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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B940DF it is the complementary color #46BF20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B940DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B940DF shade: #BE40DA, #CF52ED, #E064FF, #F176FF and #FF88FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B940DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B940DF shade: #B940DF, #A82ECC, #971CB9, #860AA6 and #750093

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B940DF shade: #B83FDE, #DE3FDA, #DE3FAF, #DE3F84 and #DE3F59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B940DF shade: #B83FDE, #8D3FDE, #623FDE and #3F3FDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B940DF shade matches the following richer shades: #B83FDE and #C22DF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B940DF shade: #B83FDE, #AF51CC, #A563BA, #9C76A8 and #928896

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B940DF shade: #623FDE, #8C3FDE, #B73FDE, #DE3FDC and #DE3FB1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B940DF shade: #8B1DAE, #A723D1, #B83FDE, #C562E4 and #D286EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B940DF shade: #B940DF, #DE3F47 and #3FDE77

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B940DF shade: #B940DF, #DEB73F and #3FDEB7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B940DF shade: #B940DF, #DE3F47, #67DE3F and #3FDED6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B940DF shade: #B940DF, #DE673F, #67DE3F and #3FB7DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 71 / 0 / 13

HEX #B940DF

RGB 185 64 223

HSL 285.66, 0.71%, 0.56%

LAB 51.05, 69.93, -58.39

 

Complementary color

CMYK 63 / 0 / 83 / 25

HEX #46BF20

RGB 70 191 32

HSL 105.66, 0.71%, 0.44%

LAB 68.51, -60.01, 63

 

CMYK 13 / 71 / 0 / 15

HEX #BE40DA

RGB 190 64 218

HSL 289.09, 0.68%, 0.55%

LAB 51.47, 70.02, -54.83

 

CMYK 13 / 65 / 0 / 7

HEX #CF52ED

RGB 207 82 237

HSL 288.39, 0.81%, 0.63%

LAB 57.48, 70.18, -55.8

 

CMYK 12 / 61 / 0 / 0

HEX #E064FF

RGB 224 100 255

HSL 288, 1%, 0.7%

LAB 63.49, 69.8, -56.05

 

CMYK 5 / 54 / 0 / 0

HEX #F176FF

RGB 241 118 255

HSL 293.87, 1%, 0.73%

LAB 68.66, 65.9, -47.73

 

CMYK 0 / 47 / 0 / 0

HEX #FF88FF

RGB 255 136 255

HSL 300, 1%, 0.77%

LAB 73.6, 61.18, -39.86

 

CMYK 17 / 71 / 0 / 13

HEX #B940DF

RGB 185 64 223

HSL 285.66, 0.71%, 0.56%

LAB 51.05, 69.93, -58.39

 

CMYK 18 / 77 / 0 / 20

HEX #A82ECC

RGB 168 46 204

HSL 286.33, 0.63%, 0.49%

LAB 45.13, 69.28, -57.16

 

CMYK 18 / 85 / 0 / 27

HEX #971CB9

RGB 151 28 185

HSL 287.01, 0.74%, 0.42%

LAB 39.43, 67.76, -55.41

 

CMYK 19 / 94 / 0 / 35

HEX #860AA6

RGB 134 10 166

HSL 287.69, 0.89%, 0.35%

LAB 34.06, 64.94, -52.92

 

CMYK 20 / 100 / 0 / 42

HEX #750093

RGB 117 0 147

HSL 287.76, 1%, 0.29%

LAB 29.13, 60.44, -49.49

 

CMYK 17 / 72 / 0 / 13

HEX #B83FDE

RGB 184 63 222

HSL 285.66, 0.71%, 0.56%

LAB 50.71, 69.91, -58.37

 

CMYK 0 / 72 / 2 / 13

HEX #DE3FDA

RGB 222 63 218

HSL 301.51, 0.71%, 0.56%

LAB 56.23, 77.06, -46.95

 

CMYK 0 / 72 / 21 / 13

HEX #DE3FAF

RGB 222 63 175

HSL 317.74, 0.71%, 0.56%

LAB 54.22, 70.91, -25.38

 

CMYK 0 / 72 / 41 / 13

HEX #DE3F84

RGB 222 63 132

HSL 333.96, 0.71%, 0.56%

LAB 52.68, 65.97, -2.3

 

CMYK 0 / 72 / 60 / 13

HEX #DE3F59

RGB 222 63 89

HSL 350.19, 0.71%, 0.56%

LAB 51.62, 62.45, 22.05

 

CMYK 17 / 72 / 0 / 13

HEX #B83FDE

RGB 184 63 222

HSL 285.66, 0.71%, 0.56%

LAB 50.71, 69.91, -58.37

 

CMYK 36 / 72 / 0 / 13

HEX #8D3FDE

RGB 141 63 222

HSL 269.43, 0.71%, 0.56%

LAB 44.93, 61.72, -68

 

CMYK 56 / 72 / 0 / 13

HEX #623FDE

RGB 98 63 222

HSL 253.21, 0.71%, 0.56%

LAB 40.29, 54.77, -75.78

 

CMYK 72 / 72 / 0 / 13

HEX #3F3FDE

RGB 63 63 222

HSL 240, 0.71%, 0.56%

LAB 37.64, 50.59, -80.23

 

CMYK 17 / 72 / 0 / 13

HEX #B83FDE

RGB 184 63 222

HSL 285.66, 0.71%, 0.56%

LAB 50.71, 69.91, -58.37

 

CMYK 20 / 81 / 0 / 5

HEX #C22DF1

RGB 194 45 241

HSL 285.61, 0.88%, 0.56%

LAB 51.49, 80.83, -67.76

 

CMYK 17 / 72 / 0 / 13

HEX #B83FDE

RGB 184 63 222

HSL 285.66, 0.71%, 0.56%

LAB 50.71, 69.91, -58.37

 

CMYK 14 / 60 / 0 / 20

HEX #AF51CC

RGB 175 81 204

HSL 285.85, 0.55%, 0.56%

LAB 51.1, 56.85, -47.54

 

CMYK 11 / 47 / 0 / 27

HEX #A563BA

RGB 165 99 186

HSL 285.52, 0.39%, 0.56%

LAB 52.36, 41.33, -35.28

 

CMYK 7 / 30 / 0 / 34

HEX #9C76A8

RGB 156 118 168

HSL 285.6, 0.22%, 0.56%

LAB 54.92, 24.03, -20.99

 

CMYK 3 / 9 / 0 / 41

HEX #928896

RGB 146 136 150

HSL 282.86, 0.06%, 0.56%

LAB 57.96, 6.45, -6.11

 

CMYK 56 / 72 / 0 / 13

HEX #623FDE

RGB 98 63 222

HSL 253.21, 0.71%, 0.56%

LAB 40.29, 54.77, -75.78

 

CMYK 37 / 72 / 0 / 13

HEX #8C3FDE

RGB 140 63 222

HSL 269.06, 0.71%, 0.56%

LAB 44.81, 61.55, -68.21

 

CMYK 18 / 72 / 0 / 13

HEX #B73FDE

RGB 183 63 222

HSL 285.28, 0.71%, 0.56%

LAB 50.57, 69.72, -58.61

 

CMYK 0 / 72 / 1 / 13

HEX #DE3FDC

RGB 222 63 220

HSL 300.75, 0.71%, 0.56%

LAB 56.34, 77.37, -47.92

 

CMYK 0 / 72 / 20 / 13

HEX #DE3FB1

RGB 222 63 177

HSL 316.98, 0.71%, 0.56%

LAB 54.3, 71.17, -26.42

 

CMYK 20 / 83 / 0 / 32

HEX #8B1DAE

RGB 139 29 174

HSL 285.52, 0.71%, 0.4%

LAB 36.79, 63.41, -53.27

 

CMYK 20 / 83 / 0 / 18

HEX #A723D1

RGB 167 35 209

HSL 285.52, 0.71%, 0.48%

LAB 44.26, 73.12, -61.47

 

CMYK 17 / 72 / 0 / 13

HEX #B83FDE

RGB 184 63 222

HSL 285.66, 0.71%, 0.56%

LAB 50.71, 69.91, -58.37

 

CMYK 14 / 57 / 0 / 11

HEX #C562E4

RGB 197 98 228

HSL 285.69, 0.71%, 0.64%

LAB 58.23, 59.04, -49.64

 

CMYK 10 / 43 / 0 / 8

HEX #D286EA

RGB 210 134 234

HSL 285.6, 0.7%, 0.72%

LAB 67.05, 45.55, -39

 

CMYK 17 / 71 / 0 / 13

HEX #B940DF

RGB 185 64 223

HSL 285.66, 0.71%, 0.56%

LAB 51.05, 69.93, -58.39

 

CMYK 0 / 72 / 68 / 13

HEX #DE3F47

RGB 222 63 71

HSL 356.98, 0.71%, 0.56%

LAB 51.31, 61.42, 32.32

 

CMYK 72 / 0 / 46 / 13

HEX #3FDE77

RGB 63 222 119

HSL 141.13, 0.71%, 0.56%

LAB 78.83, -62.73, 38.88

 

CMYK 17 / 71 / 0 / 13

HEX #B940DF

RGB 185 64 223

HSL 285.66, 0.71%, 0.56%

LAB 51.05, 69.93, -58.39

 

CMYK 0 / 18 / 72 / 13

HEX #DEB73F

RGB 222 183 63

HSL 45.28, 0.71%, 0.56%

LAB 75.92, 1.85, 63.18

 

CMYK 72 / 0 / 18 / 13

HEX #3FDEB7

RGB 63 222 183

HSL 165.28, 0.71%, 0.56%

LAB 80.02, -49.73, 7.43

 

CMYK 17 / 71 / 0 / 13

HEX #B940DF

RGB 185 64 223

HSL 285.66, 0.71%, 0.56%

LAB 51.05, 69.93, -58.39

 

CMYK 0 / 72 / 68 / 13

HEX #DE3F47

RGB 222 63 71

HSL 356.98, 0.71%, 0.56%

LAB 51.31, 61.42, 32.32

 

CMYK 54 / 0 / 72 / 13

HEX #67DE3F

RGB 103 222 63

HSL 104.91, 0.71%, 0.56%

LAB 79.32, -60.82, 64.14

 

CMYK 72 / 0 / 4 / 13

HEX #3FDED6

RGB 63 222 214

HSL 176.98, 0.71%, 0.56%

LAB 80.82, -41.69, -7.88

 

CMYK 17 / 71 / 0 / 13

HEX #B940DF

RGB 185 64 223

HSL 285.66, 0.71%, 0.56%

LAB 51.05, 69.93, -58.39

 

CMYK 0 / 54 / 72 / 13

HEX #DE673F

RGB 222 103 63

HSL 15.09, 0.71%, 0.56%

LAB 57.64, 43.9, 44.08

 

CMYK 54 / 0 / 72 / 13

HEX #67DE3F

RGB 103 222 63

HSL 104.91, 0.71%, 0.56%

LAB 79.32, -60.82, 64.14

 

CMYK 72 / 18 / 0 / 13

HEX #3FB7DE

RGB 63 183 222

HSL 194.72, 0.71%, 0.56%

LAB 69.61, -20.57, -29.16

 

Description

Color code: HEX #B940DF | qconv.com Color code: HEX #B940DF | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 64 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 64 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 71 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 71% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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