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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B90B5C it is the complementary color #46F4A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B90B5C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B90B5C shade: #BE0B57, #CF1D6A, #E02F7D, #F14190 and #FF53A3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B90B5C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B90B5C shade: #B90B5C, #A80049, #970036, #860023 and #750010

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B90B5C shade: #B70B5B, #B70B2C and #B70B0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B90B5C shade: #B70B5B, #B70B89, #B60BB7, #880BB7 and #590BB7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B90B5C shade matches the following richer shades: #B70B5B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B90B5C shade: #B70B5B, #A71A5C, #982A5D, #883A5E and #78495F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B90B5C shade: #B70BB7, #B70B89, #B70B5B, #B70B2D and #B7160B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B90B5C shade: #690634, #900848, #B70B5B, #DE0D6E and #F22283

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B90B5C shade: #B90B5C, #B7890B and #0BA0B7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B90B5C shade: #B90B5C, #5BB70B and #0B5BB7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B90B5C shade: #B90B5C, #B7890B, #0BB767 and #0B39B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B90B5C shade: #B90B5C, #B1B70B, #0BB767 and #100BB7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 94 / 50 / 27

HEX #B90B5C

RGB 185 11 92

HSL 332.07, 0.89%, 0.38%

LAB 40.12, 65.35, 3.2

 

Complementary color

CMYK 71 / 0 / 33 / 4

HEX #46F4A3

RGB 70 244 163

HSL 152.07, 0.89%, 0.62%

LAB 86.33, -61.79, 26.67

 

CMYK 0 / 94 / 54 / 25

HEX #BE0B57

RGB 190 11 87

HSL 334.53, 0.89%, 0.39%

LAB 41.02, 66.16, 7.79

 

CMYK 0 / 86 / 49 / 19

HEX #CF1D6A

RGB 207 29 106

HSL 334.04, 0.75%, 0.46%

LAB 45.89, 68.98, 3.29

 

CMYK 0 / 79 / 44 / 12

HEX #E02F7D

RGB 224 47 125

HSL 333.56, 0.74%, 0.53%

LAB 51.11, 70.69, -0.35

 

CMYK 0 / 73 / 40 / 5

HEX #F14190

RGB 241 65 144

HSL 333.07, 0.86%, 0.6%

LAB 56.58, 71.59, -3.3

 

CMYK 0 / 67 / 36 / 0

HEX #FF53A3

RGB 255 83 163

HSL 332.09, 1%, 0.66%

LAB 61.73, 71.1, -6.51

 

CMYK 0 / 94 / 50 / 27

HEX #B90B5C

RGB 185 11 92

HSL 332.07, 0.89%, 0.38%

LAB 40.12, 65.35, 3.2

 

CMYK 0 / 100 / 57 / 34

HEX #A80049

RGB 168 0 73

HSL 333.93, 1%, 0.33%

LAB 35.61, 61.19, 8.52

 

CMYK 0 / 100 / 64 / 41

HEX #970036

RGB 151 0 54

HSL 338.54, 1%, 0.3%

LAB 31.45, 55.88, 14.76

 

CMYK 0 / 100 / 74 / 47

HEX #860023

RGB 134 0 35

HSL 344.33, 1%, 0.26%

LAB 27.27, 50.6, 21.33

 

CMYK 0 / 100 / 86 / 54

HEX #750010

RGB 117 0 16

HSL 351.79, 1%, 0.23%

LAB 23.06, 45.4, 27.81

 

CMYK 0 / 94 / 50 / 28

HEX #B70B5B

RGB 183 11 91

HSL 332.09, 0.89%, 0.38%

LAB 39.68, 64.8, 3.15

 

CMYK 0 / 94 / 76 / 28

HEX #B70B2C

RGB 183 11 44

HSL 348.49, 0.89%, 0.38%

LAB 38.71, 62.11, 31.66

 

CMYK 0 / 94 / 94 / 28

HEX #B70B0B

RGB 183 11 11

HSL 0, 0.89%, 0.38%

LAB 38.43, 61.33, 48.46

 

CMYK 0 / 94 / 50 / 28

HEX #B70B5B

RGB 183 11 91

HSL 332.09, 0.89%, 0.38%

LAB 39.68, 64.8, 3.15

 

CMYK 0 / 94 / 25 / 28

HEX #B70B89

RGB 183 11 137

HSL 316.05, 0.89%, 0.38%

LAB 41.39, 69.35, -23.07

 

CMYK 1 / 94 / 0 / 28

HEX #B60BB7

RGB 182 11 183

HSL 299.65, 0.89%, 0.38%

LAB 43.66, 75.38, -47.16

 

CMYK 26 / 94 / 0 / 28

HEX #880BB7

RGB 136 11 183

HSL 283.6, 0.89%, 0.38%

LAB 35.78, 68.25, -60.28

 

CMYK 51 / 94 / 0 / 28

HEX #590BB7

RGB 89 11 183

HSL 267.21, 0.89%, 0.38%

LAB 28.86, 62.85, -71.9

 

CMYK 0 / 94 / 50 / 28

HEX #B70B5B

RGB 183 11 91

HSL 332.09, 0.89%, 0.38%

LAB 39.68, 64.8, 3.15

 

CMYK 0 / 94 / 50 / 28

HEX #B70B5B

RGB 183 11 91

HSL 332.09, 0.89%, 0.38%

LAB 39.68, 64.8, 3.15

 

CMYK 0 / 84 / 45 / 35

HEX #A71A5C

RGB 167 26 92

HSL 331.91, 0.73%, 0.38%

LAB 37.35, 58.44, -1.29

 

CMYK 0 / 72 / 39 / 40

HEX #982A5D

RGB 152 42 93

HSL 332.18, 0.57%, 0.38%

LAB 36.22, 49.57, -3.92

 

CMYK 0 / 57 / 31 / 47

HEX #883A5E

RGB 136 58 94

HSL 332.31, 0.4%, 0.38%

LAB 36.12, 37.44, -5.01

 

CMYK 0 / 39 / 21 / 53

HEX #78495F

RGB 120 73 95

HSL 331.91, 0.24%, 0.38%

LAB 37.09, 23.36, -4.45

 

CMYK 0 / 94 / 0 / 28

HEX #B70BB7

RGB 183 11 183

HSL 300, 0.89%, 0.38%

LAB 43.84, 75.55, -46.86

 

CMYK 0 / 94 / 25 / 28

HEX #B70B89

RGB 183 11 137

HSL 316.05, 0.89%, 0.38%

LAB 41.39, 69.35, -23.07

 

CMYK 0 / 94 / 50 / 28

HEX #B70B5B

RGB 183 11 91

HSL 332.09, 0.89%, 0.38%

LAB 39.68, 64.8, 3.15

 

CMYK 0 / 94 / 75 / 28

HEX #B70B2D

RGB 183 11 45

HSL 348.14, 0.89%, 0.38%

LAB 38.72, 62.14, 31.07

 

CMYK 0 / 88 / 94 / 28

HEX #B7160B

RGB 183 22 11

HSL 3.84, 0.89%, 0.38%

LAB 39.01, 59.66, 48.81

 

CMYK 0 / 94 / 50 / 59

HEX #690634

RGB 105 6 52

HSL 332.12, 0.89%, 0.22%

LAB 21.51, 42.9, 0.73

 

CMYK 0 / 94 / 50 / 44

HEX #900848

RGB 144 8 72

HSL 331.76, 0.89%, 0.3%

LAB 30.81, 54.24, 1.64

 

CMYK 0 / 94 / 50 / 28

HEX #B70B5B

RGB 183 11 91

HSL 332.09, 0.89%, 0.38%

LAB 39.68, 64.8, 3.15

 

CMYK 0 / 94 / 50 / 13

HEX #DE0D6E

RGB 222 13 110

HSL 332.15, 0.89%, 0.46%

LAB 48.19, 75.04, 4.52

 

CMYK 0 / 86 / 46 / 5

HEX #F22283

RGB 242 34 131

HSL 332.02, 0.89%, 0.54%

LAB 53.66, 78.39, 0.18

 

CMYK 0 / 94 / 50 / 27

HEX #B90B5C

RGB 185 11 92

HSL 332.07, 0.89%, 0.38%

LAB 40.12, 65.35, 3.2

 

CMYK 0 / 25 / 94 / 28

HEX #B7890B

RGB 183 137 11

HSL 43.95, 0.89%, 0.38%

LAB 59.87, 7.76, 63.17

 

CMYK 94 / 13 / 0 / 28

HEX #0BA0B7

RGB 11 160 183

HSL 188.02, 0.89%, 0.38%

LAB 60.46, -26.05, -21.66

 

CMYK 0 / 94 / 50 / 27

HEX #B90B5C

RGB 185 11 92

HSL 332.07, 0.89%, 0.38%

LAB 40.12, 65.35, 3.2

 

CMYK 50 / 0 / 94 / 28

HEX #5BB70B

RGB 91 183 11

HSL 92.09, 0.89%, 0.38%

LAB 66.61, -52.33, 65.63

 

CMYK 94 / 50 / 0 / 28

HEX #0B5BB7

RGB 11 91 183

HSL 212.09, 0.89%, 0.38%

LAB 39.53, 14.4, -54.61

 

CMYK 0 / 94 / 50 / 27

HEX #B90B5C

RGB 185 11 92

HSL 332.07, 0.89%, 0.38%

LAB 40.12, 65.35, 3.2

 

CMYK 0 / 25 / 94 / 28

HEX #B7890B

RGB 183 137 11

HSL 43.95, 0.89%, 0.38%

LAB 59.87, 7.76, 63.17

 

CMYK 94 / 0 / 44 / 28

HEX #0BB767

RGB 11 183 103

HSL 152.09, 0.89%, 0.38%

LAB 65.68, -57.09, 29.98

 

CMYK 94 / 69 / 0 / 28

HEX #0B39B7

RGB 11 57 183

HSL 223.95, 0.89%, 0.38%

LAB 30.44, 37.03, -69.46

 

CMYK 0 / 94 / 50 / 27

HEX #B90B5C

RGB 185 11 92

HSL 332.07, 0.89%, 0.38%

LAB 40.12, 65.35, 3.2

 

CMYK 3 / 0 / 94 / 28

HEX #B1B70B

RGB 177 183 11

HSL 62.09, 0.89%, 0.38%

LAB 71.72, -19.28, 71.84

 

CMYK 94 / 0 / 44 / 28

HEX #0BB767

RGB 11 183 103

HSL 152.09, 0.89%, 0.38%

LAB 65.68, -57.09, 29.98

 

CMYK 91 / 94 / 0 / 28

HEX #100BB7

RGB 16 11 183

HSL 241.74, 0.89%, 0.38%

LAB 22.89, 59.25, -81.99

 

Description

Color code: HEX #B90B5C | qconv.com Color code: HEX #B90B5C | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 11 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 11 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 94 magenta, 50 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 94% 50% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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