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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B910ED it is the complementary color #46EF12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B910ED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B910ED shade: #BE10E8, #CF22FB, #E034FF, #F146FF and #FF58FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B910ED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B910ED shade: #B910ED, #A800DA, #9700C7, #8600B4 and #7500A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B910ED shade: #BA11EE, #EE11E7, #EE11AB, #EE116F and #EE1133

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B910ED shade: #BA11EE, #7E11EE, #4311EE and #1111EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B910ED shade matches the following richer shades: #BA11EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B910ED shade: #BA11EE, #AF25DA, #A43AC5, #994EB1 and #8F639C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B910ED shade: #4111EE, #7C11EE, #B711EE, #EE11EB and #EE11B0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B910ED shade: #7E0BA1, #9C0EC8, #BA11EE, #C537F1 and #D05EF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B910ED shade: #B910ED, #EE111C and #11EE5E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B910ED shade: #B910ED, #EEB711 and #11EEB7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B910ED shade: #B910ED, #EE111C, #48EE11 and #11EEE3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B910ED shade: #B910ED, #EE4811, #48EE11 and #11B7EE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 93 / 0 / 7

HEX #B910ED

RGB 185 16 237

HSL 285.88, 0.87%, 0.5%

LAB 48.01, 84.12, -71.23

 

Complementary color

CMYK 71 / 0 / 92 / 6

HEX #46EF12

RGB 70 239 18

HSL 105.88, 0.87%, 0.5%

LAB 83.48, -75.62, 78.43

 

CMYK 18 / 93 / 0 / 9

HEX #BE10E8

RGB 190 16 232

HSL 288.33, 0.87%, 0.49%

LAB 48.44, 83.95, -67.66

 

CMYK 18 / 86 / 0 / 2

HEX #CF22FB

RGB 207 34 251

HSL 287.83, 0.96%, 0.56%

LAB 53.36, 87.01, -70.24

 

CMYK 12 / 80 / 0 / 0

HEX #E034FF

RGB 224 52 255

HSL 290.84, 1%, 0.6%

LAB 57.58, 86.51, -65.51

 

CMYK 5 / 73 / 0 / 0

HEX #F146FF

RGB 241 70 255

HSL 295.46, 1%, 0.64%

LAB 61.91, 84.62, -58.42

 

CMYK 0 / 65 / 0 / 0

HEX #FF58FF

RGB 255 88 255

HSL 300, 1%, 0.67%

LAB 66.1, 81.54, -51.64

 

CMYK 22 / 93 / 0 / 7

HEX #B910ED

RGB 185 16 237

HSL 285.88, 0.87%, 0.5%

LAB 48.01, 84.12, -71.23

 

CMYK 23 / 100 / 0 / 15

HEX #A800DA

RGB 168 0 218

HSL 286.24, 1%, 0.43%

LAB 43.34, 80.07, -68.14

 

CMYK 24 / 100 / 0 / 22

HEX #9700C7

RGB 151 0 199

HSL 285.53, 1%, 0.39%

LAB 39.08, 74.51, -64.21

 

CMYK 26 / 100 / 0 / 29

HEX #8600B4

RGB 134 0 180

HSL 284.67, 1%, 0.35%

LAB 34.73, 68.84, -60.22

 

CMYK 27 / 100 / 0 / 37

HEX #7500A1

RGB 117 0 161

HSL 283.6, 1%, 0.32%

LAB 30.29, 63.07, -56.16

 

CMYK 22 / 93 / 0 / 7

HEX #BA11EE

RGB 186 17 238

HSL 285.88, 0.87%, 0.5%

LAB 48.28, 84.32, -71.35

 

CMYK 0 / 93 / 3 / 7

HEX #EE11E7

RGB 238 17 231

HSL 301.9, 0.87%, 0.5%

LAB 56.43, 91.1, -53.82

 

CMYK 0 / 93 / 28 / 7

HEX #EE11AB

RGB 238 17 171

HSL 318.19, 0.87%, 0.5%

LAB 53.51, 83.65, -23.9

 

CMYK 0 / 93 / 53 / 7

HEX #EE116F

RGB 238 17 111

HSL 334.48, 0.87%, 0.5%

LAB 51.53, 78.35, 9.1

 

CMYK 0 / 93 / 79 / 7

HEX #EE1133

RGB 238 17 51

HSL 350.77, 0.87%, 0.5%

LAB 50.47, 75.44, 43.65

 

CMYK 22 / 93 / 0 / 7

HEX #BA11EE

RGB 186 17 238

HSL 285.88, 0.87%, 0.5%

LAB 48.28, 84.32, -71.35

 

CMYK 47 / 93 / 0 / 7

HEX #7E11EE

RGB 126 17 238

HSL 269.59, 0.87%, 0.5%

LAB 39.6, 77.43, -85.91

 

CMYK 72 / 93 / 0 / 7

HEX #4311EE

RGB 67 17 238

HSL 253.57, 0.87%, 0.5%

LAB 33.49, 73.52, -96.22

 

CMYK 93 / 93 / 0 / 7

HEX #1111EE

RGB 17 17 238

HSL 240, 0.87%, 0.5%

LAB 31.1, 72.29, -100.27

 

CMYK 22 / 93 / 0 / 7

HEX #BA11EE

RGB 186 17 238

HSL 285.88, 0.87%, 0.5%

LAB 48.28, 84.32, -71.35

 

CMYK 22 / 93 / 0 / 7

HEX #BA11EE

RGB 186 17 238

HSL 285.88, 0.87%, 0.5%

LAB 48.28, 84.32, -71.35

 

CMYK 20 / 83 / 0 / 15

HEX #AF25DA

RGB 175 37 218

HSL 285.75, 0.71%, 0.5%

LAB 46.31, 75.58, -63.26

 

CMYK 17 / 71 / 0 / 23

HEX #A43AC5

RGB 164 58 197

HSL 285.76, 0.55%, 0.5%

LAB 45.57, 62.91, -52.45

 

CMYK 14 / 56 / 0 / 31

HEX #994EB1

RGB 153 78 177

HSL 285.45, 0.39%, 0.5%

LAB 46.17, 47.16, -39.9

 

CMYK 8 / 37 / 0 / 39

HEX #8F639C

RGB 143 99 156

HSL 286.32, 0.22%, 0.5%

LAB 48.47, 28.15, -24.03

 

CMYK 73 / 93 / 0 / 7

HEX #4111EE

RGB 65 17 238

HSL 253.03, 0.87%, 0.5%

LAB 33.35, 73.44, -96.47

 

CMYK 48 / 93 / 0 / 7

HEX #7C11EE

RGB 124 17 238

HSL 269.05, 0.87%, 0.5%

LAB 39.34, 77.25, -86.34

 

CMYK 23 / 93 / 0 / 7

HEX #B711EE

RGB 183 17 238

HSL 285.07, 0.87%, 0.5%

LAB 47.8, 83.91, -72.14

 

CMYK 0 / 93 / 1 / 7

HEX #EE11EB

RGB 238 17 235

HSL 300.81, 0.87%, 0.5%

LAB 56.66, 91.66, -55.71

 

CMYK 0 / 93 / 26 / 7

HEX #EE11B0

RGB 238 17 176

HSL 316.83, 0.87%, 0.5%

LAB 53.72, 84.2, -26.51

 

CMYK 22 / 93 / 0 / 37

HEX #7E0BA1

RGB 126 11 161

HSL 286, 0.87%, 0.34%

LAB 32.37, 62.67, -52.72

 

CMYK 22 / 93 / 0 / 22

HEX #9C0EC8

RGB 156 14 200

HSL 285.81, 0.87%, 0.42%

LAB 40.5, 73.79, -62.45

 

CMYK 22 / 93 / 0 / 7

HEX #BA11EE

RGB 186 17 238

HSL 285.88, 0.87%, 0.5%

LAB 48.28, 84.32, -71.35

 

CMYK 18 / 77 / 0 / 5

HEX #C537F1

RGB 197 55 241

HSL 285.81, 0.87%, 0.58%

LAB 52.9, 78.56, -65.47

 

CMYK 15 / 61 / 0 / 4

HEX #D05EF4

RGB 208 94 244

HSL 285.6, 0.87%, 0.66%

LAB 59.84, 66.64, -55.92

 

CMYK 22 / 93 / 0 / 7

HEX #B910ED

RGB 185 16 237

HSL 285.88, 0.87%, 0.5%

LAB 48.01, 84.12, -71.23

 

CMYK 0 / 93 / 88 / 7

HEX #EE111C

RGB 238 17 28

HSL 357.01, 0.87%, 0.5%

LAB 50.29, 74.92, 55.11

 

CMYK 93 / 0 / 61 / 7

HEX #11EE5E

RGB 17 238 94

HSL 140.9, 0.87%, 0.5%

LAB 82.95, -75.72, 55.35

 

CMYK 22 / 93 / 0 / 7

HEX #B910ED

RGB 185 16 237

HSL 285.88, 0.87%, 0.5%

LAB 48.01, 84.12, -71.23

 

CMYK 0 / 23 / 93 / 7

HEX #EEB711

RGB 238 183 17

HSL 45.07, 0.87%, 0.5%

LAB 77.33, 7.42, 77.76

 

CMYK 93 / 0 / 23 / 7

HEX #11EEB7

RGB 17 238 183

HSL 165.07, 0.87%, 0.5%

LAB 84.32, -59.76, 13.48

 

CMYK 22 / 93 / 0 / 7

HEX #B910ED

RGB 185 16 237

HSL 285.88, 0.87%, 0.5%

LAB 48.01, 84.12, -71.23

 

CMYK 0 / 93 / 88 / 7

HEX #EE111C

RGB 238 17 28

HSL 357.01, 0.87%, 0.5%

LAB 50.29, 74.92, 55.11

 

CMYK 70 / 0 / 93 / 7

HEX #48EE11

RGB 72 238 17

HSL 105.07, 0.87%, 0.5%

LAB 83.21, -74.99, 78.34

 

CMYK 93 / 0 / 5 / 7

HEX #11EEE3

RGB 17 238 227

HSL 177.01, 0.87%, 0.5%

LAB 85.41, -48.37, -8.01

 

CMYK 22 / 93 / 0 / 7

HEX #B910ED

RGB 185 16 237

HSL 285.88, 0.87%, 0.5%

LAB 48.01, 84.12, -71.23

 

CMYK 0 / 70 / 93 / 7

HEX #EE4811

RGB 238 72 17

HSL 14.93, 0.87%, 0.5%

LAB 54.92, 61.61, 62.17

 

CMYK 70 / 0 / 93 / 7

HEX #48EE11

RGB 72 238 17

HSL 105.07, 0.87%, 0.5%

LAB 83.21, -74.99, 78.34

 

CMYK 93 / 23 / 0 / 7

HEX #11B7EE

RGB 17 183 238

HSL 194.93, 0.87%, 0.5%

LAB 69.58, -18.91, -37.98

 

Description

Color code: HEX #B910ED | qconv.com Color code: HEX #B910ED | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 16 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 16 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 93 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 93% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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