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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B97CCC it is the complementary color #468333. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B97CCC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B97CCC shade: #BE7CC7, #CF8EDA, #E0A0ED, #F1B2FF and #FFC4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B97CCC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B97CCC shade: #B97CCC, #A86AB9, #9758A6, #864693 and #753480

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B97CCC shade: #B87BCC, #CC7BC9, #CC7BB3, #CC7B9D and #CC7B88

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B97CCC shade: #B87BCC, #A37BCC, #8D7BCC and #7B7BCC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B97CCC shade matches the following richer shades: #B87BCC, #C06CDA, #C85DE9 and #D04EF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B97CCC shade: #B87BCC, #B18ABD, #A999AE, #A1A79F and #99B690

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B97CCC shade: #8C7BCC, #A27BCC, #B77BCC, #CC7BCA and #CC7BB5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B97CCC shade: #9644B0, #A95DC0, #B87BCC, #C899D7 and #D8B6E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B97CCC shade: #B97CCC, #CC7B7F and #7BCC97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B97CCC shade: #B97CCC, #CCB77B and #7BCCB7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B97CCC shade: #B97CCC, #CC7B7F, #8FCC7B and #7BCCC8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B97CCC shade: #B97CCC, #CC8F7B, #8FCC7B and #7BB7CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 39 / 0 / 20

HEX #B97CCC

RGB 185 124 204

HSL 285.75, 0.44%, 0.64%

LAB 60.86, 37.42, -32.12

 

Complementary color

CMYK 47 / 0 / 61 / 49

HEX #468333

RGB 70 131 51

HSL 105.75, 0.44%, 0.36%

LAB 49.22, -35.7, 36.47

 

CMYK 5 / 38 / 0 / 22

HEX #BE7CC7

RGB 190 124 199

HSL 292.8, 0.4%, 0.63%

LAB 61.21, 37.96, -28.71

 

CMYK 5 / 35 / 0 / 15

HEX #CF8EDA

RGB 207 142 218

HSL 291.32, 0.51%, 0.71%

LAB 67.78, 37.22, -29.04

 

CMYK 5 / 32 / 0 / 7

HEX #E0A0ED

RGB 224 160 237

HSL 289.87, 0.68%, 0.78%

LAB 74.26, 36.52, -29.35

 

CMYK 5 / 30 / 0 / 0

HEX #F1B2FF

RGB 241 178 255

HSL 289.09, 1%, 0.85%

LAB 80.61, 35.66, -29.17

 

CMYK 0 / 23 / 0 / 0

HEX #FFC4FF

RGB 255 196 255

HSL 300, 1%, 0.88%

LAB 85.99, 30.57, -20.85

 

CMYK 9 / 39 / 0 / 20

HEX #B97CCC

RGB 185 124 204

HSL 285.75, 0.44%, 0.64%

LAB 60.86, 37.42, -32.12

 

CMYK 9 / 43 / 0 / 27

HEX #A86AB9

RGB 168 106 185

HSL 287.09, 0.36%, 0.57%

LAB 54.17, 38.2, -31.85

 

CMYK 9 / 47 / 0 / 35

HEX #9758A6

RGB 151 88 166

HSL 288.46, 0.31%, 0.5%

LAB 47.38, 38.99, -31.54

 

CMYK 9 / 52 / 0 / 42

HEX #864693

RGB 134 70 147

HSL 289.87, 0.35%, 0.43%

LAB 40.5, 39.76, -31.15

 

CMYK 9 / 59 / 0 / 50

HEX #753480

RGB 117 52 128

HSL 291.32, 0.42%, 0.35%

LAB 33.56, 40.4, -30.61

 

CMYK 10 / 40 / 0 / 20

HEX #B87BCC

RGB 184 123 204

HSL 285.19, 0.44%, 0.64%

LAB 60.53, 37.66, -32.64

 

CMYK 0 / 40 / 1 / 20

HEX #CC7BC9

RGB 204 123 201

HSL 302.22, 0.44%, 0.64%

LAB 62.69, 43.23, -27.41

 

CMYK 0 / 40 / 12 / 20

HEX #CC7BB3

RGB 204 123 179

HSL 318.52, 0.44%, 0.64%

LAB 61.88, 39.4, -16.21

 

CMYK 0 / 40 / 23 / 20

HEX #CC7B9D

RGB 204 123 157

HSL 334.81, 0.44%, 0.64%

LAB 61.17, 35.96, -4.7

 

CMYK 0 / 40 / 33 / 20

HEX #CC7B88

RGB 204 123 136

HSL 350.37, 0.44%, 0.64%

LAB 60.59, 33.07, 6.51

 

CMYK 10 / 40 / 0 / 20

HEX #B87BCC

RGB 184 123 204

HSL 285.19, 0.44%, 0.64%

LAB 60.53, 37.66, -32.64

 

CMYK 20 / 40 / 0 / 20

HEX #A37BCC

RGB 163 123 204

HSL 269.63, 0.44%, 0.64%

LAB 58.33, 31.33, -36.23

 

CMYK 31 / 40 / 0 / 20

HEX #8D7BCC

RGB 141 123 204

HSL 253.33, 0.44%, 0.64%

LAB 56.28, 24.94, -39.6

 

CMYK 40 / 40 / 0 / 20

HEX #7B7BCC

RGB 123 123 204

HSL 240, 0.44%, 0.64%

LAB 54.8, 20.03, -42.02

 

CMYK 10 / 40 / 0 / 20

HEX #B87BCC

RGB 184 123 204

HSL 285.19, 0.44%, 0.64%

LAB 60.53, 37.66, -32.64

 

CMYK 12 / 50 / 0 / 15

HEX #C06CDA

RGB 192 108 218

HSL 285.82, 0.6%, 0.64%

LAB 58.97, 50.79, -42.9

 

CMYK 14 / 60 / 0 / 9

HEX #C85DE9

RGB 200 93 233

HSL 285.86, 0.76%, 0.64%

LAB 58.03, 63.08, -52.74

 

CMYK 16 / 69 / 0 / 3

HEX #D04EF8

RGB 208 78 248

HSL 285.88, 0.92%, 0.64%

LAB 57.69, 74.02, -61.58

 

CMYK 10 / 40 / 0 / 20

HEX #B87BCC

RGB 184 123 204

HSL 285.19, 0.44%, 0.64%

LAB 60.53, 37.66, -32.64

 

CMYK 6 / 27 / 0 / 26

HEX #B18ABD

RGB 177 138 189

HSL 285.88, 0.28%, 0.64%

LAB 62.67, 24, -20.93

 

CMYK 3 / 12 / 0 / 32

HEX #A999AE

RGB 169 153 174

HSL 285.71, 0.11%, 0.64%

LAB 65.18, 9.81, -8.78

 

CMYK 4 / 0 / 5 / 35

HEX #A1A79F

RGB 161 167 159

HSL 105, 0.04%, 0.64%

LAB 67.81, -3.65, 3.39

 

CMYK 16 / 0 / 21 / 29

HEX #99B690

RGB 153 182 144

HSL 105.79, 0.21%, 0.64%

LAB 71.04, -17.12, 16.13

 

CMYK 31 / 40 / 0 / 20

HEX #8C7BCC

RGB 140 123 204

HSL 252.59, 0.44%, 0.64%

LAB 56.19, 24.66, -39.74

 

CMYK 21 / 40 / 0 / 20

HEX #A27BCC

RGB 162 123 204

HSL 268.89, 0.44%, 0.64%

LAB 58.23, 31.03, -36.39

 

CMYK 10 / 40 / 0 / 20

HEX #B77BCC

RGB 183 123 204

HSL 284.44, 0.44%, 0.64%

LAB 60.42, 37.35, -32.82

 

CMYK 0 / 40 / 1 / 20

HEX #CC7BCA

RGB 204 123 202

HSL 301.48, 0.44%, 0.64%

LAB 62.73, 43.41, -27.92

 

CMYK 0 / 40 / 11 / 20

HEX #CC7BB5

RGB 204 123 181

HSL 317.04, 0.44%, 0.64%

LAB 61.95, 39.73, -17.24

 

CMYK 15 / 61 / 0 / 31

HEX #9644B0

RGB 150 68 176

HSL 285.56, 0.44%, 0.48%

LAB 43.88, 51.13, -42.98

 

CMYK 12 / 52 / 0 / 25

HEX #A95DC0

RGB 169 93 192

HSL 286.06, 0.44%, 0.56%

LAB 51.92, 46.9, -39.41

 

CMYK 10 / 40 / 0 / 20

HEX #B87BCC

RGB 184 123 204

HSL 285.19, 0.44%, 0.64%

LAB 60.53, 37.66, -32.64

 

CMYK 7 / 29 / 0 / 16

HEX #C899D7

RGB 200 153 215

HSL 285.48, 0.44%, 0.72%

LAB 69.45, 28.41, -24.88

 

CMYK 5 / 20 / 0 / 11

HEX #D8B6E3

RGB 216 182 227

HSL 285.33, 0.45%, 0.8%

LAB 78.23, 20.15, -17.94

 

CMYK 9 / 39 / 0 / 20

HEX #B97CCC

RGB 185 124 204

HSL 285.75, 0.44%, 0.64%

LAB 60.86, 37.42, -32.12

 

CMYK 0 / 40 / 38 / 20

HEX #CC7B7F

RGB 204 123 127

HSL 357.04, 0.44%, 0.64%

LAB 60.37, 31.97, 11.37

 

CMYK 40 / 0 / 26 / 20

HEX #7BCC97

RGB 123 204 151

HSL 140.74, 0.44%, 0.64%

LAB 75.84, -36.31, 18.79

 

CMYK 9 / 39 / 0 / 20

HEX #B97CCC

RGB 185 124 204

HSL 285.75, 0.44%, 0.64%

LAB 60.86, 37.42, -32.12

 

CMYK 0 / 10 / 40 / 20

HEX #CCB77B

RGB 204 183 123

HSL 44.44, 0.44%, 0.64%

LAB 74.91, -0.97, 33.24

 

CMYK 40 / 0 / 10 / 20

HEX #7BCCB7

RGB 123 204 183

HSL 164.44, 0.44%, 0.64%

LAB 76.57, -29.66, 2.68

 

CMYK 9 / 39 / 0 / 20

HEX #B97CCC

RGB 185 124 204

HSL 285.75, 0.44%, 0.64%

LAB 60.86, 37.42, -32.12

 

CMYK 0 / 40 / 38 / 20

HEX #CC7B7F

RGB 204 123 127

HSL 357.04, 0.44%, 0.64%

LAB 60.37, 31.97, 11.37

 

CMYK 30 / 0 / 40 / 20

HEX #8FCC7B

RGB 143 204 123

HSL 105.19, 0.44%, 0.64%

LAB 76.35, -34.64, 34.27

 

CMYK 40 / 0 / 2 / 20

HEX #7BCCC8

RGB 123 204 200

HSL 177.04, 0.44%, 0.64%

LAB 77.02, -25.68, -5.82

 

CMYK 9 / 39 / 0 / 20

HEX #B97CCC

RGB 185 124 204

HSL 285.75, 0.44%, 0.64%

LAB 60.86, 37.42, -32.12

 

CMYK 0 / 30 / 40 / 20

HEX #CC8F7B

RGB 204 143 123

HSL 14.81, 0.44%, 0.64%

LAB 64.89, 20.63, 19.9

 

CMYK 30 / 0 / 40 / 20

HEX #8FCC7B

RGB 143 204 123

HSL 105.19, 0.44%, 0.64%

LAB 76.35, -34.64, 34.27

 

CMYK 40 / 10 / 0 / 20

HEX #7BB7CC

RGB 123 183 204

HSL 195.56, 0.44%, 0.64%

LAB 71.17, -13.97, -16.73

 

Description

Color code: HEX #B97CCC | qconv.com Color code: HEX #B97CCC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 124 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 124 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 39 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 39% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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