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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B930CD it is the complementary color #46CF32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B930CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B930CD shade: #BE30C8, #CF42DB, #E054EE, #F166FF and #FF78FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B930CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B930CD shade: #B930CD, #A81EBA, #970CA7, #860094 and #750081

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B930CD shade: #BA30CF, #CF30B8, #CF308D, #CF3063 and #CF3038

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B930CD shade: #BA30CF, #9030CF, #6530CF, #3B30CF and #3030CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B930CD shade matches the following richer shades: #BA30CF, #CA1CE3 and #D907F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B930CD shade: #BA30CF, #AB45BA, #9C5AA5, #8C6E91 and #7D837C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B930CD shade: #6530CF, #8F30CF, #B930CF, #CF30B9 and #CF308F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B930CD shade: #7E218C, #9C29AD, #BA30CF, #C652D6 and #D173DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B930CD shade: #B930CD, #CF3B30 and #30CF7A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B930CD shade: #B930CD, #CFB930 and #30CFB9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B930CD shade: #B930CD, #CF3B30, #46CF30 and #30C4CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B930CD shade: #B930CD, #CF6A30, #46CF30 and #3095CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 77 / 0 / 20

HEX #B930CD

RGB 185 48 205

HSL 292.36, 0.62%, 0.5%

LAB 48.05, 72.05, -52.91

 

Complementary color

CMYK 66 / 0 / 76 / 19

HEX #46CF32

RGB 70 207 50

HSL 112.36, 0.62%, 0.5%

LAB 73.65, -64.29, 62.6

 

CMYK 5 / 76 / 0 / 22

HEX #BE30C8

RGB 190 48 200

HSL 296.05, 0.61%, 0.49%

LAB 48.55, 72.18, -49.18

 

CMYK 5 / 70 / 0 / 14

HEX #CF42DB

RGB 207 66 219

HSL 295.29, 0.68%, 0.56%

LAB 54.32, 73.05, -50.7

 

CMYK 6 / 65 / 0 / 7

HEX #E054EE

RGB 224 84 238

HSL 294.55, 0.82%, 0.63%

LAB 60.21, 73.35, -51.85

 

CMYK 5 / 60 / 0 / 0

HEX #F166FF

RGB 241 102 255

HSL 294.51, 1%, 0.7%

LAB 66.08, 72.93, -51.81

 

CMYK 0 / 53 / 0 / 0

HEX #FF78FF

RGB 255 120 255

HSL 300, 1%, 0.74%

LAB 70.81, 68.59, -44.22

 

CMYK 10 / 77 / 0 / 20

HEX #B930CD

RGB 185 48 205

HSL 292.36, 0.62%, 0.5%

LAB 48.05, 72.05, -52.91

 

CMYK 10 / 84 / 0 / 27

HEX #A81EBA

RGB 168 30 186

HSL 293.08, 0.72%, 0.42%

LAB 42.46, 70.4, -50.98

 

CMYK 10 / 93 / 0 / 35

HEX #970CA7

RGB 151 12 167

HSL 293.81, 0.87%, 0.35%

LAB 37.17, 67.55, -48.35

 

CMYK 9 / 100 / 0 / 42

HEX #860094

RGB 134 0 148

HSL 294.32, 1%, 0.29%

LAB 32.27, 63.19, -44.87

 

CMYK 9 / 100 / 0 / 49

HEX #750081

RGB 117 0 129

HSL 294.42, 1%, 0.25%

LAB 27.76, 57.25, -40.5

 

CMYK 10 / 77 / 0 / 19

HEX #BA30CF

RGB 186 48 207

HSL 292.08, 0.62%, 0.5%

LAB 48.33, 72.59, -53.6

 

CMYK 0 / 77 / 11 / 19

HEX #CF30B8

RGB 207 48 184

HSL 308.68, 0.62%, 0.5%

LAB 50.5, 73.24, -36.62

 

CMYK 0 / 77 / 32 / 19

HEX #CF308D

RGB 207 48 141

HSL 324.91, 0.62%, 0.5%

LAB 48.64, 67.75, -14.01

 

CMYK 0 / 77 / 52 / 19

HEX #CF3063

RGB 207 48 99

HSL 340.75, 0.62%, 0.5%

LAB 47.34, 63.75, 9.68

 

CMYK 0 / 77 / 73 / 19

HEX #CF3038

RGB 207 48 56

HSL 356.98, 0.62%, 0.5%

LAB 46.53, 61.18, 34.72

 

CMYK 10 / 77 / 0 / 19

HEX #BA30CF

RGB 186 48 207

HSL 292.08, 0.62%, 0.5%

LAB 48.33, 72.59, -53.6

 

CMYK 30 / 77 / 0 / 19

HEX #9030CF

RGB 144 48 207

HSL 276.23, 0.62%, 0.5%

LAB 42.07, 64.92, -64.02

 

CMYK 51 / 77 / 0 / 19

HEX #6530CF

RGB 101 48 207

HSL 260, 0.62%, 0.5%

LAB 36.72, 58.23, -73

 

CMYK 71 / 77 / 0 / 19

HEX #3B30CF

RGB 59 48 207

HSL 244.15, 0.62%, 0.5%

LAB 33.02, 53.52, -79.21

 

CMYK 77 / 77 / 0 / 19

HEX #3030CF

RGB 48 48 207

HSL 240, 0.62%, 0.5%

LAB 32.36, 52.66, -80.33

 

CMYK 10 / 77 / 0 / 19

HEX #BA30CF

RGB 186 48 207

HSL 292.08, 0.62%, 0.5%

LAB 48.33, 72.59, -53.6

 

CMYK 11 / 88 / 0 / 11

HEX #CA1CE3

RGB 202 28 227

HSL 292.46, 0.78%, 0.5%

LAB 50.61, 83.28, -61.23

 

CMYK 13 / 97 / 0 / 3

HEX #D907F8

RGB 217 7 248

HSL 292.28, 0.95%, 0.5%

LAB 53.69, 91.15, -67.95

 

CMYK 10 / 77 / 0 / 19

HEX #BA30CF

RGB 186 48 207

HSL 292.08, 0.62%, 0.5%

LAB 48.33, 72.59, -53.6

 

CMYK 8 / 63 / 0 / 27

HEX #AB45BA

RGB 171 69 186

HSL 292.31, 0.46%, 0.5%

LAB 47.57, 57.83, -42.79

 

CMYK 5 / 45 / 0 / 35

HEX #9C5AA5

RGB 156 90 165

HSL 292.8, 0.29%, 0.5%

LAB 48.38, 39.21, -29.34

 

CMYK 3 / 24 / 0 / 43

HEX #8C6E91

RGB 140 110 145

HSL 291.43, 0.14%, 0.5%

LAB 50.42, 18.37, -14.57

 

CMYK 5 / 0 / 5 / 49

HEX #7D837C

RGB 125 131 124

HSL 111.43, 0.03%, 0.5%

LAB 54.08, -3.62, 3.01

 

CMYK 51 / 77 / 0 / 19

HEX #6530CF

RGB 101 48 207

HSL 260, 0.62%, 0.5%

LAB 36.72, 58.23, -73

 

CMYK 31 / 77 / 0 / 19

HEX #8F30CF

RGB 143 48 207

HSL 275.85, 0.62%, 0.5%

LAB 41.94, 64.75, -64.25

 

CMYK 11 / 77 / 0 / 19

HEX #B930CF

RGB 185 48 207

HSL 291.7, 0.62%, 0.5%

LAB 48.18, 72.4, -53.86

 

CMYK 0 / 77 / 11 / 19

HEX #CF30B9

RGB 207 48 185

HSL 308.3, 0.62%, 0.5%

LAB 50.55, 73.39, -37.13

 

CMYK 0 / 77 / 31 / 19

HEX #CF308F

RGB 207 48 143

HSL 324.15, 0.62%, 0.5%

LAB 48.71, 67.98, -15.1

 

CMYK 10 / 76 / 0 / 45

HEX #7E218C

RGB 126 33 140

HSL 292.15, 0.62%, 0.34%

LAB 32.74, 53.24, -39.27

 

CMYK 10 / 76 / 0 / 32

HEX #9C29AD

RGB 156 41 173

HSL 292.27, 0.62%, 0.42%

LAB 40.69, 62.86, -46.24

 

CMYK 10 / 77 / 0 / 19

HEX #BA30CF

RGB 186 48 207

HSL 292.08, 0.62%, 0.5%

LAB 48.33, 72.59, -53.6

 

CMYK 7 / 62 / 0 / 16

HEX #C652D6

RGB 198 82 214

HSL 292.73, 0.62%, 0.58%

LAB 54.96, 63.89, -46.92

 

CMYK 6 / 48 / 0 / 13

HEX #D173DE

RGB 209 115 222

HSL 292.71, 0.62%, 0.66%

LAB 62.58, 52.73, -39.32

 

CMYK 10 / 77 / 0 / 20

HEX #B930CD

RGB 185 48 205

HSL 292.36, 0.62%, 0.5%

LAB 48.05, 72.05, -52.91

 

CMYK 0 / 71 / 77 / 19

HEX #CF3B30

RGB 207 59 48

HSL 4.15, 0.62%, 0.5%

LAB 47.76, 57.19, 40.61

 

CMYK 77 / 0 / 41 / 19

HEX #30CF7A

RGB 48 207 122

HSL 147.92, 0.62%, 0.5%

LAB 73.97, -58.94, 31.05

 

CMYK 10 / 77 / 0 / 20

HEX #B930CD

RGB 185 48 205

HSL 292.36, 0.62%, 0.5%

LAB 48.05, 72.05, -52.91

 

CMYK 0 / 11 / 77 / 19

HEX #CFB930

RGB 207 185 48

HSL 51.7, 0.62%, 0.5%

LAB 74.94, -6.31, 67.17

 

CMYK 77 / 0 / 11 / 19

HEX #30CFB9

RGB 48 207 185

HSL 171.7, 0.62%, 0.5%

LAB 75.3, -44.66, -0.51

 

CMYK 10 / 77 / 0 / 20

HEX #B930CD

RGB 185 48 205

HSL 292.36, 0.62%, 0.5%

LAB 48.05, 72.05, -52.91

 

CMYK 0 / 71 / 77 / 19

HEX #CF3B30

RGB 207 59 48

HSL 4.15, 0.62%, 0.5%

LAB 47.76, 57.19, 40.61

 

CMYK 66 / 0 / 77 / 19

HEX #46CF30

RGB 70 207 48

HSL 111.7, 0.62%, 0.5%

LAB 73.64, -64.43, 63.23

 

CMYK 77 / 5 / 0 / 19

HEX #30C4CF

RGB 48 196 207

HSL 184.15, 0.62%, 0.5%

LAB 72.64, -33.42, -16.39

 

CMYK 10 / 77 / 0 / 20

HEX #B930CD

RGB 185 48 205

HSL 292.36, 0.62%, 0.5%

LAB 48.05, 72.05, -52.91

 

CMYK 0 / 49 / 77 / 19

HEX #CF6A30

RGB 207 106 48

HSL 21.89, 0.62%, 0.5%

LAB 55.87, 35.92, 48.96

 

CMYK 66 / 0 / 77 / 19

HEX #46CF30

RGB 70 207 48

HSL 111.7, 0.62%, 0.5%

LAB 73.64, -64.43, 63.23

 

CMYK 77 / 28 / 0 / 19

HEX #3095CF

RGB 48 149 207

HSL 201.89, 0.62%, 0.5%

LAB 58.63, -9.07, -37.94

 

Description

Color code: HEX #B930CD | qconv.com Color code: HEX #B930CD | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 48 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 48 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 77 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 77% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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