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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B91C16 it is the complementary color #46E3E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B91C16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B91C16 shade: #BE1C11, #CF2E24, #E04037, #F1524A and #FF645D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B91C16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B91C16 shade: #B91C16, #A80A03, #970000, #860000 and #750000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B91C16 shade: #BB1C16 and #BB1616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B91C16 shade: #BB1C16, #BB4916, #BB7516, #BBA216 and #A8BB16

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B91C16 shade matches the following richer shades: #BB1C16 and #CC0C05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B91C16 shade: #BB1C16, #AA2C27, #993B38, #884B49 and #775B5A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B91C16 shade: #BB1669, #BB163C, #BB1B16, #BB4816 and #BB7416

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B91C16 shade: #71110D, #961712, #BB1C16, #E0221A and #E8423C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B91C16 shade: #B91C16, #95BB16 and #1653BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B91C16 shade: #B91C16, #16BB1B and #1B16BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B91C16 shade: #B91C16, #95BB16, #16B6BB and #3C16BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B91C16 shade: #B91C16, #63BB16, #16B6BB and #6E16BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 88 / 27

HEX #B91C16

RGB 185 28 22

HSL 2.21, 0.79%, 0.41%

LAB 39.92, 59.15, 45.11

 

Complementary color

CMYK 70 / 3 / 0 / 9

HEX #46E3E9

RGB 70 227 233

HSL 182.21, 0.79%, 0.59%

LAB 82.98, -37.8, -14.74

 

CMYK 0 / 85 / 91 / 25

HEX #BE1C11

RGB 190 28 17

HSL 3.82, 0.84%, 0.41%

LAB 40.93, 60.47, 48.51

 

CMYK 0 / 78 / 83 / 19

HEX #CF2E24

RGB 207 46 36

HSL 3.51, 0.7%, 0.48%

LAB 46.11, 61.1, 45.31

 

CMYK 0 / 71 / 75 / 12

HEX #E04037

RGB 224 64 55

HSL 3.2, 0.73%, 0.55%

LAB 51.6, 60.98, 41.82

 

CMYK 0 / 66 / 69 / 5

HEX #F1524A

RGB 241 82 74

HSL 2.87, 0.86%, 0.62%

LAB 57.3, 60.4, 38.58

 

CMYK 0 / 61 / 64 / 0

HEX #FF645D

RGB 255 100 93

HSL 2.59, 1%, 0.68%

LAB 62.65, 58.55, 35.01

 

CMYK 0 / 85 / 88 / 27

HEX #B91C16

RGB 185 28 22

HSL 2.21, 0.79%, 0.41%

LAB 39.92, 59.15, 45.11

 

CMYK 0 / 94 / 98 / 34

HEX #A80A03

RGB 168 10 3

HSL 2.55, 0.96%, 0.34%

LAB 35.1, 57.38, 47.95

 

CMYK 0 / 100 / 100 / 41

HEX #970000

RGB 151 0 0

HSL 0, 1%, 0.3%

LAB 30.83, 54.19, 44.61

 

CMYK 0 / 100 / 100 / 47

HEX #860000

RGB 134 0 0

HSL 0, 1%, 0.26%

LAB 26.93, 49.67, 39.85

 

CMYK 0 / 100 / 100 / 54

HEX #750000

RGB 117 0 0

HSL 0, 1%, 0.23%

LAB 22.94, 45.05, 34.64

 

CMYK 0 / 85 / 88 / 27

HEX #BB1C16

RGB 187 28 22

HSL 2.18, 0.79%, 0.41%

LAB 40.33, 59.71, 45.62

 

CMYK 0 / 88 / 88 / 27

HEX #BB1616

RGB 187 22 22

HSL 0, 0.79%, 0.41%

LAB 39.91, 60.92, 45.28

 

CMYK 0 / 85 / 88 / 27

HEX #BB1C16

RGB 187 28 22

HSL 2.18, 0.79%, 0.41%

LAB 40.33, 59.71, 45.62

 

CMYK 0 / 61 / 88 / 27

HEX #BB4916

RGB 187 73 22

HSL 18.55, 0.79%, 0.41%

LAB 46.16, 43.74, 50.21

 

CMYK 0 / 37 / 88 / 27

HEX #BB7516

RGB 187 117 22

HSL 34.55, 0.79%, 0.41%

LAB 55.43, 20.81, 57.55

 

CMYK 0 / 13 / 88 / 27

HEX #BBA216

RGB 187 162 22

HSL 50.91, 0.79%, 0.41%

LAB 66.87, -3.82, 66.66

 

CMYK 10 / 0 / 88 / 27

HEX #A8BB16

RGB 168 187 22

HSL 66.91, 0.79%, 0.41%

LAB 72.18, -24.92, 70.26

 

CMYK 0 / 85 / 88 / 27

HEX #BB1C16

RGB 187 28 22

HSL 2.18, 0.79%, 0.41%

LAB 40.33, 59.71, 45.62

 

CMYK 0 / 94 / 98 / 20

HEX #CC0C05

RGB 204 12 5

HSL 2.11, 0.95%, 0.41%

LAB 42.93, 66.61, 55.27

 

CMYK 0 / 85 / 88 / 27

HEX #BB1C16

RGB 187 28 22

HSL 2.18, 0.79%, 0.41%

LAB 40.33, 59.71, 45.62

 

CMYK 0 / 74 / 77 / 33

HEX #AA2C27

RGB 170 44 39

HSL 2.29, 0.63%, 0.41%

LAB 38.71, 50.46, 33.9

 

CMYK 0 / 61 / 63 / 40

HEX #993B38

RGB 153 59 56

HSL 1.86, 0.46%, 0.41%

LAB 38.17, 39.16, 22.29

 

CMYK 0 / 45 / 46 / 47

HEX #884B49

RGB 136 75 73

HSL 1.9, 0.3%, 0.41%

LAB 39.15, 25.53, 12.57

 

CMYK 0 / 24 / 24 / 53

HEX #775B5A

RGB 119 91 90

HSL 2.07, 0.14%, 0.41%

LAB 41.44, 11.3, 4.99

 

CMYK 0 / 88 / 44 / 27

HEX #BB1669

RGB 187 22 105

HSL 329.82, 0.79%, 0.41%

LAB 41.47, 65.36, -3.01

 

CMYK 0 / 88 / 68 / 27

HEX #BB163C

RGB 187 22 60

HSL 346.18, 0.79%, 0.41%

LAB 40.35, 62.21, 23.91

 

CMYK 0 / 86 / 88 / 27

HEX #BB1B16

RGB 187 27 22

HSL 1.82, 0.79%, 0.41%

LAB 40.26, 59.93, 45.56

 

CMYK 0 / 61 / 88 / 27

HEX #BB4816

RGB 187 72 22

HSL 18.18, 0.79%, 0.41%

LAB 45.98, 44.2, 50.07

 

CMYK 0 / 38 / 88 / 27

HEX #BB7416

RGB 187 116 22

HSL 34.18, 0.79%, 0.41%

LAB 55.19, 21.36, 57.36

 

CMYK 0 / 85 / 88 / 56

HEX #71110D

RGB 113 17 13

HSL 2.4, 0.79%, 0.25%

LAB 23.47, 40.26, 29.49

 

CMYK 0 / 85 / 88 / 41

HEX #961712

RGB 150 23 18

HSL 2.27, 0.79%, 0.33%

LAB 32.12, 50.14, 37.67

 

CMYK 0 / 85 / 88 / 27

HEX #BB1C16

RGB 187 28 22

HSL 2.18, 0.79%, 0.41%

LAB 40.33, 59.71, 45.62

 

CMYK 0 / 85 / 88 / 12

HEX #E0221A

RGB 224 34 26

HSL 2.42, 0.79%, 0.49%

LAB 48.34, 68.67, 53.26

 

CMYK 0 / 72 / 74 / 9

HEX #E8423C

RGB 232 66 60

HSL 2.09, 0.79%, 0.57%

LAB 53.36, 62.93, 41.42

 

CMYK 0 / 85 / 88 / 27

HEX #B91C16

RGB 185 28 22

HSL 2.21, 0.79%, 0.41%

LAB 39.92, 59.15, 45.11

 

CMYK 20 / 0 / 88 / 27

HEX #95BB16

RGB 149 187 22

HSL 73.82, 0.79%, 0.41%

LAB 70.86, -32.81, 68.64

 

CMYK 88 / 56 / 0 / 27

HEX #1653BB

RGB 22 83 187

HSL 217.82, 0.79%, 0.41%

LAB 37.74, 21.89, -59.85

 

CMYK 0 / 85 / 88 / 27

HEX #B91C16

RGB 185 28 22

HSL 2.21, 0.79%, 0.41%

LAB 39.92, 59.15, 45.11

 

CMYK 88 / 0 / 86 / 27

HEX #16BB1B

RGB 22 187 27

HSL 121.82, 0.79%, 0.41%

LAB 66.36, -66.28, 61.95

 

CMYK 86 / 88 / 0 / 27

HEX #1B16BB

RGB 27 22 187

HSL 241.82, 0.79%, 0.41%

LAB 24.94, 57.28, -80.95

 

CMYK 0 / 85 / 88 / 27

HEX #B91C16

RGB 185 28 22

HSL 2.21, 0.79%, 0.41%

LAB 39.92, 59.15, 45.11

 

CMYK 20 / 0 / 88 / 27

HEX #95BB16

RGB 149 187 22

HSL 73.82, 0.79%, 0.41%

LAB 70.86, -32.81, 68.64

 

CMYK 88 / 3 / 0 / 27

HEX #16B6BB

RGB 22 182 187

HSL 181.82, 0.79%, 0.41%

LAB 67.44, -34.95, -13.3

 

CMYK 68 / 88 / 0 / 27

HEX #3C16BB

RGB 60 22 187

HSL 253.82, 0.79%, 0.41%

LAB 27.08, 58.85, -77.32

 

CMYK 0 / 85 / 88 / 27

HEX #B91C16

RGB 185 28 22

HSL 2.21, 0.79%, 0.41%

LAB 39.92, 59.15, 45.11

 

CMYK 47 / 0 / 88 / 27

HEX #63BB16

RGB 99 187 22

HSL 92, 0.79%, 0.41%

LAB 68.21, -51.1, 65.34

 

CMYK 88 / 3 / 0 / 27

HEX #16B6BB

RGB 22 182 187

HSL 181.82, 0.79%, 0.41%

LAB 67.44, -34.95, -13.3

 

CMYK 41 / 88 / 0 / 27

HEX #6E16BB

RGB 110 22 187

HSL 272, 0.79%, 0.41%

LAB 32.87, 63.63, -67.57

 

Description

Color code: HEX #B91C16 | qconv.com Color code: HEX #B91C16 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 28 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 28 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 88 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 88% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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