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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B94B4ACE it is the complementary color #46B4B5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B94B4ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B94B4ACE shade: #BE4B45CE, #CF5D58CE, #E06F6BCE, #F1817ECE and #FF9391CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B94B4ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B94B4ACE shade: #B94B4ACE, #A83937CE, #972724CE, #861511CE and #750300CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B94B4ACE shade: #B94C4B and #B94B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B94B4ACE shade: #B94C4B, #B96A4B, #B9874B, #B9A54B and #AFB94B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B94B4ACE shade matches the following richer shades: #B94C4B, #CD3837, #E12423 and #F6110E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B94B4ACE shade: #B94C4B, #A5605F, #917474, #7C8888 and #689B9C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B94B4ACE shade: #B94B86, #B94B68, #B94B4B, #B9684B and #B9864B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B94B4ACE shade: #803232, #9E3E3D, #B94C4B, #C56A69 and #D08786

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B94B4ACE shade: #B94B4A, #A3B94B and #4B77B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B94B4ACE shade: #B94B4A, #4BB94B and #4B4BB9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B94B4ACE shade: #B94B4A, #A3B94B, #4BB9B9 and #614BB9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B94B4ACE shade: #B94B4A, #82B94B, #4BB9B9 and #824BB9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 49 / 22

HEX #B94B4ACE

RGBA 185 75 74 0.81

HSLA 0.54, 0.44%, 0.51%, 0.81

LABA 46.76, 44.43, 23.47, 0.81

 

Complementary color

CMYK 50 / 0 / 0 / 24

HEX #46B4B5CE

RGBA 70 180 181 0.81

HSLA 180.54, 0.44%, 0.49%, 0.81

LABA 67.49, -30.42, -9.82, 0.81

 

CMYK 0 / 49 / 52 / 21

HEX #BE4B45CE

RGBA 190 75 69 0.81

HSLA 2.98, 0.48%, 0.51%, 0.81

LABA 47.51, 45.88, 27.55, 0.81

 

CMYK 0 / 45 / 47 / 15

HEX #CF5D58CE

RGBA 207 93 88 0.81

HSLA 2.52, 0.55%, 0.58%, 0.81

LABA 53.81, 44.76, 25.05, 0.81

 

CMYK 0 / 41 / 42 / 10

HEX #E06F6BCE

RGBA 224 111 107 0.81

HSLA 2.05, 0.65%, 0.65%, 0.81

LABA 60.14, 43.61, 22.93, 0.81

 

CMYK 0 / 38 / 39 / 4

HEX #F1817ECE

RGBA 241 129 126 0.81

HSLA 1.57, 0.8%, 0.72%, 0.81

LABA 66.45, 42.49, 21.1, 0.81

 

CMYK 0 / 34 / 35 / 0

HEX #FF9391CE

RGBA 255 147 145 0.81

HSLA 1.09, 1%, 0.78%, 0.81

LABA 72.34, 40.33, 18.9, 0.81

 

CMYK 0 / 48 / 49 / 22

HEX #B94B4ACE

RGBA 185 75 74 0.81

HSLA 0.54, 0.44%, 0.51%, 0.81

LABA 46.76, 44.43, 23.47, 0.81

 

CMYK 0 / 54 / 54 / 28

HEX #A83937CE

RGBA 168 57 55 0.81

HSLA 1.06, 0.51%, 0.44%, 0.81

LABA 40.45, 45.39, 26.32, 0.81

 

CMYK 0 / 60 / 62 / 33

HEX #972724CE

RGBA 151 39 36 0.81

HSLA 1.57, 0.61%, 0.37%, 0.81

LABA 34.31, 45.99, 29.77, 0.81

 

CMYK 0 / 68 / 71 / 38

HEX #861511CE

RGBA 134 21 17 0.81

HSLA 2.05, 0.77%, 0.3%, 0.81

LABA 28.5, 45.81, 33.72, 0.81

 

CMYK 0 / 79 / 81 / 44

HEX #750300CE

RGBA 117 3 0 0.81

HSLA 1.54, 1%, 0.23%, 0.81

LABA 23.16, 44.41, 34.86, 0.81

 

CMYK 0 / 59 / 59 / 27

HEX #B94C4B

RGB 185 76 75

HSL 0.55, 0.44%, 0.51%

LAB 46.96, 44.03, 23.13

 

CMYK 0 / 59 / 59 / 27

HEX #B94B4B

RGB 185 75 75

HSL 0, 0.44%, 0.51%

LAB 46.78, 44.51, 22.89

 

CMYK 0 / 59 / 59 / 27

HEX #B94C4B

RGB 185 76 75

HSL 0.55, 0.44%, 0.51%

LAB 46.96, 44.03, 23.13

 

CMYK 0 / 43 / 59 / 27

HEX #B96A4B

RGB 185 106 75

HSL 16.91, 0.44%, 0.51%

LAB 53.09, 28.55, 30.91

 

CMYK 0 / 27 / 59 / 27

HEX #B9874B

RGB 185 135 75

HSL 32.73, 0.44%, 0.51%

LAB 60.02, 12.52, 39.33

 

CMYK 0 / 11 / 59 / 27

HEX #B9A54B

RGB 185 165 75

HSL 49.09, 0.44%, 0.51%

LAB 67.82, -3.84, 48.34

 

CMYK 5 / 0 / 59 / 27

HEX #AFB94B

RGB 175 185 75

HSL 65.45, 0.44%, 0.51%

LAB 72.44, -18.46, 53.26

 

CMYK 0 / 59 / 59 / 27

HEX #B94C4B

RGB 185 76 75

HSL 0.55, 0.44%, 0.51%

LAB 46.96, 44.03, 23.13

 

CMYK 0 / 73 / 73 / 20

HEX #CD3837

RGB 205 56 55

HSL 0.4, 0.6%, 0.51%

LAB 47.08, 57.91, 35.83

 

CMYK 0 / 84 / 84 / 12

HEX #E12423

RGB 225 36 35

HSL 0.32, 0.76%, 0.51%

LAB 48.75, 68.69, 49.53

 

CMYK 0 / 93 / 94 / 4

HEX #F6110E

RGB 246 17 14

HSL 0.78, 0.93%, 0.51%

LAB 51.87, 76.74, 62.02

 

CMYK 0 / 59 / 59 / 27

HEX #B94C4B

RGB 185 76 75

HSL 0.55, 0.44%, 0.51%

LAB 46.96, 44.03, 23.13

 

CMYK 0 / 42 / 42 / 35

HEX #A5605F

RGB 165 96 95

HSL 0.86, 0.28%, 0.51%

LAB 48.5, 27.88, 12.73

 

CMYK 0 / 20 / 20 / 43

HEX #917474

RGB 145 116 116

HSL 0, 0.12%, 0.51%

LAB 51.58, 11.35, 4.31

 

CMYK 9 / 0 / 0 / 47

HEX #7C8888

RGB 124 136 136

HSL 180, 0.05%, 0.51%

LAB 55.76, -4.36, -1.5

 

CMYK 33 / 1 / 0 / 39

HEX #689B9C

RGB 104 155 156

HSL 181.15, 0.21%, 0.51%

LAB 60.59, -16.63, -5.95

 

CMYK 0 / 59 / 28 / 27

HEX #B94B86

RGB 185 75 134

HSL 327.82, 0.44%, 0.51%

LAB 48.35, 50.63, -10.6

 

CMYK 0 / 59 / 44 / 27

HEX #B94B68

RGB 185 75 104

HSL 344.18, 0.44%, 0.51%

LAB 47.43, 47.07, 6.21

 

CMYK 0 / 59 / 59 / 27

HEX #B94B4B

RGB 185 75 75

HSL 0, 0.44%, 0.51%

LAB 46.78, 44.51, 22.89

 

CMYK 0 / 44 / 59 / 27

HEX #B9684B

RGB 185 104 75

HSL 15.82, 0.44%, 0.51%

LAB 52.64, 29.64, 30.36

 

CMYK 0 / 28 / 59 / 27

HEX #B9864B

RGB 185 134 75

HSL 32.18, 0.44%, 0.51%

LAB 59.77, 13.08, 39.03

 

CMYK 0 / 61 / 61 / 50

HEX #803232

RGB 128 50 50

HSL 0, 0.44%, 0.35%

LAB 32.04, 33.76, 17.3

 

CMYK 0 / 61 / 61 / 38

HEX #9E3E3D

RGB 158 62 61

HSL 0.62, 0.44%, 0.43%

LAB 39.67, 39.91, 21.29

 

CMYK 0 / 59 / 59 / 27

HEX #B94C4B

RGB 185 76 75

HSL 0.55, 0.44%, 0.51%

LAB 46.96, 44.03, 23.13

 

CMYK 0 / 46 / 47 / 23

HEX #C56A69

RGB 197 106 105

HSL 0.65, 0.44%, 0.59%

LAB 55.28, 35.95, 16.86

 

CMYK 0 / 35 / 36 / 18

HEX #D08786

RGB 208 135 134

HSL 0.81, 0.44%, 0.67%

LAB 63.72, 27.86, 12.16

 

CMYK 0 / 59 / 60 / 27

HEX #B94B4A

RGB 185 75 74

HSL 0.54, 0.44%, 0.51%

LAB 46.76, 44.43, 23.47

 

CMYK 12 / 0 / 59 / 27

HEX #A3B94B

RGB 163 185 75

HSL 72, 0.44%, 0.51%

LAB 71.55, -23.4, 52.02

 

CMYK 59 / 36 / 0 / 27

HEX #4B77B9

RGB 75 119 185

HSL 216, 0.44%, 0.51%

LAB 49.73, 5.17, -39.36

 

CMYK 0 / 59 / 60 / 27

HEX #B94B4A

RGB 185 75 74

HSL 0.54, 0.44%, 0.51%

LAB 46.76, 44.43, 23.47

 

CMYK 59 / 0 / 59 / 27

HEX #4BB94B

RGB 75 185 75

HSL 120, 0.44%, 0.51%

LAB 67.05, -53.24, 45.72

 

CMYK 59 / 59 / 0 / 27

HEX #4B4BB9

RGB 75 75 185

HSL 240, 0.44%, 0.51%

LAB 37.9, 32.83, -58.32

 

CMYK 0 / 59 / 60 / 27

HEX #B94B4A

RGB 185 75 74

HSL 0.54, 0.44%, 0.51%

LAB 46.76, 44.43, 23.47

 

CMYK 12 / 0 / 59 / 27

HEX #A3B94B

RGB 163 185 75

HSL 72, 0.44%, 0.51%

LAB 71.55, -23.4, 52.02

 

CMYK 59 / 0 / 0 / 27

HEX #4BB9B9

RGB 75 185 185

HSL 180, 0.44%, 0.51%

LAB 69.25, -30.83, -9.38

 

CMYK 48 / 59 / 0 / 27

HEX #614BB9

RGB 97 75 185

HSL 252, 0.44%, 0.51%

LAB 39.71, 37.11, -55.3

 

CMYK 0 / 59 / 60 / 27

HEX #B94B4A

RGB 185 75 74

HSL 0.54, 0.44%, 0.51%

LAB 46.76, 44.43, 23.47

 

CMYK 30 / 0 / 59 / 27

HEX #82B94B

RGB 130 185 75

HSL 90, 0.44%, 0.51%

LAB 69.44, -36.26, 49.07

 

CMYK 59 / 0 / 0 / 27

HEX #4BB9B9

RGB 75 185 185

HSL 180, 0.44%, 0.51%

LAB 69.25, -30.83, -9.38

 

CMYK 30 / 59 / 0 / 27

HEX #824BB9

RGB 130 75 185

HSL 270, 0.44%, 0.51%

LAB 43.18, 44.65, -49.52

 

Description

Color code: HEX #B94B4ACE | qconv.com Color code: HEX #B94B4ACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 75 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 75 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 49 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 49% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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