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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B933CD it is the complementary color #46CC32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B933CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B933CD shade: #BE33C8, #CF45DB, #E057EE, #F169FF and #FF7BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B933CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B933CD shade: #B933CD, #A821BA, #970FA7, #860094 and #750081

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B933CD shade: #B932CD, #CD32B8, #CD328E, #CD3264 and #CD323A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B933CD shade: #B932CD, #8F32CD, #6532CD, #3B32CD and #3232CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B933CD shade matches the following richer shades: #B932CD, #C81DE2 and #D808F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B933CD shade: #B932CD, #AA46B9, #9B5BA4, #8B708F and #7C847B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B933CD shade: #6632CD, #8F32CD, #B932CD, #CD32B9 and #CD328F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B933CD shade: #7D228B, #9B2AAC, #B932CD, #C453D5 and #D074DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B933CD shade: #B933CD, #CD3C32 and #32CD7A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B933CD shade: #B933CD, #CDB932 and #32CDB9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B933CD shade: #B933CD, #CD3C32, #46CD32 and #32C3CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B933CD shade: #B933CD, #CD6B32, #46CD32 and #3294CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 75 / 0 / 20

HEX #B933CD

RGB 185 51 205

HSL 292.21, 0.61%, 0.5%

LAB 48.37, 71.13, -52.39

 

Complementary color

CMYK 66 / 0 / 75 / 20

HEX #46CC32

RGB 70 204 50

HSL 112.21, 0.61%, 0.5%

LAB 72.71, -63.3, 61.67

 

CMYK 5 / 75 / 0 / 22

HEX #BE33C8

RGB 190 51 200

HSL 295.97, 0.59%, 0.49%

LAB 48.87, 71.28, -48.68

 

CMYK 5 / 68 / 0 / 14

HEX #CF45DB

RGB 207 69 219

HSL 295.2, 0.68%, 0.56%

LAB 54.7, 71.98, -50.1

 

CMYK 6 / 63 / 0 / 7

HEX #E057EE

RGB 224 87 238

HSL 294.44, 0.82%, 0.64%

LAB 60.64, 72.16, -51.18

 

CMYK 5 / 59 / 0 / 0

HEX #F169FF

RGB 241 105 255

HSL 294.4, 1%, 0.71%

LAB 66.54, 71.66, -51.08

 

CMYK 0 / 52 / 0 / 0

HEX #FF7BFF

RGB 255 123 255

HSL 300, 1%, 0.74%

LAB 71.31, 67.24, -43.44

 

CMYK 10 / 75 / 0 / 20

HEX #B933CD

RGB 185 51 205

HSL 292.21, 0.61%, 0.5%

LAB 48.37, 71.13, -52.39

 

CMYK 10 / 82 / 0 / 27

HEX #A821BA

RGB 168 33 186

HSL 292.94, 0.7%, 0.43%

LAB 42.7, 69.7, -50.59

 

CMYK 10 / 91 / 0 / 35

HEX #970FA7

RGB 151 15 167

HSL 293.68, 0.84%, 0.36%

LAB 37.32, 67.12, -48.12

 

CMYK 9 / 100 / 0 / 42

HEX #860094

RGB 134 0 148

HSL 294.32, 1%, 0.29%

LAB 32.27, 63.19, -44.87

 

CMYK 9 / 100 / 0 / 49

HEX #750081

RGB 117 0 129

HSL 294.42, 1%, 0.25%

LAB 27.76, 57.25, -40.5

 

CMYK 10 / 76 / 0 / 20

HEX #B932CD

RGB 185 50 205

HSL 292.26, 0.61%, 0.5%

LAB 48.26, 71.44, -52.57

 

CMYK 0 / 76 / 10 / 20

HEX #CD32B8

RGB 205 50 184

HSL 308.13, 0.61%, 0.5%

LAB 50.36, 72.25, -36.86

 

CMYK 0 / 76 / 31 / 20

HEX #CD328E

RGB 205 50 142

HSL 324.39, 0.61%, 0.5%

LAB 48.53, 66.78, -14.81

 

CMYK 0 / 76 / 51 / 20

HEX #CD3264

RGB 205 50 100

HSL 340.65, 0.61%, 0.5%

LAB 47.21, 62.66, 8.83

 

CMYK 0 / 76 / 72 / 20

HEX #CD323A

RGB 205 50 58

HSL 356.9, 0.61%, 0.5%

LAB 46.4, 60.05, 33.3

 

CMYK 10 / 76 / 0 / 20

HEX #B932CD

RGB 185 50 205

HSL 292.26, 0.61%, 0.5%

LAB 48.26, 71.44, -52.57

 

CMYK 30 / 76 / 0 / 20

HEX #8F32CD

RGB 143 50 205

HSL 276, 0.61%, 0.5%

LAB 42.04, 63.57, -62.92

 

CMYK 51 / 76 / 0 / 20

HEX #6532CD

RGB 101 50 205

HSL 259.74, 0.61%, 0.5%

LAB 36.85, 56.8, -71.62

 

CMYK 71 / 76 / 0 / 20

HEX #3B32CD

RGB 59 50 205

HSL 243.48, 0.61%, 0.5%

LAB 33.18, 51.86, -77.8

 

CMYK 76 / 76 / 0 / 20

HEX #3232CD

RGB 50 50 205

HSL 240, 0.61%, 0.5%

LAB 32.63, 51.11, -78.72

 

CMYK 10 / 76 / 0 / 20

HEX #B932CD

RGB 185 50 205

HSL 292.26, 0.61%, 0.5%

LAB 48.26, 71.44, -52.57

 

CMYK 12 / 87 / 0 / 11

HEX #C81DE2

RGB 200 29 226

HSL 292.08, 0.77%, 0.5%

LAB 50.27, 82.63, -61.22

 

CMYK 13 / 97 / 0 / 3

HEX #D808F7

RGB 216 8 247

HSL 292.22, 0.94%, 0.5%

LAB 53.48, 90.78, -67.74

 

CMYK 10 / 76 / 0 / 20

HEX #B932CD

RGB 185 50 205

HSL 292.26, 0.61%, 0.5%

LAB 48.26, 71.44, -52.57

 

CMYK 8 / 62 / 0 / 27

HEX #AA46B9

RGB 170 70 185

HSL 292.17, 0.45%, 0.5%

LAB 47.53, 56.95, -42.27

 

CMYK 5 / 45 / 0 / 36

HEX #9B5BA4

RGB 155 91 164

HSL 292.6, 0.29%, 0.5%

LAB 48.42, 38.16, -28.7

 

CMYK 3 / 22 / 0 / 44

HEX #8B708F

RGB 139 112 143

HSL 292.26, 0.12%, 0.5%

LAB 50.76, 16.43, -12.89

 

CMYK 6 / 0 / 7 / 48

HEX #7C847B

RGB 124 132 123

HSL 113.33, 0.04%, 0.5%

LAB 54.26, -4.75, 3.83

 

CMYK 50 / 76 / 0 / 20

HEX #6632CD

RGB 102 50 205

HSL 260.13, 0.61%, 0.5%

LAB 36.96, 56.95, -71.44

 

CMYK 30 / 76 / 0 / 20

HEX #8F32CD

RGB 143 50 205

HSL 276, 0.61%, 0.5%

LAB 42.04, 63.57, -62.92

 

CMYK 10 / 76 / 0 / 20

HEX #B932CD

RGB 185 50 205

HSL 292.26, 0.61%, 0.5%

LAB 48.26, 71.44, -52.57

 

CMYK 0 / 76 / 10 / 20

HEX #CD32B9

RGB 205 50 185

HSL 307.74, 0.61%, 0.5%

LAB 50.41, 72.39, -37.37

 

CMYK 0 / 76 / 30 / 20

HEX #CD328F

RGB 205 50 143

HSL 324, 0.61%, 0.5%

LAB 48.57, 66.89, -15.36

 

CMYK 10 / 76 / 0 / 45

HEX #7D228B

RGB 125 34 139

HSL 292, 0.61%, 0.34%

LAB 32.63, 52.48, -38.83

 

CMYK 10 / 76 / 0 / 33

HEX #9B2AAC

RGB 155 42 172

HSL 292.15, 0.61%, 0.42%

LAB 40.58, 62.15, -45.84

 

CMYK 10 / 76 / 0 / 20

HEX #B932CD

RGB 185 50 205

HSL 292.26, 0.61%, 0.5%

LAB 48.26, 71.44, -52.57

 

CMYK 8 / 61 / 0 / 16

HEX #C453D5

RGB 196 83 213

HSL 292.15, 0.61%, 0.58%

LAB 54.79, 62.79, -46.65

 

CMYK 6 / 48 / 0 / 13

HEX #D074DD

RGB 208 116 221

HSL 292.57, 0.61%, 0.66%

LAB 62.61, 51.75, -38.73

 

CMYK 10 / 75 / 0 / 20

HEX #B933CD

RGB 185 51 205

HSL 292.21, 0.61%, 0.5%

LAB 48.37, 71.13, -52.39

 

CMYK 0 / 71 / 76 / 20

HEX #CD3C32

RGB 205 60 50

HSL 3.87, 0.61%, 0.5%

LAB 47.55, 56.26, 39.17

 

CMYK 76 / 0 / 40 / 20

HEX #32CD7A

RGB 50 205 122

HSL 147.87, 0.61%, 0.5%

LAB 73.38, -57.96, 30.28

 

CMYK 10 / 75 / 0 / 20

HEX #B933CD

RGB 185 51 205

HSL 292.21, 0.61%, 0.5%

LAB 48.37, 71.13, -52.39

 

CMYK 0 / 10 / 76 / 20

HEX #CDB932

RGB 205 185 50

HSL 52.26, 0.61%, 0.5%

LAB 74.77, -7.1, 66.28

 

CMYK 76 / 0 / 10 / 20

HEX #32CDB9

RGB 50 205 185

HSL 172.26, 0.61%, 0.5%

LAB 74.73, -43.57, -1.35

 

CMYK 10 / 75 / 0 / 20

HEX #B933CD

RGB 185 51 205

HSL 292.21, 0.61%, 0.5%

LAB 48.37, 71.13, -52.39

 

CMYK 0 / 71 / 76 / 20

HEX #CD3C32

RGB 205 60 50

HSL 3.87, 0.61%, 0.5%

LAB 47.55, 56.26, 39.17

 

CMYK 66 / 0 / 76 / 20

HEX #46CD32

RGB 70 205 50

HSL 112.26, 0.61%, 0.5%

LAB 73.02, -63.64, 61.98

 

CMYK 76 / 5 / 0 / 20

HEX #32C3CD

RGB 50 195 205

HSL 183.87, 0.61%, 0.5%

LAB 72.31, -33.34, -15.8

 

CMYK 10 / 75 / 0 / 20

HEX #B933CD

RGB 185 51 205

HSL 292.21, 0.61%, 0.5%

LAB 48.37, 71.13, -52.39

 

CMYK 0 / 48 / 76 / 20

HEX #CD6B32

RGB 205 107 50

HSL 22.06, 0.61%, 0.5%

LAB 55.81, 34.68, 47.86

 

CMYK 66 / 0 / 76 / 20

HEX #46CD32

RGB 70 205 50

HSL 112.26, 0.61%, 0.5%

LAB 73.02, -63.64, 61.98

 

CMYK 76 / 28 / 0 / 20

HEX #3294CD

RGB 50 148 205

HSL 202.06, 0.61%, 0.5%

LAB 58.29, -8.97, -37.35

 

Description

Color code: HEX #B933CD | qconv.com Color code: HEX #B933CD | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 51 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 51 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 75 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 75% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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