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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B97B42 it is the complementary color #4684BD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B97B42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B97B42 shade: #BE7B3D, #CF8D50, #E09F63, #F1B176 and #FFC389

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B97B42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B97B42 shade: #B97B42, #A8692F, #97571C, #864509 and #753300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B97B42 shade: #B87A42, #B85B42 and #B84242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B97B42 shade: #B87A42, #B89A42, #B6B842, #96B842 and #76B842

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B97B42 shade matches the following richer shades: #B87A42, #CC7A2E, #E0791A and #F47806

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B97B42 shade: #B87A42, #A37B56, #8F7C6B, #7B7D7F and #677E93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B97B42 shade: #B8424A, #B85A42, #B87942, #B89842 and #B8B842

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B97B42 shade: #7B522C, #996637, #B87A42, #C58F5E and #D0A47C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B97B42 shade: #B97B42, #69B842 and #4A42B8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B97B42 shade: #B97B42, #42B879 and #7942B8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B97B42 shade: #B97B42, #69B842, #4281B8 and #9142B8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B97B42 shade: #B97B42, #46B842, #4281B8 and #B442B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 64 / 27

HEX #B97B42

RGB 185 123 66

HSL 28.74, 0.47%, 0.49%

LAB 56.95, 18.54, 40.38

 

Complementary color

CMYK 63 / 30 / 0 / 26

HEX #4684BD

RGB 70 132 189

HSL 208.74, 0.47%, 0.51%

LAB 53.47, -2.23, -35.79

 

CMYK 0 / 35 / 68 / 25

HEX #BE7B3D

RGB 190 123 61

HSL 28.84, 0.51%, 0.49%

LAB 57.51, 20.37, 43.71

 

CMYK 0 / 32 / 61 / 19

HEX #CF8D50

RGB 207 141 80

HSL 28.82, 0.57%, 0.56%

LAB 64.08, 18.96, 42.16

 

CMYK 0 / 29 / 56 / 12

HEX #E09F63

RGB 224 159 99

HSL 28.8, 0.67%, 0.63%

LAB 70.56, 17.74, 40.64

 

CMYK 0 / 27 / 51 / 5

HEX #F1B176

RGB 241 177 118

HSL 28.78, 0.81%, 0.7%

LAB 76.95, 16.67, 39.19

 

CMYK 0 / 24 / 46 / 0

HEX #FFC389

RGB 255 195 137

HSL 29.49, 1%, 0.77%

LAB 82.96, 14.55, 37.36

 

CMYK 0 / 34 / 64 / 27

HEX #B97B42

RGB 185 123 66

HSL 28.74, 0.47%, 0.49%

LAB 56.95, 18.54, 40.38

 

CMYK 0 / 38 / 72 / 34

HEX #A8692F

RGB 168 105 47

HSL 28.76, 0.56%, 0.42%

LAB 50.26, 20.07, 41.94

 

CMYK 0 / 42 / 81 / 41

HEX #97571C

RGB 151 87 28

HSL 28.78, 0.69%, 0.35%

LAB 43.48, 21.88, 43.25

 

CMYK 0 / 49 / 93 / 47

HEX #864509

RGB 134 69 9

HSL 28.8, 0.87%, 0.28%

LAB 36.64, 24, 43.58

 

CMYK 0 / 56 / 100 / 54

HEX #753300

RGB 117 51 0

HSL 26.15, 1%, 0.23%

LAB 29.79, 26.41, 40.8

 

CMYK 0 / 34 / 64 / 28

HEX #B87A42

RGB 184 122 66

HSL 28.47, 0.47%, 0.49%

LAB 56.59, 18.66, 39.93

 

CMYK 0 / 51 / 64 / 28

HEX #B85B42

RGB 184 91 66

HSL 12.71, 0.47%, 0.49%

LAB 49.58, 35.52, 31.63

 

CMYK 0 / 64 / 64 / 28

HEX #B84242

RGB 184 66 66

HSL 0, 0.47%, 0.49%

LAB 44.91, 47.65, 25.86

 

CMYK 0 / 34 / 64 / 28

HEX #B87A42

RGB 184 122 66

HSL 28.47, 0.47%, 0.49%

LAB 56.59, 18.66, 39.93

 

CMYK 0 / 16 / 64 / 28

HEX #B89A42

RGB 184 154 66

HSL 44.75, 0.47%, 0.49%

LAB 64.72, 1.01, 49.07

 

CMYK 1 / 0 / 64 / 28

HEX #B6B842

RGB 182 184 66

HSL 61.02, 0.47%, 0.49%

LAB 72.64, -15.63, 57.49

 

CMYK 18 / 0 / 64 / 28

HEX #96B842

RGB 150 184 66

HSL 77.29, 0.47%, 0.49%

LAB 70.29, -28.86, 54.29

 

CMYK 36 / 0 / 64 / 28

HEX #76B842

RGB 118 184 66

HSL 93.56, 0.47%, 0.49%

LAB 68.41, -40.94, 51.7

 

CMYK 0 / 34 / 64 / 28

HEX #B87A42

RGB 184 122 66

HSL 28.47, 0.47%, 0.49%

LAB 56.59, 18.66, 39.93

 

CMYK 0 / 40 / 77 / 20

HEX #CC7A2E

RGB 204 122 46

HSL 28.86, 0.63%, 0.49%

LAB 58.93, 26.13, 52.74

 

CMYK 0 / 46 / 88 / 12

HEX #E0791A

RGB 224 121 26

HSL 28.79, 0.79%, 0.49%

LAB 61.3, 34.37, 63.13

 

CMYK 0 / 51 / 98 / 4

HEX #F47806

RGB 244 120 6

HSL 28.74, 0.95%, 0.49%

LAB 63.9, 42.56, 70.41

 

CMYK 0 / 34 / 64 / 28

HEX #B87A42

RGB 184 122 66

HSL 28.47, 0.47%, 0.49%

LAB 56.59, 18.66, 39.93

 

CMYK 0 / 25 / 47 / 36

HEX #A37B56

RGB 163 123 86

HSL 28.83, 0.31%, 0.49%

LAB 54.68, 10.78, 26.21

 

CMYK 0 / 13 / 25 / 44

HEX #8F7C6B

RGB 143 124 107

HSL 28.33, 0.14%, 0.49%

LAB 53.29, 4.49, 11.97

 

CMYK 3 / 2 / 0 / 50

HEX #7B7D7F

RGB 123 125 127

HSL 210, 0.02%, 0.49%

LAB 52.3, -0.34, -1.35

 

CMYK 30 / 14 / 0 / 42

HEX #677E93

RGB 103 126 147

HSL 208.64, 0.18%, 0.49%

LAB 51.74, -3.14, -14.05

 

CMYK 0 / 64 / 60 / 28

HEX #B8424A

RGB 184 66 74

HSL 355.93, 0.47%, 0.49%

LAB 45.06, 48.19, 21.21

 

CMYK 0 / 51 / 64 / 28

HEX #B85A42

RGB 184 90 66

HSL 12.2, 0.47%, 0.49%

LAB 49.37, 36.04, 31.38

 

CMYK 0 / 34 / 64 / 28

HEX #B87942

RGB 184 121 66

HSL 27.97, 0.47%, 0.49%

LAB 56.35, 19.22, 39.65

 

CMYK 0 / 17 / 64 / 28

HEX #B89842

RGB 184 152 66

HSL 43.73, 0.47%, 0.49%

LAB 64.19, 2.1, 48.49

 

CMYK 0 / 0 / 64 / 28

HEX #B8B842

RGB 184 184 66

HSL 60, 0.47%, 0.49%

LAB 72.8, -14.78, 57.71

 

CMYK 0 / 33 / 64 / 52

HEX #7B522C

RGB 123 82 44

HSL 28.86, 0.47%, 0.33%

LAB 38.6, 12.96, 28.88

 

CMYK 0 / 33 / 64 / 40

HEX #996637

RGB 153 102 55

HSL 28.78, 0.47%, 0.41%

LAB 47.69, 15.65, 34.43

 

CMYK 0 / 34 / 64 / 28

HEX #B87A42

RGB 184 122 66

HSL 28.47, 0.47%, 0.49%

LAB 56.59, 18.66, 39.93

 

CMYK 0 / 27 / 52 / 23

HEX #C58F5E

RGB 197 143 94

HSL 28.54, 0.47%, 0.57%

LAB 63.61, 14.79, 33.98

 

CMYK 0 / 21 / 40 / 18

HEX #D0A47C

RGB 208 164 124

HSL 28.57, 0.47%, 0.65%

LAB 70.47, 10.92, 26.94

 

CMYK 0 / 34 / 64 / 27

HEX #B97B42

RGB 185 123 66

HSL 28.74, 0.47%, 0.49%

LAB 56.95, 18.54, 40.38

 

CMYK 43 / 0 / 64 / 28

HEX #69B842

RGB 105 184 66

HSL 100.17, 0.47%, 0.49%

LAB 67.78, -45.32, 50.84

 

CMYK 60 / 64 / 0 / 28

HEX #4A42B8

RGB 74 66 184

HSL 244.07, 0.47%, 0.49%

LAB 35.62, 37.88, -61.44

 

CMYK 0 / 34 / 64 / 27

HEX #B97B42

RGB 185 123 66

HSL 28.74, 0.47%, 0.49%

LAB 56.95, 18.54, 40.38

 

CMYK 64 / 0 / 34 / 28

HEX #42B879

RGB 66 184 121

HSL 147.97, 0.47%, 0.49%

LAB 67.14, -47.52, 22.55

 

CMYK 34 / 64 / 0 / 28

HEX #7942B8

RGB 121 66 184

HSL 267.97, 0.47%, 0.49%

LAB 40.28, 47.09, -53.66

 

CMYK 0 / 34 / 64 / 27

HEX #B97B42

RGB 185 123 66

HSL 28.74, 0.47%, 0.49%

LAB 56.95, 18.54, 40.38

 

CMYK 43 / 0 / 64 / 28

HEX #69B842

RGB 105 184 66

HSL 100.17, 0.47%, 0.49%

LAB 67.78, -45.32, 50.84

 

CMYK 64 / 30 / 0 / 28

HEX #4281B8

RGB 66 129 184

HSL 207.97, 0.47%, 0.49%

LAB 52.2, -2.89, -34.93

 

CMYK 21 / 64 / 0 / 28

HEX #9142B8

RGB 145 66 184

HSL 280.17, 0.47%, 0.49%

LAB 43.33, 52.56, -48.6

 

CMYK 0 / 34 / 64 / 27

HEX #B97B42

RGB 185 123 66

HSL 28.74, 0.47%, 0.49%

LAB 56.95, 18.54, 40.38

 

CMYK 62 / 0 / 64 / 28

HEX #46B842

RGB 70 184 66

HSL 117.97, 0.47%, 0.49%

LAB 66.5, -55.03, 49.07

 

CMYK 64 / 30 / 0 / 28

HEX #4281B8

RGB 66 129 184

HSL 207.97, 0.47%, 0.49%

LAB 52.2, -2.89, -34.93

 

CMYK 2 / 64 / 0 / 28

HEX #B442B8

RGB 180 66 184

HSL 297.97, 0.47%, 0.49%

LAB 48.34, 60.92, -40.32

 

Description

Color code: HEX #B97B42 | qconv.com Color code: HEX #B97B42 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 123 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 123 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 64 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 64% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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