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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B95646 it is the complementary color #46A9B9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B95646. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B95646 shade: #BE5641, #CF6854, #E07A67, #F18C7A and #FF9E8D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B95646. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B95646 shade: #B95646, #A84433, #973220, #86200D and #750E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B95646 shade: #B95646 and #B94646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B95646 shade: #B95646, #B97546, #B99446, #B9B346 and #A0B946

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B95646 shade matches the following richer shades: #B95646, #CE4731, #E2381D and #F72908

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B95646 shade: #B95646, #A4655B, #90746F, #7B8384 and #669299

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B95646 shade: #B94674, #B94655, #B95546, #B97446 and #B99346

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B95646 shade: #7D3A2F, #9B483B, #B95646, #C47164 and #D08D82

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B95646 shade: #B95646, #93B946 and #4665B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B95646 shade: #B95646, #46B955 and #5546B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B95646 shade: #B95646, #93B946, #46AAB9 and #6C46B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B95646 shade: #B95646, #70B946, #46AAB9 and #8F46B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 62 / 27

HEX #B95646

RGB 185 86 70

HSL 8.35, 0.45%, 0.5%

LAB 48.78, 38.75, 28.38

 

Complementary color

CMYK 62 / 9 / 0 / 27

HEX #46A9B9

RGB 70 169 185

HSL 188.35, 0.45%, 0.5%

LAB 64.31, -23.79, -16.82

 

CMYK 0 / 55 / 66 / 25

HEX #BE5641

RGB 190 86 65

HSL 10.08, 0.49%, 0.5%

LAB 49.48, 40.32, 32.29

 

CMYK 0 / 50 / 59 / 19

HEX #CF6854

RGB 207 104 84

HSL 9.76, 0.56%, 0.57%

LAB 55.89, 38.97, 30.02

 

CMYK 0 / 46 / 54 / 12

HEX #E07A67

RGB 224 122 103

HSL 9.42, 0.66%, 0.64%

LAB 62.29, 37.69, 28.04

 

CMYK 0 / 42 / 49 / 5

HEX #F18C7A

RGB 241 140 122

HSL 9.08, 0.81%, 0.71%

LAB 68.65, 36.5, 26.29

 

CMYK 0 / 38 / 45 / 0

HEX #FF9E8D

RGB 255 158 141

HSL 8.95, 1%, 0.78%

LAB 74.6, 34.27, 24.17

 

CMYK 0 / 54 / 62 / 27

HEX #B95646

RGB 185 86 70

HSL 8.35, 0.45%, 0.5%

LAB 48.78, 38.75, 28.38

 

CMYK 0 / 60 / 70 / 34

HEX #A84433

RGB 168 68 51

HSL 8.72, 0.53%, 0.43%

LAB 42.3, 40.08, 30.91

 

CMYK 0 / 67 / 79 / 41

HEX #973220

RGB 151 50 32

HSL 9.08, 0.65%, 0.36%

LAB 35.92, 41.31, 33.82

 

CMYK 0 / 76 / 90 / 47

HEX #86200D

RGB 134 32 13

HSL 9.42, 0.82%, 0.29%

LAB 29.74, 42.16, 36.77

 

CMYK 0 / 88 / 100 / 54

HEX #750E00

RGB 117 14 0

HSL 7.18, 1%, 0.23%

LAB 23.99, 42.04, 35.7

 

CMYK 0 / 54 / 62 / 27

HEX #B95646

RGB 185 86 70

HSL 8.35, 0.45%, 0.5%

LAB 48.78, 38.75, 28.38

 

CMYK 0 / 62 / 62 / 27

HEX #B94646

RGB 185 70 70

HSL 0, 0.45%, 0.5%

LAB 45.82, 46.47, 24.65

 

CMYK 0 / 54 / 62 / 27

HEX #B95646

RGB 185 86 70

HSL 8.35, 0.45%, 0.5%

LAB 48.78, 38.75, 28.38

 

CMYK 0 / 37 / 62 / 27

HEX #B97546

RGB 185 117 70

HSL 24.52, 0.45%, 0.5%

LAB 55.56, 22.14, 36.66

 

CMYK 0 / 20 / 62 / 27

HEX #B99446

RGB 185 148 70

HSL 40.7, 0.45%, 0.5%

LAB 63.29, 4.99, 45.61

 

CMYK 0 / 3 / 62 / 27

HEX #B9B346

RGB 185 179 70

HSL 56.87, 0.45%, 0.5%

LAB 71.55, -11.53, 54.72

 

CMYK 14 / 0 / 62 / 27

HEX #A0B946

RGB 160 185 70

HSL 73.04, 0.45%, 0.5%

LAB 71.29, -25.01, 53.87

 

CMYK 0 / 54 / 62 / 27

HEX #B95646

RGB 185 86 70

HSL 8.35, 0.45%, 0.5%

LAB 48.78, 38.75, 28.38

 

CMYK 0 / 66 / 76 / 19

HEX #CE4731

RGB 206 71 49

HSL 8.41, 0.62%, 0.5%

LAB 49.31, 52.2, 41.66

 

CMYK 0 / 75 / 87 / 11

HEX #E2381D

RGB 226 56 29

HSL 8.22, 0.77%, 0.5%

LAB 50.79, 63.54, 54.03

 

CMYK 0 / 83 / 97 / 3

HEX #F72908

RGB 247 41 8

HSL 8.28, 0.94%, 0.5%

LAB 53.36, 73.2, 64.38

 

CMYK 0 / 54 / 62 / 27

HEX #B95646

RGB 185 86 70

HSL 8.35, 0.45%, 0.5%

LAB 48.78, 38.75, 28.38

 

CMYK 0 / 38 / 45 / 36

HEX #A4655B

RGB 164 101 91

HSL 8.22, 0.29%, 0.5%

LAB 49.44, 24.23, 16.38

 

CMYK 0 / 19 / 23 / 44

HEX #90746F

RGB 144 116 111

HSL 9.09, 0.13%, 0.5%

LAB 51.34, 10.14, 6.9

 

CMYK 7 / 1 / 0 / 48

HEX #7B8384

RGB 123 131 132

HSL 186.67, 0.04%, 0.5%

LAB 54.14, -2.73, -1.56

 

CMYK 33 / 5 / 0 / 40

HEX #669299

RGB 102 146 153

HSL 188.24, 0.2%, 0.5%

LAB 57.73, -13.13, -8.51

 

CMYK 0 / 62 / 37 / 27

HEX #B94674

RGB 185 70 116

HSL 336, 0.45%, 0.5%

LAB 46.92, 50.66, -1.83

 

CMYK 0 / 62 / 54 / 27

HEX #B94655

RGB 185 70 85

HSL 352.17, 0.45%, 0.5%

LAB 46.11, 47.6, 15.96

 

CMYK 0 / 54 / 62 / 27

HEX #B95546

RGB 185 85 70

HSL 7.83, 0.45%, 0.5%

LAB 48.58, 39.26, 28.13

 

CMYK 0 / 37 / 62 / 27

HEX #B97446

RGB 185 116 70

HSL 24, 0.45%, 0.5%

LAB 55.33, 22.69, 36.38

 

CMYK 0 / 21 / 62 / 27

HEX #B99346

RGB 185 147 70

HSL 40.17, 0.45%, 0.5%

LAB 63.03, 5.54, 45.32

 

CMYK 0 / 54 / 62 / 51

HEX #7D3A2F

RGB 125 58 47

HSL 8.46, 0.45%, 0.34%

LAB 33.12, 28.08, 20.48

 

CMYK 0 / 54 / 62 / 39

HEX #9B483B

RGB 155 72 59

HSL 8.13, 0.45%, 0.42%

LAB 41.09, 33.56, 24.22

 

CMYK 0 / 54 / 62 / 27

HEX #B95646

RGB 185 86 70

HSL 8.35, 0.45%, 0.5%

LAB 48.78, 38.75, 28.38

 

CMYK 0 / 42 / 49 / 23

HEX #C47164

RGB 196 113 100

HSL 8.13, 0.45%, 0.58%

LAB 56.55, 31.34, 21.46

 

CMYK 0 / 32 / 38 / 18

HEX #D08D82

RGB 208 141 130

HSL 8.46, 0.45%, 0.66%

LAB 65.02, 24.12, 16.23

 

CMYK 0 / 54 / 62 / 27

HEX #B95646

RGB 185 86 70

HSL 8.35, 0.45%, 0.5%

LAB 48.78, 38.75, 28.38

 

CMYK 21 / 0 / 62 / 27

HEX #93B946

RGB 147 185 70

HSL 79.83, 0.45%, 0.5%

LAB 70.42, -30.22, 52.66

 

CMYK 62 / 45 / 0 / 27

HEX #4665B9

RGB 70 101 185

HSL 223.83, 0.45%, 0.5%

LAB 44.39, 15.39, -47.86

 

CMYK 0 / 54 / 62 / 27

HEX #B95646

RGB 185 86 70

HSL 8.35, 0.45%, 0.5%

LAB 48.78, 38.75, 28.38

 

CMYK 62 / 0 / 54 / 27

HEX #46B955

RGB 70 185 85

HSL 127.83, 0.45%, 0.5%

LAB 67.02, -53.12, 40.92

 

CMYK 54 / 62 / 0 / 27

HEX #5546B9

RGB 85 70 185

HSL 247.83, 0.45%, 0.5%

LAB 37.51, 37.71, -58.92

 

CMYK 0 / 54 / 62 / 27

HEX #B95646

RGB 185 86 70

HSL 8.35, 0.45%, 0.5%

LAB 48.78, 38.75, 28.38

 

CMYK 21 / 0 / 62 / 27

HEX #93B946

RGB 147 185 70

HSL 79.83, 0.45%, 0.5%

LAB 70.42, -30.22, 52.66

 

CMYK 62 / 8 / 0 / 27

HEX #46AAB9

RGB 70 170 185

HSL 187.83, 0.45%, 0.5%

LAB 64.61, -24.3, -16.37

 

CMYK 42 / 62 / 0 / 27

HEX #6C46B9

RGB 108 70 185

HSL 259.83, 0.45%, 0.5%

LAB 39.7, 42.35, -55.26

 

CMYK 0 / 54 / 62 / 27

HEX #B95646

RGB 185 86 70

HSL 8.35, 0.45%, 0.5%

LAB 48.78, 38.75, 28.38

 

CMYK 39 / 0 / 62 / 27

HEX #70B946

RGB 112 185 70

HSL 98.09, 0.45%, 0.5%

LAB 68.45, -43.06, 49.93

 

CMYK 62 / 8 / 0 / 27

HEX #46AAB9

RGB 70 170 185

HSL 187.83, 0.45%, 0.5%

LAB 64.61, -24.3, -16.37

 

CMYK 23 / 62 / 0 / 27

HEX #8F46B9

RGB 143 70 185

HSL 278.09, 0.45%, 0.5%

LAB 43.83, 50.37, -48.39

 

Description

Color code: HEX #B95646 | qconv.com Color code: HEX #B95646 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 86 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 86 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 62 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 62% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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