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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B9306D it is the complementary color #46CF92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B9306D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B9306D shade: #BE3068, #CF427B, #E0548E, #F166A1 and #FF78B4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B9306D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B9306D shade: #B9306D, #A81E5A, #970C47, #860034 and #750021

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B9306D shade: #BB306E, #BB3048 and #BB3030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B9306D shade: #BB306E, #BB3093, #BB30B8, #9730BB and #7230BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B9306D shade matches the following richer shades: #BB306E, #CD1D6C and #E00A6A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B9306D shade: #BB306E, #A84370, #955672, #826974 and #6F7C76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B9306D shade: #BB30B8, #BB3093, #BB306E, #BB3049 and #BB3C30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B9306D shade: #791F47, #9A285A, #BB306E, #CF4582 and #D76698

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B9306D shade: #B9306D, #BB9830 and #30A6BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B9306D shade: #B9306D, #6EBB30 and #306EBB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B9306D shade: #B9306D, #BB9830, #30BB7C and #3053BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B9306D shade: #B9306D, #B4BB30, #30BB7C and #3730BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 41 / 27

HEX #B9306D

RGB 185 48 109

HSL 333.28, 0.59%, 0.46%

LAB 43.55, 58.56, -2.47

 

Complementary color

CMYK 66 / 0 / 29 / 19

HEX #46CF92

RGB 70 207 146

HSL 153.28, 0.59%, 0.54%

LAB 74.83, -50.96, 19.75

 

CMYK 0 / 75 / 45 / 25

HEX #BE3068

RGB 190 48 104

HSL 336.34, 0.6%, 0.47%

LAB 44.32, 59.46, 1.86

 

CMYK 0 / 68 / 41 / 19

HEX #CF427B

RGB 207 66 123

HSL 335.74, 0.59%, 0.54%

LAB 50.21, 59.74, -0.82

 

CMYK 0 / 63 / 37 / 12

HEX #E0548E

RGB 224 84 142

HSL 335.14, 0.69%, 0.6%

LAB 56.23, 59.56, -2.96

 

CMYK 0 / 58 / 33 / 5

HEX #F166A1

RGB 241 102 161

HSL 334.53, 0.83%, 0.67%

LAB 62.32, 59.09, -4.73

 

CMYK 0 / 53 / 29 / 0

HEX #FF78B4

RGB 255 120 180

HSL 333.33, 1%, 0.74%

LAB 68.01, 57.53, -6.89

 

CMYK 0 / 74 / 41 / 27

HEX #B9306D

RGB 185 48 109

HSL 333.28, 0.59%, 0.46%

LAB 43.55, 58.56, -2.47

 

CMYK 0 / 82 / 46 / 34

HEX #A81E5A

RGB 168 30 90

HSL 333.91, 0.7%, 0.39%

LAB 37.83, 57.53, 0.72

 

CMYK 0 / 92 / 53 / 41

HEX #970C47

RGB 151 12 71

HSL 334.53, 0.85%, 0.32%

LAB 32.47, 55.31, 4.89

 

CMYK 0 / 100 / 61 / 47

HEX #860034

RGB 134 0 52

HSL 336.72, 1%, 0.26%

LAB 27.62, 51.54, 10.28

 

CMYK 0 / 100 / 72 / 54

HEX #750021

RGB 117 0 33

HSL 343.08, 1%, 0.23%

LAB 23.31, 46.07, 16.93

 

CMYK 0 / 74 / 41 / 27

HEX #BB306E

RGB 187 48 110

HSL 333.24, 0.59%, 0.46%

LAB 43.95, 59.21, -2.47

 

CMYK 0 / 74 / 61 / 27

HEX #BB3048

RGB 187 48 72

HSL 349.64, 0.59%, 0.46%

LAB 42.98, 56.07, 19.82

 

CMYK 0 / 74 / 74 / 27

HEX #BB3030

RGB 187 48 48

HSL 0, 0.59%, 0.46%

LAB 42.6, 54.8, 33.89

 

CMYK 0 / 74 / 41 / 27

HEX #BB306E

RGB 187 48 110

HSL 333.24, 0.59%, 0.46%

LAB 43.95, 59.21, -2.47

 

CMYK 0 / 74 / 21 / 27

HEX #BB3093

RGB 187 48 147

HSL 317.27, 0.59%, 0.46%

LAB 45.34, 63.55, -22.99

 

CMYK 0 / 74 / 2 / 27

HEX #BB30B8

RGB 187 48 184

HSL 301.29, 0.59%, 0.46%

LAB 47.16, 68.97, -42.12

 

CMYK 19 / 74 / 0 / 27

HEX #9730BB

RGB 151 48 187

HSL 284.46, 0.59%, 0.46%

LAB 41.66, 62.09, -53

 

CMYK 39 / 74 / 0 / 27

HEX #7230BB

RGB 114 48 187

HSL 268.49, 0.59%, 0.46%

LAB 36.52, 55.16, -61.57

 

CMYK 0 / 74 / 41 / 27

HEX #BB306E

RGB 187 48 110

HSL 333.24, 0.59%, 0.46%

LAB 43.95, 59.21, -2.47

 

CMYK 0 / 86 / 47 / 20

HEX #CD1D6C

RGB 205 29 108

HSL 333.07, 0.75%, 0.46%

LAB 45.55, 68.65, 1.52

 

CMYK 0 / 96 / 53 / 12

HEX #E00A6A

RGB 224 10 106

HSL 333.08, 0.91%, 0.46%

LAB 48.39, 75.46, 7.33

 

CMYK 0 / 74 / 41 / 27

HEX #BB306E

RGB 187 48 110

HSL 333.24, 0.59%, 0.46%

LAB 43.95, 59.21, -2.47

 

CMYK 0 / 60 / 33 / 34

HEX #A84370

RGB 168 67 112

HSL 333.27, 0.43%, 0.46%

LAB 43.52, 46.1, -4.7

 

CMYK 0 / 42 / 23 / 42

HEX #955672

RGB 149 86 114

HSL 333.33, 0.27%, 0.46%

LAB 44.6, 29.89, -4.63

 

CMYK 0 / 19 / 11 / 49

HEX #826974

RGB 130 105 116

HSL 333.6, 0.11%, 0.46%

LAB 47.12, 11.9, -2.38

 

CMYK 10 / 0 / 5 / 51

HEX #6F7C76

RGB 111 124 118

HSL 152.31, 0.06%, 0.46%

LAB 50.81, -6.07, 1.63

 

CMYK 0 / 74 / 2 / 27

HEX #BB30B8

RGB 187 48 184

HSL 301.29, 0.59%, 0.46%

LAB 47.16, 68.97, -42.12

 

CMYK 0 / 74 / 21 / 27

HEX #BB3093

RGB 187 48 147

HSL 317.27, 0.59%, 0.46%

LAB 45.34, 63.55, -22.99

 

CMYK 0 / 74 / 41 / 27

HEX #BB306E

RGB 187 48 110

HSL 333.24, 0.59%, 0.46%

LAB 43.95, 59.21, -2.47

 

CMYK 0 / 74 / 61 / 27

HEX #BB3049

RGB 187 48 73

HSL 349.21, 0.59%, 0.46%

LAB 43, 56.14, 19.22

 

CMYK 0 / 68 / 74 / 27

HEX #BB3C30

RGB 187 60 48

HSL 5.18, 0.59%, 0.46%

LAB 44.25, 50.27, 35.73

 

CMYK 0 / 74 / 41 / 53

HEX #791F47

RGB 121 31 71

HSL 333.33, 0.59%, 0.3%

LAB 28.11, 42, -2.19

 

CMYK 0 / 74 / 42 / 40

HEX #9A285A

RGB 154 40 90

HSL 333.68, 0.59%, 0.38%

LAB 36.23, 50.57, -1.95

 

CMYK 0 / 74 / 41 / 27

HEX #BB306E

RGB 187 48 110

HSL 333.24, 0.59%, 0.46%

LAB 43.95, 59.21, -2.47

 

CMYK 0 / 67 / 37 / 19

HEX #CF4582

RGB 207 69 130

HSL 333.48, 0.59%, 0.54%

LAB 50.84, 59.32, -4.09

 

CMYK 0 / 53 / 29 / 16

HEX #D76698

RGB 215 102 152

HSL 333.45, 0.59%, 0.62%

LAB 58.24, 49.76, -5.99

 

CMYK 0 / 74 / 41 / 27

HEX #B9306D

RGB 185 48 109

HSL 333.28, 0.59%, 0.46%

LAB 43.55, 58.56, -2.47

 

CMYK 0 / 19 / 74 / 27

HEX #BB9830

RGB 187 152 48

HSL 44.89, 0.59%, 0.46%

LAB 64.35, 2.42, 56.51

 

CMYK 74 / 11 / 0 / 27

HEX #30A6BB

RGB 48 166 187

HSL 189.06, 0.59%, 0.46%

LAB 62.92, -24.91, -20.1

 

CMYK 0 / 74 / 41 / 27

HEX #B9306D

RGB 185 48 109

HSL 333.28, 0.59%, 0.46%

LAB 43.55, 58.56, -2.47

 

CMYK 41 / 0 / 74 / 27

HEX #6EBB30

RGB 110 187 48

HSL 93.24, 0.59%, 0.46%

LAB 68.8, -46.3, 58.98

 

CMYK 74 / 41 / 0 / 27

HEX #306EBB

RGB 48 110 187

HSL 213.24, 0.59%, 0.46%

LAB 46.13, 6.9, -46.29

 

CMYK 0 / 74 / 41 / 27

HEX #B9306D

RGB 185 48 109

HSL 333.28, 0.59%, 0.46%

LAB 43.55, 58.56, -2.47

 

CMYK 0 / 19 / 74 / 27

HEX #BB9830

RGB 187 152 48

HSL 44.89, 0.59%, 0.46%

LAB 64.35, 2.42, 56.51

 

CMYK 74 / 0 / 34 / 27

HEX #30BB7C

RGB 48 187 124

HSL 152.81, 0.59%, 0.46%

LAB 67.74, -51.07, 21.69

 

CMYK 74 / 56 / 0 / 27

HEX #3053BB

RGB 48 83 187

HSL 224.89, 0.59%, 0.46%

LAB 38.56, 24.31, -58.49

 

CMYK 0 / 74 / 41 / 27

HEX #B9306D

RGB 185 48 109

HSL 333.28, 0.59%, 0.46%

LAB 43.55, 58.56, -2.47

 

CMYK 4 / 0 / 74 / 27

HEX #B4BB30

RGB 180 187 48

HSL 63.02, 0.59%, 0.46%

LAB 73.19, -18.95, 64.72

 

CMYK 74 / 0 / 34 / 27

HEX #30BB7C

RGB 48 187 124

HSL 152.81, 0.59%, 0.46%

LAB 67.74, -51.07, 21.69

 

CMYK 71 / 74 / 0 / 27

HEX #3730BB

RGB 55 48 187

HSL 243.02, 0.59%, 0.46%

LAB 30.67, 46.85, -71.38

 

Description

Color code: HEX #B9306D | qconv.com Color code: HEX #B9306D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 48 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 48 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 41 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 41% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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