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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B980DD it is the complementary color #467F22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B980DD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B980DD shade: #BE80D8, #CF92EB, #E0A4FE, #F1B6FF and #FFC8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B980DD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B980DD shade: #B980DD, #A86ECA, #975CB7, #864AA4 and #753891

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B980DD shade: #B87EDD, #D27EDD, #DD7ECE, #DD7EB5 and #DD7E9B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B980DD shade: #B87EDD, #9F7EDD, #857EDD and #7E7EDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B980DD shade matches the following richer shades: #B87EDD, #BB71EA and #BE64F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B980DD shade: #B87EDD, #B58BD0, #B298C2, #AFA6B5 and #ACB3A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B980DD shade: #847EDD, #9E7EDD, #B77EDD, #D07EDD and #DD7ED0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B980DD shade: #943DCB, #A65DD4, #B87EDD, #CA9FE5 and #DCBFEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B980DD shade: #B980DD, #DD7E91 and #7EDD91

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B980DD shade: #B980DD, #DDB77E and #7EDDB7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B980DD shade: #B980DD, #DD7E91, #A4DD7E and #7EDDCA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B980DD shade: #B980DD, #DD887E, #A4DD7E and #7ED3DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 42 / 0 / 13

HEX #B980DD

RGB 185 128 221

HSL 276.77, 0.58%, 0.68%

LAB 62.48, 38.81, -39.11

 

Complementary color

CMYK 45 / 0 / 73 / 50

HEX #467F22

RGB 70 127 34

HSL 96.77, 0.58%, 0.32%

LAB 47.75, -35.59, 42.5

 

CMYK 12 / 41 / 0 / 15

HEX #BE80D8

RGB 190 128 216

HSL 282.27, 0.53%, 0.67%

LAB 62.8, 39.22, -35.8

 

CMYK 12 / 38 / 0 / 8

HEX #CF92EB

RGB 207 146 235

HSL 281.12, 0.69%, 0.75%

LAB 69.34, 38.46, -35.99

 

CMYK 12 / 35 / 0 / 0

HEX #E0A4FE

RGB 224 164 254

HSL 280, 0.98%, 0.82%

LAB 75.79, 37.74, -36.18

 

CMYK 5 / 29 / 0 / 0

HEX #F1B6FF

RGB 241 182 255

HSL 288.49, 1%, 0.86%

LAB 81.5, 33.54, -27.8

 

CMYK 0 / 22 / 0 / 0

HEX #FFC8FF

RGB 255 200 255

HSL 300, 1%, 0.89%

LAB 86.89, 28.47, -19.48

 

CMYK 16 / 42 / 0 / 13

HEX #B980DD

RGB 185 128 221

HSL 276.77, 0.58%, 0.68%

LAB 62.48, 38.81, -39.11

 

CMYK 17 / 46 / 0 / 21

HEX #A86ECA

RGB 168 110 202

HSL 277.83, 0.46%, 0.61%

LAB 55.83, 39.62, -38.98

 

CMYK 17 / 50 / 0 / 28

HEX #975CB7

RGB 151 92 183

HSL 278.9, 0.39%, 0.54%

LAB 49.07, 40.46, -38.83

 

CMYK 18 / 55 / 0 / 36

HEX #864AA4

RGB 134 74 164

HSL 280, 0.38%, 0.47%

LAB 42.23, 41.29, -38.62

 

CMYK 19 / 61 / 0 / 43

HEX #753891

RGB 117 56 145

HSL 281.12, 0.44%, 0.39%

LAB 35.31, 42.02, -38.3

 

CMYK 17 / 43 / 0 / 13

HEX #B87EDD

RGB 184 126 221

HSL 276.63, 0.58%, 0.68%

LAB 61.94, 39.62, -39.97

 

CMYK 5 / 43 / 0 / 13

HEX #D27EDD

RGB 210 126 221

HSL 293.05, 0.58%, 0.68%

LAB 64.84, 47.2, -35.23

 

CMYK 0 / 43 / 7 / 13

HEX #DD7ECE

RGB 221 126 206

HSL 309.47, 0.58%, 0.68%

LAB 65.55, 47.81, -25.65

 

CMYK 0 / 43 / 18 / 13

HEX #DD7EB5

RGB 221 126 181

HSL 325.26, 0.58%, 0.68%

LAB 64.67, 43.77, -12.92

 

CMYK 0 / 43 / 30 / 13

HEX #DD7E9B

RGB 221 126 155

HSL 341.68, 0.58%, 0.68%

LAB 63.88, 40.09, 0.68

 

CMYK 17 / 43 / 0 / 13

HEX #B87EDD

RGB 184 126 221

HSL 276.63, 0.58%, 0.68%

LAB 61.94, 39.62, -39.97

 

CMYK 28 / 43 / 0 / 13

HEX #9F7EDD

RGB 159 126 221

HSL 260.84, 0.58%, 0.68%

LAB 59.45, 32.53, -44.07

 

CMYK 40 / 43 / 0 / 13

HEX #857EDD

RGB 133 126 221

HSL 244.42, 0.58%, 0.68%

LAB 57.2, 25.61, -47.76

 

CMYK 43 / 43 / 0 / 13

HEX #7E7EDD

RGB 126 126 221

HSL 240, 0.58%, 0.68%

LAB 56.66, 23.86, -48.65

 

CMYK 17 / 43 / 0 / 13

HEX #B87EDD

RGB 184 126 221

HSL 276.63, 0.58%, 0.68%

LAB 61.94, 39.62, -39.97

 

CMYK 20 / 52 / 0 / 8

HEX #BB71EA

RGB 187 113 234

HSL 276.69, 0.74%, 0.68%

LAB 60.17, 50.23, -49.99

 

CMYK 23 / 60 / 0 / 3

HEX #BE64F7

RGB 190 100 247

HSL 276.73, 0.9%, 0.68%

LAB 58.77, 60.31, -59.43

 

CMYK 17 / 43 / 0 / 13

HEX #B87EDD

RGB 184 126 221

HSL 276.63, 0.58%, 0.68%

LAB 61.94, 39.62, -39.97

 

CMYK 13 / 33 / 0 / 18

HEX #B58BD0

RGB 181 139 208

HSL 276.52, 0.42%, 0.68%

LAB 64.03, 28.7, -29.48

 

CMYK 8 / 22 / 0 / 24

HEX #B298C2

RGB 178 152 194

HSL 277.14, 0.26%, 0.68%

LAB 66.38, 17.49, -18.09

 

CMYK 3 / 8 / 0 / 29

HEX #AFA6B5

RGB 175 166 181

HSL 276, 0.09%, 0.68%

LAB 69.27, 6.07, -6.55

 

CMYK 4 / 0 / 6 / 30

HEX #ACB3A8

RGB 172 179 168

HSL 98.18, 0.07%, 0.68%

LAB 72.12, -4.51, 4.76

 

CMYK 40 / 43 / 0 / 13

HEX #847EDD

RGB 132 126 221

HSL 243.79, 0.58%, 0.68%

LAB 57.12, 25.36, -47.89

 

CMYK 29 / 43 / 0 / 13

HEX #9E7EDD

RGB 158 126 221

HSL 260.21, 0.58%, 0.68%

LAB 59.35, 32.26, -44.22

 

CMYK 17 / 43 / 0 / 13

HEX #B77EDD

RGB 183 126 221

HSL 276, 0.58%, 0.68%

LAB 61.83, 39.33, -40.15

 

CMYK 6 / 43 / 0 / 13

HEX #D07EDD

RGB 208 126 221

HSL 291.79, 0.58%, 0.68%

LAB 64.61, 46.61, -35.61

 

CMYK 0 / 43 / 6 / 13

HEX #DD7ED0

RGB 221 126 208

HSL 308.21, 0.58%, 0.68%

LAB 65.63, 48.15, -26.65

 

CMYK 27 / 70 / 0 / 20

HEX #943DCB

RGB 148 61 203

HSL 276.76, 0.58%, 0.52%

LAB 44.15, 59.62, -58.31

 

CMYK 22 / 56 / 0 / 17

HEX #A65DD4

RGB 166 93 212

HSL 276.81, 0.58%, 0.6%

LAB 52.61, 50.38, -49.78

 

CMYK 17 / 43 / 0 / 13

HEX #B87EDD

RGB 184 126 221

HSL 276.63, 0.58%, 0.68%

LAB 61.94, 39.62, -39.97

 

CMYK 12 / 31 / 0 / 10

HEX #CA9FE5

RGB 202 159 229

HSL 276.86, 0.57%, 0.76%

LAB 71.56, 28.61, -29.31

 

CMYK 8 / 20 / 0 / 7

HEX #DCBFEE

RGB 220 191 238

HSL 277.02, 0.58%, 0.84%

LAB 81.1, 18.75, -19.49

 

CMYK 16 / 42 / 0 / 13

HEX #B980DD

RGB 185 128 221

HSL 276.77, 0.58%, 0.68%

LAB 62.48, 38.81, -39.11

 

CMYK 0 / 43 / 34 / 13

HEX #DD7E91

RGB 221 126 145

HSL 348, 0.58%, 0.68%

LAB 63.62, 38.82, 6

 

CMYK 43 / 0 / 34 / 13

HEX #7EDD91

RGB 126 221 145

HSL 132, 0.58%, 0.68%

LAB 80.85, -44.09, 28.76

 

CMYK 16 / 42 / 0 / 13

HEX #B980DD

RGB 185 128 221

HSL 276.77, 0.58%, 0.68%

LAB 62.48, 38.81, -39.11

 

CMYK 0 / 17 / 43 / 13

HEX #DDB77E

RGB 221 183 126

HSL 36, 0.58%, 0.68%

LAB 76.52, 6.2, 34.08

 

CMYK 43 / 0 / 17 / 13

HEX #7EDDB7

RGB 126 221 183

HSL 156, 0.58%, 0.68%

LAB 81.6, -36.84, 9.94

 

CMYK 16 / 42 / 0 / 13

HEX #B980DD

RGB 185 128 221

HSL 276.77, 0.58%, 0.68%

LAB 62.48, 38.81, -39.11

 

CMYK 0 / 43 / 34 / 13

HEX #DD7E91

RGB 221 126 145

HSL 348, 0.58%, 0.68%

LAB 63.62, 38.82, 6

 

CMYK 26 / 0 / 43 / 13

HEX #A4DD7E

RGB 164 221 126

HSL 96, 0.58%, 0.68%

LAB 82.44, -34.8, 40.8

 

CMYK 43 / 0 / 9 / 13

HEX #7EDDCA

RGB 126 221 202

HSL 168, 0.58%, 0.68%

LAB 82.06, -32.63, 0.53

 

CMYK 16 / 42 / 0 / 13

HEX #B980DD

RGB 185 128 221

HSL 276.77, 0.58%, 0.68%

LAB 62.48, 38.81, -39.11

 

CMYK 0 / 38 / 43 / 13

HEX #DD887E

RGB 221 136 126

HSL 6.32, 0.58%, 0.68%

LAB 65.35, 31.38, 19.17

 

CMYK 26 / 0 / 43 / 13

HEX #A4DD7E

RGB 164 221 126

HSL 96, 0.58%, 0.68%

LAB 82.44, -34.8, 40.8

 

CMYK 43 / 5 / 0 / 13

HEX #7ED3DD

RGB 126 211 221

HSL 186.32, 0.58%, 0.68%

LAB 79.75, -23.18, -13.01

 

Description

Color code: HEX #B980DD | qconv.com Color code: HEX #B980DD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 128 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 128 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 42 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 42% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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