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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B95AD1 it is the complementary color #46A52E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B95AD1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B95AD1 shade: #BE5ACC, #CF6CDF, #E07EF2, #F190FF and #FFA2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B95AD1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B95AD1 shade: #B95AD1, #A848BE, #9736AB, #862498 and #751285

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B95AD1 shade: #B95CD1, #D15CC9, #D15CA9, #D15C8A and #D15C6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B95AD1 shade: #B95CD1, #9A5CD1, #7A5CD1 and #5C5CD1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B95AD1 shade matches the following richer shades: #B95CD1, #C34BE2 and #CE3AF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B95AD1 shade: #B95CD1, #AF6DC0, #A57EAF, #9B8F9E and #91A08D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B95AD1 shade: #795CD1, #985CD1, #B85CD1, #D15CCB and #D15CAC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B95AD1 shade: #9230AA, #AC3CC8, #B95CD1, #C77CDA and #D59CE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B95AD1 shade: #B95AD1, #D15C5E and #5CD189

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B95AD1 shade: #B95AD1, #D1B85C and #5CD1B8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B95AD1 shade: #B95AD1, #D15C5E, #75D15C and #5CD1CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B95AD1 shade: #B95AD1, #D17D5C, #75D15C and #5CB0D1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 57 / 0 / 18

HEX #B95AD1

RGB 185 90 209

HSL 287.9, 0.56%, 0.59%

LAB 54.27, 56.08, -45.29

 

Complementary color

CMYK 58 / 0 / 72 / 35

HEX #46A52E

RGB 70 165 46

HSL 107.9, 0.56%, 0.41%

LAB 60.26, -49.92, 50.6

 

CMYK 7 / 56 / 0 / 20

HEX #BE5ACC

RGB 190 90 204

HSL 292.63, 0.53%, 0.58%

LAB 54.68, 56.41, -41.75

 

CMYK 7 / 52 / 0 / 13

HEX #CF6CDF

RGB 207 108 223

HSL 291.65, 0.64%, 0.65%

LAB 61.06, 55.84, -42.28

 

CMYK 7 / 48 / 0 / 5

HEX #E07EF2

RGB 224 126 242

HSL 290.69, 0.82%, 0.72%

LAB 67.41, 55.17, -42.71

 

CMYK 5 / 44 / 0 / 0

HEX #F190FF

RGB 241 144 255

HSL 292.43, 1%, 0.78%

LAB 73.46, 53.33, -40.21

 

CMYK 0 / 36 / 0 / 0

HEX #FFA2FF

RGB 255 162 255

HSL 300, 1%, 0.82%

LAB 78.65, 48.27, -32.05

 

CMYK 11 / 57 / 0 / 18

HEX #B95AD1

RGB 185 90 209

HSL 287.9, 0.56%, 0.59%

LAB 54.27, 56.08, -45.29

 

CMYK 12 / 62 / 0 / 25

HEX #A848BE

RGB 168 72 190

HSL 288.81, 0.48%, 0.51%

LAB 47.85, 56.52, -44.7

 

CMYK 12 / 68 / 0 / 33

HEX #9736AB

RGB 151 54 171

HSL 289.74, 0.52%, 0.44%

LAB 41.47, 56.63, -43.86

 

CMYK 12 / 76 / 0 / 40

HEX #862498

RGB 134 36 152

HSL 290.69, 0.62%, 0.37%

LAB 35.2, 56.15, -42.61

 

CMYK 12 / 86 / 0 / 48

HEX #751285

RGB 117 18 133

HSL 291.65, 0.76%, 0.3%

LAB 29.18, 54.6, -40.71

 

CMYK 11 / 56 / 0 / 18

HEX #B95CD1

RGB 185 92 209

HSL 287.69, 0.56%, 0.59%

LAB 54.63, 55.12, -44.72

 

CMYK 0 / 56 / 4 / 18

HEX #D15CC9

RGB 209 92 201

HSL 304.1, 0.56%, 0.59%

LAB 57.49, 60, -35.44

 

CMYK 0 / 56 / 19 / 18

HEX #D15CA9

RGB 209 92 169

HSL 320.51, 0.56%, 0.59%

LAB 56.16, 54.97, -19.08

 

CMYK 0 / 56 / 34 / 18

HEX #D15C8A

RGB 209 92 138

HSL 336.41, 0.56%, 0.59%

LAB 55.12, 50.84, -2.51

 

CMYK 0 / 56 / 49 / 18

HEX #D15C6A

RGB 209 92 106

HSL 352.82, 0.56%, 0.59%

LAB 54.29, 47.46, 15.2

 

CMYK 11 / 56 / 0 / 18

HEX #B95CD1

RGB 185 92 209

HSL 287.69, 0.56%, 0.59%

LAB 54.63, 55.12, -44.72

 

CMYK 26 / 56 / 0 / 18

HEX #9A5CD1

RGB 154 92 209

HSL 271.79, 0.56%, 0.59%

LAB 50.84, 47.21, -50.98

 

CMYK 42 / 56 / 0 / 18

HEX #7A5CD1

RGB 122 92 209

HSL 255.38, 0.56%, 0.59%

LAB 47.49, 39.54, -56.53

 

CMYK 56 / 56 / 0 / 18

HEX #5C5CD1

RGB 92 92 209

HSL 240, 0.56%, 0.59%

LAB 44.99, 33.27, -60.7

 

CMYK 11 / 56 / 0 / 18

HEX #B95CD1

RGB 185 92 209

HSL 287.69, 0.56%, 0.59%

LAB 54.63, 55.12, -44.72

 

CMYK 14 / 67 / 0 / 11

HEX #C34BE2

RGB 195 75 226

HSL 287.68, 0.72%, 0.59%

LAB 54.16, 68.34, -55.02

 

CMYK 15 / 76 / 0 / 5

HEX #CE3AF3

RGB 206 58 243

HSL 288, 0.89%, 0.59%

LAB 54.68, 79.62, -63.65

 

CMYK 11 / 56 / 0 / 18

HEX #B95CD1

RGB 185 92 209

HSL 287.69, 0.56%, 0.59%

LAB 54.63, 55.12, -44.72

 

CMYK 9 / 43 / 0 / 25

HEX #AF6DC0

RGB 175 109 192

HSL 287.71, 0.4%, 0.59%

LAB 55.94, 40.11, -33.04

 

CMYK 6 / 28 / 0 / 31

HEX #A57EAF

RGB 165 126 175

HSL 287.76, 0.23%, 0.59%

LAB 58.05, 23.93, -20.14

 

CMYK 2 / 9 / 0 / 38

HEX #9B8F9E

RGB 155 143 158

HSL 288, 0.07%, 0.59%

LAB 60.85, 7.31, -6.31

 

CMYK 9 / 0 / 12 / 37

HEX #91A08D

RGB 145 160 141

HSL 107.37, 0.09%, 0.59%

LAB 64.23, -8.99, 8.11

 

CMYK 42 / 56 / 0 / 18

HEX #795CD1

RGB 121 92 209

HSL 254.87, 0.56%, 0.59%

LAB 47.4, 39.32, -56.69

 

CMYK 27 / 56 / 0 / 18

HEX #985CD1

RGB 152 92 209

HSL 270.77, 0.56%, 0.59%

LAB 50.61, 46.71, -51.36

 

CMYK 12 / 56 / 0 / 18

HEX #B85CD1

RGB 184 92 209

HSL 287.18, 0.56%, 0.59%

LAB 54.5, 54.86, -44.93

 

CMYK 0 / 56 / 3 / 18

HEX #D15CCB

RGB 209 92 203

HSL 303.08, 0.56%, 0.59%

LAB 57.58, 60.33, -36.44

 

CMYK 0 / 56 / 18 / 18

HEX #D15CAC

RGB 209 92 172

HSL 318.97, 0.56%, 0.59%

LAB 56.28, 55.41, -20.65

 

CMYK 14 / 72 / 0 / 33

HEX #9230AA

RGB 146 48 170

HSL 288.2, 0.56%, 0.43%

LAB 39.79, 57.73, -45.98

 

CMYK 14 / 70 / 0 / 22

HEX #AC3CC8

RGB 172 60 200

HSL 288, 0.56%, 0.51%

LAB 47.2, 64.4, -51.5

 

CMYK 11 / 56 / 0 / 18

HEX #B95CD1

RGB 185 92 209

HSL 287.69, 0.56%, 0.59%

LAB 54.63, 55.12, -44.72

 

CMYK 9 / 43 / 0 / 15

HEX #C77CDA

RGB 199 124 218

HSL 287.87, 0.56%, 0.67%

LAB 63.03, 44.44, -36.48

 

CMYK 6 / 31 / 0 / 11

HEX #D59CE3

RGB 213 156 227

HSL 288.17, 0.56%, 0.75%

LAB 71.87, 33.29, -27.65

 

CMYK 11 / 57 / 0 / 18

HEX #B95AD1

RGB 185 90 209

HSL 287.9, 0.56%, 0.59%

LAB 54.27, 56.08, -45.29

 

CMYK 0 / 56 / 55 / 18

HEX #D15C5E

RGB 209 92 94

HSL 358.97, 0.56%, 0.59%

LAB 54.05, 46.43, 21.92

 

CMYK 56 / 0 / 34 / 18

HEX #5CD189

RGB 92 209 137

HSL 143.08, 0.56%, 0.59%

LAB 75.87, -49.16, 26.01

 

CMYK 11 / 57 / 0 / 18

HEX #B95AD1

RGB 185 90 209

HSL 287.9, 0.56%, 0.59%

LAB 54.27, 56.08, -45.29

 

CMYK 0 / 12 / 56 / 18

HEX #D1B85C

RGB 209 184 92

HSL 47.18, 0.56%, 0.59%

LAB 75.21, -2.38, 49.31

 

CMYK 56 / 0 / 12 / 18

HEX #5CD1B8

RGB 92 209 184

HSL 167.18, 0.56%, 0.59%

LAB 76.88, -39.04, 2.45

 

CMYK 11 / 57 / 0 / 18

HEX #B95AD1

RGB 185 90 209

HSL 287.9, 0.56%, 0.59%

LAB 54.27, 56.08, -45.29

 

CMYK 0 / 56 / 55 / 18

HEX #D15C5E

RGB 209 92 94

HSL 358.97, 0.56%, 0.59%

LAB 54.05, 46.43, 21.92

 

CMYK 44 / 0 / 56 / 18

HEX #75D15C

RGB 117 209 92

HSL 107.18, 0.56%, 0.59%

LAB 76.16, -49.18, 48.9

 

CMYK 56 / 0 / 1 / 18

HEX #5CD1CF

RGB 92 209 207

HSL 178.97, 0.56%, 0.59%

LAB 77.51, -33.18, -8.99

 

CMYK 11 / 57 / 0 / 18

HEX #B95AD1

RGB 185 90 209

HSL 287.9, 0.56%, 0.59%

LAB 54.27, 56.08, -45.29

 

CMYK 0 / 40 / 56 / 18

HEX #D17D5C

RGB 209 125 92

HSL 16.92, 0.56%, 0.59%

LAB 60.78, 29.35, 31.8

 

CMYK 44 / 0 / 56 / 18

HEX #75D15C

RGB 117 209 92

HSL 107.18, 0.56%, 0.59%

LAB 76.16, -49.18, 48.9

 

CMYK 56 / 16 / 0 / 18

HEX #5CB0D1

RGB 92 176 209

HSL 196.92, 0.56%, 0.59%

LAB 67.97, -16.11, -24.48

 

Description

Color code: HEX #B95AD1 | qconv.com Color code: HEX #B95AD1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 90 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 90 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 57 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 57% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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