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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B91ABC it is the complementary color #46E543. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B91ABC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B91ABC shade: #BE1AB7, #CF2CCA, #E03EDD, #F150F0 and #FF62FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B91ABC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B91ABC shade: #B91ABC, #A808A9, #970096, #860083 and #750070

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B91ABC shade: #B91ABC, #BC1A94, #BC1A68, #BC1A3C and #BC1A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B91ABC shade: #B91ABC, #8E1ABC, #621ABC, #361ABC and #1A1ABC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B91ABC shade matches the following richer shades: #B91ABC and #CA08CE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B91ABC shade: #B91ABC, #A92BAB, #983C9A, #874E89 and #775F77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B91ABC shade: #601ABC, #8C1ABC, #B71ABC, #BC1A97 and #BC1A6B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B91ABC shade: #721074, #961598, #B91ABC, #DD1FE0 and #E243E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B91ABC shade: #B91ABC, #BC351A and #1ABC76

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B91ABC shade: #B91ABC, #BCB71A and #1ABCB7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B91ABC shade: #B91ABC, #BC351A, #1FBC1A and #1AA1BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B91ABC shade: #B91ABC, #BC661A, #1FBC1A and #1A71BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 86 / 0 / 26

HEX #B91ABC

RGB 185 26 188

HSL 298.89, 0.76%, 0.42%

LAB 45.2, 74.57, -47.6

 

Complementary color

CMYK 69 / 0 / 71 / 10

HEX #46E543

RGB 70 229 67

HSL 118.89, 0.76%, 0.58%

LAB 80.6, -70.14, 63.73

 

CMYK 0 / 86 / 4 / 25

HEX #BE1AB7

RGB 190 26 183

HSL 302.56, 0.76%, 0.42%

LAB 45.78, 74.72, -43.69

 

CMYK 0 / 79 / 2 / 19

HEX #CF2CCA

RGB 207 44 202

HSL 301.84, 0.65%, 0.49%

LAB 51.07, 76.94, -46.15

 

CMYK 0 / 72 / 1 / 12

HEX #E03EDD

RGB 224 62 221

HSL 301.11, 0.72%, 0.56%

LAB 56.6, 78.26, -48.05

 

CMYK 0 / 67 / 0 / 5

HEX #F150F0

RGB 241 80 240

HSL 300.37, 0.85%, 0.63%

LAB 62.28, 78.93, -49.54

 

CMYK 0 / 62 / 0 / 0

HEX #FF62FF

RGB 255 98 255

HSL 300, 1%, 0.69%

LAB 67.44, 77.81, -49.53

 

CMYK 2 / 86 / 0 / 26

HEX #B91ABC

RGB 185 26 188

HSL 298.89, 0.76%, 0.42%

LAB 45.2, 74.57, -47.6

 

CMYK 1 / 95 / 0 / 34

HEX #A808A9

RGB 168 8 169

HSL 299.63, 0.91%, 0.35%

LAB 40.19, 71.18, -44.55

 

CMYK 0 / 100 / 1 / 41

HEX #970096

RGB 151 0 150

HSL 300.4, 1%, 0.3%

LAB 35.56, 66.31, -40.64

 

CMYK 0 / 100 / 2 / 47

HEX #860083

RGB 134 0 131

HSL 301.34, 1%, 0.26%

LAB 31.13, 60.46, -36.16

 

CMYK 0 / 100 / 4 / 54

HEX #750070

RGB 117 0 112

HSL 302.56, 1%, 0.23%

LAB 26.6, 54.47, -31.53

 

CMYK 2 / 86 / 0 / 26

HEX #B91ABC

RGB 185 26 188

HSL 298.89, 0.76%, 0.42%

LAB 45.2, 74.57, -47.6

 

CMYK 0 / 86 / 21 / 26

HEX #BC1A94

RGB 188 26 148

HSL 314.81, 0.76%, 0.42%

LAB 43.61, 69.52, -26.26

 

CMYK 0 / 86 / 45 / 26

HEX #BC1A68

RGB 188 26 104

HSL 331.11, 0.76%, 0.42%

LAB 41.89, 64.77, -1.73

 

CMYK 0 / 86 / 68 / 26

HEX #BC1A3C

RGB 188 26 60

HSL 347.41, 0.76%, 0.42%

LAB 40.83, 61.7, 24.55

 

CMYK 0 / 86 / 86 / 26

HEX #BC1A1A

RGB 188 26 26

HSL 0, 0.76%, 0.42%

LAB 40.42, 60.5, 43.85

 

CMYK 2 / 86 / 0 / 26

HEX #B91ABC

RGB 185 26 188

HSL 298.89, 0.76%, 0.42%

LAB 45.2, 74.57, -47.6

 

CMYK 24 / 86 / 0 / 26

HEX #8E1ABC

RGB 142 26 188

HSL 282.96, 0.76%, 0.42%

LAB 38.06, 67.34, -59.48

 

CMYK 48 / 86 / 0 / 26

HEX #621ABC

RGB 98 26 188

HSL 266.67, 0.76%, 0.42%

LAB 31.73, 61.33, -70.09

 

CMYK 71 / 86 / 0 / 26

HEX #361ABC

RGB 54 26 188

HSL 250.37, 0.76%, 0.42%

LAB 27.17, 57.35, -77.78

 

CMYK 86 / 86 / 0 / 26

HEX #1A1ABC

RGB 26 26 188

HSL 240, 0.76%, 0.42%

LAB 25.53, 56.02, -80.55

 

CMYK 2 / 86 / 0 / 26

HEX #B91ABC

RGB 185 26 188

HSL 298.89, 0.76%, 0.42%

LAB 45.2, 74.57, -47.6

 

CMYK 2 / 96 / 0 / 19

HEX #CA08CE

RGB 202 8 206

HSL 298.79, 0.93%, 0.42%

LAB 48.49, 82.37, -52.62

 

CMYK 2 / 86 / 0 / 26

HEX #B91ABC

RGB 185 26 188

HSL 298.89, 0.76%, 0.42%

LAB 45.2, 74.57, -47.6

 

CMYK 1 / 75 / 0 / 33

HEX #A92BAB

RGB 169 43 171

HSL 299.06, 0.6%, 0.42%

LAB 42.92, 64.58, -41.37

 

CMYK 1 / 61 / 0 / 40

HEX #983C9A

RGB 152 60 154

HSL 298.72, 0.44%, 0.42%

LAB 41.6, 51.1, -33.47

 

CMYK 1 / 43 / 0 / 46

HEX #874E89

RGB 135 78 137

HSL 297.97, 0.27%, 0.42%

LAB 41.85, 33.61, -22.97

 

CMYK 0 / 20 / 0 / 53

HEX #775F77

RGB 119 95 119

HSL 300, 0.11%, 0.42%

LAB 43.42, 14.28, -9.82

 

CMYK 49 / 86 / 0 / 26

HEX #601ABC

RGB 96 26 188

HSL 265.93, 0.76%, 0.42%

LAB 31.48, 61.1, -70.51

 

CMYK 26 / 86 / 0 / 26

HEX #8C1ABC

RGB 140 26 188

HSL 282.22, 0.76%, 0.42%

LAB 37.74, 67.03, -60.01

 

CMYK 3 / 86 / 0 / 26

HEX #B71ABC

RGB 183 26 188

HSL 298.15, 0.76%, 0.42%

LAB 44.85, 74.21, -48.17

 

CMYK 0 / 86 / 20 / 26

HEX #BC1A97

RGB 188 26 151

HSL 313.7, 0.76%, 0.42%

LAB 43.75, 69.9, -27.86

 

CMYK 0 / 86 / 43 / 26

HEX #BC1A6B

RGB 188 26 107

HSL 330, 0.76%, 0.42%

LAB 41.99, 65.04, -3.47

 

CMYK 2 / 86 / 0 / 55

HEX #721074

RGB 114 16 116

HSL 298.8, 0.76%, 0.26%

LAB 27.32, 51.47, -32.97

 

CMYK 1 / 86 / 0 / 40

HEX #961598

RGB 150 21 152

HSL 299.08, 0.76%, 0.34%

LAB 36.53, 63.41, -40.32

 

CMYK 2 / 86 / 0 / 26

HEX #B91ABC

RGB 185 26 188

HSL 298.89, 0.76%, 0.42%

LAB 45.2, 74.57, -47.6

 

CMYK 1 / 86 / 0 / 12

HEX #DD1FE0

RGB 221 31 224

HSL 299.07, 0.76%, 0.5%

LAB 53.74, 85.48, -54.32

 

CMYK 1 / 71 / 0 / 10

HEX #E243E5

RGB 226 67 229

HSL 298.89, 0.76%, 0.58%

LAB 57.89, 78.35, -50.5

 

CMYK 2 / 86 / 0 / 26

HEX #B91ABC

RGB 185 26 188

HSL 298.89, 0.76%, 0.42%

LAB 45.2, 74.57, -47.6

 

CMYK 0 / 72 / 86 / 26

HEX #BC351A

RGB 188 53 26

HSL 10, 0.76%, 0.42%

LAB 43.23, 52.61, 46.23

 

CMYK 86 / 0 / 37 / 26

HEX #1ABC76

RGB 26 188 118

HSL 154.07, 0.76%, 0.42%

LAB 67.65, -55.05, 24.7

 

CMYK 2 / 86 / 0 / 26

HEX #B91ABC

RGB 185 26 188

HSL 298.89, 0.76%, 0.42%

LAB 45.2, 74.57, -47.6

 

CMYK 0 / 3 / 86 / 26

HEX #BCB71A

RGB 188 183 26

HSL 58.15, 0.76%, 0.42%

LAB 72.65, -14.22, 70.51

 

CMYK 86 / 0 / 3 / 26

HEX #1ABCB7

RGB 26 188 183

HSL 178.15, 0.76%, 0.42%

LAB 69.19, -38.68, -8.47

 

CMYK 2 / 86 / 0 / 26

HEX #B91ABC

RGB 185 26 188

HSL 298.89, 0.76%, 0.42%

LAB 45.2, 74.57, -47.6

 

CMYK 0 / 72 / 86 / 26

HEX #BC351A

RGB 188 53 26

HSL 10, 0.76%, 0.42%

LAB 43.23, 52.61, 46.23

 

CMYK 84 / 0 / 86 / 26

HEX #1FBC1A

RGB 31 188 26

HSL 118.15, 0.76%, 0.42%

LAB 66.77, -65.79, 62.58

 

CMYK 86 / 14 / 0 / 26

HEX #1AA1BC

RGB 26 161 188

HSL 190, 0.76%, 0.42%

LAB 61.08, -24.1, -23.5

 

CMYK 2 / 86 / 0 / 26

HEX #B91ABC

RGB 185 26 188

HSL 298.89, 0.76%, 0.42%

LAB 45.2, 74.57, -47.6

 

CMYK 0 / 46 / 86 / 26

HEX #BC661A

RGB 188 102 26

HSL 28.15, 0.76%, 0.42%

LAB 52.14, 29.52, 53.67

 

CMYK 84 / 0 / 86 / 26

HEX #1FBC1A

RGB 31 188 26

HSL 118.15, 0.76%, 0.42%

LAB 66.77, -65.79, 62.58

 

CMYK 86 / 40 / 0 / 26

HEX #1A71BC

RGB 26 113 188

HSL 207.78, 0.76%, 0.42%

LAB 46.53, 3.12, -46.28

 

Description

Color code: HEX #B91ABC | qconv.com Color code: HEX #B91ABC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 26 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 26 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 86 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 86% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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