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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B989CB it is the complementary color #467634. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B989CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B989CB shade: #BE89C6, #CF9BD9, #E0ADEC, #F1BFFF and #FFD1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B989CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B989CB shade: #B989CB, #A877B8, #9765A5, #865392 and #75417F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B989CB shade: #BA8ACC, #CB8ACC, #CC8ABA, #CC8AA8 and #CC8A97

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B989CB shade: #BA8ACC, #A88ACC, #968ACC and #8A8ACC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B989CB shade matches the following richer shades: #BA8ACC, #C07CD9, #C66FE7 and #CC61F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B989CB shade: #BA8ACC, #B498BE, #ADA5B0, #A7B3A3 and #A1C095

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B989CB shade: #968ACC, #A88ACC, #B98ACC, #CB8ACC and #CC8ABB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B989CB shade: #9851B3, #A96DBF, #BA8ACC, #CBA7D8 and #DCC3E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B989CB shade: #B989CB, #CC8A90 and #8ACC9F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B989CB shade: #B989CB, #CCB98A and #8ACCB9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B989CB shade: #B989CB, #CC8A90, #9DCC8A and #8ACCC6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B989CB shade: #B989CB, #CC988A, #9DCC8A and #8ABDCC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 33 / 0 / 20

HEX #B989CB

RGB 185 137 203

HSL 283.64, 0.39%, 0.67%

LAB 63.77, 30.03, -27.06

 

Complementary color

CMYK 41 / 0 / 56 / 54

HEX #467634

RGB 70 118 52

HSL 103.64, 0.39%, 0.33%

LAB 44.95, -29.67, 30.97

 

CMYK 4 / 31 / 0 / 22

HEX #BE89C6

RGB 190 137 198

HSL 292.13, 0.35%, 0.66%

LAB 64.09, 30.63, -23.71

 

CMYK 5 / 29 / 0 / 15

HEX #CF9BD9

RGB 207 155 217

HSL 290.32, 0.45%, 0.73%

LAB 70.68, 29.96, -24.04

 

CMYK 5 / 27 / 0 / 7

HEX #E0ADEC

RGB 224 173 236

HSL 288.57, 0.62%, 0.8%

LAB 77.16, 29.34, -24.37

 

CMYK 5 / 25 / 0 / 0

HEX #F1BFFF

RGB 241 191 255

HSL 286.88, 1%, 0.87%

LAB 83.54, 28.76, -24.69

 

CMYK 0 / 18 / 0 / 0

HEX #FFD1FF

RGB 255 209 255

HSL 300, 1%, 0.91%

LAB 88.96, 23.75, -16.36

 

CMYK 9 / 33 / 0 / 20

HEX #B989CB

RGB 185 137 203

HSL 283.64, 0.39%, 0.67%

LAB 63.77, 30.03, -27.06

 

CMYK 9 / 35 / 0 / 28

HEX #A877B8

RGB 168 119 184

HSL 285.23, 0.31%, 0.59%

LAB 57.06, 30.74, -26.8

 

CMYK 8 / 39 / 0 / 35

HEX #9765A5

RGB 151 101 165

HSL 286.88, 0.26%, 0.52%

LAB 50.22, 31.51, -26.53

 

CMYK 8 / 43 / 0 / 43

HEX #865392

RGB 134 83 146

HSL 288.57, 0.28%, 0.45%

LAB 43.26, 32.32, -26.23

 

CMYK 8 / 49 / 0 / 50

HEX #75417F

RGB 117 65 127

HSL 290.32, 0.32%, 0.38%

LAB 36.17, 33.14, -25.88

 

CMYK 9 / 32 / 0 / 20

HEX #BA8ACC

RGB 186 138 204

HSL 283.64, 0.39%, 0.67%

LAB 64.14, 30, -27.03

 

CMYK 0 / 32 / 0 / 20

HEX #CB8ACC

RGB 203 138 204

HSL 299.09, 0.39%, 0.67%

LAB 65.93, 35.44, -24.13

 

CMYK 0 / 32 / 9 / 20

HEX #CC8ABA

RGB 204 138 186

HSL 316.36, 0.39%, 0.67%

LAB 65.4, 32.52, -14.83

 

CMYK 0 / 32 / 18 / 20

HEX #CC8AA8

RGB 204 138 168

HSL 332.73, 0.39%, 0.67%

LAB 64.84, 29.54, -5.53

 

CMYK 0 / 32 / 26 / 20

HEX #CC8A97

RGB 204 138 151

HSL 348.18, 0.39%, 0.67%

LAB 64.36, 26.98, 3.39

 

CMYK 9 / 32 / 0 / 20

HEX #BA8ACC

RGB 186 138 204

HSL 283.64, 0.39%, 0.67%

LAB 64.14, 30, -27.03

 

CMYK 18 / 32 / 0 / 20

HEX #A88ACC

RGB 168 138 204

HSL 267.27, 0.39%, 0.67%

LAB 62.39, 24.33, -29.88

 

CMYK 26 / 32 / 0 / 20

HEX #968ACC

RGB 150 138 204

HSL 250.91, 0.39%, 0.67%

LAB 60.8, 18.84, -32.47

 

CMYK 32 / 32 / 0 / 20

HEX #8A8ACC

RGB 138 138 204

HSL 240, 0.39%, 0.67%

LAB 59.83, 15.32, -34.05

 

CMYK 9 / 32 / 0 / 20

HEX #BA8ACC

RGB 186 138 204

HSL 283.64, 0.39%, 0.67%

LAB 64.14, 30, -27.03

 

CMYK 12 / 43 / 0 / 15

HEX #C07CD9

RGB 192 124 217

HSL 283.87, 0.55%, 0.67%

LAB 62.2, 42.18, -37.28

 

CMYK 14 / 52 / 0 / 9

HEX #C66FE7

RGB 198 111 231

HSL 283.5, 0.71%, 0.67%

LAB 60.91, 53.51, -47.07

 

CMYK 17 / 60 / 0 / 4

HEX #CC61F5

RGB 204 97 245

HSL 283.38, 0.88%, 0.67%

LAB 59.87, 64.56, -56.45

 

CMYK 9 / 32 / 0 / 20

HEX #BA8ACC

RGB 186 138 204

HSL 283.64, 0.39%, 0.67%

LAB 64.14, 30, -27.03

 

CMYK 5 / 20 / 0 / 25

HEX #B498BE

RGB 180 152 190

HSL 284.21, 0.23%, 0.67%

LAB 66.43, 17.35, -15.77

 

CMYK 2 / 6 / 0 / 31

HEX #ADA5B0

RGB 173 165 176

HSL 283.64, 0.07%, 0.67%

LAB 68.7, 4.95, -4.64

 

CMYK 7 / 0 / 9 / 30

HEX #A7B3A3

RGB 167 179 163

HSL 105, 0.1%, 0.67%

LAB 71.62, -7.2, 6.73

 

CMYK 16 / 0 / 22 / 25

HEX #A1C095

RGB 161 192 149

HSL 103.26, 0.25%, 0.67%

LAB 74.47, -18.52, 18.29

 

CMYK 26 / 32 / 0 / 20

HEX #968ACC

RGB 150 138 204

HSL 250.91, 0.39%, 0.67%

LAB 60.8, 18.84, -32.47

 

CMYK 18 / 32 / 0 / 20

HEX #A88ACC

RGB 168 138 204

HSL 267.27, 0.39%, 0.67%

LAB 62.39, 24.33, -29.88

 

CMYK 9 / 32 / 0 / 20

HEX #B98ACC

RGB 185 138 204

HSL 282.73, 0.39%, 0.67%

LAB 64.04, 29.68, -27.2

 

CMYK 0 / 32 / 0 / 20

HEX #CB8ACC

RGB 203 138 204

HSL 299.09, 0.39%, 0.67%

LAB 65.93, 35.44, -24.13

 

CMYK 0 / 32 / 8 / 20

HEX #CC8ABB

RGB 204 138 187

HSL 315.45, 0.39%, 0.67%

LAB 65.44, 32.69, -15.35

 

CMYK 15 / 55 / 0 / 30

HEX #9851B3

RGB 152 81 179

HSL 283.47, 0.39%, 0.51%

LAB 46.73, 45.76, -40.19

 

CMYK 12 / 43 / 0 / 25

HEX #A96DBF

RGB 169 109 191

HSL 283.9, 0.39%, 0.59%

LAB 55.21, 38.1, -33.66

 

CMYK 9 / 32 / 0 / 20

HEX #BA8ACC

RGB 186 138 204

HSL 283.64, 0.39%, 0.67%

LAB 64.14, 30, -27.03

 

CMYK 6 / 23 / 0 / 15

HEX #CBA7D8

RGB 203 167 216

HSL 284.08, 0.39%, 0.75%

LAB 73.08, 21.9, -19.86

 

CMYK 4 / 15 / 0 / 10

HEX #DCC3E5

RGB 220 195 229

HSL 284.12, 0.4%, 0.83%

LAB 81.79, 14.86, -13.63

 

CMYK 9 / 33 / 0 / 20

HEX #B989CB

RGB 185 137 203

HSL 283.64, 0.39%, 0.67%

LAB 63.77, 30.03, -27.06

 

CMYK 0 / 32 / 29 / 20

HEX #CC8A90

RGB 204 138 144

HSL 354.55, 0.39%, 0.67%

LAB 64.18, 26, 7.1

 

CMYK 32 / 0 / 22 / 20

HEX #8ACC9F

RGB 138 204 159

HSL 139.09, 0.39%, 0.67%

LAB 76.73, -30.31, 15.89

 

CMYK 9 / 33 / 0 / 20

HEX #B989CB

RGB 185 137 203

HSL 283.64, 0.39%, 0.67%

LAB 63.77, 30.03, -27.06

 

CMYK 0 / 9 / 32 / 20

HEX #CCB98A

RGB 204 185 138

HSL 42.73, 0.39%, 0.67%

LAB 75.68, -0.24, 26.35

 

CMYK 32 / 0 / 9 / 20

HEX #8ACCB9

RGB 138 204 185

HSL 162.73, 0.39%, 0.67%

LAB 77.34, -25.04, 2.81

 

CMYK 9 / 33 / 0 / 20

HEX #B989CB

RGB 185 137 203

HSL 283.64, 0.39%, 0.67%

LAB 63.77, 30.03, -27.06

 

CMYK 0 / 32 / 29 / 20

HEX #CC8A90

RGB 204 138 144

HSL 354.55, 0.39%, 0.67%

LAB 64.18, 26, 7.1

 

CMYK 23 / 0 / 32 / 20

HEX #9DCC8A

RGB 157 204 138

HSL 102.73, 0.39%, 0.67%

LAB 77.39, -27.6, 28.04

 

CMYK 32 / 0 / 3 / 20

HEX #8ACCC6

RGB 138 204 198

HSL 174.55, 0.39%, 0.67%

LAB 77.68, -22.14, -3.69

 

CMYK 9 / 33 / 0 / 20

HEX #B989CB

RGB 185 137 203

HSL 283.64, 0.39%, 0.67%

LAB 63.77, 30.03, -27.06

 

CMYK 0 / 25 / 32 / 20

HEX #CC988A

RGB 204 152 138

HSL 12.73, 0.39%, 0.67%

LAB 67.37, 17.55, 14.97

 

CMYK 23 / 0 / 32 / 20

HEX #9DCC8A

RGB 157 204 138

HSL 102.73, 0.39%, 0.67%

LAB 77.39, -27.6, 28.04

 

CMYK 32 / 7 / 0 / 20

HEX #8ABDCC

RGB 138 189 204

HSL 193.64, 0.39%, 0.67%

LAB 73.65, -13.04, -12.93

 

Description

Color code: HEX #B989CB | qconv.com Color code: HEX #B989CB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 137 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 137 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 33 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 33% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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