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Color name
HEX #B9117F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B9117F it is the complementary color #46EE80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B9117F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B9117F shade: #BE117A, #CF238D, #E035A0, #F147B3 and #FF59C6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B9117F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B9117F shade: #B9117F, #A8006C, #970059, #860046 and #750033

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B9117F shade: #BB1180, #BB1153, #BB1125 and #BB1111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B9117F shade: #BB1180, #BB11AE, #9A11BB, #6C11BB and #3E11BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B9117F shade matches the following richer shades: #BB1180 and #CB0185

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B9117F shade: #BB1180, #AA227B, #9A3276, #894371 and #79536C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B9117F shade: #9911BB, #BB11AF, #BB1182, #BB1155 and #BB1128

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B9117F shade: #6F0A4C, #950E66, #BB1180, #E0159A and #EC33AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B9117F shade: #B9117F, #BB6C11 and #11BBAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B9117F shade: #B9117F, #82BB11 and #1182BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B9117F shade: #B9117F, #BB6C11, #11BB4A and #1160BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B9117F shade: #B9117F, #BB9E11, #11BB4A and #112EBB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 31 / 27

HEX #B9117F

RGB 185 17 127

HSL 320.71, 0.83%, 0.4%

LAB 41.61, 67.89, -16.55

 

Complementary color

CMYK 71 / 0 / 46 / 7

HEX #46EE80

RGB 70 238 128

HSL 140.71, 0.83%, 0.6%

LAB 83.97, -65.84, 41.04

 

CMYK 0 / 91 / 36 / 25

HEX #BE117A

RGB 190 17 122

HSL 323.58, 0.84%, 0.41%

LAB 42.39, 68.46, -12.18

 

CMYK 0 / 83 / 32 / 19

HEX #CF238D

RGB 207 35 141

HSL 323.02, 0.71%, 0.47%

LAB 47.48, 71.06, -15.76

 

CMYK 0 / 76 / 29 / 12

HEX #E035A0

RGB 224 53 160

HSL 322.46, 0.73%, 0.54%

LAB 52.87, 72.62, -18.61

 

CMYK 0 / 71 / 26 / 5

HEX #F147B3

RGB 241 71 179

HSL 321.88, 0.86%, 0.61%

LAB 58.47, 73.44, -20.9

 

CMYK 0 / 65 / 22 / 0

HEX #FF59C6

RGB 255 89 198

HSL 320.6, 1%, 0.67%

LAB 63.74, 72.97, -23.52

 

CMYK 0 / 91 / 31 / 27

HEX #B9117F

RGB 185 17 127

HSL 320.71, 0.83%, 0.4%

LAB 41.61, 67.89, -16.55

 

CMYK 0 / 100 / 36 / 34

HEX #A8006C

RGB 168 0 108

HSL 321.43, 1%, 0.33%

LAB 36.76, 64.21, -12.35

 

CMYK 0 / 100 / 41 / 41

HEX #970059

RGB 151 0 89

HSL 324.64, 1%, 0.3%

LAB 32.48, 58.6, -6.92

 

CMYK 0 / 100 / 48 / 47

HEX #860046

RGB 134 0 70

HSL 328.66, 1%, 0.26%

LAB 28.14, 52.93, -1.17

 

CMYK 0 / 100 / 56 / 54

HEX #750033

RGB 117 0 51

HSL 333.85, 1%, 0.23%

LAB 23.74, 47.22, 4.99

 

CMYK 0 / 91 / 32 / 27

HEX #BB1180

RGB 187 17 128

HSL 320.82, 0.83%, 0.4%

LAB 42.04, 68.44, -16.48

 

CMYK 0 / 91 / 56 / 27

HEX #BB1153

RGB 187 17 83

HSL 336.71, 0.83%, 0.4%

LAB 40.56, 64.4, 9.6

 

CMYK 0 / 91 / 80 / 27

HEX #BB1125

RGB 187 17 37

HSL 352.94, 0.83%, 0.4%

LAB 39.75, 62.12, 37.19

 

CMYK 0 / 91 / 91 / 27

HEX #BB1111

RGB 187 17 17

HSL 0, 0.83%, 0.4%

LAB 39.59, 61.67, 47.28

 

CMYK 0 / 91 / 32 / 27

HEX #BB1180

RGB 187 17 128

HSL 320.82, 0.83%, 0.4%

LAB 42.04, 68.44, -16.48

 

CMYK 0 / 91 / 7 / 27

HEX #BB11AE

RGB 187 17 174

HSL 304.59, 0.83%, 0.4%

LAB 44.26, 74.25, -40.82

 

CMYK 18 / 91 / 0 / 27

HEX #9A11BB

RGB 154 17 187

HSL 288.35, 0.83%, 0.4%

LAB 39.34, 70.75, -56.72

 

CMYK 42 / 91 / 0 / 27

HEX #6C11BB

RGB 108 17 187

HSL 272.12, 0.83%, 0.4%

LAB 32.21, 64.53, -68.67

 

CMYK 67 / 91 / 0 / 27

HEX #3E11BB

RGB 62 17 187

HSL 255.88, 0.83%, 0.4%

LAB 26.77, 60.45, -77.83

 

CMYK 0 / 91 / 32 / 27

HEX #BB1180

RGB 187 17 128

HSL 320.82, 0.83%, 0.4%

LAB 42.04, 68.44, -16.48

 

CMYK 0 / 100 / 34 / 20

HEX #CB0185

RGB 203 1 133

HSL 320.79, 0.99%, 0.4%

LAB 44.82, 73.97, -15.03

 

CMYK 0 / 91 / 32 / 27

HEX #BB1180

RGB 187 17 128

HSL 320.82, 0.83%, 0.4%

LAB 42.04, 68.44, -16.48

 

CMYK 0 / 80 / 28 / 33

HEX #AA227B

RGB 170 34 123

HSL 320.74, 0.67%, 0.4%

LAB 39.78, 60.5, -17.12

 

CMYK 0 / 68 / 23 / 40

HEX #9A3276

RGB 154 50 118

HSL 320.77, 0.51%, 0.4%

LAB 38.65, 50.15, -15.99

 

CMYK 0 / 51 / 18 / 46

HEX #894371

RGB 137 67 113

HSL 320.57, 0.34%, 0.4%

LAB 38.77, 35.95, -12.94

 

CMYK 0 / 31 / 11 / 53

HEX #79536C

RGB 121 83 108

HSL 320.53, 0.19%, 0.4%

LAB 40.14, 20.09, -7.98

 

CMYK 18 / 91 / 0 / 27

HEX #9911BB

RGB 153 17 187

HSL 288, 0.83%, 0.4%

LAB 39.18, 70.59, -57

 

CMYK 0 / 91 / 6 / 27

HEX #BB11AF

RGB 187 17 175

HSL 304.24, 0.83%, 0.4%

LAB 44.32, 74.39, -41.33

 

CMYK 0 / 91 / 30 / 27

HEX #BB1182

RGB 187 17 130

HSL 320.12, 0.83%, 0.4%

LAB 42.12, 68.66, -17.59

 

CMYK 0 / 91 / 55 / 27

HEX #BB1155

RGB 187 17 85

HSL 336, 0.83%, 0.4%

LAB 40.61, 64.54, 8.4

 

CMYK 0 / 91 / 79 / 27

HEX #BB1128

RGB 187 17 40

HSL 351.88, 0.83%, 0.4%

LAB 39.78, 62.21, 35.48

 

CMYK 0 / 91 / 32 / 56

HEX #6F0A4C

RGB 111 10 76

HSL 320.79, 0.83%, 0.24%

LAB 24.06, 46.17, -11.86

 

CMYK 0 / 91 / 32 / 42

HEX #950E66

RGB 149 14 102

HSL 320.89, 0.83%, 0.32%

LAB 33.27, 57.52, -14.19

 

CMYK 0 / 91 / 32 / 27

HEX #BB1180

RGB 187 17 128

HSL 320.82, 0.83%, 0.4%

LAB 42.04, 68.44, -16.48

 

CMYK 0 / 91 / 31 / 12

HEX #E0159A

RGB 224 21 154

HSL 320.69, 0.83%, 0.48%

LAB 50.35, 78.55, -18.9

 

CMYK 0 / 78 / 27 / 7

HEX #EC33AC

RGB 236 51 172

HSL 320.76, 0.83%, 0.56%

LAB 55.26, 77.36, -21.83

 

CMYK 0 / 91 / 31 / 27

HEX #B9117F

RGB 185 17 127

HSL 320.71, 0.83%, 0.4%

LAB 41.61, 67.89, -16.55

 

CMYK 0 / 42 / 91 / 27

HEX #BB6C11

RGB 187 108 17

HSL 32.12, 0.83%, 0.4%

LAB 53.31, 25.65, 57.27

 

CMYK 91 / 0 / 6 / 27

HEX #11BBAF

RGB 17 187 175

HSL 175.76, 0.83%, 0.4%

LAB 68.57, -41.05, -4.99

 

CMYK 0 / 91 / 31 / 27

HEX #B9117F

RGB 185 17 127

HSL 320.71, 0.83%, 0.4%

LAB 41.61, 67.89, -16.55

 

CMYK 30 / 0 / 91 / 27

HEX #82BB11

RGB 130 187 17

HSL 80.12, 0.83%, 0.4%

LAB 69.7, -40.41, 68.07

 

CMYK 91 / 30 / 0 / 27

HEX #1182BB

RGB 17 130 187

HSL 200.12, 0.83%, 0.4%

LAB 51.46, -8.07, -37.88

 

CMYK 0 / 91 / 31 / 27

HEX #B9117F

RGB 185 17 127

HSL 320.71, 0.83%, 0.4%

LAB 41.61, 67.89, -16.55

 

CMYK 0 / 42 / 91 / 27

HEX #BB6C11

RGB 187 108 17

HSL 32.12, 0.83%, 0.4%

LAB 53.31, 25.65, 57.27

 

CMYK 91 / 0 / 60 / 27

HEX #11BB4A

RGB 17 187 74

HSL 140.12, 0.83%, 0.4%

LAB 66.64, -62.63, 45.42

 

CMYK 91 / 49 / 0 / 27

HEX #1160BB

RGB 17 96 187

HSL 212.12, 0.83%, 0.4%

LAB 41.33, 13.01, -54.04

 

CMYK 0 / 91 / 31 / 27

HEX #B9117F

RGB 185 17 127

HSL 320.71, 0.83%, 0.4%

LAB 41.61, 67.89, -16.55

 

CMYK 0 / 16 / 91 / 27

HEX #BB9E11

RGB 187 158 17

HSL 49.76, 0.83%, 0.4%

LAB 65.79, -1.78, 66.79

 

CMYK 91 / 0 / 60 / 27

HEX #11BB4A

RGB 17 187 74

HSL 140.12, 0.83%, 0.4%

LAB 66.64, -62.63, 45.42

 

CMYK 91 / 75 / 0 / 27

HEX #112EBB

RGB 17 46 187

HSL 229.76, 0.83%, 0.4%

LAB 28.54, 45.45, -74.96

 

Description

Color code: HEX #B9117F | qconv.com Color code: HEX #B9117F | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 17 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 17 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 31 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 31% 27% C M Y K

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Provide designers and agencies with accurate color values.

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