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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B97558 it is the complementary color #468AA7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B97558. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B97558 shade: #BE7553, #CF8766, #E09979, #F1AB8C and #FFBD9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B97558. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B97558 shade: #B97558, #A86345, #975132, #863F1F and #752D0C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B97558 shade: #BA765A, #BA5C5A and #BA5A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B97558 shade: #BA765A, #BA905A, #BAAA5A, #AFBA5A and #95BA5A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B97558 shade matches the following richer shades: #BA765A, #CD6F47, #E06734 and #F35F21

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B97558 shade: #BA765A, #A77E6D, #948680, #818D93 and #6E95A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B97558 shade: #BA5A72, #BA5B5A, #BA755A, #BA8F5A and #BAA85A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B97558 shade: #885139, #A56245, #BA765A, #C68E77 and #D2A694

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B97558 shade: #B97558, #8BBA5A and #5A65BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B97558 shade: #B97558, #5ABA75 and #755ABA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B97558 shade: #B97558, #8BBA5A, #5A9FBA and #885ABA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B97558 shade: #B97558, #6EBA5A, #5A9FBA and #A55ABA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 52 / 27

HEX #B97558

RGB 185 117 88

HSL 17.94, 0.41%, 0.54%

LAB 55.83, 23.6, 27.07

 

Complementary color

CMYK 58 / 17 / 0 / 35

HEX #468AA7

RGB 70 138 167

HSL 197.94, 0.41%, 0.46%

LAB 54.31, -12.83, -21.87

 

CMYK 0 / 38 / 56 / 25

HEX #BE7553

RGB 190 117 83

HSL 19.07, 0.45%, 0.54%

LAB 56.38, 25.23, 30.71

 

CMYK 0 / 35 / 51 / 19

HEX #CF8766

RGB 207 135 102

HSL 18.86, 0.52%, 0.61%

LAB 62.97, 24.01, 29.05

 

CMYK 0 / 32 / 46 / 12

HEX #E09979

RGB 224 153 121

HSL 18.64, 0.62%, 0.68%

LAB 69.48, 22.94, 27.56

 

CMYK 0 / 29 / 42 / 5

HEX #F1AB8C

RGB 241 171 140

HSL 18.42, 0.78%, 0.75%

LAB 75.9, 21.99, 26.2

 

CMYK 0 / 26 / 38 / 0

HEX #FFBD9F

RGB 255 189 159

HSL 18.75, 1%, 0.81%

LAB 81.92, 19.99, 24.47

 

CMYK 0 / 37 / 52 / 27

HEX #B97558

RGB 185 117 88

HSL 17.94, 0.41%, 0.54%

LAB 55.83, 23.6, 27.07

 

CMYK 0 / 41 / 59 / 34

HEX #A86345

RGB 168 99 69

HSL 18.18, 0.42%, 0.46%

LAB 49.1, 24.9, 28.83

 

CMYK 0 / 46 / 67 / 41

HEX #975132

RGB 151 81 50

HSL 18.42, 0.5%, 0.39%

LAB 42.3, 26.39, 30.81

 

CMYK 0 / 53 / 77 / 47

HEX #863F1F

RGB 134 63 31

HSL 18.64, 0.62%, 0.32%

LAB 35.44, 28.09, 32.97

 

CMYK 0 / 62 / 90 / 54

HEX #752D0C

RGB 117 45 12

HSL 18.86, 0.81%, 0.25%

LAB 28.6, 29.93, 34.94

 

CMYK 0 / 37 / 52 / 27

HEX #BA765A

RGB 186 118 90

HSL 17.5, 0.41%, 0.54%

LAB 56.22, 23.65, 26.48

 

CMYK 0 / 51 / 52 / 27

HEX #BA5C5A

RGB 186 92 90

HSL 1.25, 0.41%, 0.54%

LAB 50.49, 37.66, 18.9

 

CMYK 0 / 52 / 52 / 27

HEX #BA5A5A

RGB 186 90 90

HSL 0, 0.41%, 0.54%

LAB 50.08, 38.69, 18.36

 

CMYK 0 / 37 / 52 / 27

HEX #BA765A

RGB 186 118 90

HSL 17.5, 0.41%, 0.54%

LAB 56.22, 23.65, 26.48

 

CMYK 0 / 23 / 52 / 27

HEX #BA905A

RGB 186 144 90

HSL 33.75, 0.41%, 0.54%

LAB 62.61, 9.24, 34.62

 

CMYK 0 / 9 / 52 / 27

HEX #BAAA5A

RGB 186 170 90

HSL 50, 0.41%, 0.54%

LAB 69.42, -4.85, 42.94

 

CMYK 6 / 0 / 52 / 27

HEX #AFBA5A

RGB 175 186 90

HSL 66.88, 0.41%, 0.54%

LAB 72.87, -17.71, 46.82

 

CMYK 20 / 0 / 52 / 27

HEX #95BA5A

RGB 149 186 90

HSL 83.13, 0.41%, 0.54%

LAB 71.04, -28.07, 44.2

 

CMYK 0 / 37 / 52 / 27

HEX #BA765A

RGB 186 118 90

HSL 17.5, 0.41%, 0.54%

LAB 56.22, 23.65, 26.48

 

CMYK 0 / 46 / 65 / 20

HEX #CD6F47

RGB 205 111 71

HSL 17.91, 0.57%, 0.54%

LAB 56.88, 33.68, 38.34

 

CMYK 0 / 54 / 77 / 12

HEX #E06734

RGB 224 103 52

HSL 17.79, 0.74%, 0.54%

LAB 57.84, 44.18, 49.88

 

CMYK 0 / 61 / 86 / 5

HEX #F35F21

RGB 243 95 33

HSL 17.71, 0.9%, 0.54%

LAB 59.3, 54.25, 60.47

 

CMYK 0 / 37 / 52 / 27

HEX #BA765A

RGB 186 118 90

HSL 17.5, 0.41%, 0.54%

LAB 56.22, 23.65, 26.48

 

CMYK 0 / 25 / 35 / 35

HEX #A77E6D

RGB 167 126 109

HSL 17.59, 0.25%, 0.54%

LAB 56.33, 13.47, 15.41

 

CMYK 0 / 9 / 14 / 42

HEX #948680

RGB 148 134 128

HSL 18, 0.09%, 0.54%

LAB 56.98, 4.21, 5.13

 

CMYK 12 / 4 / 0 / 42

HEX #818D93

RGB 129 141 147

HSL 200, 0.08%, 0.54%

LAB 57.87, -3.06, -4.68

 

CMYK 34 / 10 / 0 / 35

HEX #6E95A6

RGB 110 149 166

HSL 198.21, 0.24%, 0.54%

LAB 59.49, -9.1, -13.23

 

CMYK 0 / 52 / 39 / 27

HEX #BA5A72

RGB 186 90 114

HSL 345, 0.41%, 0.54%

LAB 50.65, 41.18, 4.82

 

CMYK 0 / 51 / 52 / 27

HEX #BA5B5A

RGB 186 91 90

HSL 0.62, 0.41%, 0.54%

LAB 50.29, 38.17, 18.63

 

CMYK 0 / 37 / 52 / 27

HEX #BA755A

RGB 186 117 90

HSL 16.88, 0.41%, 0.54%

LAB 55.99, 24.2, 26.18

 

CMYK 0 / 23 / 52 / 27

HEX #BA8F5A

RGB 186 143 90

HSL 33.13, 0.41%, 0.54%

LAB 62.36, 9.79, 34.3

 

CMYK 0 / 10 / 52 / 27

HEX #BAA85A

RGB 186 168 90

HSL 48.75, 0.41%, 0.54%

LAB 68.88, -3.79, 42.3

 

CMYK 0 / 40 / 58 / 47

HEX #885139

RGB 136 81 57

HSL 18.23, 0.41%, 0.38%

LAB 40.27, 20.47, 23.79

 

CMYK 0 / 41 / 58 / 35

HEX #A56245

RGB 165 98 69

HSL 18.13, 0.41%, 0.46%

LAB 48.47, 24.2, 27.95

 

CMYK 0 / 37 / 52 / 27

HEX #BA765A

RGB 186 118 90

HSL 17.5, 0.41%, 0.54%

LAB 56.22, 23.65, 26.48

 

CMYK 0 / 28 / 40 / 22

HEX #C68E77

RGB 198 142 119

HSL 17.47, 0.41%, 0.62%

LAB 63.9, 18.32, 20.68

 

CMYK 0 / 21 / 30 / 18

HEX #D2A694

RGB 210 166 148

HSL 17.42, 0.41%, 0.7%

LAB 71.63, 13.59, 15.49

 

CMYK 0 / 37 / 52 / 27

HEX #B97558

RGB 185 117 88

HSL 17.94, 0.41%, 0.54%

LAB 55.83, 23.6, 27.07

 

CMYK 25 / 0 / 52 / 27

HEX #8BBA5A

RGB 139 186 90

HSL 89.38, 0.41%, 0.54%

LAB 70.42, -31.86, 43.3

 

CMYK 52 / 46 / 0 / 27

HEX #5A65BA

RGB 90 101 186

HSL 233.13, 0.41%, 0.54%

LAB 45.67, 19.89, -46.33

 

CMYK 0 / 37 / 52 / 27

HEX #B97558

RGB 185 117 88

HSL 17.94, 0.41%, 0.54%

LAB 55.83, 23.6, 27.07

 

CMYK 52 / 0 / 37 / 27

HEX #5ABA75

RGB 90 186 117

HSL 136.88, 0.41%, 0.54%

LAB 68.44, -43.68, 26.55

 

CMYK 37 / 52 / 0 / 27

HEX #755ABA

RGB 117 90 186

HSL 256.88, 0.41%, 0.54%

LAB 45.14, 33.16, -47.05

 

CMYK 0 / 37 / 52 / 27

HEX #B97558

RGB 185 117 88

HSL 17.94, 0.41%, 0.54%

LAB 55.83, 23.6, 27.07

 

CMYK 25 / 0 / 52 / 27

HEX #8BBA5A

RGB 139 186 90

HSL 89.38, 0.41%, 0.54%

LAB 70.42, -31.86, 43.3

 

CMYK 52 / 15 / 0 / 27

HEX #5A9FBA

RGB 90 159 186

HSL 196.88, 0.41%, 0.54%

LAB 62.1, -14.24, -20.68

 

CMYK 27 / 52 / 0 / 27

HEX #885ABA

RGB 136 90 186

HSL 268.75, 0.41%, 0.54%

LAB 47.09, 38.13, -43.82

 

CMYK 0 / 37 / 52 / 27

HEX #B97558

RGB 185 117 88

HSL 17.94, 0.41%, 0.54%

LAB 55.83, 23.6, 27.07

 

CMYK 41 / 0 / 52 / 27

HEX #6EBA5A

RGB 110 186 90

HSL 107.5, 0.41%, 0.54%

LAB 68.87, -41.95, 41.08

 

CMYK 52 / 15 / 0 / 27

HEX #5A9FBA

RGB 90 159 186

HSL 196.88, 0.41%, 0.54%

LAB 62.1, -14.24, -20.68

 

CMYK 11 / 52 / 0 / 27

HEX #A55ABA

RGB 165 90 186

HSL 286.88, 0.41%, 0.54%

LAB 50.52, 46.11, -38.18

 

Description

Color code: HEX #B97558 | qconv.com Color code: HEX #B97558 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 117 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 117 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 52 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 52% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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