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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B971114C it is the complementary color #468EEE4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B971114C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B971114C shade: #BE710C4C, #CF831F4C, #E095324C, #F1A7454C and #FFB9584C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B971114C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B971114C shade: #B971114C, #A85F004C, #974D004C, #863B004C and #7529004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B971114C shade: #BB7211, #BB4411, #BB1711 and #BB1111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B971114C shade: #BB7211, #BBA011, #A8BB11, #7ABB11 and #4DBB11

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B971114C shade matches the following richer shades: #BB7211 and #CB7401

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B971114C shade: #BB7211, #AA7022, #9A6D32, #896B43 and #796953

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B971114C shade: #BB1711, #BB4411, #BB7111, #BB9E11 and #AABB11

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B971114C shade: #6F440A, #955B0E, #BB7211, #E08915 and #EC9D33

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B971114C shade: #B97111, #39BB11 and #2E11BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B971114C shade: #B97111, #11BB71 and #7111BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B971114C shade: #B97111, #39BB11, #115BBB and #9311BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B971114C shade: #B97111, #11BB1D, #115BBB and #BB11AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 27 / 8

HEX #B971114C

RGBA 185 113 17 0.3

HSLA 34.29, 0.83%, 0.4%, 0.3

LABA 54.2, 22.04, 57.83, 0.3

 

Complementary color

CMYK 21 / 12 / 0 / 2

HEX #468EEE4C

RGBA 70 142 238 0.3

HSLA 214.29, 0.83%, 0.6%, 0.3

LABA 58.81, 8.78, -54.89, 0.3

 

CMYK 0 / 12 / 28 / 8

HEX #BE710C4C

RGBA 190 113 12 0.3

HSLA 34.04, 0.88%, 0.4%, 0.3

LABA 54.85, 24.14, 59.72, 0.3

 

CMYK 0 / 11 / 26 / 6

HEX #CF831F4C

RGBA 207 131 31 0.3

HSLA 34.09, 0.74%, 0.47%, 0.3

LABA 61.3, 22.06, 60.67, 0.3

 

CMYK 0 / 10 / 23 / 4

HEX #E095324C

RGBA 224 149 50 0.3

HSLA 34.14, 0.74%, 0.54%, 0.3

LABA 67.7, 20.24, 60.37, 0.3

 

CMYK 0 / 9 / 21 / 2

HEX #F1A7454C

RGBA 241 167 69 0.3

HSLA 34.19, 0.86%, 0.61%, 0.3

LABA 74.04, 18.64, 59.46, 0.3

 

CMYK 0 / 8 / 20 / 0

HEX #FFB9584C

RGBA 255 185 88 0.3

HSLA 34.85, 1%, 0.67%, 0.3

LABA 79.99, 16, 57.83, 0.3

 

CMYK 0 / 12 / 27 / 8

HEX #B971114C

RGBA 185 113 17 0.3

HSLA 34.29, 0.83%, 0.4%, 0.3

LABA 54.2, 22.04, 57.83, 0.3

 

CMYK 0 / 13 / 30 / 10

HEX #A85F004C

RGBA 168 95 0 0.3

HSLA 33.93, 1%, 0.33%, 0.3

LABA 47.64, 24.29, 55.91, 0.3

 

CMYK 0 / 15 / 30 / 12

HEX #974D004C

RGBA 151 77 0 0.3

HSLA 30.6, 1%, 0.3%, 0.3

LABA 41.04, 26.83, 50.59, 0.3

 

CMYK 0 / 17 / 30 / 14

HEX #863B004C

RGBA 134 59 0 0.3

HSLA 26.42, 1%, 0.26%, 0.3

LABA 34.39, 29.36, 45.25, 0.3

 

CMYK 0 / 19 / 30 / 16

HEX #7529004C

RGBA 117 41 0 0.3

HSLA 21.03, 1%, 0.23%, 0.3

LABA 27.76, 31.68, 39.17, 0.3

 

CMYK 0 / 39 / 91 / 27

HEX #BB7211

RGB 187 114 17

HSL 34.24, 0.83%, 0.4%

LAB 54.7, 22.36, 58.32

 

CMYK 0 / 64 / 91 / 27

HEX #BB4411

RGB 187 68 17

HSL 18, 0.83%, 0.4%

LAB 45.28, 45.93, 51.33

 

CMYK 0 / 88 / 91 / 27

HEX #BB1711

RGB 187 23 17

HSL 2.12, 0.83%, 0.4%

LAB 39.95, 60.65, 47.53

 

CMYK 0 / 91 / 91 / 27

HEX #BB1111

RGB 187 17 17

HSL 0, 0.83%, 0.4%

LAB 39.59, 61.67, 47.28

 

CMYK 0 / 39 / 91 / 27

HEX #BB7211

RGB 187 114 17

HSL 34.24, 0.83%, 0.4%

LAB 54.7, 22.36, 58.32

 

CMYK 0 / 14 / 91 / 27

HEX #BBA011

RGB 187 160 17

HSL 50.47, 0.83%, 0.4%

LAB 66.33, -2.85, 67.2

 

CMYK 10 / 0 / 91 / 27

HEX #A8BB11

RGB 168 187 17

HSL 66.71, 0.83%, 0.4%

LAB 72.17, -25.02, 71.09

 

CMYK 35 / 0 / 91 / 27

HEX #7ABB11

RGB 122 187 17

HSL 82.94, 0.83%, 0.4%

LAB 69.27, -43.39, 67.54

 

CMYK 59 / 0 / 91 / 27

HEX #4DBB11

RGB 77 187 17

HSL 98.82, 0.83%, 0.4%

LAB 67.4, -57.52, 65.22

 

CMYK 0 / 39 / 91 / 27

HEX #BB7211

RGB 187 114 17

HSL 34.24, 0.83%, 0.4%

LAB 54.7, 22.36, 58.32

 

CMYK 0 / 43 / 100 / 20

HEX #CB7401

RGB 203 116 1

HSL 34.16, 0.99%, 0.4%

LAB 57.26, 27.95, 64.19

 

CMYK 0 / 39 / 91 / 27

HEX #BB7211

RGB 187 114 17

HSL 34.24, 0.83%, 0.4%

LAB 54.7, 22.36, 58.32

 

CMYK 0 / 34 / 80 / 33

HEX #AA7022

RGB 170 112 34

HSL 34.41, 0.67%, 0.4%

LAB 52.12, 16.42, 49.72

 

CMYK 0 / 29 / 68 / 40

HEX #9A6D32

RGB 154 109 50

HSL 34.04, 0.51%, 0.4%

LAB 49.54, 11.74, 39.17

 

CMYK 0 / 22 / 51 / 46

HEX #896B43

RGB 137 107 67

HSL 34.29, 0.34%, 0.4%

LAB 47.29, 6.63, 26.87

 

CMYK 0 / 13 / 31 / 53

HEX #796953

RGB 121 105 83

HSL 34.74, 0.19%, 0.4%

LAB 45.35, 2.72, 14.72

 

CMYK 0 / 88 / 91 / 27

HEX #BB1711

RGB 187 23 17

HSL 2.12, 0.83%, 0.4%

LAB 39.95, 60.65, 47.53

 

CMYK 0 / 64 / 91 / 27

HEX #BB4411

RGB 187 68 17

HSL 18, 0.83%, 0.4%

LAB 45.28, 45.93, 51.33

 

CMYK 0 / 40 / 91 / 27

HEX #BB7111

RGB 187 113 17

HSL 33.88, 0.83%, 0.4%

LAB 54.47, 22.91, 58.14

 

CMYK 0 / 16 / 91 / 27

HEX #BB9E11

RGB 187 158 17

HSL 49.76, 0.83%, 0.4%

LAB 65.79, -1.78, 66.79

 

CMYK 9 / 0 / 91 / 27

HEX #AABB11

RGB 170 187 17

HSL 66, 0.83%, 0.4%

LAB 72.31, -24.17, 71.27

 

CMYK 0 / 39 / 91 / 56

HEX #6F440A

RGB 111 68 10

HSL 34.46, 0.83%, 0.24%

LAB 33, 13.95, 38.95

 

CMYK 0 / 39 / 91 / 42

HEX #955B0E

RGB 149 91 14

HSL 34.22, 0.83%, 0.32%

LAB 44.09, 18.28, 48.77

 

CMYK 0 / 39 / 91 / 27

HEX #BB7211

RGB 187 114 17

HSL 34.24, 0.83%, 0.4%

LAB 54.7, 22.36, 58.32

 

CMYK 0 / 39 / 91 / 12

HEX #E08915

RGB 224 137 21

HSL 34.29, 0.83%, 0.48%

LAB 64.8, 25.87, 67.06

 

CMYK 0 / 33 / 78 / 7

HEX #EC9D33

RGB 236 157 51

HSL 34.38, 0.83%, 0.56%

LAB 71, 21.08, 63.58

 

CMYK 0 / 39 / 91 / 27

HEX #B97111

RGB 185 113 17

HSL 34.29, 0.83%, 0.4%

LAB 54.2, 22.04, 57.83

 

CMYK 70 / 0 / 91 / 27

HEX #39BB11

RGB 57 187 17

HSL 105.88, 0.83%, 0.4%

LAB 66.86, -61.98, 64.56

 

CMYK 75 / 91 / 0 / 27

HEX #2E11BB

RGB 46 17 187

HSL 250.24, 0.83%, 0.4%

LAB 25.47, 59.6, -80.03

 

CMYK 0 / 39 / 91 / 27

HEX #B97111

RGB 185 113 17

HSL 34.29, 0.83%, 0.4%

LAB 54.2, 22.04, 57.83

 

CMYK 91 / 0 / 40 / 27

HEX #11BB71

RGB 17 187 113

HSL 153.88, 0.83%, 0.4%

LAB 67.17, -56.29, 26.69

 

CMYK 40 / 91 / 0 / 27

HEX #7111BB

RGB 113 17 187

HSL 273.88, 0.83%, 0.4%

LAB 32.92, 65.11, -67.47

 

CMYK 0 / 39 / 91 / 27

HEX #B97111

RGB 185 113 17

HSL 34.29, 0.83%, 0.4%

LAB 54.2, 22.04, 57.83

 

CMYK 70 / 0 / 91 / 27

HEX #39BB11

RGB 57 187 17

HSL 105.88, 0.83%, 0.4%

LAB 66.86, -61.98, 64.56

 

CMYK 91 / 51 / 0 / 27

HEX #115BBB

RGB 17 91 187

HSL 213.88, 0.83%, 0.4%

LAB 39.9, 16.29, -56.36

 

CMYK 21 / 91 / 0 / 27

HEX #9311BB

RGB 147 17 187

HSL 285.88, 0.83%, 0.4%

LAB 38.18, 69.69, -58.65

 

CMYK 0 / 39 / 91 / 27

HEX #B97111

RGB 185 113 17

HSL 34.29, 0.83%, 0.4%

LAB 54.2, 22.04, 57.83

 

CMYK 91 / 0 / 84 / 27

HEX #11BB1D

RGB 17 187 29

HSL 124.24, 0.83%, 0.4%

LAB 66.33, -66.55, 61.44

 

CMYK 91 / 51 / 0 / 27

HEX #115BBB

RGB 17 91 187

HSL 213.88, 0.83%, 0.4%

LAB 39.9, 16.29, -56.36

 

CMYK 0 / 91 / 6 / 27

HEX #BB11AF

RGB 187 17 175

HSL 304.24, 0.83%, 0.4%

LAB 44.32, 74.39, -41.33

 

Description

Color code: HEX #B971114C | qconv.com Color code: HEX #B971114C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 113 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 113 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 27 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 27% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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