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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B98A3C it is the complementary color #4675C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B98A3C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B98A3C shade: #BE8A37, #CF9C4A, #E0AE5D, #F1C070 and #FFD283

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B98A3C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B98A3C shade: #B98A3C, #A87829, #976616, #865403 and #754200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B98A3C shade: #B98A3C, #B9683C, #B9473C and #B93C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B98A3C shade: #B98A3C, #B9AC3C, #A4B93C, #83B93C and #61B93C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B98A3C shade matches the following richer shades: #B98A3C, #CD8F28, #E09414 and #F49901

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B98A3C shade: #B98A3C, #A58550, #918064, #7D7B77 and #6A768B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B98A3C shade: #B9463C, #B9683C, #B9893C, #B9AA3C and #A6B93C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B98A3C shade: #7B5B28, #9A7332, #B98A3C, #C89D56 and #D2AF75

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B98A3C shade: #B98A3C, #53B93C and #573CB9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B98A3C shade: #B98A3C, #3CB989 and #893CB9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B98A3C shade: #B98A3C, #53B93C, #3C6CB9 and #A23CB9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B98A3C shade: #B98A3C, #3CB94B, #3C6CB9 and #B93CAA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 68 / 27

HEX #B98A3C

RGB 185 138 60

HSL 37.44, 0.51%, 0.48%

LAB 60.62, 9.84, 47.44

 

Complementary color

CMYK 64 / 40 / 0 / 24

HEX #4675C3

RGB 70 117 195

HSL 217.44, 0.51%, 0.52%

LAB 49.45, 8.87, -45.57

 

CMYK 0 / 27 / 71 / 25

HEX #BE8A37

RGB 190 138 55

HSL 36.89, 0.55%, 0.48%

LAB 61.13, 11.75, 50.44

 

CMYK 0 / 25 / 64 / 19

HEX #CF9C4A

RGB 207 156 74

HSL 36.99, 0.58%, 0.55%

LAB 67.68, 10.41, 49.25

 

CMYK 0 / 22 / 58 / 12

HEX #E0AE5D

RGB 224 174 93

HSL 37.1, 0.68%, 0.62%

LAB 74.13, 9.26, 47.94

 

CMYK 0 / 20 / 54 / 5

HEX #F1C070

RGB 241 192 112

HSL 37.21, 0.82%, 0.69%

LAB 80.5, 8.28, 46.61

 

CMYK 0 / 18 / 49 / 0

HEX #FFD283

RGB 255 210 131

HSL 38.23, 1%, 0.76%

LAB 86.5, 6.22, 44.89

 

CMYK 0 / 25 / 68 / 27

HEX #B98A3C

RGB 185 138 60

HSL 37.44, 0.51%, 0.48%

LAB 60.62, 9.84, 47.44

 

CMYK 0 / 29 / 76 / 34

HEX #A87829

RGB 168 120 41

HSL 37.32, 0.61%, 0.41%

LAB 53.94, 11.31, 48.48

 

CMYK 0 / 32 / 85 / 41

HEX #976616

RGB 151 102 22

HSL 37.21, 0.75%, 0.34%

LAB 47.16, 13.07, 48.87

 

CMYK 0 / 37 / 98 / 47

HEX #865403

RGB 134 84 3

HSL 37.1, 0.96%, 0.27%

LAB 40.27, 15.19, 48

 

CMYK 0 / 44 / 100 / 54

HEX #754200

RGB 117 66 0

HSL 33.85, 1%, 0.23%

LAB 33.3, 17.76, 43.22

 

CMYK 0 / 25 / 68 / 27

HEX #B98A3C

RGB 185 138 60

HSL 37.44, 0.51%, 0.48%

LAB 60.62, 9.84, 47.44

 

CMYK 0 / 44 / 68 / 27

HEX #B9683C

RGB 185 104 60

HSL 21.12, 0.51%, 0.48%

LAB 52.44, 28.61, 38.34

 

CMYK 0 / 62 / 68 / 27

HEX #B9473C

RGB 185 71 60

HSL 5.28, 0.51%, 0.48%

LAB 45.83, 45.39, 30.58

 

CMYK 0 / 68 / 68 / 27

HEX #B93C3C

RGB 185 60 60

HSL 0, 0.51%, 0.48%

LAB 44.05, 50.19, 28.41

 

CMYK 0 / 25 / 68 / 27

HEX #B98A3C

RGB 185 138 60

HSL 37.44, 0.51%, 0.48%

LAB 60.62, 9.84, 47.44

 

CMYK 0 / 7 / 68 / 27

HEX #B9AC3C

RGB 185 172 60

HSL 53.76, 0.51%, 0.48%

LAB 69.57, -8.51, 56.86

 

CMYK 11 / 0 / 68 / 27

HEX #A4B93C

RGB 164 185 60

HSL 70.08, 0.51%, 0.48%

LAB 71.5, -24.05, 58.3

 

CMYK 29 / 0 / 68 / 27

HEX #83B93C

RGB 131 185 60

HSL 85.92, 0.51%, 0.48%

LAB 69.36, -37.14, 55.41

 

CMYK 48 / 0 / 68 / 27

HEX #61B93C

RGB 97 185 60

HSL 102.24, 0.51%, 0.48%

LAB 67.7, -48.77, 53.15

 

CMYK 0 / 25 / 68 / 27

HEX #B98A3C

RGB 185 138 60

HSL 37.44, 0.51%, 0.48%

LAB 60.62, 9.84, 47.44

 

CMYK 0 / 30 / 80 / 20

HEX #CD8F28

RGB 205 143 40

HSL 37.45, 0.67%, 0.48%

LAB 63.98, 14.94, 59.85

 

CMYK 0 / 34 / 91 / 12

HEX #E09414

RGB 224 148 20

HSL 37.65, 0.84%, 0.48%

LAB 67.34, 19.99, 69.16

 

CMYK 0 / 37 / 100 / 4

HEX #F49901

RGB 244 153 1

HSL 37.53, 0.99%, 0.48%

LAB 70.88, 25.62, 75.55

 

CMYK 0 / 25 / 68 / 27

HEX #B98A3C

RGB 185 138 60

HSL 37.44, 0.51%, 0.48%

LAB 60.62, 9.84, 47.44

 

CMYK 0 / 19 / 52 / 35

HEX #A58550

RGB 165 133 80

HSL 37.41, 0.35%, 0.48%

LAB 57.42, 5.4, 33.02

 

CMYK 0 / 12 / 31 / 43

HEX #918064

RGB 145 128 100

HSL 37.33, 0.18%, 0.48%

LAB 54.43, 2.02, 17.6

 

CMYK 0 / 2 / 5 / 51

HEX #7D7B77

RGB 125 123 119

HSL 40, 0.02%, 0.48%

LAB 51.68, -0.02, 2.44

 

CMYK 24 / 15 / 0 / 45

HEX #6A768B

RGB 106 118 139

HSL 218.18, 0.13%, 0.48%

LAB 49.36, 0.46, -12.93

 

CMYK 0 / 62 / 68 / 27

HEX #B9463C

RGB 185 70 60

HSL 4.8, 0.51%, 0.48%

LAB 45.66, 45.85, 30.37

 

CMYK 0 / 44 / 68 / 27

HEX #B9683C

RGB 185 104 60

HSL 21.12, 0.51%, 0.48%

LAB 52.44, 28.61, 38.34

 

CMYK 0 / 26 / 68 / 27

HEX #B9893C

RGB 185 137 60

HSL 36.96, 0.51%, 0.48%

LAB 60.37, 10.39, 47.16

 

CMYK 0 / 8 / 68 / 27

HEX #B9AA3C

RGB 185 170 60

HSL 52.8, 0.51%, 0.48%

LAB 69.03, -7.46, 56.3

 

CMYK 10 / 0 / 68 / 27

HEX #A6B93C

RGB 166 185 60

HSL 69.12, 0.51%, 0.48%

LAB 71.64, -23.22, 58.49

 

CMYK 0 / 26 / 67 / 52

HEX #7B5B28

RGB 123 91 40

HSL 36.87, 0.51%, 0.32%

LAB 40.97, 7.29, 33.76

 

CMYK 0 / 25 / 68 / 40

HEX #9A7332

RGB 154 115 50

HSL 37.5, 0.51%, 0.4%

LAB 51.11, 8.3, 40.89

 

CMYK 0 / 25 / 68 / 27

HEX #B98A3C

RGB 185 138 60

HSL 37.44, 0.51%, 0.48%

LAB 60.62, 9.84, 47.44

 

CMYK 0 / 22 / 57 / 22

HEX #C89D56

RGB 200 157 86

HSL 37.37, 0.51%, 0.56%

LAB 67.33, 7.74, 42.77

 

CMYK 0 / 17 / 44 / 18

HEX #D2AF75

RGB 210 175 117

HSL 37.42, 0.51%, 0.64%

LAB 73.32, 5.06, 34.43

 

CMYK 0 / 25 / 68 / 27

HEX #B98A3C

RGB 185 138 60

HSL 37.44, 0.51%, 0.48%

LAB 60.62, 9.84, 47.44

 

CMYK 55 / 0 / 68 / 27

HEX #53B93C

RGB 83 185 60

HSL 108.96, 0.51%, 0.48%

LAB 67.17, -52.77, 52.44

 

CMYK 53 / 68 / 0 / 27

HEX #573CB9

RGB 87 60 185

HSL 252.96, 0.51%, 0.48%

LAB 35.52, 43.88, -62.15

 

CMYK 0 / 25 / 68 / 27

HEX #B98A3C

RGB 185 138 60

HSL 37.44, 0.51%, 0.48%

LAB 60.62, 9.84, 47.44

 

CMYK 68 / 0 / 26 / 27

HEX #3CB989

RGB 60 185 137

HSL 156.96, 0.51%, 0.48%

LAB 67.62, -45.62, 14.55

 

CMYK 26 / 68 / 0 / 27

HEX #893CB9

RGB 137 60 185

HSL 276.96, 0.51%, 0.48%

LAB 41.3, 53.79, -52.5

 

CMYK 0 / 25 / 68 / 27

HEX #B98A3C

RGB 185 138 60

HSL 37.44, 0.51%, 0.48%

LAB 60.62, 9.84, 47.44

 

CMYK 55 / 0 / 68 / 27

HEX #53B93C

RGB 83 185 60

HSL 108.96, 0.51%, 0.48%

LAB 67.17, -52.77, 52.44

 

CMYK 68 / 42 / 0 / 27

HEX #3C6CB9

RGB 60 108 185

HSL 216.96, 0.51%, 0.48%

LAB 45.89, 9.21, -45.49

 

CMYK 12 / 68 / 0 / 27

HEX #A23CB9

RGB 162 60 185

HSL 288.96, 0.51%, 0.48%

LAB 44.82, 59.35, -46.66

 

CMYK 0 / 25 / 68 / 27

HEX #B98A3C

RGB 185 138 60

HSL 37.44, 0.51%, 0.48%

LAB 60.62, 9.84, 47.44

 

CMYK 68 / 0 / 59 / 27

HEX #3CB94B

RGB 60 185 75

HSL 127.2, 0.51%, 0.48%

LAB 66.65, -56.47, 45.14

 

CMYK 68 / 42 / 0 / 27

HEX #3C6CB9

RGB 60 108 185

HSL 216.96, 0.51%, 0.48%

LAB 45.89, 9.21, -45.49

 

CMYK 0 / 68 / 8 / 27

HEX #B93CAA

RGB 185 60 170

HSL 307.2, 0.51%, 0.48%

LAB 47.56, 62.19, -33.28

 

Description

Color code: HEX #B98A3C | qconv.com Color code: HEX #B98A3C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 138 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 138 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 68 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 68% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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