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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B99378 it is the complementary color #466C87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B99378. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B99378 shade: #BE9373, #CFA586, #E0B799, #F1C9AC and #FFDBBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B99378. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B99378 shade: #B99378, #A88165, #976F52, #865D3F and #754B2C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B99378 shade: #BA9378, #BA8278 and #BA7878

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B99378 shade: #BA9378, #BAA578, #BAB778, #ABBA78 and #99BA78

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B99378 shade matches the following richer shades: #BA9378, #CA9168, #DB8E57, #EB8B47 and #FC8836

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B99378 shade: #BA9378, #A99689, #999999, #889CAA and #789FBA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B99378 shade: #BA7881, #BA8178, #BA9278, #BAA478 and #BAB578

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B99378 shade: #936A4C, #AC7E5D, #BA9378, #C8A994 and #D6BFAF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B99378 shade: #B99378, #92BA78 and #7878BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B99378 shade: #B99378, #78BA92 and #9278BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B99378 shade: #B99378, #92BA78, #78A0BA and #A078BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B99378 shade: #B99378, #7FBA78, #78A0BA and #B378BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 35 / 27

HEX #B99378

RGB 185 147 120

HSL 24.92, 0.32%, 0.6%

LAB 63.78, 10.45, 19.73

 

Complementary color

CMYK 48 / 20 / 0 / 47

HEX #466C87

RGB 70 108 135

HSL 204.92, 0.32%, 0.4%

LAB 43.91, -5.59, -19.07

 

CMYK 0 / 23 / 39 / 25

HEX #BE9373

RGB 190 147 115

HSL 25.6, 0.37%, 0.6%

LAB 64.2, 11.87, 23.16

 

CMYK 0 / 20 / 35 / 19

HEX #CFA586

RGB 207 165 134

HSL 25.48, 0.43%, 0.67%

LAB 70.8, 11.15, 21.95

 

CMYK 0 / 18 / 32 / 12

HEX #E0B799

RGB 224 183 153

HSL 25.35, 0.53%, 0.74%

LAB 77.29, 10.53, 20.83

 

CMYK 0 / 17 / 29 / 5

HEX #F1C9AC

RGB 241 201 172

HSL 25.22, 0.71%, 0.81%

LAB 83.68, 9.98, 19.78

 

CMYK 0 / 14 / 25 / 0

HEX #FFDBBF

RGB 255 219 191

HSL 26.25, 1%, 0.87%

LAB 89.71, 8.37, 18.39

 

CMYK 0 / 21 / 35 / 27

HEX #B99378

RGB 185 147 120

HSL 24.92, 0.32%, 0.6%

LAB 63.78, 10.45, 19.73

 

CMYK 0 / 23 / 40 / 34

HEX #A88165

RGB 168 129 101

HSL 25.07, 0.28%, 0.53%

LAB 57.04, 11.18, 20.96

 

CMYK 0 / 26 / 46 / 41

HEX #976F52

RGB 151 111 82

HSL 25.22, 0.3%, 0.46%

LAB 50.17, 12.05, 22.33

 

CMYK 0 / 31 / 53 / 47

HEX #865D3F

RGB 134 93 63

HSL 25.35, 0.36%, 0.39%

LAB 43.15, 13.1, 23.85

 

CMYK 0 / 36 / 62 / 54

HEX #754B2C

RGB 117 75 44

HSL 25.48, 0.45%, 0.32%

LAB 35.98, 14.4, 25.57

 

CMYK 0 / 21 / 35 / 27

HEX #BA9378

RGB 186 147 120

HSL 24.55, 0.32%, 0.6%

LAB 63.89, 10.85, 19.88

 

CMYK 0 / 30 / 35 / 27

HEX #BA8278

RGB 186 130 120

HSL 9.09, 0.32%, 0.6%

LAB 59.67, 20.29, 14.08

 

CMYK 0 / 35 / 35 / 27

HEX #BA7878

RGB 186 120 120

HSL 0, 0.32%, 0.6%

LAB 57.3, 25.84, 10.75

 

CMYK 0 / 21 / 35 / 27

HEX #BA9378

RGB 186 147 120

HSL 24.55, 0.32%, 0.6%

LAB 63.89, 10.85, 19.88

 

CMYK 0 / 11 / 35 / 27

HEX #BAA578

RGB 186 165 120

HSL 40.91, 0.32%, 0.6%

LAB 68.54, 1.01, 26.15

 

CMYK 0 / 2 / 35 / 27

HEX #BAB778

RGB 186 183 120

HSL 57.27, 0.32%, 0.6%

LAB 73.33, -8.55, 32.46

 

CMYK 8 / 0 / 35 / 27

HEX #ABBA78

RGB 171 186 120

HSL 73.64, 0.32%, 0.6%

LAB 72.98, -16.02, 31.78

 

CMYK 18 / 0 / 35 / 27

HEX #99BA78

RGB 153 186 120

HSL 90, 0.32%, 0.6%

LAB 71.72, -22.88, 29.9

 

CMYK 0 / 21 / 35 / 27

HEX #BA9378

RGB 186 147 120

HSL 24.55, 0.32%, 0.6%

LAB 63.89, 10.85, 19.88

 

CMYK 0 / 28 / 49 / 21

HEX #CA9168

RGB 202 145 104

HSL 25.1, 0.48%, 0.6%

LAB 64.81, 16.71, 30.23

 

CMYK 0 / 35 / 60 / 14

HEX #DB8E57

RGB 219 142 87

HSL 25, 0.65%, 0.6%

LAB 65.82, 23.9, 40.97

 

CMYK 0 / 41 / 70 / 8

HEX #EB8B47

RGB 235 139 71

HSL 24.88, 0.8%, 0.6%

LAB 66.96, 31.03, 50.83

 

CMYK 0 / 46 / 79 / 1

HEX #FC8836

RGB 252 136 54

HSL 24.85, 0.97%, 0.6%

LAB 68.44, 38.63, 60.72

 

CMYK 0 / 21 / 35 / 27

HEX #BA9378

RGB 186 147 120

HSL 24.55, 0.32%, 0.6%

LAB 63.89, 10.85, 19.88

 

CMYK 0 / 11 / 19 / 34

HEX #A99689

RGB 169 150 137

HSL 24.38, 0.16%, 0.6%

LAB 63.39, 4.86, 9.42

 

CMYK 0 / 0 / 0 / 40

HEX #999999

RGB 153 153 153

HSL 0, 0%, 0.6%

LAB 63.22, 0, -0.01

 

CMYK 20 / 8 / 0 / 33

HEX #889CAA

RGB 136 156 170

HSL 204.71, 0.17%, 0.6%

LAB 63.27, -3.93, -9.66

 

CMYK 35 / 15 / 0 / 27

HEX #789FBA

RGB 120 159 186

HSL 204.55, 0.32%, 0.6%

LAB 63.62, -6.55, -18.22

 

CMYK 0 / 35 / 31 / 27

HEX #BA7881

RGB 186 120 129

HSL 351.82, 0.32%, 0.6%

LAB 57.52, 27.02, 5.85

 

CMYK 0 / 31 / 35 / 27

HEX #BA8178

RGB 186 129 120

HSL 8.18, 0.32%, 0.6%

LAB 59.43, 20.85, 13.74

 

CMYK 0 / 22 / 35 / 27

HEX #BA9278

RGB 186 146 120

HSL 23.64, 0.32%, 0.6%

LAB 63.63, 11.41, 19.54

 

CMYK 0 / 12 / 35 / 27

HEX #BAA478

RGB 186 164 120

HSL 40, 0.32%, 0.6%

LAB 68.27, 1.55, 25.8

 

CMYK 0 / 3 / 35 / 27

HEX #BAB578

RGB 186 181 120

HSL 55.45, 0.32%, 0.6%

LAB 72.79, -7.5, 31.76

 

CMYK 0 / 28 / 48 / 42

HEX #936A4C

RGB 147 106 76

HSL 25.35, 0.32%, 0.44%

LAB 48.3, 12.56, 23.26

 

CMYK 0 / 27 / 46 / 33

HEX #AC7E5D

RGB 172 126 93

HSL 25.06, 0.32%, 0.52%

LAB 56.57, 13.64, 24.93

 

CMYK 0 / 21 / 35 / 27

HEX #BA9378

RGB 186 147 120

HSL 24.55, 0.32%, 0.6%

LAB 63.89, 10.85, 19.88

 

CMYK 0 / 16 / 26 / 22

HEX #C8A994

RGB 200 169 148

HSL 24.23, 0.32%, 0.68%

LAB 71.41, 8.1, 15.04

 

CMYK 0 / 11 / 18 / 16

HEX #D6BFAF

RGB 214 191 175

HSL 24.62, 0.32%, 0.76%

LAB 78.84, 5.57, 11.03

 

CMYK 0 / 21 / 35 / 27

HEX #B99378

RGB 185 147 120

HSL 24.92, 0.32%, 0.6%

LAB 63.78, 10.45, 19.73

 

CMYK 22 / 0 / 35 / 27

HEX #92BA78

RGB 146 186 120

HSL 96.36, 0.32%, 0.6%

LAB 71.27, -25.45, 29.22

 

CMYK 35 / 35 / 0 / 27

HEX #7878BA

RGB 120 120 186

HSL 240, 0.32%, 0.6%

LAB 52.92, 15.98, -34.72

 

CMYK 0 / 21 / 35 / 27

HEX #B99378

RGB 185 147 120

HSL 24.92, 0.32%, 0.6%

LAB 63.78, 10.45, 19.73

 

CMYK 35 / 0 / 22 / 27

HEX #78BA92

RGB 120 186 146

HSL 143.64, 0.32%, 0.6%

LAB 70.31, -29.72, 13.74

 

CMYK 22 / 35 / 0 / 27

HEX #9278BA

RGB 146 120 186

HSL 263.64, 0.32%, 0.6%

LAB 55.16, 23.69, -31.05

 

CMYK 0 / 21 / 35 / 27

HEX #B99378

RGB 185 147 120

HSL 24.92, 0.32%, 0.6%

LAB 63.78, 10.45, 19.73

 

CMYK 22 / 0 / 35 / 27

HEX #92BA78

RGB 146 186 120

HSL 96.36, 0.32%, 0.6%

LAB 71.27, -25.45, 29.22

 

CMYK 35 / 14 / 0 / 27

HEX #78A0BA

RGB 120 160 186

HSL 203.64, 0.32%, 0.6%

LAB 63.9, -7.1, -17.79

 

CMYK 14 / 35 / 0 / 27

HEX #A078BA

RGB 160 120 186

HSL 276.36, 0.32%, 0.6%

LAB 56.54, 28.06, -28.81

 

CMYK 0 / 21 / 35 / 27

HEX #B99378

RGB 185 147 120

HSL 24.92, 0.32%, 0.6%

LAB 63.78, 10.45, 19.73

 

CMYK 32 / 0 / 35 / 27

HEX #7FBA78

RGB 127 186 120

HSL 113.64, 0.32%, 0.6%

LAB 70.17, -32.11, 27.56

 

CMYK 35 / 14 / 0 / 27

HEX #78A0BA

RGB 120 160 186

HSL 203.64, 0.32%, 0.6%

LAB 63.9, -7.1, -17.79

 

CMYK 4 / 35 / 0 / 27

HEX #B378BA

RGB 179 120 186

HSL 293.64, 0.32%, 0.6%

LAB 58.57, 34.12, -25.51

 

Description

Color code: HEX #B99378 | qconv.com Color code: HEX #B99378 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 147 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 147 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 35 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 35% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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