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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B91168 it is the complementary color #46EE97. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B91168. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B91168 shade: #BE1163, #CF2376, #E03589, #F1479C and #FF59AF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B91168. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B91168 shade: #B91168, #A80055, #970042, #86002F and #75001C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B91168 shade: #BB1169, #BB113B and #BB1111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B91168 shade: #BB1169, #BB1197, #B111BB, #8311BB and #5611BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B91168 shade matches the following richer shades: #BB1169 and #CB016A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B91168 shade: #BB1169, #AA2268, #9A3268, #894367 and #795367

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B91168 shade: #AF11BB, #BB1199, #BB116C, #BB113E and #BB1111

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B91168 shade: #6F0A3F, #950E54, #BB1169, #E0157E and #EC3393

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B91168 shade: #B91168, #BB8211 and #11AFBB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B91168 shade: #B91168, #6CBB11 and #116CBB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B91168 shade: #B91168, #BB8211, #11BB60 and #114ABB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B91168 shade: #B91168, #BBB511, #11BB60 and #1117BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 44 / 27

HEX #B91168

RGB 185 17 104

HSL 328.93, 0.83%, 0.4%

LAB 40.76, 65.6, -3.47

 

Complementary color

CMYK 71 / 0 / 37 / 7

HEX #46EE97

RGB 70 238 151

HSL 148.93, 0.83%, 0.6%

LAB 84.32, -61.87, 30.06

 

CMYK 0 / 91 / 48 / 25

HEX #BE1163

RGB 190 17 99

HSL 331.56, 0.84%, 0.41%

LAB 41.61, 66.34, 1.05

 

CMYK 0 / 83 / 43 / 19

HEX #CF2376

RGB 207 35 118

HSL 331.05, 0.71%, 0.47%

LAB 46.68, 68.76, -2.95

 

CMYK 0 / 76 / 39 / 12

HEX #E03589

RGB 224 53 137

HSL 330.53, 0.73%, 0.54%

LAB 52.06, 70.16, -6.16

 

CMYK 0 / 71 / 35 / 5

HEX #F1479C

RGB 241 71 156

HSL 330, 0.86%, 0.61%

LAB 57.66, 70.82, -8.75

 

CMYK 0 / 65 / 31 / 0

HEX #FF59AF

RGB 255 89 175

HSL 328.92, 1%, 0.67%

LAB 62.93, 70.17, -11.63

 

CMYK 0 / 91 / 44 / 27

HEX #B91168

RGB 185 17 104

HSL 328.93, 0.83%, 0.4%

LAB 40.76, 65.6, -3.47

 

CMYK 0 / 100 / 49 / 34

HEX #A80055

RGB 168 0 85

HSL 329.64, 1%, 0.33%

LAB 35.95, 62.09, 1.2

 

CMYK 0 / 100 / 56 / 41

HEX #970042

RGB 151 0 66

HSL 333.77, 1%, 0.3%

LAB 31.74, 56.66, 7.17

 

CMYK 0 / 100 / 65 / 47

HEX #86002F

RGB 134 0 47

HSL 338.96, 1%, 0.26%

LAB 27.5, 51.22, 13.53

 

CMYK 0 / 100 / 76 / 54

HEX #75001C

RGB 117 0 28

HSL 345.64, 1%, 0.23%

LAB 23.22, 45.83, 20.25

 

CMYK 0 / 91 / 44 / 27

HEX #BB1169

RGB 187 17 105

HSL 328.94, 0.83%, 0.4%

LAB 41.19, 66.15, -3.41

 

CMYK 0 / 91 / 68 / 27

HEX #BB113B

RGB 187 17 59

HSL 345.18, 0.83%, 0.4%

LAB 40.05, 62.98, 24.16

 

CMYK 0 / 91 / 91 / 27

HEX #BB1111

RGB 187 17 17

HSL 0, 0.83%, 0.4%

LAB 39.59, 61.67, 47.28

 

CMYK 0 / 91 / 44 / 27

HEX #BB1169

RGB 187 17 105

HSL 328.94, 0.83%, 0.4%

LAB 41.19, 66.15, -3.41

 

CMYK 0 / 91 / 19 / 27

HEX #BB1197

RGB 187 17 151

HSL 312.71, 0.83%, 0.4%

LAB 43.06, 71.15, -28.94

 

CMYK 5 / 91 / 0 / 27

HEX #B111BB

RGB 177 17 187

HSL 296.47, 0.83%, 0.4%

LAB 43.27, 74.45, -50.19

 

CMYK 30 / 91 / 0 / 27

HEX #8311BB

RGB 131 17 187

HSL 280.24, 0.83%, 0.4%

LAB 35.62, 67.41, -62.93

 

CMYK 54 / 91 / 0 / 27

HEX #5611BB

RGB 86 17 187

HSL 264.35, 0.83%, 0.4%

LAB 29.33, 62.28, -73.51

 

CMYK 0 / 91 / 44 / 27

HEX #BB1169

RGB 187 17 105

HSL 328.94, 0.83%, 0.4%

LAB 41.19, 66.15, -3.41

 

CMYK 0 / 100 / 48 / 20

HEX #CB016A

RGB 203 1 106

HSL 328.81, 0.99%, 0.4%

LAB 43.89, 71.53, 0.29

 

CMYK 0 / 91 / 44 / 27

HEX #BB1169

RGB 187 17 105

HSL 328.94, 0.83%, 0.4%

LAB 41.19, 66.15, -3.41

 

CMYK 0 / 80 / 39 / 33

HEX #AA2268

RGB 170 34 104

HSL 329.12, 0.67%, 0.4%

LAB 39.05, 58.35, -6.33

 

CMYK 0 / 68 / 32 / 40

HEX #9A3268

RGB 154 50 104

HSL 328.85, 0.51%, 0.4%

LAB 38.11, 48.28, -8.04

 

CMYK 0 / 51 / 25 / 46

HEX #894367

RGB 137 67 103

HSL 329.14, 0.34%, 0.4%

LAB 38.4, 34.36, -7.26

 

CMYK 0 / 31 / 15 / 53

HEX #795367

RGB 121 83 103

HSL 328.42, 0.19%, 0.4%

LAB 39.97, 19.17, -5.15

 

CMYK 6 / 91 / 0 / 27

HEX #AF11BB

RGB 175 17 187

HSL 295.76, 0.83%, 0.4%

LAB 42.92, 74.12, -50.77

 

CMYK 0 / 91 / 18 / 27

HEX #BB1199

RGB 187 17 153

HSL 312, 0.83%, 0.4%

LAB 43.16, 71.41, -30

 

CMYK 0 / 91 / 42 / 27

HEX #BB116C

RGB 187 17 108

HSL 327.88, 0.83%, 0.4%

LAB 41.29, 66.42, -5.15

 

CMYK 0 / 91 / 67 / 27

HEX #BB113E

RGB 187 17 62

HSL 344.12, 0.83%, 0.4%

LAB 40.1, 63.13, 22.33

 

CMYK 0 / 91 / 91 / 27

HEX #BB1111

RGB 187 17 17

HSL 0, 0.83%, 0.4%

LAB 39.59, 61.67, 47.28

 

CMYK 0 / 91 / 43 / 56

HEX #6F0A3F

RGB 111 10 63

HSL 328.51, 0.83%, 0.24%

LAB 23.52, 44.68, -3.8

 

CMYK 0 / 91 / 44 / 42

HEX #950E54

RGB 149 14 84

HSL 328.89, 0.83%, 0.32%

LAB 32.58, 55.63, -3.56

 

CMYK 0 / 91 / 44 / 27

HEX #BB1169

RGB 187 17 105

HSL 328.94, 0.83%, 0.4%

LAB 41.19, 66.15, -3.41

 

CMYK 0 / 91 / 44 / 12

HEX #E0157E

RGB 224 21 126

HSL 328.97, 0.83%, 0.48%

LAB 49.36, 75.88, -3.51

 

CMYK 0 / 78 / 38 / 7

HEX #EC3393

RGB 236 51 147

HSL 328.86, 0.83%, 0.56%

LAB 54.35, 74.68, -8.48

 

CMYK 0 / 91 / 44 / 27

HEX #B91168

RGB 185 17 104

HSL 328.93, 0.83%, 0.4%

LAB 40.76, 65.6, -3.47

 

CMYK 0 / 30 / 91 / 27

HEX #BB8211

RGB 187 130 17

HSL 39.88, 0.83%, 0.4%

LAB 58.57, 13.52, 61.26

 

CMYK 91 / 6 / 0 / 27

HEX #11AFBB

RGB 17 175 187

HSL 184.24, 0.83%, 0.4%

LAB 65.25, -31.89, -16.59

 

CMYK 0 / 91 / 44 / 27

HEX #B91168

RGB 185 17 104

HSL 328.93, 0.83%, 0.4%

LAB 40.76, 65.6, -3.47

 

CMYK 42 / 0 / 91 / 27

HEX #6CBB11

RGB 108 187 17

HSL 87.88, 0.83%, 0.4%

LAB 68.58, -48.31, 66.7

 

CMYK 91 / 42 / 0 / 27

HEX #116CBB

RGB 17 108 187

HSL 207.88, 0.83%, 0.4%

LAB 44.85, 5.28, -48.39

 

CMYK 0 / 91 / 44 / 27

HEX #B91168

RGB 185 17 104

HSL 328.93, 0.83%, 0.4%

LAB 40.76, 65.6, -3.47

 

CMYK 0 / 30 / 91 / 27

HEX #BB8211

RGB 187 130 17

HSL 39.88, 0.83%, 0.4%

LAB 58.57, 13.52, 61.26

 

CMYK 91 / 0 / 49 / 27

HEX #11BB60

RGB 17 187 96

HSL 147.88, 0.83%, 0.4%

LAB 66.9, -59.39, 35.13

 

CMYK 91 / 60 / 0 / 27

HEX #114ABB

RGB 17 74 187

HSL 219.88, 0.83%, 0.4%

LAB 35.21, 27.63, -63.98

 

CMYK 0 / 91 / 44 / 27

HEX #B91168

RGB 185 17 104

HSL 328.93, 0.83%, 0.4%

LAB 40.76, 65.6, -3.47

 

CMYK 0 / 3 / 91 / 27

HEX #BBB511

RGB 187 181 17

HSL 57.88, 0.83%, 0.4%

LAB 72, -13.82, 71.6

 

CMYK 91 / 0 / 49 / 27

HEX #11BB60

RGB 17 187 96

HSL 147.88, 0.83%, 0.4%

LAB 66.9, -59.39, 35.13

 

CMYK 91 / 88 / 0 / 27

HEX #1117BB

RGB 17 23 187

HSL 237.88, 0.83%, 0.4%

LAB 24.7, 56.66, -81.35

 

Description

Color code: HEX #B91168 | qconv.com Color code: HEX #B91168 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 17 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 17 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 44 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 44% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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