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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B95077 it is the complementary color #46AF88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B95077. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B95077 shade: #BE5072, #CF6285, #E07498, #F186AB and #FF98BE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B95077. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B95077 shade: #B95077, #A83E64, #972C51, #861A3E and #75082B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B95077 shade: #B95077, #B9505B and #B95050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B95077 shade: #B95077, #B95093, #B950B0, #A650B9 and #8A50B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B95077 shade matches the following richer shades: #B95077, #CD3C72, #E1286D and #F51568

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B95077 shade: #B95077, #A5647C, #927881, #7E8B86 and #6A9F8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B95077 shade: #B950B0, #B95094, #B95078, #B9505C and #B96050

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B95077 shade: #833451, #A04064, #B95077, #C56D8E and #D18BA5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B95077 shade: #B95077, #B9A650 and #50A2B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B95077 shade: #B95077, #78B950 and #5078B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B95077 shade: #B95077, #B9A650, #50B991 and #5063B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B95077 shade: #B95077, #ADB950, #50B991 and #5C50B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 36 / 27

HEX #B95077

RGB 185 80 119

HSL 337.71, 0.43%, 0.52%

LAB 48.74, 46.38, -0.97

 

Complementary color

CMYK 60 / 0 / 22 / 31

HEX #46AF88

RGB 70 175 136

HSL 157.71, 0.43%, 0.48%

LAB 64.76, -39.7, 11.1

 

CMYK 0 / 58 / 40 / 25

HEX #BE5072

RGB 190 80 114

HSL 341.45, 0.46%, 0.53%

LAB 49.37, 47.47, 3.06

 

CMYK 0 / 53 / 36 / 19

HEX #CF6285

RGB 207 98 133

HSL 340.73, 0.53%, 0.6%

LAB 55.78, 46.69, 1.37

 

CMYK 0 / 48 / 32 / 12

HEX #E07498

RGB 224 116 152

HSL 340, 0.64%, 0.67%

LAB 62.17, 45.85, -0.06

 

CMYK 0 / 44 / 29 / 5

HEX #F186AB

RGB 241 134 171

HSL 339.25, 0.79%, 0.74%

LAB 68.53, 44.99, -1.28

 

CMYK 0 / 40 / 25 / 0

HEX #FF98BE

RGB 255 152 190

HSL 337.86, 1%, 0.8%

LAB 74.47, 43.13, -2.93

 

CMYK 0 / 57 / 36 / 27

HEX #B95077

RGB 185 80 119

HSL 337.71, 0.43%, 0.52%

LAB 48.74, 46.38, -0.97

 

CMYK 0 / 63 / 40 / 34

HEX #A83E64

RGB 168 62 100

HSL 338.49, 0.46%, 0.45%

LAB 42.29, 46.98, 0.92

 

CMYK 0 / 71 / 46 / 41

HEX #972C51

RGB 151 44 81

HSL 339.25, 0.55%, 0.38%

LAB 35.94, 47.23, 3.34

 

CMYK 0 / 81 / 54 / 47

HEX #861A3E

RGB 134 26 62

HSL 340, 0.68%, 0.31%

LAB 29.8, 46.77, 6.58

 

CMYK 0 / 93 / 63 / 54

HEX #75082B

RGB 117 8 43

HSL 340.73, 0.87%, 0.25%

LAB 24.1, 45, 11.04

 

CMYK 0 / 57 / 36 / 27

HEX #B95077

RGB 185 80 119

HSL 337.71, 0.43%, 0.52%

LAB 48.74, 46.38, -0.97

 

CMYK 0 / 57 / 51 / 27

HEX #B9505B

RGB 185 80 91

HSL 353.71, 0.43%, 0.52%

LAB 48.02, 43.42, 14.92

 

CMYK 0 / 57 / 57 / 27

HEX #B95050

RGB 185 80 80

HSL 0, 0.43%, 0.52%

LAB 47.79, 42.48, 21.23

 

CMYK 0 / 57 / 36 / 27

HEX #B95077

RGB 185 80 119

HSL 337.71, 0.43%, 0.52%

LAB 48.74, 46.38, -0.97

 

CMYK 0 / 57 / 21 / 27

HEX #B95093

RGB 185 80 147

HSL 321.71, 0.43%, 0.52%

LAB 49.69, 50.12, -16.34

 

CMYK 0 / 57 / 5 / 27

HEX #B950B0

RGB 185 80 176

HSL 305.14, 0.43%, 0.52%

LAB 50.9, 54.73, -31.56

 

CMYK 10 / 57 / 0 / 27

HEX #A650B9

RGB 166 80 185

HSL 289.14, 0.43%, 0.52%

LAB 48.69, 51.25, -40.47

 

CMYK 25 / 57 / 0 / 27

HEX #8A50B9

RGB 138 80 185

HSL 273.14, 0.43%, 0.52%

LAB 45.14, 43.95, -46.33

 

CMYK 0 / 57 / 36 / 27

HEX #B95077

RGB 185 80 119

HSL 337.71, 0.43%, 0.52%

LAB 48.74, 46.38, -0.97

 

CMYK 0 / 71 / 44 / 20

HEX #CD3C72

RGB 205 60 114

HSL 337.66, 0.59%, 0.52%

LAB 48.79, 60.51, 2.54

 

CMYK 0 / 82 / 52 / 12

HEX #E1286D

RGB 225 40 109

HSL 337.62, 0.76%, 0.52%

LAB 50.25, 71.35, 8.16

 

CMYK 0 / 91 / 58 / 4

HEX #F51568

RGB 245 21 104

HSL 337.77, 0.92%, 0.52%

LAB 52.89, 79.06, 15.47

 

CMYK 0 / 57 / 36 / 27

HEX #B95077

RGB 185 80 119

HSL 337.71, 0.43%, 0.52%

LAB 48.74, 46.38, -0.97

 

CMYK 0 / 39 / 25 / 35

HEX #A5647C

RGB 165 100 124

HSL 337.85, 0.27%, 0.52%

LAB 50.18, 29.51, -2.19

 

CMYK 0 / 18 / 12 / 43

HEX #927881

RGB 146 120 129

HSL 339.23, 0.11%, 0.52%

LAB 53.09, 11.65, -1.12

 

CMYK 9 / 0 / 4 / 45

HEX #7E8B86

RGB 126 139 134

HSL 156.92, 0.05%, 0.52%

LAB 56.71, -5.74, 1.05

 

CMYK 33 / 0 / 13 / 38

HEX #6A9F8B

RGB 106 159 139

HSL 157.36, 0.22%, 0.52%

LAB 61.42, -22.1, 4.87

 

CMYK 0 / 57 / 5 / 27

HEX #B950B0

RGB 185 80 176

HSL 305.14, 0.43%, 0.52%

LAB 50.9, 54.73, -31.56

 

CMYK 0 / 57 / 20 / 27

HEX #B95094

RGB 185 80 148

HSL 321.14, 0.43%, 0.52%

LAB 49.73, 50.27, -16.88

 

CMYK 0 / 57 / 35 / 27

HEX #B95078

RGB 185 80 120

HSL 337.14, 0.43%, 0.52%

LAB 48.77, 46.5, -1.53

 

CMYK 0 / 57 / 50 / 27

HEX #B9505C

RGB 185 80 92

HSL 353.14, 0.43%, 0.52%

LAB 48.04, 43.51, 14.35

 

CMYK 0 / 48 / 57 / 27

HEX #B96050

RGB 185 96 80

HSL 9.14, 0.43%, 0.52%

LAB 50.99, 34.32, 25.4

 

CMYK 0 / 60 / 38 / 49

HEX #833451

RGB 131 52 81

HSL 337.97, 0.43%, 0.36%

LAB 33.72, 37.02, -0.31

 

CMYK 0 / 60 / 38 / 37

HEX #A04064

RGB 160 64 100

HSL 337.5, 0.43%, 0.44%

LAB 41.31, 43.41, -0.67

 

CMYK 0 / 57 / 36 / 27

HEX #B95077

RGB 185 80 119

HSL 337.71, 0.43%, 0.52%

LAB 48.74, 46.38, -0.97

 

CMYK 0 / 45 / 28 / 23

HEX #C56D8E

RGB 197 109 142

HSL 337.5, 0.43%, 0.6%

LAB 56.84, 38.78, -2.51

 

CMYK 0 / 33 / 21 / 18

HEX #D18BA5

RGB 209 139 165

HSL 337.71, 0.43%, 0.68%

LAB 65.54, 30.32, -2.73

 

CMYK 0 / 57 / 36 / 27

HEX #B95077

RGB 185 80 119

HSL 337.71, 0.43%, 0.52%

LAB 48.74, 46.38, -0.97

 

CMYK 0 / 10 / 57 / 27

HEX #B9A650

RGB 185 166 80

HSL 49.14, 0.43%, 0.52%

LAB 68.14, -3.99, 46.32

 

CMYK 57 / 12 / 0 / 27

HEX #50A2B9

RGB 80 162 185

HSL 193.14, 0.43%, 0.52%

LAB 62.55, -18.28, -19.46

 

CMYK 0 / 57 / 36 / 27

HEX #B95077

RGB 185 80 119

HSL 337.71, 0.43%, 0.52%

LAB 48.74, 46.38, -0.97

 

CMYK 35 / 0 / 57 / 27

HEX #78B950

RGB 120 185 80

HSL 97.14, 0.43%, 0.52%

LAB 68.95, -39.33, 46.07

 

CMYK 57 / 35 / 0 / 27

HEX #5078B9

RGB 80 120 185

HSL 217.14, 0.43%, 0.52%

LAB 50.26, 5.61, -38.5

 

CMYK 0 / 57 / 36 / 27

HEX #B95077

RGB 185 80 119

HSL 337.71, 0.43%, 0.52%

LAB 48.74, 46.38, -0.97

 

CMYK 0 / 10 / 57 / 27

HEX #B9A650

RGB 185 166 80

HSL 49.14, 0.43%, 0.52%

LAB 68.14, -3.99, 46.32

 

CMYK 57 / 0 / 22 / 27

HEX #50B991

RGB 80 185 145

HSL 157.14, 0.43%, 0.52%

LAB 68.35, -39.97, 11.29

 

CMYK 57 / 46 / 0 / 27

HEX #5063B9

RGB 80 99 185

HSL 229.14, 0.43%, 0.52%

LAB 44.42, 18.64, -47.78

 

CMYK 0 / 57 / 36 / 27

HEX #B95077

RGB 185 80 119

HSL 337.71, 0.43%, 0.52%

LAB 48.74, 46.38, -0.97

 

CMYK 6 / 0 / 57 / 27

HEX #ADB950

RGB 173 185 80

HSL 66.86, 0.43%, 0.52%

LAB 72.34, -18.89, 50.85

 

CMYK 57 / 0 / 22 / 27

HEX #50B991

RGB 80 185 145

HSL 157.14, 0.43%, 0.52%

LAB 68.35, -39.97, 11.29

 

CMYK 50 / 57 / 0 / 27

HEX #5C50B9

RGB 92 80 185

HSL 246.86, 0.43%, 0.52%

LAB 40.44, 33.05, -54.14

 

Description

Color code: HEX #B95077 | qconv.com Color code: HEX #B95077 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 80 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 80 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 36 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 36% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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