AD1

RGB 191 138 209

HSL 284.79, 0.44%, 0.68%

LAB 64.85, 32.6, -28.7

 

CMYK 11 / 44 / 0 / 13

HEX #C67DDE

RGB 198 125 222

HSL 285.15, 0.6%, 0.68%

LAB 63.3, 44.42, -38.29

 

CMYK 13 / 52 / 0 / 8

HEX #CC70EB

RGB 204 112 235

HSL 284.88, 0.75%, 0.68%

LAB 62.02, 55.4, -47.49

 

CMYK 15 / 60 / 0 / 3

HEX #D363F8

RGB 211 99 248

HSL 285.1, 0.91%, 0.68%

LAB 61.26, 65.88, -55.84

 

CMYK 6 / 23 / 0 / 24

HEX #B897C3

RGB 184 151 195

HSL 285, 0.27%, 0.68%

LAB 66.72, 20.26, -18.08

 

CMYK 2 / 9 / 0 / 29

HEX #B2A5B6

RGB 178 165 182

HSL 285.88, 0.1%, 0.68%

LAB 69.29, 7.86, -7.04

 

CMYK 4 / 0 / 5 / 30

HEX #ABB2A9

RGB 171 178 169

HSL 106.67, 0.06%, 0.68%

LAB 71.8, -4.14, 3.74

 

CMYK 14 / 0 / 18 / 25

HEX #A5BF9C

RGB 165 191 156

HSL 104.57, 0.21%, 0.68%

LAB 74.61, -15.41, 14.76

 

CMYK 23 / 0 / 30 / 20

HEX #9ECC8F

RGB 158 204 143

HSL 105.25, 0.37%, 0.68%

LAB 77.54, -26.48, 25.64

 

CMYK 17 / 23 / 0 / 24

HEX #A197C3

RGB 161 151 195

HSL 253.64, 0.27%, 0.68%

LAB 64.68, 12.69, -21.37

 

CMYK 11 / 23 / 0 / 24

HEX #AD97C3

RGB 173 151 195

HSL 270, 0.27%, 0.68%

LAB 65.72, 16.61, -19.7

 

CMYK 6 / 23 / 0 / 24

HEX #B897C3

RGB 184 151 195

HSL 285, 0.27%, 0.68%

LAB 66.72, 20.26, -18.08

 

CMYK 0 / 23 / 0 / 24

HEX #C397C3

RGB 195 151 195

HSL 300, 0.27%, 0.68%

LAB 67.78, 23.97, -16.37

 

CMYK 0 / 23 / 6 / 24

HEX #C397B7

RGB 195 151 183

HSL 316.36, 0.27%, 0.68%

LAB 67.39, 21.75, -10.26

 

CMYK 10 / 40 / 0 / 35

HEX #9563A5

RGB 149 99 165

HSL 285.45, 0.27%, 0.52%

LAB 49.53, 32.01, -27.62

 

CMYK 7 / 31 / 0 / 29

HEX #A77DB4

RGB 167 125 180

HSL 285.82, 0.27%, 0.6%

LAB 58.21, 26.19, -22.75

 

CMYK 6 / 23 / 0 / 24

HEX #B897C3

RGB 184 151 195

HSL 285, 0.27%, 0.68%

LAB 66.72, 20.26, -18.08

 

CMYK 4 / 15 / 0 / 18

HEX #CAB2D2

RGB 202 178 210

HSL 285, 0.26%, 0.76%

LAB 75.48, 14.38, -12.98

HEX #CAB2D2

CMYK 3 / 10 / 0 / 11

HEX #DCCCE2

RGB 220 204 226

HSL 283.64, 0.28%, 0.84%

LAB 83.91, 9.5, -8.86

HEX #DCCCE2

CMYK 6 / 22 / 0 / 23

HEX #B998C4

RGB 185 152 196

HSL 285, 0.27%, 0.68%

LAB 67.09, 20.24, -18.06

 

CMYK 0 / 23 / 21 / 24

HEX #C3979A

RGB 195 151 154

HSL 355.91, 0.27%, 0.68%

LAB 66.57, 16.91, 4.77

 

CMYK 23 / 0 / 14 / 24

HEX #97C3A7

RGB 151 195 167

HSL 141.82, 0.27%, 0.68%

LAB 75.08, -20.22, 9.35

 

CMYK 6 / 22 / 0 / 23

HEX #B998C4

RGB 185 152 196

HSL 285, 0.27%, 0.68%

LAB 67.09, 20.24, -18.06

 

CMYK 0 / 6 / 23 / 24

HEX #C3B897

RGB 195 184 151

HSL 45, 0.27%, 0.68%

LAB 74.9, -1.44, 18.19

 

CMYK 23 / 0 / 6 / 24

HEX #97C3B8

RGB 151 195 184

HSL 165, 0.27%, 0.68%

LAB 75.49, -16.8, 0.76

 

CMYK 6 / 22 / 0 / 23

HEX #B998C4

RGB 185 152 196

HSL 285, 0.27%, 0.68%

LAB 67.09, 20.24, -18.06

 

CMYK 0 / 23 / 21 / 24

HEX #C3979A

RGB 195 151 154

HSL 355.91, 0.27%, 0.68%

LAB 66.57, 16.91, 4.77

 

CMYK 17 / 0 / 23 / 24

HEX #A2C397

RGB 162 195 151

HSL 105, 0.27%, 0.68%

LAB 75.42, -19.34, 18.53

 

CMYK 23 / 0 / 1 / 24

HEX #97C3C1

RGB 151 195 193

HSL 177.27, 0.27%, 0.68%

LAB 75.74, -14.87, -3.76

 

CMYK 6 / 22 / 0 / 23

HEX #B998C4

RGB 185 152 196

HSL 285, 0.27%, 0.68%

LAB 67.09, 20.24, -18.06

 

CMYK 0 / 17 / 23 / 24

HEX #C3A297

RGB 195 162 151

HSL 15, 0.27%, 0.68%

LAB 69.24, 10.42, 10.25

 

CMYK 17 / 0 / 23 / 24

HEX #A2C397

RGB 162 195 151

HSL 105, 0.27%, 0.68%

LAB 75.42, -19.34, 18.53

 

CMYK 23 / 6 / 0 / 24

HEX #97B8C3

RGB 151 184 195

HSL 195, 0.27%, 0.68%

LAB 72.76, -8.66, -9.26

 

Description

Color code: HEX #B998C4 | qconv.com Color code: HEX #B998C4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 152 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 152 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 22 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 22% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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