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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B91CDA it is the complementary color #46E325. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B91CDA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B91CDA shade: #BE1CD5, #CF2EE8, #E040FB, #F152FF and #FF64FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B91CDA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B91CDA shade: #B91CDA, #A80AC7, #9700B4, #8600A1 and #75008E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B91CDA shade: #B81CD9, #D91CC7, #D91C94, #D91C61 and #D91C2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B91CDA shade: #B81CD9, #851CD9, #521CD9, #1F1CD9 and #1C1CD9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B91CDA shade matches the following richer shades: #B81CD9 and #C508EC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B91CDA shade: #B81CD9, #AB30C5, #9E44B1, #91589D and #846B89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B91CDA shade: #521CD9, #841CD9, #B61CD9, #D91CC9 and #D91C97

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B91CDA shade: #7A1390, #9917B4, #B81CD9, #C739E5 and #D25DEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B91CDA shade: #B91CDA, #D91F1C and #1CD96B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B91CDA shade: #B91CDA, #D9B61C and #1CD9B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B91CDA shade: #B91CDA, #D91F1C, #3FD91C and #1CD6D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B91CDA shade: #B91CDA, #D9581C, #3FD91C and #1C9DD9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 87 / 0 / 15

HEX #B91CDA

RGB 185 28 218

HSL 289.58, 0.77%, 0.48%

LAB 47.24, 79.09, -61.67

 

Complementary color

CMYK 69 / 0 / 84 / 11

HEX #46E325

RGB 70 227 37

HSL 109.58, 0.77%, 0.52%

LAB 79.83, -71.37, 71.98

 

CMYK 11 / 87 / 0 / 16

HEX #BE1CD5

RGB 190 28 213

HSL 292.54, 0.77%, 0.47%

LAB 47.73, 79.06, -57.99

 

CMYK 11 / 80 / 0 / 9

HEX #CF2EE8

RGB 207 46 232

HSL 291.94, 0.8%, 0.55%

LAB 53, 81.22, -60.17

 

CMYK 11 / 75 / 0 / 2

HEX #E040FB

RGB 224 64 251

HSL 291.34, 0.96%, 0.62%

LAB 58.49, 82.52, -61.83

 

CMYK 5 / 68 / 0 / 0

HEX #F152FF

RGB 241 82 255

HSL 295.14, 1%, 0.66%

LAB 63.31, 80.65, -56.2

 

CMYK 0 / 61 / 0 / 0

HEX #FF64FF

RGB 255 100 255

HSL 300, 1%, 0.7%

LAB 67.72, 77.03, -49.08

 

CMYK 15 / 87 / 0 / 15

HEX #B91CDA

RGB 185 28 218

HSL 289.58, 0.77%, 0.48%

LAB 47.24, 79.09, -61.67

 

CMYK 16 / 95 / 0 / 22

HEX #A80AC7

RGB 168 10 199

HSL 290.16, 0.9%, 0.41%

LAB 42.25, 75.81, -58.92

 

CMYK 16 / 100 / 0 / 29

HEX #9700B4

RGB 151 0 180

HSL 290.33, 1%, 0.35%

LAB 37.62, 71.17, -55.4

 

CMYK 17 / 100 / 0 / 37

HEX #8600A1

RGB 134 0 161

HSL 289.94, 1%, 0.32%

LAB 33.22, 65.41, -51.26

 

CMYK 18 / 100 / 0 / 44

HEX #75008E

RGB 117 0 142

HSL 289.44, 1%, 0.28%

LAB 28.73, 59.53, -47.04

 

CMYK 15 / 87 / 0 / 15

HEX #B81CD9

RGB 184 28 217

HSL 289.52, 0.77%, 0.48%

LAB 47.01, 78.76, -61.48

 

CMYK 0 / 87 / 8 / 15

HEX #D91CC7

RGB 217 28 199

HSL 305.71, 0.77%, 0.48%

LAB 51.5, 81.66, -43.63

 

CMYK 0 / 87 / 32 / 15

HEX #D91C94

RGB 217 28 148

HSL 321.9, 0.77%, 0.48%

LAB 49.16, 75.4, -17.26

 

CMYK 0 / 87 / 55 / 15

HEX #D91C61

RGB 217 28 97

HSL 338.1, 0.77%, 0.48%

LAB 47.55, 70.93, 11.5

 

CMYK 0 / 87 / 79 / 15

HEX #D91C2E

RGB 217 28 46

HSL 354.29, 0.77%, 0.48%

LAB 46.68, 68.43, 41.18

 

CMYK 15 / 87 / 0 / 15

HEX #B81CD9

RGB 184 28 217

HSL 289.52, 0.77%, 0.48%

LAB 47.01, 78.76, -61.48

 

CMYK 39 / 87 / 0 / 15

HEX #851CD9

RGB 133 28 217

HSL 273.33, 0.77%, 0.48%

LAB 39.29, 71.51, -74.4

 

CMYK 62 / 87 / 0 / 15

HEX #521CD9

RGB 82 28 217

HSL 257.14, 0.77%, 0.48%

LAB 33.21, 66.36, -84.64

 

CMYK 86 / 87 / 0 / 15

HEX #1F1CD9

RGB 31 28 217

HSL 240.95, 0.77%, 0.48%

LAB 29.74, 63.74, -90.5

 

CMYK 87 / 87 / 0 / 15

HEX #1C1CD9

RGB 28 28 217

HSL 240, 0.77%, 0.48%

LAB 29.63, 63.66, -90.68

 

CMYK 15 / 87 / 0 / 15

HEX #B81CD9

RGB 184 28 217

HSL 289.52, 0.77%, 0.48%

LAB 47.01, 78.76, -61.48

 

CMYK 17 / 97 / 0 / 7

HEX #C508EC

RGB 197 8 236

HSL 289.74, 0.93%, 0.48%

LAB 49.62, 86.33, -67.96

 

CMYK 15 / 87 / 0 / 15

HEX #B81CD9

RGB 184 28 217

HSL 289.52, 0.77%, 0.48%

LAB 47.01, 78.76, -61.48

 

CMYK 13 / 76 / 0 / 23

HEX #AB30C5

RGB 171 48 197

HSL 289.53, 0.61%, 0.48%

LAB 45.36, 67.92, -52.71

 

CMYK 11 / 62 / 0 / 31

HEX #9E44B1

RGB 158 68 177

HSL 289.54, 0.44%, 0.48%

LAB 45.05, 53.34, -41.63

 

CMYK 8 / 44 / 0 / 38

HEX #91589D

RGB 145 88 157

HSL 289.57, 0.28%, 0.48%

LAB 46.22, 35.28, -28.08

 

CMYK 4 / 22 / 0 / 46

HEX #846B89

RGB 132 107 137

HSL 290, 0.12%, 0.48%

LAB 48.54, 15.62, -12.76

 

CMYK 62 / 87 / 0 / 15

HEX #521CD9

RGB 82 28 217

HSL 257.14, 0.77%, 0.48%

LAB 33.21, 66.36, -84.64

 

CMYK 39 / 87 / 0 / 15

HEX #841CD9

RGB 132 28 217

HSL 273.02, 0.77%, 0.48%

LAB 39.15, 71.39, -74.63

 

CMYK 16 / 87 / 0 / 15

HEX #B61CD9

RGB 182 28 217

HSL 288.89, 0.77%, 0.48%

LAB 46.69, 78.45, -62.02

 

CMYK 0 / 87 / 7 / 15

HEX #D91CC9

RGB 217 28 201

HSL 305.08, 0.77%, 0.48%

LAB 51.61, 81.94, -44.62

 

CMYK 0 / 87 / 30 / 15

HEX #D91C97

RGB 217 28 151

HSL 320.95, 0.77%, 0.48%

LAB 49.27, 75.72, -18.88

 

CMYK 15 / 87 / 0 / 44

HEX #7A1390

RGB 122 19 144

HSL 289.44, 0.77%, 0.32%

LAB 30.92, 57.3, -44.7

 

CMYK 15 / 87 / 0 / 29

HEX #9917B4

RGB 153 23 180

HSL 289.68, 0.77%, 0.4%

LAB 39.04, 68.28, -53.08

 

CMYK 15 / 87 / 0 / 15

HEX #B81CD9

RGB 184 28 217

HSL 289.52, 0.77%, 0.48%

LAB 47.01, 78.76, -61.48

 

CMYK 13 / 75 / 0 / 10

HEX #C739E5

RGB 199 57 229

HSL 289.53, 0.77%, 0.56%

LAB 52.65, 76.15, -59.1

 

CMYK 10 / 60 / 0 / 8

HEX #D25DEA

RGB 210 93 234

HSL 289.79, 0.77%, 0.64%

LAB 59.41, 65.66, -51.02

 

CMYK 15 / 87 / 0 / 15

HEX #B91CDA

RGB 185 28 218

HSL 289.58, 0.77%, 0.48%

LAB 47.24, 79.09, -61.67

 

CMYK 0 / 86 / 87 / 15

HEX #D91F1C

RGB 217 31 28

HSL 0.95, 0.77%, 0.48%

LAB 46.73, 67.43, 50.52

 

CMYK 87 / 0 / 51 / 15

HEX #1CD96B

RGB 28 217 107

HSL 145.08, 0.77%, 0.48%

LAB 76.64, -66.83, 41.89

 

CMYK 15 / 87 / 0 / 15

HEX #B91CDA

RGB 185 28 218

HSL 289.58, 0.77%, 0.48%

LAB 47.24, 79.09, -61.67

 

CMYK 0 / 16 / 87 / 15

HEX #D9B61C

RGB 217 182 28

HSL 48.89, 0.77%, 0.48%

LAB 75.01, -0.99, 73.08

 

CMYK 87 / 0 / 16 / 15

HEX #1CD9B6

RGB 28 217 182

HSL 168.89, 0.77%, 0.48%

LAB 78.02, -51.26, 5.02

 

CMYK 15 / 87 / 0 / 15

HEX #B91CDA

RGB 185 28 218

HSL 289.58, 0.77%, 0.48%

LAB 47.24, 79.09, -61.67

 

CMYK 0 / 86 / 87 / 15

HEX #D91F1C

RGB 217 31 28

HSL 0.95, 0.77%, 0.48%

LAB 46.73, 67.43, 50.52

 

CMYK 71 / 0 / 87 / 15

HEX #3FD91C

RGB 63 217 28

HSL 108.89, 0.77%, 0.48%

LAB 76.54, -69.89, 70.93

 

CMYK 87 / 1 / 0 / 15

HEX #1CD6D9

RGB 28 214 217

HSL 180.95, 0.77%, 0.48%

LAB 78.08, -40.28, -13.62

 

CMYK 15 / 87 / 0 / 15

HEX #B91CDA

RGB 185 28 218

HSL 289.58, 0.77%, 0.48%

LAB 47.24, 79.09, -61.67

 

CMYK 0 / 59 / 87 / 15

HEX #D9581C

RGB 217 88 28

HSL 19.05, 0.77%, 0.48%

LAB 53.83, 47.98, 56.17

 

CMYK 71 / 0 / 87 / 15

HEX #3FD91C

RGB 63 217 28

HSL 108.89, 0.77%, 0.48%

LAB 76.54, -69.89, 70.93

 

CMYK 87 / 28 / 0 / 15

HEX #1C9DD9

RGB 28 157 217

HSL 199.05, 0.77%, 0.48%

LAB 61.11, -11.74, -39.67

 

Description

Color code: HEX #B91CDA | qconv.com Color code: HEX #B91CDA | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 28 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 28 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 87 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 87% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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