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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B95660 it is the complementary color #46A99F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B95660. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B95660 shade: #BE565B, #CF686E, #E07A81, #F18C94 and #FF9EA7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B95660. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B95660 shade: #B95660, #A8444D, #97323A, #862027 and #750E14

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B95660 shade: #B85660 and #B85656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B95660 shade: #B85660, #B8567A, #B85695, #B856AF and #A756B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B95660 shade matches the following richer shades: #B85660, #CC4350, #DF2F41 and #F21C32

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B95660 shade: #B85660, #A5696F, #927D7F, #7E908E and #6BA49E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B95660 shade: #B85696, #B8567C, #B85661, #B86556 and #B87F56

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B95660 shade: #84373F, #A1444D, #B85660, #C4737B and #D19097

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B95660 shade: #B95660, #B0B856 and #5689B8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B95660 shade: #B95660, #61B856 and #5661B8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B95660 shade: #B95660, #B0B856, #56B8AD and #5E56B8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B95660 shade: #B95660, #93B856, #56B8AD and #7C56B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 48 / 27

HEX #B95660

RGB 185 86 96

HSL 353.94, 0.41%, 0.53%

LAB 49.27, 40.92, 13.64

 

Complementary color

CMYK 59 / 0 / 6 / 34

HEX #46A99F

RGB 70 169 159

HSL 173.94, 0.41%, 0.47%

LAB 63.49, -31.19, -3.51

 

CMYK 0 / 55 / 52 / 25

HEX #BE565B

RGB 190 86 91

HSL 357.12, 0.44%, 0.54%

LAB 49.93, 42.27, 17.65

 

CMYK 0 / 50 / 47 / 19

HEX #CF686E

RGB 207 104 110

HSL 356.5, 0.52%, 0.61%

LAB 56.38, 41.2, 15.69

 

CMYK 0 / 46 / 42 / 12

HEX #E07A81

RGB 224 122 129

HSL 355.88, 0.62%, 0.68%

LAB 62.8, 40.15, 14.02

 

CMYK 0 / 42 / 39 / 5

HEX #F18C94

RGB 241 140 148

HSL 355.25, 0.78%, 0.75%

LAB 69.18, 39.14, 12.56

 

CMYK 0 / 38 / 35 / 0

HEX #FF9EA7

RGB 255 158 167

HSL 354.43, 1%, 0.81%

LAB 75.14, 37.12, 10.71

 

CMYK 0 / 54 / 48 / 27

HEX #B95660

RGB 185 86 96

HSL 353.94, 0.41%, 0.53%

LAB 49.27, 40.92, 13.64

 

CMYK 0 / 60 / 54 / 34

HEX #A8444D

RGB 168 68 77

HSL 354.6, 0.42%, 0.46%

LAB 42.76, 41.92, 15.83

 

CMYK 0 / 67 / 62 / 41

HEX #97323A

RGB 151 50 58

HSL 355.25, 0.5%, 0.39%

LAB 36.3, 42.75, 18.56

 

CMYK 0 / 76 / 71 / 47

HEX #862027

RGB 134 32 39

HSL 355.88, 0.61%, 0.33%

LAB 30.03, 43.13, 22.06

 

CMYK 0 / 88 / 83 / 54

HEX #750E14

RGB 117 14 20

HSL 356.5, 0.79%, 0.26%

LAB 24.15, 42.53, 26.51

 

CMYK 0 / 53 / 48 / 28

HEX #B85660

RGB 184 86 96

HSL 353.88, 0.41%, 0.53%

LAB 49.12, 40.55, 13.41

 

CMYK 0 / 53 / 53 / 28

HEX #B85656

RGB 184 86 86

HSL 0, 0.41%, 0.53%

LAB 48.91, 39.63, 19.1

 

CMYK 0 / 53 / 48 / 28

HEX #B85660

RGB 184 86 96

HSL 353.88, 0.41%, 0.53%

LAB 49.12, 40.55, 13.41

 

CMYK 0 / 53 / 34 / 28

HEX #B8567A

RGB 184 86 122

HSL 337.96, 0.41%, 0.53%

LAB 49.8, 43.47, -1.24

 

CMYK 0 / 53 / 19 / 28

HEX #B85695

RGB 184 86 149

HSL 321.43, 0.41%, 0.53%

LAB 50.71, 47.21, -16

 

CMYK 0 / 53 / 5 / 28

HEX #B856AF

RGB 184 86 175

HSL 305.51, 0.41%, 0.53%

LAB 51.77, 51.44, -29.64

 

CMYK 9 / 53 / 0 / 28

HEX #A756B8

RGB 167 86 184

HSL 289.59, 0.41%, 0.53%

LAB 49.9, 48.32, -37.98

 

CMYK 0 / 53 / 48 / 28

HEX #B85660

RGB 184 86 96

HSL 353.88, 0.41%, 0.53%

LAB 49.12, 40.55, 13.41

 

CMYK 0 / 67 / 61 / 20

HEX #CC4350

RGB 204 67 80

HSL 354.31, 0.57%, 0.53%

LAB 48.8, 54.8, 23.14

 

CMYK 0 / 79 / 71 / 13

HEX #DF2F41

RGB 223 47 65

HSL 353.86, 0.73%, 0.53%

LAB 49.62, 66.44, 33.84

 

CMYK 0 / 88 / 79 / 5

HEX #F21C32

RGB 242 28 50

HSL 353.83, 0.89%, 0.53%

LAB 51.77, 74.97, 45.78

 

CMYK 0 / 53 / 48 / 28

HEX #B85660

RGB 184 86 96

HSL 353.88, 0.41%, 0.53%

LAB 49.12, 40.55, 13.41

 

CMYK 0 / 36 / 33 / 35

HEX #A5696F

RGB 165 105 111

HSL 354, 0.25%, 0.53%

LAB 50.98, 24.84, 6.7

 

CMYK 0 / 14 / 13 / 43

HEX #927D7F

RGB 146 125 127

HSL 354.29, 0.09%, 0.53%

LAB 54.35, 8.41, 1.89

 

CMYK 13 / 0 / 1 / 44

HEX #7E908E

RGB 126 144 142

HSL 173.33, 0.08%, 0.53%

LAB 58.35, -6.85, -1.13

 

CMYK 35 / 0 / 4 / 36

HEX #6BA49E

RGB 107 164 158

HSL 173.68, 0.24%, 0.53%

LAB 63.46, -19.99, -2.82

 

CMYK 0 / 53 / 18 / 28

HEX #B85696

RGB 184 86 150

HSL 320.82, 0.41%, 0.53%

LAB 50.74, 47.37, -16.53

 

CMYK 0 / 53 / 33 / 28

HEX #B8567C

RGB 184 86 124

HSL 336.73, 0.41%, 0.53%

LAB 49.86, 43.72, -2.35

 

CMYK 0 / 53 / 47 / 28

HEX #B85661

RGB 184 86 97

HSL 353.27, 0.41%, 0.53%

LAB 49.14, 40.65, 12.84

 

CMYK 0 / 45 / 53 / 28

HEX #B86556

RGB 184 101 86

HSL 9.18, 0.41%, 0.53%

LAB 52.03, 31.77, 23.24

 

CMYK 0 / 31 / 53 / 28

HEX #B87F56

RGB 184 127 86

HSL 25.1, 0.41%, 0.53%

LAB 58.08, 17.45, 31.03

 

CMYK 0 / 58 / 52 / 48

HEX #84373F

RGB 132 55 63

HSL 353.77, 0.41%, 0.37%

LAB 33.98, 33.87, 11.68

 

CMYK 0 / 58 / 52 / 37

HEX #A1444D

RGB 161 68 77

HSL 354.19, 0.41%, 0.45%

LAB 41.61, 39.38, 14.08

 

CMYK 0 / 53 / 48 / 28

HEX #B85660

RGB 184 86 96

HSL 353.88, 0.41%, 0.53%

LAB 49.12, 40.55, 13.41

 

CMYK 0 / 41 / 37 / 23

HEX #C4737B

RGB 196 115 123

HSL 354.07, 0.41%, 0.61%

LAB 57.49, 32.77, 9.46

 

CMYK 0 / 31 / 28 / 18

HEX #D19097

RGB 209 144 151

HSL 353.54, 0.41%, 0.69%

LAB 66.32, 25.58, 6.28

 

CMYK 0 / 54 / 48 / 27

HEX #B95660

RGB 185 86 96

HSL 353.94, 0.41%, 0.53%

LAB 49.27, 40.92, 13.64

 

CMYK 4 / 0 / 53 / 28

HEX #B0B856

RGB 176 184 86

HSL 64.9, 0.41%, 0.53%

LAB 72.35, -16.65, 48.13

 

CMYK 53 / 26 / 0 / 28

HEX #5689B8

RGB 86 137 184

HSL 208.78, 0.41%, 0.53%

LAB 55.41, -3.46, -29.85

 

CMYK 0 / 54 / 48 / 27

HEX #B95660

RGB 185 86 96

HSL 353.94, 0.41%, 0.53%

LAB 49.27, 40.92, 13.64

 

CMYK 47 / 0 / 53 / 28

HEX #61B856

RGB 97 184 86

HSL 113.27, 0.41%, 0.53%

LAB 67.65, -45.62, 41.41

 

CMYK 53 / 47 / 0 / 28

HEX #5661B8

RGB 86 97 184

HSL 233.27, 0.41%, 0.53%

LAB 44.22, 20.85, -47.5

 

CMYK 0 / 54 / 48 / 27

HEX #B95660

RGB 185 86 96

HSL 353.94, 0.41%, 0.53%

LAB 49.27, 40.92, 13.64

 

CMYK 4 / 0 / 53 / 28

HEX #B0B856

RGB 176 184 86

HSL 64.9, 0.41%, 0.53%

LAB 72.35, -16.65, 48.13

 

CMYK 53 / 0 / 6 / 28

HEX #56B8AD

RGB 86 184 173

HSL 173.27, 0.41%, 0.53%

LAB 68.95, -31.42, -3.18

 

CMYK 49 / 53 / 0 / 28

HEX #5E56B8

RGB 94 86 184

HSL 244.9, 0.41%, 0.53%

LAB 41.99, 29.49, -51.04

 

CMYK 0 / 54 / 48 / 27

HEX #B95660

RGB 185 86 96

HSL 353.94, 0.41%, 0.53%

LAB 49.27, 40.92, 13.64

 

CMYK 20 / 0 / 53 / 28

HEX #93B856

RGB 147 184 86

HSL 82.65, 0.41%, 0.53%

LAB 70.29, -28.29, 45.19

 

CMYK 53 / 0 / 6 / 28

HEX #56B8AD

RGB 86 184 173

HSL 173.27, 0.41%, 0.53%

LAB 68.95, -31.42, -3.18

 

CMYK 33 / 53 / 0 / 28

HEX #7C56B8

RGB 124 86 184

HSL 263.27, 0.41%, 0.53%

LAB 44.8, 36.75, -46.38

 

Description

Color code: HEX #B95660 | qconv.com Color code: HEX #B95660 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 86 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 86 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 48 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 48% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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