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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B9746C it is the complementary color #468B93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B9746C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B9746C shade: #BE7467, #CF867A, #E0988D, #F1AAA0 and #FFBCB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B9746C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B9746C shade: #B9746C, #A86259, #975046, #863E33 and #752C20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B9746C shade: #B8736B and #B86B6B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B9746C shade: #B8736B, #B8886B, #B89C6B, #B8B16B and #AAB86B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B9746C shade matches the following richer shades: #B8736B, #C96559, #DB5747, #ED4936 and #FF3B24

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B9746C shade: #B8736B, #A6817D, #948F8E, #839DA0 and #71ABB2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B9746C shade: #B86B8C, #B86B78, #B8736B, #B8876B and #B89C6B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B9746C shade: #8D4B44, #A85A51, #B8736B, #C58D87 and #D3A8A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B9746C shade: #B9746C, #A1B86B and #6B82B8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B9746C shade: #B9746C, #6BB873 and #736BB8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B9746C shade: #B9746C, #A1B86B, #6BB0B8 and #826BB8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B9746C shade: #B9746C, #8AB86B, #6BB0B8 and #996BB8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 42 / 27

HEX #B9746C

RGB 185 116 108

HSL 6.23, 0.35%, 0.57%

LAB 55.98, 26.21, 15.83

 

Complementary color

CMYK 52 / 5 / 0 / 42

HEX #468B93

RGB 70 139 147

HSL 186.23, 0.35%, 0.43%

LAB 53.89, -19.41, -10.97

 

CMYK 0 / 39 / 46 / 25

HEX #BE7467

RGB 190 116 103

HSL 8.97, 0.4%, 0.57%

LAB 56.5, 27.65, 19.54

 

CMYK 0 / 35 / 41 / 19

HEX #CF867A

RGB 207 134 122

HSL 8.47, 0.47%, 0.65%

LAB 63.11, 26.6, 18.08

 

CMYK 0 / 32 / 37 / 12

HEX #E0988D

RGB 224 152 141

HSL 7.95, 0.57%, 0.72%

LAB 69.63, 25.66, 16.78

 

CMYK 0 / 29 / 34 / 5

HEX #F1AAA0

RGB 241 170 160

HSL 7.41, 0.74%, 0.79%

LAB 76.06, 24.82, 15.6

 

CMYK 0 / 26 / 30 / 0

HEX #FFBCB3

RGB 255 188 179

HSL 7.11, 1%, 0.85%

LAB 82.1, 22.94, 14.05

 

CMYK 0 / 37 / 42 / 27

HEX #B9746C

RGB 185 116 108

HSL 6.23, 0.35%, 0.57%

LAB 55.98, 26.21, 15.83

 

CMYK 0 / 42 / 47 / 34

HEX #A86259

RGB 168 98 89

HSL 6.84, 0.31%, 0.5%

LAB 49.23, 27.31, 17.36

 

CMYK 0 / 47 / 54 / 41

HEX #975046

RGB 151 80 70

HSL 7.41, 0.37%, 0.43%

LAB 42.4, 28.54, 19.16

 

CMYK 0 / 54 / 62 / 47

HEX #863E33

RGB 134 62 51

HSL 7.95, 0.45%, 0.36%

LAB 35.5, 29.89, 21.33

 

CMYK 0 / 62 / 73 / 54

HEX #752C20

RGB 117 44 32

HSL 8.47, 0.57%, 0.29%

LAB 28.61, 31.29, 24

 

CMYK 0 / 38 / 42 / 28

HEX #B8736B

RGB 184 115 107

HSL 6.23, 0.35%, 0.57%

LAB 55.6, 26.25, 15.87

 

CMYK 0 / 42 / 42 / 28

HEX #B86B6B

RGB 184 107 107

HSL 0, 0.35%, 0.57%

LAB 53.78, 30.64, 13.35

 

CMYK 0 / 38 / 42 / 28

HEX #B8736B

RGB 184 115 107

HSL 6.23, 0.35%, 0.57%

LAB 55.6, 26.25, 15.87

 

CMYK 0 / 26 / 42 / 28

HEX #B8886B

RGB 184 136 107

HSL 22.6, 0.35%, 0.57%

LAB 60.66, 14.58, 22.74

 

CMYK 0 / 15 / 42 / 28

HEX #B89C6B

RGB 184 156 107

HSL 38.18, 0.35%, 0.57%

LAB 65.77, 3.55, 29.49

 

CMYK 0 / 4 / 42 / 28

HEX #B8B16B

RGB 184 177 107

HSL 54.55, 0.35%, 0.57%

LAB 71.35, -7.7, 36.64

 

CMYK 8 / 0 / 42 / 28

HEX #AAB86B

RGB 170 184 107

HSL 70.91, 0.35%, 0.57%

LAB 72.15, -16.97, 37.43

 

CMYK 0 / 38 / 42 / 28

HEX #B8736B

RGB 184 115 107

HSL 6.23, 0.35%, 0.57%

LAB 55.6, 26.25, 15.87

 

CMYK 0 / 50 / 56 / 21

HEX #C96559

RGB 201 101 89

HSL 6.43, 0.51%, 0.57%

LAB 54.5, 38.61, 25.2

 

CMYK 0 / 60 / 68 / 14

HEX #DB5747

RGB 219 87 71

HSL 6.49, 0.67%, 0.57%

LAB 54.38, 50.75, 35.89

 

CMYK 0 / 69 / 77 / 7

HEX #ED4936

RGB 237 73 54

HSL 6.23, 0.84%, 0.57%

LAB 55.11, 61.75, 46.77

 

CMYK 0 / 77 / 86 / 0

HEX #FF3B24

RGB 255 59 36

HSL 6.3, 1%, 0.57%

LAB 56.6, 71.27, 57.98

 

CMYK 0 / 38 / 42 / 28

HEX #B8736B

RGB 184 115 107

HSL 6.23, 0.35%, 0.57%

LAB 55.6, 26.25, 15.87

 

CMYK 0 / 22 / 25 / 35

HEX #A6817D

RGB 166 129 125

HSL 5.85, 0.19%, 0.57%

LAB 57.36, 13.62, 7.63

 

CMYK 0 / 3 / 4 / 42

HEX #948F8E

RGB 148 143 142

HSL 10, 0.03%, 0.57%

LAB 59.79, 1.66, 1.18

 

CMYK 18 / 2 / 0 / 37

HEX #839DA0

RGB 131 157 160

HSL 186.21, 0.13%, 0.57%

LAB 62.91, -8.37, -4.6

 

CMYK 37 / 4 / 0 / 30

HEX #71ABB2

RGB 113 171 178

HSL 186.46, 0.3%, 0.57%

LAB 66.41, -17.02, -9.59

 

CMYK 0 / 42 / 24 / 28

HEX #B86B8C

RGB 184 107 140

HSL 334.29, 0.35%, 0.57%

LAB 54.66, 34.96, -4.76

 

CMYK 0 / 42 / 35 / 28

HEX #B86B78

RGB 184 107 120

HSL 349.87, 0.35%, 0.57%

LAB 54.09, 32.21, 6.16

 

CMYK 0 / 38 / 42 / 28

HEX #B8736B

RGB 184 115 107

HSL 6.23, 0.35%, 0.57%

LAB 55.6, 26.25, 15.87

 

CMYK 0 / 27 / 42 / 28

HEX #B8876B

RGB 184 135 107

HSL 21.82, 0.35%, 0.57%

LAB 60.41, 15.14, 22.41

 

CMYK 0 / 15 / 42 / 28

HEX #B89C6B

RGB 184 156 107

HSL 38.18, 0.35%, 0.57%

LAB 65.77, 3.55, 29.49

 

CMYK 0 / 47 / 52 / 45

HEX #8D4B44

RGB 141 75 68

HSL 5.75, 0.35%, 0.41%

LAB 39.77, 27.05, 16.62

 

CMYK 0 / 46 / 52 / 34

HEX #A85A51

RGB 168 90 81

HSL 6.21, 0.35%, 0.49%

LAB 47.28, 30.91, 19.48

 

CMYK 0 / 38 / 42 / 28

HEX #B8736B

RGB 184 115 107

HSL 6.23, 0.35%, 0.57%

LAB 55.6, 26.25, 15.87

 

CMYK 0 / 28 / 31 / 23

HEX #C58D87

RGB 197 141 135

HSL 5.81, 0.35%, 0.65%

LAB 63.89, 20.47, 11.66

 

CMYK 0 / 20 / 23 / 17

HEX #D3A8A3

RGB 211 168 163

HSL 6.25, 0.35%, 0.73%

LAB 72.56, 15, 8.58

 

CMYK 0 / 37 / 42 / 27

HEX #B9746C

RGB 185 116 108

HSL 6.23, 0.35%, 0.57%

LAB 55.98, 26.21, 15.83

 

CMYK 13 / 0 / 42 / 28

HEX #A1B86B

RGB 161 184 107

HSL 77.92, 0.35%, 0.57%

LAB 71.5, -20.52, 36.46

 

CMYK 42 / 29 / 0 / 28

HEX #6B82B8

RGB 107 130 184

HSL 222.08, 0.35%, 0.57%

LAB 54.61, 5.86, -31.01

 

CMYK 0 / 37 / 42 / 27

HEX #B9746C

RGB 185 116 108

HSL 6.23, 0.35%, 0.57%

LAB 55.98, 26.21, 15.83

 

CMYK 42 / 0 / 38 / 28

HEX #6BB873

RGB 107 184 115

HSL 126.23, 0.35%, 0.57%

LAB 68.49, -38.38, 27.8

 

CMYK 38 / 42 / 0 / 28

HEX #736BB8

RGB 115 107 184

HSL 246.23, 0.35%, 0.57%

LAB 49.03, 21.86, -39.71

 

CMYK 0 / 37 / 42 / 27

HEX #B9746C

RGB 185 116 108

HSL 6.23, 0.35%, 0.57%

LAB 55.98, 26.21, 15.83

 

CMYK 13 / 0 / 42 / 28

HEX #A1B86B

RGB 161 184 107

HSL 77.92, 0.35%, 0.57%

LAB 71.5, -20.52, 36.46

 

CMYK 42 / 4 / 0 / 28

HEX #6BB0B8

RGB 107 176 184

HSL 186.23, 0.35%, 0.57%

LAB 67.75, -19.66, -10.94

 

CMYK 29 / 42 / 0 / 28

HEX #826BB8

RGB 130 107 184

HSL 257.92, 0.35%, 0.57%

LAB 50.36, 26.06, -37.53

 

CMYK 0 / 37 / 42 / 27

HEX #B9746C

RGB 185 116 108

HSL 6.23, 0.35%, 0.57%

LAB 55.98, 26.21, 15.83

 

CMYK 25 / 0 / 42 / 28

HEX #8AB86B

RGB 138 184 107

HSL 95.84, 0.35%, 0.57%

LAB 70, -29.21, 34.24

 

CMYK 42 / 4 / 0 / 28

HEX #6BB0B8

RGB 107 176 184

HSL 186.23, 0.35%, 0.57%

LAB 67.75, -19.66, -10.94

 

CMYK 17 / 42 / 0 / 28

HEX #996BB8

RGB 153 107 184

HSL 275.84, 0.35%, 0.57%

LAB 52.67, 32.87, -33.74

 

Description

Color code: HEX #B9746C | qconv.com Color code: HEX #B9746C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 116 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 116 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 42 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 42% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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