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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B93477 it is the complementary color #46CB88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B93477. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B93477 shade: #BE3472, #CF4685, #E05898, #F16AAB and #FF7CBE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B93477. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B93477 shade: #B93477, #A82264, #971051, #86003E and #75002B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B93477 shade: #B73476, #B73452 and #B73434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B93477 shade: #B73476, #B73499, #B134B7, #8E34B7 and #6A34B7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B93477 shade matches the following richer shades: #B73476, #CA2176 and #DD0E76

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B93477 shade: #B73476, #A44776, #915A76, #7E6D75 and #6B8075

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B93477 shade: #B034B7, #B7349B, #B73477, #B73454 and #B73634

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B93477 shade: #77214C, #972B61, #B73476, #CB488A and #D5699F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B93477 shade: #B93477, #B78D34 and #34ACB7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B93477 shade: #B93477, #77B734 and #3477B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B93477 shade: #B93477, #B78D34, #34B773 and #345DB7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B93477 shade: #B93477, #B7B534, #34B773 and #3436B7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 36 / 27

HEX #B93477

RGB 185 52 119

HSL 329.77, 0.56%, 0.46%

LAB 44.38, 58.24, -7.42

 

Complementary color

CMYK 66 / 0 / 33 / 20

HEX #46CB88

RGB 70 203 136

HSL 149.77, 0.56%, 0.54%

LAB 73.41, -51.41, 23.1

 

CMYK 0 / 73 / 40 / 25

HEX #BE3472

RGB 190 52 114

HSL 333.04, 0.57%, 0.47%

LAB 45.11, 59.09, -3.17

 

CMYK 0 / 66 / 36 / 19

HEX #CF4685

RGB 207 70 133

HSL 332.41, 0.59%, 0.54%

LAB 51.08, 59.25, -5.54

 

CMYK 0 / 61 / 32 / 12

HEX #E05898

RGB 224 88 152

HSL 331.76, 0.69%, 0.61%

LAB 57.17, 59, -7.44

 

CMYK 0 / 56 / 29 / 5

HEX #F16AAB

RGB 241 106 171

HSL 331.11, 0.83%, 0.68%

LAB 63.3, 58.5, -9.01

 

CMYK 0 / 51 / 25 / 0

HEX #FF7CBE

RGB 255 124 190

HSL 329.77, 1%, 0.74%

LAB 69.03, 56.94, -10.99

 

CMYK 0 / 72 / 36 / 27

HEX #B93477

RGB 185 52 119

HSL 329.77, 0.56%, 0.46%

LAB 44.38, 58.24, -7.42

 

CMYK 0 / 80 / 40 / 34

HEX #A82264

RGB 168 34 100

HSL 330.45, 0.66%, 0.4%

LAB 38.53, 57.41, -4.61

 

CMYK 0 / 89 / 46 / 41

HEX #971051

RGB 151 16 81

HSL 331.11, 0.81%, 0.33%

LAB 33.01, 55.48, -0.9

 

CMYK 0 / 100 / 54 / 47

HEX #86003E

RGB 134 0 62

HSL 332.24, 1%, 0.26%

LAB 27.89, 52.26, 3.87

 

CMYK 0 / 100 / 63 / 54

HEX #75002B

RGB 117 0 43

HSL 337.95, 1%, 0.23%

LAB 23.53, 46.65, 10.27

 

CMYK 0 / 72 / 36 / 28

HEX #B73476

RGB 183 52 118

HSL 329.77, 0.56%, 0.46%

LAB 43.99, 57.57, -7.43

 

CMYK 0 / 72 / 55 / 28

HEX #B73452

RGB 183 52 82

HSL 346.26, 0.56%, 0.46%

LAB 42.96, 54.14, 13.44

 

CMYK 0 / 72 / 72 / 28

HEX #B73434

RGB 183 52 52

HSL 0, 0.56%, 0.46%

LAB 42.42, 52.27, 31.13

 

CMYK 0 / 72 / 36 / 28

HEX #B73476

RGB 183 52 118

HSL 329.77, 0.56%, 0.46%

LAB 43.99, 57.57, -7.43

 

CMYK 0 / 72 / 16 / 28

HEX #B73499

RGB 183 52 153

HSL 313.74, 0.56%, 0.46%

LAB 45.39, 62.05, -26.57

 

CMYK 3 / 72 / 0 / 28

HEX #B134B7

RGB 177 52 183

HSL 297.25, 0.56%, 0.46%

LAB 45.94, 65.35, -43.57

 

CMYK 22 / 72 / 0 / 28

HEX #8E34B7

RGB 142 52 183

HSL 281.22, 0.56%, 0.46%

LAB 40.61, 57.91, -52.39

 

CMYK 42 / 72 / 0 / 28

HEX #6A34B7

RGB 106 52 183

HSL 264.73, 0.56%, 0.46%

LAB 35.87, 50.89, -60.31

 

CMYK 0 / 72 / 36 / 28

HEX #B73476

RGB 183 52 118

HSL 329.77, 0.56%, 0.46%

LAB 43.99, 57.57, -7.43

 

CMYK 0 / 84 / 42 / 21

HEX #CA2176

RGB 202 33 118

HSL 329.82, 0.72%, 0.46%

LAB 45.57, 67.99, -4.7

 

CMYK 0 / 94 / 47 / 13

HEX #DD0E76

RGB 221 14 118

HSL 329.86, 0.88%, 0.46%

LAB 48.25, 75.34, -0.33

 

CMYK 0 / 72 / 36 / 28

HEX #B73476

RGB 183 52 118

HSL 329.77, 0.56%, 0.46%

LAB 43.99, 57.57, -7.43

 

CMYK 0 / 57 / 28 / 36

HEX #A44776

RGB 164 71 118

HSL 329.68, 0.4%, 0.46%

LAB 43.81, 43.67, -8.03

 

CMYK 0 / 38 / 19 / 43

HEX #915A76

RGB 145 90 118

HSL 329.45, 0.23%, 0.46%

LAB 45.14, 26.78, -6.32

 

CMYK 0 / 13 / 7 / 51

HEX #7E6D75

RGB 126 109 117

HSL 331.76, 0.07%, 0.46%

LAB 47.83, 8.16, -1.98

 

CMYK 16 / 0 / 9 / 50

HEX #6B8075

RGB 107 128 117

HSL 148.57, 0.09%, 0.46%

LAB 51.67, -9.98, 3.42

 

CMYK 4 / 72 / 0 / 28

HEX #B034B7

RGB 176 52 183

HSL 296.79, 0.56%, 0.46%

LAB 45.78, 65.14, -43.84

 

CMYK 0 / 72 / 15 / 28

HEX #B7349B

RGB 183 52 155

HSL 312.82, 0.56%, 0.46%

LAB 45.48, 62.34, -27.63

 

CMYK 0 / 72 / 35 / 28

HEX #B73477

RGB 183 52 119

HSL 329.31, 0.56%, 0.46%

LAB 44.02, 57.68, -7.99

 

CMYK 0 / 72 / 54 / 28

HEX #B73454

RGB 183 52 84

HSL 345.34, 0.56%, 0.46%

LAB 43.01, 54.3, 12.26

 

CMYK 0 / 70 / 72 / 28

HEX #B73634

RGB 183 54 52

HSL 0.92, 0.56%, 0.46%

LAB 42.69, 51.51, 31.45

 

CMYK 0 / 72 / 36 / 53

HEX #77214C

RGB 119 33 76

HSL 330, 0.57%, 0.3%

LAB 28.2, 41.17, -5.44

 

CMYK 0 / 72 / 36 / 41

HEX #972B61

RGB 151 43 97

HSL 330, 0.56%, 0.38%

LAB 36.31, 49.36, -6.35

 

CMYK 0 / 72 / 36 / 28

HEX #B73476

RGB 183 52 118

HSL 329.77, 0.56%, 0.46%

LAB 43.99, 57.57, -7.43

 

CMYK 0 / 65 / 32 / 20

HEX #CB488A

RGB 203 72 138

HSL 329.77, 0.56%, 0.54%

LAB 50.88, 57.86, -8.9

 

CMYK 0 / 51 / 25 / 16

HEX #D5699F

RGB 213 105 159

HSL 330, 0.56%, 0.62%

LAB 58.74, 48.58, -9.33

 

CMYK 0 / 72 / 36 / 27

HEX #B93477

RGB 185 52 119

HSL 329.77, 0.56%, 0.46%

LAB 44.38, 58.24, -7.42

 

CMYK 0 / 23 / 72 / 28

HEX #B78D34

RGB 183 141 52

HSL 40.76, 0.56%, 0.46%

LAB 61.1, 6.85, 51.49

 

CMYK 72 / 6 / 0 / 28

HEX #34ACB7

RGB 52 172 183

HSL 185.04, 0.56%, 0.46%

LAB 64.69, -28.65, -15.18

 

CMYK 0 / 72 / 36 / 27

HEX #B93477

RGB 185 52 119

HSL 329.77, 0.56%, 0.46%

LAB 44.38, 58.24, -7.42

 

CMYK 35 / 0 / 72 / 28

HEX #77B734

RGB 119 183 52

HSL 89.31, 0.56%, 0.46%

LAB 68.05, -41.23, 56.94

 

CMYK 72 / 35 / 0 / 28

HEX #3477B7

RGB 52 119 183

HSL 209.31, 0.56%, 0.46%

LAB 48.69, 0.43, -39.91

 

CMYK 0 / 72 / 36 / 27

HEX #B93477

RGB 185 52 119

HSL 329.77, 0.56%, 0.46%

LAB 44.38, 58.24, -7.42

 

CMYK 0 / 23 / 72 / 28

HEX #B78D34

RGB 183 141 52

HSL 40.76, 0.56%, 0.46%

LAB 61.1, 6.85, 51.49

 

CMYK 72 / 0 / 37 / 28

HEX #34B773

RGB 52 183 115

HSL 148.85, 0.56%, 0.46%

LAB 66.39, -50.76, 24.69

 

CMYK 72 / 49 / 0 / 28

HEX #345DB7

RGB 52 93 183

HSL 221.22, 0.56%, 0.46%

LAB 41.18, 16.82, -51.9

 

CMYK 0 / 72 / 36 / 27

HEX #B93477

RGB 185 52 119

HSL 329.77, 0.56%, 0.46%

LAB 44.38, 58.24, -7.42

 

CMYK 0 / 1 / 72 / 28

HEX #B7B534

RGB 183 181 52

HSL 59.08, 0.56%, 0.46%

LAB 71.8, -14.45, 62.1

 

CMYK 72 / 0 / 37 / 28

HEX #34B773

RGB 52 183 115

HSL 148.85, 0.56%, 0.46%

LAB 66.39, -50.76, 24.69

 

CMYK 72 / 70 / 0 / 28

HEX #3436B7

RGB 52 54 183

HSL 239.08, 0.56%, 0.46%

LAB 31.32, 41.78, -67.96

 

Description

Color code: HEX #B93477 | qconv.com Color code: HEX #B93477 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 52 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 52 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 36 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 36% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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