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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B92D55 it is the complementary color #46D2AA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B92D55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B92D55 shade: #BE2D50, #CF3F63, #E05176, #F16389 and #FF759C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B92D55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B92D55 shade: #B92D55, #A81B42, #97092F, #86001C and #750009

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B92D55 shade: #B92D55, #B92D2F and #B92D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B92D55 shade: #B92D55, #B92D7A, #B92DA0, #AB2DB9 and #862DB9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B92D55 shade matches the following richer shades: #B92D55, #CB1A4D and #DE0845

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B92D55 shade: #B92D55, #A63F5D, #945265, #81646D and #6E7775

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B92D55 shade: #B92DA1, #B92D7C, #B92D57, #B92D31 and #B94D2D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B92D55 shade: #761D36, #982546, #B92D55, #D03E68 and #D86082

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B92D55 shade: #B92D55, #B9AB2D and #2D8FB9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B92D55 shade: #B92D55, #57B92D and #2D57B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B92D55 shade: #B92D55, #B9AB2D, #2DB98F and #2D3BB9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B92D55 shade: #B92D55, #9DB92D, #2DB98F and #492DB9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 54 / 27

HEX #B92D55

RGB 185 45 85

HSL 342.86, 0.61%, 0.45%

LAB 42.53, 57.4, 11.03

 

Complementary color

CMYK 67 / 0 / 19 / 18

HEX #46D2AA

RGB 70 210 170

HSL 162.86, 0.61%, 0.55%

LAB 76.25, -46.83, 8.97

 

CMYK 0 / 76 / 58 / 25

HEX #BE2D50

RGB 190 45 80

HSL 345.52, 0.62%, 0.46%

LAB 43.36, 58.48, 15.45

 

CMYK 0 / 70 / 52 / 19

HEX #CF3F63

RGB 207 63 99

HSL 345, 0.6%, 0.53%

LAB 49.16, 58.68, 12.23

 

CMYK 0 / 64 / 47 / 12

HEX #E05176

RGB 224 81 118

HSL 344.48, 0.7%, 0.6%

LAB 55.11, 58.4, 9.61

 

CMYK 0 / 59 / 43 / 5

HEX #F16389

RGB 241 99 137

HSL 343.94, 0.84%, 0.67%

LAB 61.16, 57.84, 7.44

 

CMYK 0 / 54 / 39 / 0

HEX #FF759C

RGB 255 117 156

HSL 343.04, 1%, 0.73%

LAB 66.81, 56.15, 4.93

 

CMYK 0 / 76 / 54 / 27

HEX #B92D55

RGB 185 45 85

HSL 342.86, 0.61%, 0.45%

LAB 42.53, 57.4, 11.03

 

CMYK 0 / 84 / 61 / 34

HEX #A81B42

RGB 168 27 66

HSL 343.4, 0.72%, 0.38%

LAB 36.93, 56.42, 14.88

 

CMYK 0 / 94 / 69 / 41

HEX #97092F

RGB 151 9 47

HSL 343.94, 0.89%, 0.31%

LAB 31.76, 54.19, 19.79

 

CMYK 0 / 100 / 79 / 47

HEX #86001C

RGB 134 0 28

HSL 347.46, 1%, 0.26%

LAB 27.16, 50.31, 25.81

 

CMYK 0 / 100 / 92 / 54

HEX #750009

RGB 117 0 9

HSL 355.38, 1%, 0.23%

LAB 23, 45.24, 31.04

 

CMYK 0 / 76 / 54 / 27

HEX #B92D55

RGB 185 45 85

HSL 342.86, 0.61%, 0.45%

LAB 42.53, 57.4, 11.03

 

CMYK 0 / 76 / 75 / 27

HEX #B92D2F

RGB 185 45 47

HSL 359.14, 0.61%, 0.45%

LAB 41.84, 55.15, 33.51

 

CMYK 0 / 76 / 76 / 27

HEX #B92D2D

RGB 185 45 45

HSL 0, 0.61%, 0.45%

LAB 41.81, 55.07, 34.65

 

CMYK 0 / 76 / 54 / 27

HEX #B92D55

RGB 185 45 85

HSL 342.86, 0.61%, 0.45%

LAB 42.53, 57.4, 11.03

 

CMYK 0 / 76 / 34 / 27

HEX #B92D7A

RGB 185 45 122

HSL 327, 0.61%, 0.45%

LAB 43.65, 60.93, -10.37

 

CMYK 0 / 76 / 14 / 27

HEX #B92DA0

RGB 185 45 160

HSL 310.71, 0.61%, 0.45%

LAB 45.26, 65.81, -30.94

 

CMYK 8 / 76 / 0 / 27

HEX #AB2DB9

RGB 171 45 185

HSL 294, 0.61%, 0.45%

LAB 44.29, 66.74, -47.44

 

CMYK 28 / 76 / 0 / 27

HEX #862DB9

RGB 134 45 185

HSL 278.14, 0.61%, 0.45%

LAB 38.63, 59.54, -56.83

 

CMYK 0 / 76 / 54 / 27

HEX #B92D55

RGB 185 45 85

HSL 342.86, 0.61%, 0.45%

LAB 42.53, 57.4, 11.03

 

CMYK 0 / 87 / 62 / 20

HEX #CB1A4D

RGB 203 26 77

HSL 342.71, 0.77%, 0.45%

LAB 44.19, 66.53, 18.88

 

CMYK 0 / 96 / 69 / 13

HEX #DE0845

RGB 222 8 69

HSL 342.9, 0.93%, 0.45%

LAB 47.15, 73.03, 28.39

 

CMYK 0 / 76 / 54 / 27

HEX #B92D55

RGB 185 45 85

HSL 342.86, 0.61%, 0.45%

LAB 42.53, 57.4, 11.03

 

CMYK 0 / 62 / 44 / 35

HEX #A63F5D

RGB 166 63 93

HSL 342.52, 0.45%, 0.45%

LAB 41.93, 45.11, 4.7

 

CMYK 0 / 45 / 32 / 42

HEX #945265

RGB 148 82 101

HSL 342.73, 0.29%, 0.45%

LAB 43.17, 29.84, 1.2

 

CMYK 0 / 22 / 16 / 49

HEX #81646D

RGB 129 100 109

HSL 341.38, 0.13%, 0.45%

LAB 45.48, 13.21, -0.59

 

CMYK 8 / 0 / 2 / 53

HEX #6E7775

RGB 110 119 117

HSL 166.67, 0.04%, 0.45%

LAB 49.24, -3.78, -0.07

 

CMYK 0 / 76 / 13 / 27

HEX #B92DA1

RGB 185 45 161

HSL 310.29, 0.61%, 0.45%

LAB 45.31, 65.95, -31.46

 

CMYK 0 / 76 / 33 / 27

HEX #B92D7C

RGB 185 45 124

HSL 326.14, 0.61%, 0.45%

LAB 43.72, 61.15, -11.49

 

CMYK 0 / 76 / 53 / 27

HEX #B92D57

RGB 185 45 87

HSL 342, 0.61%, 0.45%

LAB 42.58, 57.56, 9.85

 

CMYK 0 / 76 / 74 / 27

HEX #B92D31

RGB 185 45 49

HSL 358.29, 0.61%, 0.45%

LAB 41.86, 55.24, 32.36

 

CMYK 0 / 58 / 76 / 27

HEX #B94D2D

RGB 185 77 45

HSL 13.71, 0.61%, 0.45%

LAB 46.73, 41.82, 39.96

 

CMYK 0 / 75 / 54 / 54

HEX #761D36

RGB 118 29 54

HSL 343.15, 0.61%, 0.29%

LAB 26.73, 40.1, 7.16

 

CMYK 0 / 76 / 54 / 40

HEX #982546

RGB 152 37 70

HSL 342.78, 0.61%, 0.37%

LAB 34.88, 49.16, 8.98

 

CMYK 0 / 76 / 54 / 27

HEX #B92D55

RGB 185 45 85

HSL 342.86, 0.61%, 0.45%

LAB 42.53, 57.4, 11.03

 

CMYK 0 / 70 / 50 / 18

HEX #D03E68

RGB 208 62 104

HSL 342.74, 0.61%, 0.53%

LAB 49.32, 59.77, 9.44

 

CMYK 0 / 56 / 40 / 15

HEX #D86082

RGB 216 96 130

HSL 343, 0.61%, 0.61%

LAB 56.66, 50.34, 4.57

 

CMYK 0 / 76 / 54 / 27

HEX #B92D55

RGB 185 45 85

HSL 342.86, 0.61%, 0.45%

LAB 42.53, 57.4, 11.03

 

CMYK 0 / 8 / 76 / 27

HEX #B9AB2D

RGB 185 171 45

HSL 54, 0.61%, 0.45%

LAB 69.2, -8.73, 62.16

 

CMYK 76 / 23 / 0 / 27

HEX #2D8FB9

RGB 45 143 185

HSL 198, 0.61%, 0.45%

LAB 55.79, -13.74, -29.94

 

CMYK 0 / 76 / 54 / 27

HEX #B92D55

RGB 185 45 85

HSL 342.86, 0.61%, 0.45%

LAB 42.53, 57.4, 11.03

 

CMYK 53 / 0 / 76 / 27

HEX #57B92D

RGB 87 185 45

HSL 102, 0.61%, 0.45%

LAB 67.21, -52.83, 58.12

 

CMYK 76 / 53 / 0 / 27

HEX #2D57B9

RGB 45 87 185

HSL 222, 0.61%, 0.45%

LAB 39.37, 20.56, -56

 

CMYK 0 / 76 / 54 / 27

HEX #B92D55

RGB 185 45 85

HSL 342.86, 0.61%, 0.45%

LAB 42.53, 57.4, 11.03

 

CMYK 0 / 8 / 76 / 27

HEX #B9AB2D

RGB 185 171 45

HSL 54, 0.61%, 0.45%

LAB 69.2, -8.73, 62.16

 

CMYK 76 / 0 / 23 / 27

HEX #2DB98F

RGB 45 185 143

HSL 162, 0.61%, 0.45%

LAB 67.46, -46.4, 11

 

CMYK 76 / 68 / 0 / 27

HEX #2D3BB9

RGB 45 59 185

HSL 234, 0.61%, 0.45%

LAB 32.23, 38.7, -67.65

 

CMYK 0 / 76 / 54 / 27

HEX #B92D55

RGB 185 45 85

HSL 342.86, 0.61%, 0.45%

LAB 42.53, 57.4, 11.03

 

CMYK 15 / 0 / 76 / 27

HEX #9DB92D

RGB 157 185 45

HSL 72, 0.61%, 0.45%

LAB 70.91, -27.76, 62.96

 

CMYK 76 / 0 / 23 / 27

HEX #2DB98F

RGB 45 185 143

HSL 162, 0.61%, 0.45%

LAB 67.46, -46.4, 11

 

CMYK 61 / 76 / 0 / 27

HEX #492DB9

RGB 73 45 185

HSL 252, 0.61%, 0.45%

LAB 31.34, 49.84, -69.05

 

Description

Color code: HEX #B92D55 | qconv.com Color code: HEX #B92D55 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 45 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 45 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 54 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 54% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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