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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B8F576 it is the complementary color #470A89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B8F576. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B8F576 shade: #BDF571, #CEFF84, #DFFF97, #F0FFAA and #FFFFBD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B8F576. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B8F576 shade: #B8F576, #A7E363, #96D150, #85BF3D and #74AD2A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B8F576 shade: #B8F575, #DAF575, #F5ED75, #F5CB75 and #F5A975

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B8F576 shade: #B8F575, #95F575, #75F578, #75F59A and #75F5BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B8F576 shade matches the following richer shades: #B8F575

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B8F576 shade: #B8F575, #B7E981, #B7DD8D, #B6D199 and #B6C5A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B8F576 shade: #F5EC75, #DBF575, #B9F575, #97F575 and #75F575

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B8F576 shade: #90EF29, #A4F24F, #B8F575, #CBF89C and #DFFAC2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B8F576 shade: #B8F576, #75F5CA and #F575EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B8F576 shade: #B8F576, #75B9F5 and #F575B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B8F576 shade: #B8F576, #75F5CA, #B175F5 and #F575A0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B8F576 shade: #B8F576, #75F5F0, #B175F5 and #F5757A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 52 / 4

HEX #B8F576

RGB 184 245 118

HSL 88.82, 0.86%, 0.71%

LAB 90.23, -39.5, 54.43

 

Complementary color

CMYK 48 / 93 / 0 / 46

HEX #470A89

RGB 71 10 137

HSL 268.82, 0.86%, 0.29%

LAB 21.44, 50.39, -56.15

 

CMYK 23 / 0 / 54 / 4

HEX #BDF571

RGB 189 245 113

HSL 85.45, 0.87%, 0.7%

LAB 90.47, -38.2, 57.05

 

CMYK 19 / 0 / 48 / 0

HEX #CEFF84

RGB 206 255 132

HSL 83.9, 1%, 0.76%

LAB 94.44, -34.68, 53.36

 

CMYK 13 / 0 / 41 / 0

HEX #DFFF97

RGB 223 255 151

HSL 78.46, 1%, 0.8%

LAB 95.76, -26.42, 46.24

 

CMYK 6 / 0 / 33 / 0

HEX #F0FFAA

RGB 240 255 170

HSL 70.59, 1%, 0.83%

LAB 97.21, -17.95, 39.04

 

CMYK 0 / 0 / 26 / 0

HEX #FFFFBD

RGB 255 255 189

HSL 60, 1%, 0.87%

LAB 98.61, -10.07, 31.64

 

CMYK 25 / 0 / 52 / 4

HEX #B8F576

RGB 184 245 118

HSL 88.82, 0.86%, 0.71%

LAB 90.23, -39.5, 54.43

 

CMYK 26 / 0 / 56 / 11

HEX #A7E363

RGB 167 227 99

HSL 88.13, 0.7%, 0.64%

LAB 83.99, -39.42, 55.47

 

CMYK 28 / 0 / 62 / 18

HEX #96D150

RGB 150 209 80

HSL 87.44, 0.58%, 0.57%

LAB 77.68, -39.27, 56.38

 

CMYK 30 / 0 / 68 / 25

HEX #85BF3D

RGB 133 191 61

HSL 86.77, 0.52%, 0.49%

LAB 71.27, -39, 57.04

 

CMYK 33 / 0 / 76 / 32

HEX #74AD2A

RGB 116 173 42

HSL 86.11, 0.61%, 0.42%

LAB 64.78, -38.58, 57.22

 

CMYK 25 / 0 / 52 / 4

HEX #B8F575

RGB 184 245 117

HSL 88.59, 0.86%, 0.71%

LAB 90.22, -39.6, 54.88

 

CMYK 11 / 0 / 52 / 4

HEX #DAF575

RGB 218 245 117

HSL 72.66, 0.86%, 0.71%

LAB 92.35, -27.02, 57.92

 

CMYK 0 / 3 / 52 / 4

HEX #F5ED75

RGB 245 237 117

HSL 56.25, 0.86%, 0.71%

LAB 92.25, -12.6, 58.31

 

CMYK 0 / 17 / 52 / 4

HEX #F5CB75

RGB 245 203 117

HSL 40.31, 0.86%, 0.71%

LAB 83.66, 4.6, 48.08

 

CMYK 0 / 31 / 52 / 4

HEX #F5A975

RGB 245 169 117

HSL 24.38, 0.86%, 0.71%

LAB 75.5, 22.41, 37.96

 

CMYK 25 / 0 / 52 / 4

HEX #B8F575

RGB 184 245 117

HSL 88.59, 0.86%, 0.71%

LAB 90.22, -39.6, 54.88

 

CMYK 39 / 0 / 52 / 4

HEX #95F575

RGB 149 245 117

HSL 105, 0.86%, 0.71%

LAB 88.44, -51.28, 52.32

 

CMYK 52 / 0 / 51 / 4

HEX #75F578

RGB 117 245 120

HSL 121.41, 0.86%, 0.71%

LAB 87.21, -59.93, 49.16

 

CMYK 52 / 0 / 37 / 4

HEX #75F59A

RGB 117 245 154

HSL 137.34, 0.86%, 0.71%

LAB 87.69, -54.88, 33.25

 

CMYK 52 / 0 / 23 / 4

HEX #75F5BD

RGB 117 245 189

HSL 153.75, 0.86%, 0.71%

LAB 88.33, -48.32, 16.29

 

CMYK 25 / 0 / 52 / 4

HEX #B8F575

RGB 184 245 117

HSL 88.59, 0.86%, 0.71%

LAB 90.22, -39.6, 54.88

 

CMYK 25 / 0 / 52 / 4

HEX #B8F575

RGB 184 245 117

HSL 88.59, 0.86%, 0.71%

LAB 90.22, -39.6, 54.88

 

CMYK 21 / 0 / 45 / 9

HEX #B7E981

RGB 183 233 129

HSL 88.85, 0.7%, 0.71%

LAB 86.96, -33.22, 45.26

 

CMYK 17 / 0 / 36 / 13

HEX #B7DD8D

RGB 183 221 141

HSL 88.5, 0.54%, 0.71%

LAB 83.81, -26.08, 35.28

 

CMYK 13 / 0 / 27 / 18

HEX #B6D199

RGB 182 209 153

HSL 88.93, 0.38%, 0.71%

LAB 80.65, -18.87, 24.87

 

CMYK 8 / 0 / 16 / 23

HEX #B6C5A5

RGB 182 197 165

HSL 88.13, 0.22%, 0.71%

LAB 77.63, -10.89, 14.34

 

CMYK 0 / 4 / 52 / 4

HEX #F5EC75

RGB 245 236 117

HSL 55.78, 0.86%, 0.71%

LAB 91.99, -12.1, 58.01

 

CMYK 11 / 0 / 52 / 4

HEX #DBF575

RGB 219 245 117

HSL 72.19, 0.86%, 0.71%

LAB 92.42, -26.64, 58.02

 

CMYK 24 / 0 / 52 / 4

HEX #B9F575

RGB 185 245 117

HSL 88.13, 0.86%, 0.71%

LAB 90.28, -39.25, 54.96

 

CMYK 38 / 0 / 52 / 4

HEX #97F575

RGB 151 245 117

HSL 104.06, 0.86%, 0.71%

LAB 88.53, -50.66, 52.45

 

CMYK 52 / 0 / 52 / 4

HEX #75F575

RGB 117 245 117

HSL 120, 0.86%, 0.71%

LAB 87.18, -60.31, 50.51

 

CMYK 40 / 0 / 83 / 6

HEX #90EF29

RGB 144 239 41

HSL 88.79, 0.86%, 0.55%

LAB 85.92, -56.15, 77.4

 

CMYK 32 / 0 / 67 / 5

HEX #A4F24F

RGB 164 242 79

HSL 88.71, 0.86%, 0.63%

LAB 87.95, -48.58, 67.99

 

CMYK 25 / 0 / 52 / 4

HEX #B8F575

RGB 184 245 117

HSL 88.59, 0.86%, 0.71%

LAB 90.22, -39.6, 54.88

 

CMYK 18 / 0 / 37 / 3

HEX #CBF89C

RGB 203 248 156

HSL 89.35, 0.87%, 0.79%

LAB 92.68, -29.74, 39.58

 

CMYK 11 / 0 / 22 / 2

HEX #DFFAC2

RGB 223 250 194

HSL 88.93, 0.85%, 0.87%

LAB 95.14, -18.35, 24

 

CMYK 25 / 0 / 52 / 4

HEX #B8F576

RGB 184 245 118

HSL 88.82, 0.86%, 0.71%

LAB 90.23, -39.5, 54.43

 

CMYK 52 / 0 / 18 / 4

HEX #75F5CA

RGB 117 245 202

HSL 159.84, 0.86%, 0.71%

LAB 88.61, -45.56, 9.95

 

CMYK 0 / 52 / 4 / 4

HEX #F575EC

RGB 245 117 236

HSL 304.22, 0.86%, 0.71%

LAB 68.16, 64.14, -38.04

 

CMYK 25 / 0 / 52 / 4

HEX #B8F576

RGB 184 245 118

HSL 88.82, 0.86%, 0.71%

LAB 90.23, -39.5, 54.43

 

CMYK 52 / 24 / 0 / 4

HEX #75B9F5

RGB 117 185 245

HSL 208.13, 0.86%, 0.71%

LAB 72.94, -5.06, -36.36

 

CMYK 0 / 52 / 24 / 4

HEX #F575B9

RGB 245 117 185

HSL 328.13, 0.86%, 0.71%

LAB 66.24, 56.47, -12.5

 

CMYK 25 / 0 / 52 / 4

HEX #B8F576

RGB 184 245 118

HSL 88.82, 0.86%, 0.71%

LAB 90.23, -39.5, 54.43

 

CMYK 52 / 0 / 18 / 4

HEX #75F5CA

RGB 117 245 202

HSL 159.84, 0.86%, 0.71%

LAB 88.61, -45.56, 9.95

 

CMYK 28 / 52 / 0 / 4

HEX #B175F5

RGB 177 117 245

HSL 268.13, 0.86%, 0.71%

LAB 60.48, 48.05, -55.66

 

CMYK 0 / 52 / 35 / 4

HEX #F575A0

RGB 245 117 160

HSL 339.84, 0.86%, 0.71%

LAB 65.49, 53.34, 0.57

 

CMYK 25 / 0 / 52 / 4

HEX #B8F576

RGB 184 245 118

HSL 88.82, 0.86%, 0.71%

LAB 90.23, -39.5, 54.43

 

CMYK 52 / 0 / 2 / 4

HEX #75F5F0

RGB 117 245 240

HSL 177.66, 0.86%, 0.71%

LAB 89.57, -36.58, -8.46

 

CMYK 28 / 52 / 0 / 4

HEX #B175F5

RGB 177 117 245

HSL 268.13, 0.86%, 0.71%

LAB 60.48, 48.05, -55.66

 

CMYK 0 / 52 / 50 / 4

HEX #F5757A

RGB 245 117 122

HSL 357.66, 0.86%, 0.71%

LAB 64.6, 49.47, 20.93

 

Description

Color code: HEX #B8F576 | qconv.com Color code: HEX #B8F576 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 245 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 245 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 52 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 52% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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