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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B90AE9 it is the complementary color #46F516. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B90AE9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B90AE9 shade: #BE0AE4, #CF1CF7, #E02EFF, #F140FF and #FF52FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B90AE9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B90AE9 shade: #B90AE9, #A800D6, #9700C3, #8600B0 and #75009D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B90AE9 shade: #BB0AEB, #EB0ADF, #EB0AA2, #EB0A65 and #EB0A29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B90AE9 shade: #BB0AEB, #7E0AEB, #410AEB and #0A0AEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B90AE9 shade matches the following richer shades: #BB0AEB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B90AE9 shade: #BB0AEB, #AF1ED7, #A431C3, #9945B0 and #8D599C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B90AE9 shade: #420AEB, #7E0AEB, #BA0AEB, #EB0AE0 and #EB0AA4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B90AE9 shade: #7C069C, #9B08C3, #BB0AEB, #CA28F6 and #D450F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B90AE9 shade: #B90AE9, #EB0A0E and #0AEB60

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B90AE9 shade: #B90AE9, #EBBA0A and #0AEBBA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B90AE9 shade: #B90AE9, #EB0A0E, #3BEB0A and #0AEBE7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B90AE9 shade: #B90AE9, #EB4A0A, #3BEB0A and #0AABEB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 96 / 0 / 9

HEX #B90AE9

RGB 185 10 233

HSL 287.09, 0.92%, 0.48%

LAB 47.51, 84.01, -69.77

 

Complementary color

CMYK 71 / 0 / 91 / 4

HEX #46F516

RGB 70 245 22

HSL 107.09, 0.92%, 0.52%

LAB 85.33, -77.3, 79.46

 

CMYK 17 / 96 / 0 / 11

HEX #BE0AE4

RGB 190 10 228

HSL 289.54, 0.92%, 0.47%

LAB 47.96, 83.86, -66.17

 

CMYK 16 / 89 / 0 / 3

HEX #CF1CF7

RGB 207 28 247

HSL 289.04, 0.93%, 0.54%

LAB 52.74, 87.34, -69

 

CMYK 12 / 82 / 0 / 0

HEX #E02EFF

RGB 224 46 255

HSL 291.1, 1%, 0.59%

LAB 57.1, 87.93, -66.29

 

CMYK 5 / 75 / 0 / 0

HEX #F140FF

RGB 241 64 255

HSL 295.6, 1%, 0.63%

LAB 61.3, 86.39, -59.41

 

CMYK 0 / 68 / 0 / 0

HEX #FF52FF

RGB 255 82 255

HSL 300, 1%, 0.66%

LAB 65.37, 83.62, -52.8

 

CMYK 21 / 96 / 0 / 9

HEX #B90AE9

RGB 185 10 233

HSL 287.09, 0.92%, 0.48%

LAB 47.51, 84.01, -69.77

 

CMYK 21 / 100 / 0 / 16

HEX #A800D6

RGB 168 0 214

HSL 287.1, 1%, 0.42%

LAB 43.03, 79.37, -66.34

 

CMYK 23 / 100 / 0 / 24

HEX #9700C3

RGB 151 0 195

HSL 286.46, 1%, 0.38%

LAB 38.76, 73.79, -62.39

 

CMYK 24 / 100 / 0 / 31

HEX #8600B0

RGB 134 0 176

HSL 285.68, 1%, 0.35%

LAB 34.4, 68.11, -58.37

 

CMYK 25 / 100 / 0 / 38

HEX #75009D

RGB 117 0 157

HSL 284.71, 1%, 0.31%

LAB 29.95, 62.31, -54.28

 

CMYK 20 / 96 / 0 / 8

HEX #BB0AEB

RGB 187 10 235

HSL 287.2, 0.92%, 0.48%

LAB 47.98, 84.63, -70.13

 

CMYK 0 / 96 / 5 / 8

HEX #EB0ADF

RGB 235 10 223

HSL 303.2, 0.92%, 0.48%

LAB 55.28, 90.05, -51.16

 

CMYK 0 / 96 / 31 / 8

HEX #EB0AA2

RGB 235 10 162

HSL 319.47, 0.92%, 0.48%

LAB 52.38, 82.7, -20.37

 

CMYK 0 / 96 / 57 / 8

HEX #EB0A65

RGB 235 10 101

HSL 335.73, 0.92%, 0.48%

LAB 50.47, 77.63, 13.64

 

CMYK 0 / 96 / 83 / 8

HEX #EB0A29

RGB 235 10 41

HSL 351.73, 0.92%, 0.48%

LAB 49.54, 75.08, 47.95

 

CMYK 20 / 96 / 0 / 8

HEX #BB0AEB

RGB 187 10 235

HSL 287.2, 0.92%, 0.48%

LAB 47.98, 84.63, -70.13

 

CMYK 46 / 96 / 0 / 8

HEX #7E0AEB

RGB 126 10 235

HSL 270.93, 0.92%, 0.48%

LAB 38.99, 77.73, -85.22

 

CMYK 72 / 96 / 0 / 8

HEX #410AEB

RGB 65 10 235

HSL 254.67, 0.92%, 0.48%

LAB 32.57, 73.93, -96.06

 

CMYK 96 / 96 / 0 / 8

HEX #0A0AEB

RGB 10 10 235

HSL 240, 0.92%, 0.48%

LAB 30.11, 72.83, -100.22

 

CMYK 20 / 96 / 0 / 8

HEX #BB0AEB

RGB 187 10 235

HSL 287.2, 0.92%, 0.48%

LAB 47.98, 84.63, -70.13

 

CMYK 20 / 96 / 0 / 8

HEX #BB0AEB

RGB 187 10 235

HSL 287.2, 0.92%, 0.48%

LAB 47.98, 84.63, -70.13

 

CMYK 19 / 86 / 0 / 16

HEX #AF1ED7

RGB 175 30 215

HSL 287.03, 0.76%, 0.48%

LAB 45.56, 76.61, -62.75

 

CMYK 16 / 75 / 0 / 24

HEX #A431C3

RGB 164 49 195

HSL 287.26, 0.6%, 0.48%

LAB 44.27, 65.84, -53.36

 

CMYK 13 / 61 / 0 / 31

HEX #9945B0

RGB 153 69 176

HSL 287.1, 0.44%, 0.48%

LAB 44.47, 51.41, -42.02

 

CMYK 10 / 43 / 0 / 39

HEX #8D599C

RGB 141 89 156

HSL 286.57, 0.27%, 0.48%

LAB 45.92, 33.25, -28

 

CMYK 72 / 96 / 0 / 8

HEX #420AEB

RGB 66 10 235

HSL 254.93, 0.92%, 0.48%

LAB 32.64, 73.97, -95.93

 

CMYK 46 / 96 / 0 / 8

HEX #7E0AEB

RGB 126 10 235

HSL 270.93, 0.92%, 0.48%

LAB 38.99, 77.73, -85.22

 

CMYK 21 / 96 / 0 / 8

HEX #BA0AEB

RGB 186 10 235

HSL 286.93, 0.92%, 0.48%

LAB 47.82, 84.49, -70.39

 

CMYK 0 / 96 / 5 / 8

HEX #EB0AE0

RGB 235 10 224

HSL 302.93, 0.92%, 0.48%

LAB 55.34, 90.18, -51.64

 

CMYK 0 / 96 / 30 / 8

HEX #EB0AA4

RGB 235 10 164

HSL 318.93, 0.92%, 0.48%

LAB 52.46, 82.9, -21.43

 

CMYK 21 / 96 / 0 / 39

HEX #7C069C

RGB 124 6 156

HSL 287.2, 0.93%, 0.32%

LAB 31.38, 62.18, -51.29

 

CMYK 21 / 96 / 0 / 24

HEX #9B08C3

RGB 155 8 195

HSL 287.17, 0.92%, 0.4%

LAB 39.72, 73.45, -60.8

 

CMYK 20 / 96 / 0 / 8

HEX #BB0AEB

RGB 187 10 235

HSL 287.2, 0.92%, 0.48%

LAB 47.98, 84.63, -70.13

 

CMYK 18 / 84 / 0 / 4

HEX #CA28F6

RGB 202 40 246

HSL 287.18, 0.92%, 0.56%

LAB 52.65, 84.18, -68.63

 

CMYK 15 / 68 / 0 / 3

HEX #D450F8

RGB 212 80 248

HSL 287.14, 0.92%, 0.64%

LAB 58.52, 74.08, -60.22

 

CMYK 21 / 96 / 0 / 9

HEX #B90AE9

RGB 185 10 233

HSL 287.09, 0.92%, 0.48%

LAB 47.51, 84.01, -69.77

 

CMYK 0 / 96 / 94 / 8

HEX #EB0A0E

RGB 235 10 14

HSL 358.93, 0.92%, 0.48%

LAB 49.39, 74.65, 59.47

 

CMYK 96 / 0 / 59 / 8

HEX #0AEB60

RGB 10 235 96

HSL 142.93, 0.92%, 0.48%

LAB 82.01, -74.84, 53.39

 

CMYK 21 / 96 / 0 / 9

HEX #B90AE9

RGB 185 10 233

HSL 287.09, 0.92%, 0.48%

LAB 47.51, 84.01, -69.77

 

CMYK 0 / 21 / 96 / 8

HEX #EBBA0A

RGB 235 186 10

HSL 46.93, 0.92%, 0.48%

LAB 77.76, 4.48, 78.78

 

CMYK 96 / 0 / 21 / 8

HEX #0AEBBA

RGB 10 235 186

HSL 166.93, 0.92%, 0.48%

LAB 83.46, -58.11, 10.68

 

CMYK 21 / 96 / 0 / 9

HEX #B90AE9

RGB 185 10 233

HSL 287.09, 0.92%, 0.48%

LAB 47.51, 84.01, -69.77

 

CMYK 0 / 96 / 94 / 8

HEX #EB0A0E

RGB 235 10 14

HSL 358.93, 0.92%, 0.48%

LAB 49.39, 74.65, 59.47

 

CMYK 75 / 0 / 96 / 8

HEX #3BEB0A

RGB 59 235 10

HSL 106.93, 0.92%, 0.48%

LAB 82.04, -76.32, 77.97

 

CMYK 96 / 0 / 2 / 8

HEX #0AEBE7

RGB 10 235 231

HSL 178.93, 0.92%, 0.48%

LAB 84.61, -46.13, -11.31

 

CMYK 21 / 96 / 0 / 9

HEX #B90AE9

RGB 185 10 233

HSL 287.09, 0.92%, 0.48%

LAB 47.51, 84.01, -69.77

 

CMYK 0 / 69 / 96 / 8

HEX #EB4A0A

RGB 235 74 10

HSL 17.07, 0.92%, 0.48%

LAB 54.64, 59.83, 63.41

 

CMYK 75 / 0 / 96 / 8

HEX #3BEB0A

RGB 59 235 10

HSL 106.93, 0.92%, 0.48%

LAB 82.04, -76.32, 77.97

 

CMYK 96 / 27 / 0 / 8

HEX #0AABEB

RGB 10 171 235

HSL 197.07, 0.92%, 0.48%

LAB 65.9, -13.77, -42.1

 

Description

Color code: HEX #B90AE9 | qconv.com Color code: HEX #B90AE9 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 10 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 10 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 96 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 96% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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