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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B95F374C it is the complementary color #46A0C84C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B95F374C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B95F374C shade: #BE5F324C, #CF71454C, #E083584C, #F1956B4C and #FFA77E4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B95F374C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B95F374C shade: #B95F374C, #A84D244C, #973B114C, #8629004C and #7517004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B95F374C shade: #B95F37, #B93C37 and #B93737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B95F374C shade: #B95F37, #B98237, #B9A537, #A9B937 and #87B937

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B95F374C shade matches the following richer shades: #B95F37, #CC5724 and #DF5010

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B95F374C shade: #B95F37, #A5664B, #926E5E, #7E7571 and #6B7D85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B95F374C shade: #B93755, #B93B37, #B95E37, #B98037 and #B9A337

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B95F374C shade: #793E24, #994F2E, #B95F37, #CA754F and #D48E6E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B95F374C shade: #B95F37, #78B937 and #3744B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B95F374C shade: #B95F37, #37B95E and #5E37B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B95F374C shade: #B95F37, #78B937, #3792B9 and #7837B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B95F374C shade: #B95F37, #51B937, #3792B9 and #9F37B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 21 / 8

HEX #B95F374C

RGBA 185 95 55 0.3

HSLA 18.46, 0.54%, 0.47%, 0.3

LABA 50.42, 33.15, 38.7, 0.3

 

Complementary color

CMYK 20 / 6 / 0 / 6

HEX #46A0C84C

RGBA 70 160 200 0.3

HSLA 198.46, 0.54%, 0.53%, 0.3

LABA 62.18, -14.41, -28.45, 0.3

 

CMYK 0 / 15 / 22 / 8

HEX #BE5F324C

RGBA 190 95 50 0.3

HSLA 19.29, 0.58%, 0.47%, 0.3

LABA 51.11, 34.91, 42.27, 0.3

 

CMYK 0 / 14 / 20 / 6

HEX #CF71454C

RGBA 207 113 69 0.3

HSLA 19.13, 0.59%, 0.54%, 0.3

LABA 57.56, 33.31, 40.27, 0.3

 

CMYK 0 / 12 / 18 / 4

HEX #E083584C

RGBA 224 131 88 0.3

HSLA 18.97, 0.69%, 0.61%, 0.3

LABA 63.99, 31.85, 38.38, 0.3

 

CMYK 0 / 11 / 17 / 2

HEX #F1956B4C

RGBA 241 149 107 0.3

HSLA 18.81, 0.83%, 0.68%, 0.3

LABA 70.36, 30.53, 36.63, 0.3

 

CMYK 0 / 10 / 15 / 0

HEX #FFA77E4C

RGBA 255 167 126 0.3

HSLA 19.07, 1%, 0.75%, 0.3

LABA 76.32, 28.18, 34.51, 0.3

 

CMYK 0 / 15 / 21 / 8

HEX #B95F374C

RGBA 185 95 55 0.3

HSLA 18.46, 0.54%, 0.47%, 0.3

LABA 50.42, 33.15, 38.7, 0.3

 

CMYK 0 / 16 / 24 / 10

HEX #A84D244C

RGBA 168 77 36 0.3

HSLA 18.64, 0.65%, 0.4%, 0.3

LABA 43.89, 34.84, 40.79, 0.3

 

CMYK 0 / 18 / 27 / 12

HEX #973B114C

RGBA 151 59 17 0.3

HSLA 18.81, 0.8%, 0.33%, 0.3

LABA 37.39, 36.61, 42.54, 0.3

 

CMYK 0 / 21 / 30 / 14

HEX #8629004C

RGBA 134 41 0 0.3

HSLA 18.36, 1%, 0.26%, 0.3

LABA 31.01, 38.24, 43.1, 0.3

 

CMYK 0 / 24 / 30 / 16

HEX #7517004C

RGBA 117 23 0 0.3

HSLA 11.79, 1%, 0.23%, 0.3

LABA 24.94, 39.36, 36.62, 0.3

 

CMYK 0 / 49 / 70 / 27

HEX #B95F37

RGB 185 95 55

HSL 18.46, 0.54%, 0.47%

LAB 50.42, 33.15, 38.7

 

CMYK 0 / 68 / 70 / 27

HEX #B93C37

RGB 185 60 55

HSL 2.31, 0.54%, 0.47%

LAB 43.98, 49.93, 31.28

 

CMYK 0 / 70 / 70 / 27

HEX #B93737

RGB 185 55 55

HSL 0, 0.54%, 0.47%

LAB 43.25, 51.92, 30.42

 

CMYK 0 / 49 / 70 / 27

HEX #B95F37

RGB 185 95 55

HSL 18.46, 0.54%, 0.47%

LAB 50.42, 33.15, 38.7

 

CMYK 0 / 30 / 70 / 27

HEX #B98237

RGB 185 130 55

HSL 34.62, 0.54%, 0.47%

LAB 58.56, 13.98, 47.57

 

CMYK 0 / 11 / 70 / 27

HEX #B9A537

RGB 185 165 55

HSL 50.77, 0.54%, 0.47%

LAB 67.65, -5.1, 56.93

 

CMYK 9 / 0 / 70 / 27

HEX #A9B937

RGB 169 185 55

HSL 67.38, 0.54%, 0.47%

LAB 71.83, -22.26, 60.66

 

CMYK 27 / 0 / 70 / 27

HEX #87B937

RGB 135 185 55

HSL 83.08, 0.54%, 0.47%

LAB 69.56, -35.97, 57.64

 

CMYK 0 / 49 / 70 / 27

HEX #B95F37

RGB 185 95 55

HSL 18.46, 0.54%, 0.47%

LAB 50.42, 33.15, 38.7

 

CMYK 0 / 57 / 82 / 20

HEX #CC5724

RGB 204 87 36

HSL 18.21, 0.7%, 0.47%

LAB 51.59, 43.83, 50.17

 

CMYK 0 / 64 / 93 / 13

HEX #DF5010

RGB 223 80 16

HSL 18.55, 0.87%, 0.47%

LAB 53.45, 53.45, 60.2

 

CMYK 0 / 49 / 70 / 27

HEX #B95F37

RGB 185 95 55

HSL 18.46, 0.54%, 0.47%

LAB 50.42, 33.15, 38.7

 

CMYK 0 / 38 / 55 / 35

HEX #A5664B

RGB 165 102 75

HSL 18, 0.38%, 0.47%

LAB 49.51, 22.47, 25.83

 

CMYK 0 / 25 / 36 / 43

HEX #926E5E

RGB 146 110 94

HSL 18.46, 0.22%, 0.47%

LAB 49.58, 11.96, 14.46

 

CMYK 0 / 7 / 10 / 51

HEX #7E7571

RGB 126 117 113

HSL 18.46, 0.05%, 0.47%

LAB 49.92, 2.71, 3.44

 

CMYK 20 / 6 / 0 / 48

HEX #6B7D85

RGB 107 125 133

HSL 198.46, 0.11%, 0.47%

LAB 51.25, -4.72, -6.55

 

CMYK 0 / 70 / 54 / 27

HEX #B93755

RGB 185 55 85

HSL 346.15, 0.54%, 0.47%

LAB 43.8, 53.87, 12.79

 

CMYK 0 / 68 / 70 / 27

HEX #B93B37

RGB 185 59 55

HSL 1.85, 0.54%, 0.47%

LAB 43.83, 50.33, 31.11

 

CMYK 0 / 49 / 70 / 27

HEX #B95E37

RGB 185 94 55

HSL 18, 0.54%, 0.47%

LAB 50.21, 33.68, 38.47

 

CMYK 0 / 31 / 70 / 27

HEX #B98037

RGB 185 128 55

HSL 33.69, 0.54%, 0.47%

LAB 58.06, 15.09, 47.04

 

CMYK 0 / 12 / 70 / 27

HEX #B9A337

RGB 185 163 55

HSL 49.85, 0.54%, 0.47%

LAB 67.12, -4.04, 56.4

 

CMYK 0 / 49 / 70 / 53

HEX #793E24

RGB 121 62 36

HSL 18.35, 0.54%, 0.31%

LAB 33.22, 23.32, 27.12

 

CMYK 0 / 48 / 70 / 40

HEX #994F2E

RGB 153 79 46

HSL 18.5, 0.54%, 0.39%

LAB 42.1, 28.1, 32.89

 

CMYK 0 / 49 / 70 / 27

HEX #B95F37

RGB 185 95 55

HSL 18.46, 0.54%, 0.47%

LAB 50.42, 33.15, 38.7

 

CMYK 0 / 42 / 61 / 21

HEX #CA754F

RGB 202 117 79

HSL 18.54, 0.54%, 0.55%

LAB 57.89, 29.82, 35.12

 

CMYK 0 / 33 / 48 / 17

HEX #D48E6E

RGB 212 142 110

HSL 18.82, 0.54%, 0.63%

LAB 65.33, 22.99, 27.85

 

CMYK 0 / 49 / 70 / 27

HEX #B95F37

RGB 185 95 55

HSL 18.46, 0.54%, 0.47%

LAB 50.42, 33.15, 38.7

 

CMYK 35 / 0 / 70 / 27

HEX #78B937

RGB 120 185 55

HSL 90, 0.54%, 0.47%

LAB 68.73, -41.53, 56.52

 

CMYK 70 / 63 / 0 / 27

HEX #3744B9

RGB 55 68 185

HSL 234, 0.54%, 0.47%

LAB 34.9, 34.18, -63.26

 

CMYK 0 / 49 / 70 / 27

HEX #B95F37

RGB 185 95 55

HSL 18.46, 0.54%, 0.47%

LAB 50.42, 33.15, 38.7

 

CMYK 70 / 0 / 49 / 27

HEX #37B95E

RGB 55 185 94

HSL 138, 0.54%, 0.47%

LAB 66.76, -54.73, 36.07

 

CMYK 49 / 70 / 0 / 27

HEX #5E37B9

RGB 94 55 185

HSL 258, 0.54%, 0.47%

LAB 35.23, 47.8, -62.59

 

CMYK 0 / 49 / 70 / 27

HEX #B95F37

RGB 185 95 55

HSL 18.46, 0.54%, 0.47%

LAB 50.42, 33.15, 38.7

 

CMYK 35 / 0 / 70 / 27

HEX #78B937

RGB 120 185 55

HSL 90, 0.54%, 0.47%

LAB 68.73, -41.53, 56.52

 

CMYK 70 / 21 / 0 / 27

HEX #3792B9

RGB 55 146 185

HSL 198, 0.54%, 0.47%

LAB 56.95, -14.05, -28.12

 

CMYK 35 / 70 / 0 / 27

HEX #7837B9

RGB 120 55 185

HSL 270, 0.54%, 0.47%

LAB 38.25, 52.6, -57.54

 

CMYK 0 / 49 / 70 / 27

HEX #B95F37

RGB 185 95 55

HSL 18.46, 0.54%, 0.47%

LAB 50.42, 33.15, 38.7

 

CMYK 56 / 0 / 70 / 27

HEX #51B937

RGB 81 185 55

HSL 108, 0.54%, 0.47%

LAB 67.07, -53.73, 54.29

 

CMYK 70 / 21 / 0 / 27

HEX #3792B9

RGB 55 146 185

HSL 198, 0.54%, 0.47%

LAB 56.95, -14.05, -28.12

 

CMYK 14 / 70 / 0 / 27

HEX #9F37B9

RGB 159 55 185

HSL 288, 0.54%, 0.47%

LAB 43.66, 60.7, -48.54

 

Description

Color code: HEX #B95F374C | qconv.com Color code: HEX #B95F374C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 95 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 95 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 21 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 21% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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