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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B94C3E it is the complementary color #46B3C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B94C3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B94C3E shade: #BE4C39, #CF5E4C, #E0705F, #F18272 and #FF9485

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B94C3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B94C3E shade: #B94C3E, #A83A2B, #972818, #861605 and #750400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B94C3E shade: #B74B3D and #B73D3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B94C3E shade: #B74B3D, #B76C3D, #B78D3D, #B7AE3D and #A0B73D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B94C3E shade matches the following richer shades: #B74B3D, #CB3B29, #DF2C15 and #F31D01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B94C3E shade: #B74B3D, #A35A51, #8F6964, #7C7978 and #68888C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B94C3E shade: #B73D72, #B73D51, #B7493D, #B76A3D and #B78A3D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B94C3E shade: #793128, #983E32, #B74B3D, #C76357 and #D18075

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B94C3E shade: #B94C3E, #92B73D and #3D61B7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B94C3E shade: #B94C3E, #3DB749 and #493DB7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B94C3E shade: #B94C3E, #92B73D, #3DABB7 and #613DB7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B94C3E shade: #B94C3E, #6EB73D, #3DABB7 and #863DB7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 66 / 27

HEX #B94C3E

RGB 185 76 62

HSL 6.83, 0.5%, 0.48%

LAB 46.75, 43.17, 30.53

 

Complementary color

CMYK 64 / 7 / 0 / 24

HEX #46B3C1

RGB 70 179 193

HSL 186.83, 0.5%, 0.52%

LAB 67.57, -26.45, -16.32

 

CMYK 0 / 60 / 70 / 25

HEX #BE4C39

RGB 190 76 57

HSL 8.57, 0.54%, 0.48%

LAB 47.51, 44.71, 34.49

 

CMYK 0 / 55 / 63 / 19

HEX #CF5E4C

RGB 207 94 76

HSL 8.24, 0.58%, 0.55%

LAB 53.81, 43.43, 31.94

 

CMYK 0 / 50 / 58 / 12

HEX #E0705F

RGB 224 112 95

HSL 7.91, 0.68%, 0.63%

LAB 60.12, 42.15, 29.71

 

CMYK 0 / 46 / 53 / 5

HEX #F18272

RGB 241 130 114

HSL 7.56, 0.82%, 0.7%

LAB 66.43, 40.92, 27.77

 

CMYK 0 / 42 / 48 / 0

HEX #FF9485

RGB 255 148 133

HSL 7.38, 1%, 0.76%

LAB 72.32, 38.65, 25.46

 

CMYK 0 / 59 / 66 / 27

HEX #B94C3E

RGB 185 76 62

HSL 6.83, 0.5%, 0.48%

LAB 46.75, 43.17, 30.53

 

CMYK 0 / 65 / 74 / 34

HEX #A83A2B

RGB 168 58 43

HSL 7.2, 0.59%, 0.41%

LAB 40.45, 44.32, 33.4

 

CMYK 0 / 74 / 84 / 41

HEX #972818

RGB 151 40 24

HSL 7.56, 0.73%, 0.34%

LAB 34.32, 45.17, 36.59

 

CMYK 0 / 84 / 96 / 47

HEX #861605

RGB 134 22 5

HSL 7.91, 0.93%, 0.27%

LAB 28.52, 45.29, 39.16

 

CMYK 0 / 97 / 100 / 54

HEX #750400

RGB 117 4 0

HSL 2.05, 1%, 0.23%

LAB 23.23, 44.2, 34.94

 

CMYK 0 / 59 / 67 / 28

HEX #B74B3D

RGB 183 75 61

HSL 6.89, 0.5%, 0.48%

LAB 46.23, 42.85, 30.39

 

CMYK 0 / 67 / 67 / 28

HEX #B73D3D

RGB 183 61 61

HSL 0, 0.5%, 0.48%

LAB 43.86, 49.16, 27.5

 

CMYK 0 / 59 / 67 / 28

HEX #B74B3D

RGB 183 75 61

HSL 6.89, 0.5%, 0.48%

LAB 46.23, 42.85, 30.39

 

CMYK 0 / 41 / 67 / 28

HEX #B76C3D

RGB 183 108 61

HSL 23.11, 0.5%, 0.48%

LAB 53.09, 25.66, 38.48

 

CMYK 0 / 23 / 67 / 28

HEX #B78D3D

RGB 183 141 61

HSL 39.34, 0.5%, 0.48%

LAB 61.18, 7.36, 47.51

 

CMYK 0 / 5 / 67 / 28

HEX #B7AE3D

RGB 183 174 61

HSL 55.57, 0.5%, 0.48%

LAB 69.95, -10.36, 56.78

 

CMYK 13 / 0 / 67 / 28

HEX #A0B73D

RGB 160 183 61

HSL 71.31, 0.5%, 0.48%

LAB 70.65, -24.66, 56.93

 

CMYK 0 / 59 / 67 / 28

HEX #B74B3D

RGB 183 75 61

HSL 6.89, 0.5%, 0.48%

LAB 46.23, 42.85, 30.39

 

CMYK 0 / 71 / 80 / 20

HEX #CB3B29

RGB 203 59 41

HSL 6.67, 0.66%, 0.48%

LAB 46.95, 55.67, 43.29

 

CMYK 0 / 80 / 91 / 13

HEX #DF2C15

RGB 223 44 21

HSL 6.83, 0.83%, 0.48%

LAB 48.94, 65.99, 55.6

 

CMYK 0 / 88 / 100 / 5

HEX #F31D01

RGB 243 29 1

HSL 6.94, 0.99%, 0.48%

LAB 51.76, 74.33, 64.91

 

CMYK 0 / 59 / 67 / 28

HEX #B74B3D

RGB 183 75 61

HSL 6.89, 0.5%, 0.48%

LAB 46.23, 42.85, 30.39

 

CMYK 0 / 45 / 50 / 36

HEX #A35A51

RGB 163 90 81

HSL 6.59, 0.34%, 0.48%

LAB 46.57, 28.91, 18.41

 

CMYK 0 / 27 / 30 / 44

HEX #8F6964

RGB 143 105 100

HSL 6.98, 0.18%, 0.48%

LAB 48.09, 14.46, 8.77

 

CMYK 0 / 2 / 3 / 51

HEX #7C7978

RGB 124 121 120

HSL 15, 0.02%, 0.48%

LAB 51.05, 0.94, 0.94

 

CMYK 26 / 3 / 0 / 45

HEX #68888C

RGB 104 136 140

HSL 186.67, 0.15%, 0.48%

LAB 54.5, -10.25, -5.83

 

CMYK 0 / 67 / 38 / 28

HEX #B73D72

RGB 183 61 114

HSL 333.93, 0.5%, 0.48%

LAB 45.11, 53.66, -3.31

 

CMYK 0 / 67 / 56 / 28

HEX #B73D51

RGB 183 61 81

HSL 350.16, 0.5%, 0.48%

LAB 44.23, 50.52, 15.8

 

CMYK 0 / 60 / 67 / 28

HEX #B7493D

RGB 183 73 61

HSL 5.9, 0.5%, 0.48%

LAB 45.87, 43.8, 29.95

 

CMYK 0 / 42 / 67 / 28

HEX #B76A3D

RGB 183 106 61

HSL 22.13, 0.5%, 0.48%

LAB 52.63, 26.75, 37.96

 

CMYK 0 / 25 / 67 / 28

HEX #B78A3D

RGB 183 138 61

HSL 37.87, 0.5%, 0.48%

LAB 60.41, 9.02, 46.67

 

CMYK 0 / 60 / 67 / 53

HEX #793128

RGB 121 49 40

HSL 6.67, 0.5%, 0.32%

LAB 30.44, 30.8, 21.37

 

CMYK 0 / 59 / 67 / 40

HEX #983E32

RGB 152 62 50

HSL 7.06, 0.5%, 0.4%

LAB 38.47, 36.91, 26.27

 

CMYK 0 / 59 / 67 / 28

HEX #B74B3D

RGB 183 75 61

HSL 6.89, 0.5%, 0.48%

LAB 46.23, 42.85, 30.39

 

CMYK 0 / 50 / 56 / 22

HEX #C76357

RGB 199 99 87

HSL 6.43, 0.5%, 0.56%

LAB 53.76, 38.72, 25.34

 

CMYK 0 / 39 / 44 / 18

HEX #D18075

RGB 209 128 117

HSL 7.17, 0.5%, 0.64%

LAB 61.89, 30.07, 19.28

 

CMYK 0 / 59 / 66 / 27

HEX #B94C3E

RGB 185 76 62

HSL 6.83, 0.5%, 0.48%

LAB 46.75, 43.17, 30.53

 

CMYK 20 / 0 / 67 / 28

HEX #92B73D

RGB 146 183 61

HSL 78.2, 0.5%, 0.48%

LAB 69.69, -30.34, 55.64

 

CMYK 67 / 47 / 0 / 28

HEX #3D61B7

RGB 61 97 183

HSL 222.3, 0.5%, 0.48%

LAB 42.7, 15.64, -49.43

 

CMYK 0 / 59 / 66 / 27

HEX #B94C3E

RGB 185 76 62

HSL 6.83, 0.5%, 0.48%

LAB 46.75, 43.17, 30.53

 

CMYK 67 / 0 / 60 / 28

HEX #3DB749

RGB 61 183 73

HSL 125.9, 0.5%, 0.48%

LAB 66.01, -55.81, 45.33

 

CMYK 60 / 67 / 0 / 28

HEX #493DB7

RGB 73 61 183

HSL 245.9, 0.5%, 0.48%

LAB 34.34, 40.39, -62.94

 

CMYK 0 / 59 / 66 / 27

HEX #B94C3E

RGB 185 76 62

HSL 6.83, 0.5%, 0.48%

LAB 46.75, 43.17, 30.53

 

CMYK 20 / 0 / 67 / 28

HEX #92B73D

RGB 146 183 61

HSL 78.2, 0.5%, 0.48%

LAB 69.69, -30.34, 55.64

 

CMYK 67 / 7 / 0 / 28

HEX #3DABB7

RGB 61 171 183

HSL 185.9, 0.5%, 0.48%

LAB 64.59, -26.88, -15.3

 

CMYK 47 / 67 / 0 / 28

HEX #613DB7

RGB 97 61 183

HSL 257.7, 0.5%, 0.48%

LAB 36.55, 44.56, -59.24

 

CMYK 0 / 59 / 66 / 27

HEX #B94C3E

RGB 185 76 62

HSL 6.83, 0.5%, 0.48%

LAB 46.75, 43.17, 30.53

 

CMYK 40 / 0 / 67 / 28

HEX #6EB73D

RGB 110 183 61

HSL 95.9, 0.5%, 0.48%

LAB 67.66, -43.69, 52.88

 

CMYK 67 / 7 / 0 / 28

HEX #3DABB7

RGB 61 171 183

HSL 185.9, 0.5%, 0.48%

LAB 64.59, -26.88, -15.3

 

CMYK 27 / 67 / 0 / 28

HEX #863DB7

RGB 134 61 183

HSL 275.9, 0.5%, 0.48%

LAB 40.94, 52.22, -51.93

 

Description

Color code: HEX #B94C3E | qconv.com Color code: HEX #B94C3E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 76 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 76 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 66 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 66% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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