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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B91DCA it is the complementary color #46E235. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B91DCA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B91DCA shade: #BE1DC5, #CF2FD8, #E041EB, #F153FE and #FF65FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B91DCA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B91DCA shade: #B91DCA, #A80BB7, #9700A4, #860091 and #75007E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B91DCA shade: #B81DC9, #C91DAB, #C91D7D, #C91D4E and #C91D20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B91DCA shade: #B81DC9, #891DC9, #5B1DC9, #2D1DC9 and #1D1DC9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B91DCA shade matches the following richer shades: #B81DC9 and #C70ADB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B91DCA shade: #B81DC9, #A92FB6, #9A42A4, #8B5491 and #7C677F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B91DCA shade: #5C1DC9, #8A1DC9, #B81DC9, #C91DAC and #C91D7E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B91DCA shade: #761281, #9718A5, #B81DC9, #CF2EE1 and #D852E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B91DCA shade: #B91DCA, #C92E1D and #1DC973

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B91DCA shade: #B91DCA, #C9B81D and #1DC9B8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B91DCA shade: #B91DCA, #C92E1D, #2EC91D and #1DB8C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B91DCA shade: #B91DCA, #C9621D, #2EC91D and #1D84C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 86 / 0 / 21

HEX #B91DCA

RGB 185 29 202

HSL 294.1, 0.75%, 0.45%

LAB 46.25, 76.23, -54.06

 

Complementary color

CMYK 69 / 0 / 77 / 11

HEX #46E235

RGB 70 226 53

HSL 114.1, 0.75%, 0.55%

LAB 79.59, -70.2, 67.43

 

CMYK 4 / 85 / 0 / 23

HEX #BE1DC5

RGB 190 29 197

HSL 297.5, 0.74%, 0.44%

LAB 46.79, 76.31, -50.26

 

CMYK 4 / 78 / 0 / 15

HEX #CF2FD8

RGB 207 47 216

HSL 296.8, 0.68%, 0.52%

LAB 52.13, 78.35, -52.49

 

CMYK 5 / 72 / 0 / 8

HEX #E041EB

RGB 224 65 235

HSL 296.12, 0.81%, 0.59%

LAB 57.68, 79.55, -54.21

 

CMYK 5 / 67 / 0 / 0

HEX #F153FE

RGB 241 83 254

HSL 295.44, 0.99%, 0.66%

LAB 63.38, 80.13, -55.54

 

CMYK 0 / 60 / 0 / 0

HEX #FF65FF

RGB 255 101 255

HSL 300, 1%, 0.7%

LAB 67.86, 76.64, -48.86

 

CMYK 8 / 86 / 0 / 21

HEX #B91DCA

RGB 185 29 202

HSL 294.1, 0.75%, 0.45%

LAB 46.25, 76.23, -54.06

 

CMYK 8 / 94 / 0 / 28

HEX #A80BB7

RGB 168 11 183

HSL 294.77, 0.89%, 0.38%

LAB 41.19, 73.06, -51.26

 

CMYK 8 / 100 / 0 / 36

HEX #9700A4

RGB 151 0 164

HSL 295.24, 1%, 0.32%

LAB 36.48, 68.51, -47.67

 

CMYK 8 / 100 / 0 / 43

HEX #860091

RGB 134 0 145

HSL 295.45, 1%, 0.28%

LAB 32.06, 62.69, -43.36

 

CMYK 7 / 100 / 0 / 51

HEX #75007E

RGB 117 0 126

HSL 295.71, 1%, 0.25%

LAB 27.54, 56.74, -38.95

 

CMYK 8 / 86 / 0 / 21

HEX #B81DC9

RGB 184 29 201

HSL 294.07, 0.75%, 0.45%

LAB 46.02, 75.9, -53.86

 

CMYK 0 / 86 / 15 / 21

HEX #C91DAB

RGB 201 29 171

HSL 310.47, 0.75%, 0.45%

LAB 47.28, 74.62, -34.11

 

CMYK 0 / 86 / 38 / 21

HEX #C91D7D

RGB 201 29 125

HSL 326.51, 0.75%, 0.45%

LAB 45.33, 69.25, -9.39

 

CMYK 0 / 86 / 61 / 21

HEX #C91D4E

RGB 201 29 78

HSL 342.91, 0.75%, 0.45%

LAB 44.01, 65.5, 17.94

 

CMYK 0 / 86 / 84 / 21

HEX #C91D20

RGB 201 29 32

HSL 358.95, 0.75%, 0.45%

LAB 43.36, 63.58, 44.41

 

CMYK 8 / 86 / 0 / 21

HEX #B81DC9

RGB 184 29 201

HSL 294.07, 0.75%, 0.45%

LAB 46.02, 75.9, -53.86

 

CMYK 32 / 86 / 0 / 21

HEX #891DC9

RGB 137 29 201

HSL 277.67, 0.75%, 0.45%

LAB 38.58, 68.46, -66.28

 

CMYK 55 / 86 / 0 / 21

HEX #5B1DC9

RGB 91 29 201

HSL 261.63, 0.75%, 0.45%

LAB 32.52, 62.81, -76.45

 

CMYK 78 / 86 / 0 / 21

HEX #2D1DC9

RGB 45 29 201

HSL 245.58, 0.75%, 0.45%

LAB 28.52, 59.38, -83.21

 

CMYK 86 / 86 / 0 / 21

HEX #1D1DC9

RGB 29 29 201

HSL 240, 0.75%, 0.45%

LAB 27.73, 58.73, -84.55

 

CMYK 8 / 86 / 0 / 21

HEX #B81DC9

RGB 184 29 201

HSL 294.07, 0.75%, 0.45%

LAB 46.02, 75.9, -53.86

 

CMYK 9 / 95 / 0 / 14

HEX #C70ADB

RGB 199 10 219

HSL 294.26, 0.91%, 0.45%

LAB 48.85, 83.73, -59.53

 

CMYK 8 / 86 / 0 / 21

HEX #B81DC9

RGB 184 29 201

HSL 294.07, 0.75%, 0.45%

LAB 46.02, 75.9, -53.86

 

CMYK 7 / 74 / 0 / 29

HEX #A92FB6

RGB 169 47 182

HSL 294.22, 0.59%, 0.45%

LAB 44.01, 65.17, -46.13

 

CMYK 6 / 60 / 0 / 36

HEX #9A42A4

RGB 154 66 164

HSL 293.88, 0.43%, 0.45%

LAB 43.43, 50.72, -36.55

 

CMYK 4 / 42 / 0 / 43

HEX #8B5491

RGB 139 84 145

HSL 294.1, 0.27%, 0.45%

LAB 44.05, 33.14, -24.35

 

CMYK 2 / 19 / 0 / 50

HEX #7C677F

RGB 124 103 127

HSL 292.5, 0.1%, 0.45%

LAB 46.34, 12.99, -10.2

 

CMYK 54 / 86 / 0 / 21

HEX #5C1DC9

RGB 92 29 201

HSL 261.98, 0.75%, 0.45%

LAB 32.64, 62.91, -76.26

 

CMYK 31 / 86 / 0 / 21

HEX #8A1DC9

RGB 138 29 201

HSL 278.02, 0.75%, 0.45%

LAB 38.72, 68.6, -66.04

 

CMYK 8 / 86 / 0 / 21

HEX #B81DC9

RGB 184 29 201

HSL 294.07, 0.75%, 0.45%

LAB 46.02, 75.9, -53.86

 

CMYK 0 / 86 / 14 / 21

HEX #C91DAC

RGB 201 29 172

HSL 310.12, 0.75%, 0.45%

LAB 47.33, 74.75, -34.62

 

CMYK 0 / 86 / 37 / 21

HEX #C91D7E

RGB 201 29 126

HSL 326.16, 0.75%, 0.45%

LAB 45.36, 69.35, -9.95

 

CMYK 9 / 86 / 0 / 49

HEX #761281

RGB 118 18 129

HSL 294.05, 0.76%, 0.29%

LAB 29.08, 54.06, -38.35

 

CMYK 8 / 85 / 0 / 35

HEX #9718A5

RGB 151 24 165

HSL 294.04, 0.75%, 0.37%

LAB 37.75, 65.12, -46.22

 

CMYK 8 / 86 / 0 / 21

HEX #B81DC9

RGB 184 29 201

HSL 294.07, 0.75%, 0.45%

LAB 46.02, 75.9, -53.86

 

CMYK 8 / 80 / 0 / 12

HEX #CF2EE1

RGB 207 46 225

HSL 293.97, 0.75%, 0.53%

LAB 52.57, 80.07, -56.9

 

CMYK 6 / 64 / 0 / 10

HEX #D852E6

RGB 216 82 230

HSL 294.32, 0.75%, 0.61%

LAB 58.36, 70.94, -50.39

 

CMYK 8 / 86 / 0 / 21

HEX #B91DCA

RGB 185 29 202

HSL 294.1, 0.75%, 0.45%

LAB 46.25, 76.23, -54.06

 

CMYK 0 / 77 / 86 / 21

HEX #C92E1D

RGB 201 46 29

HSL 5.93, 0.75%, 0.45%

LAB 44.89, 59.14, 47.23

 

CMYK 86 / 0 / 43 / 21

HEX #1DC973

RGB 29 201 115

HSL 150, 0.75%, 0.45%

LAB 71.74, -60.03, 31.68

 

CMYK 8 / 86 / 0 / 21

HEX #B91DCA

RGB 185 29 202

HSL 294.1, 0.75%, 0.45%

LAB 46.25, 76.23, -54.06

 

CMYK 0 / 8 / 86 / 21

HEX #C9B81D

RGB 201 184 29

HSL 54.07, 0.75%, 0.45%

LAB 74.05, -8.99, 71.47

 

CMYK 86 / 0 / 8 / 21

HEX #1DC9B8

RGB 29 201 184

HSL 174.07, 0.75%, 0.45%

LAB 73.22, -43.95, -3.05

 

CMYK 8 / 86 / 0 / 21

HEX #B91DCA

RGB 185 29 202

HSL 294.1, 0.75%, 0.45%

LAB 46.25, 76.23, -54.06

 

CMYK 0 / 77 / 86 / 21

HEX #C92E1D

RGB 201 46 29

HSL 5.93, 0.75%, 0.45%

LAB 44.89, 59.14, 47.23

 

CMYK 77 / 0 / 86 / 21

HEX #2EC91D

RGB 46 201 29

HSL 114.07, 0.75%, 0.45%

LAB 71.18, -67.67, 65.9

 

CMYK 86 / 8 / 0 / 21

HEX #1DB8C9

RGB 29 184 201

HSL 185.93, 0.75%, 0.45%

LAB 68.58, -31.11, -19.28

 

CMYK 8 / 86 / 0 / 21

HEX #B91DCA

RGB 185 29 202

HSL 294.1, 0.75%, 0.45%

LAB 46.25, 76.23, -54.06

 

CMYK 0 / 51 / 86 / 21

HEX #C9621D

RGB 201 98 29

HSL 24.07, 0.75%, 0.45%

LAB 53.21, 37.02, 54.26

 

CMYK 77 / 0 / 86 / 21

HEX #2EC91D

RGB 46 201 29

HSL 114.07, 0.75%, 0.45%

LAB 71.18, -67.67, 65.9

 

CMYK 86 / 34 / 0 / 21

HEX #1D84C9

RGB 29 132 201

HSL 204.07, 0.75%, 0.45%

LAB 52.93, -3.22, -43.55

 

Description

Color code: HEX #B91DCA | qconv.com Color code: HEX #B91DCA | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 29 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 29 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 86 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 86% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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