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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B97530 it is the complementary color #468ACF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B97530. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B97530 shade: #BE752B, #CF873E, #E09951, #F1AB64 and #FFBD77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B97530. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B97530 shade: #B97530, #A8631D, #97510A, #863F00 and #752D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B97530 shade: #BB7630, #BB5030 and #BB3030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B97530 shade: #BB7630, #BB9B30, #B5BB30, #8FBB30 and #6ABB30

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B97530 shade matches the following richer shades: #BB7630, #CD761D and #E0760A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B97530 shade: #BB7630, #A87643, #957656, #827569 and #6F757C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B97530 shade: #BB3035, #BB5030, #BB7530, #BB9A30 and #B6BB30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B97530 shade: #794C1F, #9A6128, #BB7630, #CF8A45 and #D79F66

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B97530 shade: #B97530, #5ABB30 and #3E30BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B97530 shade: #B97530, #30BB75 and #7530BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B97530 shade: #B97530, #5ABB30, #3075BB and #9130BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B97530 shade: #B97530, #30BB30, #3075BB and #BB30BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 74 / 27

HEX #B97530

RGB 185 117 48

HSL 30.22, 0.59%, 0.46%

LAB 55.33, 20.83, 47.44

 

Complementary color

CMYK 66 / 33 / 0 / 19

HEX #468ACF

RGB 70 138 207

HSL 210.22, 0.59%, 0.54%

LAB 56.07, 0.37, -41.91

 

CMYK 0 / 38 / 77 / 25

HEX #BE752B

RGB 190 117 43

HSL 30.2, 0.63%, 0.46%

LAB 55.93, 22.77, 50.49

 

CMYK 0 / 35 / 70 / 19

HEX #CF873E

RGB 207 135 62

HSL 30.21, 0.6%, 0.53%

LAB 62.46, 21.11, 49.23

 

CMYK 0 / 32 / 64 / 12

HEX #E09951

RGB 224 153 81

HSL 30.21, 0.7%, 0.6%

LAB 68.91, 19.66, 47.78

 

CMYK 0 / 29 / 59 / 5

HEX #F1AB64

RGB 241 171 100

HSL 30.21, 0.83%, 0.67%

LAB 75.29, 18.4, 46.3

 

CMYK 0 / 26 / 53 / 0

HEX #FFBD77

RGB 255 189 119

HSL 30.88, 1%, 0.73%

LAB 81.28, 16.08, 44.4

 

CMYK 0 / 37 / 74 / 27

HEX #B97530

RGB 185 117 48

HSL 30.22, 0.59%, 0.46%

LAB 55.33, 20.83, 47.44

 

CMYK 0 / 41 / 83 / 34

HEX #A8631D

RGB 168 99 29

HSL 30.22, 0.71%, 0.39%

LAB 48.68, 22.66, 48.47

 

CMYK 0 / 46 / 93 / 41

HEX #97510A

RGB 151 81 10

HSL 30.21, 0.88%, 0.32%

LAB 41.98, 24.78, 48.39

 

CMYK 0 / 53 / 100 / 47

HEX #863F00

RGB 134 63 0

HSL 28.21, 1%, 0.26%

LAB 35.25, 27.18, 45.75

 

CMYK 0 / 62 / 100 / 54

HEX #752D00

RGB 117 45 0

HSL 23.08, 1%, 0.23%

LAB 28.53, 29.64, 39.81

 

CMYK 0 / 37 / 74 / 27

HEX #BB7630

RGB 187 118 48

HSL 30.22, 0.59%, 0.46%

LAB 55.82, 21.15, 48.03

 

CMYK 0 / 57 / 74 / 27

HEX #BB5030

RGB 187 80 48

HSL 13.81, 0.59%, 0.46%

LAB 47.64, 41.24, 39.45

 

CMYK 0 / 74 / 74 / 27

HEX #BB3030

RGB 187 48 48

HSL 0, 0.59%, 0.46%

LAB 42.6, 54.8, 33.89

 

CMYK 0 / 37 / 74 / 27

HEX #BB7630

RGB 187 118 48

HSL 30.22, 0.59%, 0.46%

LAB 55.82, 21.15, 48.03

 

CMYK 0 / 17 / 74 / 27

HEX #BB9B30

RGB 187 155 48

HSL 46.19, 0.59%, 0.46%

LAB 65.14, 0.8, 57.27

 

CMYK 3 / 0 / 74 / 27

HEX #B5BB30

RGB 181 187 48

HSL 62.59, 0.59%, 0.46%

LAB 73.27, -18.53, 64.82

 

CMYK 24 / 0 / 74 / 27

HEX #8FBB30

RGB 143 187 48

HSL 78.99, 0.59%, 0.46%

LAB 70.59, -34.2, 61.33

 

CMYK 43 / 0 / 74 / 27

HEX #6ABB30

RGB 106 187 48

HSL 94.96, 0.59%, 0.46%

LAB 68.62, -47.63, 58.74

 

CMYK 0 / 37 / 74 / 27

HEX #BB7630

RGB 187 118 48

HSL 30.22, 0.59%, 0.46%

LAB 55.82, 21.15, 48.03

 

CMYK 0 / 42 / 86 / 20

HEX #CD761D

RGB 205 118 29

HSL 30.34, 0.75%, 0.46%

LAB 58.06, 28.16, 58.51

 

CMYK 0 / 47 / 96 / 12

HEX #E0760A

RGB 224 118 10

HSL 30.28, 0.91%, 0.46%

LAB 60.63, 35.69, 66.27

 

CMYK 0 / 37 / 74 / 27

HEX #BB7630

RGB 187 118 48

HSL 30.22, 0.59%, 0.46%

LAB 55.82, 21.15, 48.03

 

CMYK 0 / 30 / 60 / 34

HEX #A87643

RGB 168 118 67

HSL 30.3, 0.43%, 0.46%

LAB 53.69, 14.04, 35.53

 

CMYK 0 / 21 / 42 / 42

HEX #957656

RGB 149 118 86

HSL 30.48, 0.27%, 0.46%

LAB 51.86, 7.62, 22.23

 

CMYK 0 / 10 / 19 / 49

HEX #827569

RGB 130 117 105

HSL 28.8, 0.11%, 0.46%

LAB 50.08, 2.91, 8.44

 

CMYK 10 / 6 / 0 / 51

HEX #6F757C

RGB 111 117 124

HSL 212.31, 0.06%, 0.46%

LAB 48.95, -0.74, -4.63

 

CMYK 0 / 74 / 72 / 27

HEX #BB3035

RGB 187 48 53

HSL 357.84, 0.59%, 0.46%

LAB 42.67, 55.02, 31.01

 

CMYK 0 / 57 / 74 / 27

HEX #BB5030

RGB 187 80 48

HSL 13.81, 0.59%, 0.46%

LAB 47.64, 41.24, 39.45

 

CMYK 0 / 37 / 74 / 27

HEX #BB7530

RGB 187 117 48

HSL 29.78, 0.59%, 0.46%

LAB 55.58, 21.7, 47.79

 

CMYK 0 / 18 / 74 / 27

HEX #BB9A30

RGB 187 154 48

HSL 45.76, 0.59%, 0.46%

LAB 64.87, 1.34, 57.02

 

CMYK 3 / 0 / 74 / 27

HEX #B6BB30

RGB 182 187 48

HSL 62.16, 0.59%, 0.46%

LAB 73.35, -18.1, 64.93

 

CMYK 0 / 37 / 74 / 53

HEX #794C1F

RGB 121 76 31

HSL 30, 0.59%, 0.3%

LAB 36.62, 14.76, 33.63

 

CMYK 0 / 37 / 74 / 40

HEX #9A6128

RGB 154 97 40

HSL 30, 0.59%, 0.38%

LAB 46.41, 18.04, 40.75

 

CMYK 0 / 37 / 74 / 27

HEX #BB7630

RGB 187 118 48

HSL 30.22, 0.59%, 0.46%

LAB 55.82, 21.15, 48.03

 

CMYK 0 / 33 / 67 / 19

HEX #CF8A45

RGB 207 138 69

HSL 30, 0.59%, 0.54%

LAB 63.24, 19.87, 46.71

 

CMYK 0 / 26 / 53 / 16

HEX #D79F66

RGB 215 159 102

HSL 30.27, 0.59%, 0.62%

LAB 69.61, 14.28, 37.69

 

CMYK 0 / 37 / 74 / 27

HEX #B97530

RGB 185 117 48

HSL 30.22, 0.59%, 0.46%

LAB 55.33, 20.83, 47.44

 

CMYK 52 / 0 / 74 / 27

HEX #5ABB30

RGB 90 187 48

HSL 101.87, 0.59%, 0.46%

LAB 67.97, -52.53, 57.88

 

CMYK 67 / 74 / 0 / 27

HEX #3E30BB

RGB 62 48 187

HSL 246.04, 0.59%, 0.46%

LAB 31.17, 47.59, -70.54

 

CMYK 0 / 37 / 74 / 27

HEX #B97530

RGB 185 117 48

HSL 30.22, 0.59%, 0.46%

LAB 55.33, 20.83, 47.44

 

CMYK 74 / 0 / 37 / 27

HEX #30BB75

RGB 48 187 117

HSL 149.78, 0.59%, 0.46%

LAB 67.62, -52.49, 25.25

 

CMYK 37 / 74 / 0 / 27

HEX #7530BB

RGB 117 48 187

HSL 269.78, 0.59%, 0.46%

LAB 36.9, 55.69, -60.93

 

CMYK 0 / 37 / 74 / 27

HEX #B97530

RGB 185 117 48

HSL 30.22, 0.59%, 0.46%

LAB 55.33, 20.83, 47.44

 

CMYK 52 / 0 / 74 / 27

HEX #5ABB30

RGB 90 187 48

HSL 101.87, 0.59%, 0.46%

LAB 67.97, -52.53, 57.88

 

CMYK 74 / 37 / 0 / 27

HEX #3075BB

RGB 48 117 187

HSL 210.22, 0.59%, 0.46%

LAB 48.18, 2.55, -43.03

 

CMYK 22 / 74 / 0 / 27

HEX #9130BB

RGB 145 48 187

HSL 281.87, 0.59%, 0.46%

LAB 40.77, 60.91, -54.48

 

CMYK 0 / 37 / 74 / 27

HEX #B97530

RGB 185 117 48

HSL 30.22, 0.59%, 0.46%

LAB 55.33, 20.83, 47.44

 

CMYK 74 / 0 / 74 / 27

HEX #30BB30

RGB 48 187 48

HSL 120, 0.59%, 0.46%

LAB 66.81, -61.93, 56.34

 

CMYK 74 / 37 / 0 / 27

HEX #3075BB

RGB 48 117 187

HSL 210.22, 0.59%, 0.46%

LAB 48.18, 2.55, -43.03

 

CMYK 0 / 74 / 0 / 27

HEX #BB30BB

RGB 187 48 187

HSL 300, 0.59%, 0.46%

LAB 47.32, 69.45, -43.61

 

Description

Color code: HEX #B97530 | qconv.com Color code: HEX #B97530 | qconv.com - big



The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 117 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 117 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 74 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 74% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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