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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B8F4AD it is the complementary color #470B52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B8F4AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B8F4AD shade: #BDF4A8, #CEFFBB, #DFFFCE, #F0FFE1 and #FFFFF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B8F4AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B8F4AD shade: #B8F4AD, #A7E29A, #96D087, #85BE74 and #74AC61

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B8F4AD shade: #B9F4AE, #CCF4AE, #DFF4AE, #F1F4AE and #F4E4AE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B8F4AD shade: #B9F4AE, #AEF4B6, #AEF4C9, #AEF4DC and #AEF4EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B8F4AD shade matches the following richer shades: #B9F4AE and #B4FBA7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B8F4AD shade: #B9F4AE, #BEEDB6, #C3E5BD, #C8DEC4 and #CED6CC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B8F4AD shade: #DFF4AE, #CCF4AE, #BAF4AE, #AEF4B5 and #AEF4C8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B8F4AD shade: #7AEA66, #9AEF8A, #B9F4AE, #D8F9D3 and #F8FEF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B8F4AD shade: #B8F4AD, #AEF2F4 and #F4AED6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B8F4AD shade: #B8F4AD, #AEBAF4 and #F4AEBA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B8F4AD shade: #B8F4AD, #AEF2F4, #E8AEF4 and #F4B1AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B8F4AD shade: #B8F4AD, #AEDDF4, #E8AEF4 and #F4C5AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 29 / 4

HEX #B8F4AD

RGB 184 244 173

HSL 110.7, 0.76%, 0.82%

LAB 90.74, -31.97, 28.28

 

Complementary color

CMYK 13 / 87 / 0 / 68

HEX #470B52

RGB 71 11 82

HSL 290.7, 0.76%, 0.18%

LAB 16.45, 37.5, -28.46

 

CMYK 23 / 0 / 31 / 4

HEX #BDF4A8

RGB 189 244 168

HSL 103.42, 0.78%, 0.81%

LAB 90.94, -31.06, 31.13

 

CMYK 19 / 0 / 27 / 0

HEX #CEFFBB

RGB 206 255 187

HSL 103.24, 1%, 0.87%

LAB 95.26, -27.63, 27.54

 

CMYK 13 / 0 / 19 / 0

HEX #DFFFCE

RGB 223 255 206

HSL 99.18, 1%, 0.9%

LAB 96.68, -18.92, 20.03

 

CMYK 6 / 0 / 12 / 0

HEX #F0FFE1

RGB 240 255 225

HSL 90, 1%, 0.94%

LAB 98.23, -10.09, 12.66

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF4

RGB 255 255 244

HSL 60, 1%, 0.98%

LAB 99.73, -1.88, 5.24

 

CMYK 25 / 0 / 29 / 4

HEX #B8F4AD

RGB 184 244 173

HSL 110.7, 0.76%, 0.82%

LAB 90.74, -31.97, 28.28

 

CMYK 26 / 0 / 32 / 11

HEX #A7E29A

RGB 167 226 154

HSL 109.17, 0.55%, 0.75%

LAB 84.45, -32.17, 29.33

 

CMYK 28 / 0 / 35 / 18

HEX #96D087

RGB 150 208 135

HSL 107.67, 0.44%, 0.67%

LAB 78.08, -32.36, 30.44

 

CMYK 30 / 0 / 39 / 25

HEX #85BE74

RGB 133 190 116

HSL 106.22, 0.36%, 0.6%

LAB 71.61, -32.55, 31.6

 

CMYK 33 / 0 / 44 / 33

HEX #74AC61

RGB 116 172 97

HSL 104.8, 0.31%, 0.53%

LAB 65.03, -32.73, 32.82

 

CMYK 24 / 0 / 29 / 4

HEX #B9F4AE

RGB 185 244 174

HSL 110.57, 0.76%, 0.82%

LAB 90.81, -31.49, 27.88

 

CMYK 16 / 0 / 29 / 4

HEX #CCF4AE

RGB 204 244 174

HSL 94.29, 0.76%, 0.82%

LAB 91.95, -25.03, 29.61

 

CMYK 9 / 0 / 29 / 4

HEX #DFF4AE

RGB 223 244 174

HSL 78, 0.76%, 0.82%

LAB 93.21, -18.29, 31.52

 

CMYK 1 / 0 / 29 / 4

HEX #F1F4AE

RGB 241 244 174

HSL 62.57, 0.76%, 0.82%

LAB 94.51, -11.7, 33.49

 

CMYK 0 / 7 / 29 / 4

HEX #F4E4AE

RGB 244 228 174

HSL 46.29, 0.76%, 0.82%

LAB 90.68, -2.57, 28.38

 

CMYK 24 / 0 / 29 / 4

HEX #B9F4AE

RGB 185 244 174

HSL 110.57, 0.76%, 0.82%

LAB 90.81, -31.49, 27.88

 

CMYK 29 / 0 / 25 / 4

HEX #AEF4B6

RGB 174 244 182

HSL 126.86, 0.76%, 0.82%

LAB 90.36, -33.73, 23.07

 

CMYK 29 / 0 / 18 / 4

HEX #AEF4C9

RGB 174 244 201

HSL 143.14, 0.76%, 0.82%

LAB 90.74, -30.35, 13.83

 

CMYK 29 / 0 / 10 / 4

HEX #AEF4DC

RGB 174 244 220

HSL 159.43, 0.76%, 0.82%

LAB 91.17, -26.64, 4.59

 

CMYK 29 / 0 / 2 / 4

HEX #AEF4EF

RGB 174 244 239

HSL 175.71, 0.76%, 0.82%

LAB 91.65, -22.64, -4.59

 

CMYK 24 / 0 / 29 / 4

HEX #B9F4AE

RGB 185 244 174

HSL 110.57, 0.76%, 0.82%

LAB 90.81, -31.49, 27.88

 

CMYK 28 / 0 / 33 / 2

HEX #B4FBA7

RGB 180 251 167

HSL 110.71, 0.91%, 0.82%

LAB 92.35, -37.4, 33.43

 

CMYK 24 / 0 / 29 / 4

HEX #B9F4AE

RGB 185 244 174

HSL 110.57, 0.76%, 0.82%

LAB 90.81, -31.49, 27.88

 

CMYK 20 / 0 / 23 / 7

HEX #BEEDB6

RGB 190 237 182

HSL 111.27, 0.6%, 0.82%

LAB 89.34, -25.23, 21.81

 

CMYK 15 / 0 / 17 / 10

HEX #C3E5BD

RGB 195 229 189

HSL 111, 0.43%, 0.82%

LAB 87.64, -18.49, 15.85

 

CMYK 10 / 0 / 12 / 13

HEX #C8DEC4

RGB 200 222 196

HSL 110.77, 0.28%, 0.82%

LAB 86.26, -12.08, 10.28

 

CMYK 4 / 0 / 5 / 16

HEX #CED6CC

RGB 206 214 204

HSL 108, 0.11%, 0.82%

LAB 84.78, -4.52, 3.98

 

CMYK 9 / 0 / 29 / 4

HEX #DFF4AE

RGB 223 244 174

HSL 78, 0.76%, 0.82%

LAB 93.21, -18.29, 31.52

 

CMYK 16 / 0 / 29 / 4

HEX #CCF4AE

RGB 204 244 174

HSL 94.29, 0.76%, 0.82%

LAB 91.95, -25.03, 29.61

 

CMYK 24 / 0 / 29 / 4

HEX #BAF4AE

RGB 186 244 174

HSL 109.71, 0.76%, 0.82%

LAB 90.87, -31.15, 27.96

 

CMYK 29 / 0 / 26 / 4

HEX #AEF4B5

RGB 174 244 181

HSL 126, 0.76%, 0.82%

LAB 90.34, -33.9, 23.56

 

CMYK 29 / 0 / 18 / 4

HEX #AEF4C8

RGB 174 244 200

HSL 142.29, 0.76%, 0.82%

LAB 90.72, -30.53, 14.31

 

CMYK 48 / 0 / 56 / 8

HEX #7AEA66

RGB 122 234 102

HSL 110.91, 0.76%, 0.66%

LAB 83.94, -56.54, 53.52

 

CMYK 36 / 0 / 42 / 6

HEX #9AEF8A

RGB 154 239 138

HSL 110.5, 0.76%, 0.74%

LAB 87.21, -44.56, 40.86

 

CMYK 24 / 0 / 29 / 4

HEX #B9F4AE

RGB 185 244 174

HSL 110.57, 0.76%, 0.82%

LAB 90.81, -31.49, 27.88

 

CMYK 13 / 0 / 15 / 2

HEX #D8F9D3

RGB 216 249 211

HSL 112.11, 0.76%, 0.9%

LAB 94.76, -17.54, 14.7

 

CMYK 2 / 0 / 3 / 0

HEX #F8FEF7

RGB 248 254 247

HSL 111.43, 0.78%, 0.98%

LAB 99.05, -3.2, 2.64

 

CMYK 25 / 0 / 29 / 4

HEX #B8F4AD

RGB 184 244 173

HSL 110.7, 0.76%, 0.82%

LAB 90.74, -31.97, 28.28

 

CMYK 29 / 1 / 0 / 4

HEX #AEF2F4

RGB 174 242 244

HSL 181.71, 0.76%, 0.82%

LAB 91.25, -20.56, -7.79

 

CMYK 0 / 29 / 12 / 4

HEX #F4AED6

RGB 244 174 214

HSL 325.71, 0.76%, 0.82%

LAB 78.67, 31.5, -9.97

 

CMYK 25 / 0 / 29 / 4

HEX #B8F4AD

RGB 184 244 173

HSL 110.7, 0.76%, 0.82%

LAB 90.74, -31.97, 28.28

 

CMYK 29 / 24 / 0 / 4

HEX #AEBAF4

RGB 174 186 244

HSL 229.71, 0.76%, 0.82%

LAB 76.47, 8.65, -30.1

 

CMYK 0 / 29 / 24 / 4

HEX #F4AEBA

RGB 244 174 186

HSL 349.71, 0.76%, 0.82%

LAB 77.9, 27.25, 4.12

 

CMYK 25 / 0 / 29 / 4

HEX #B8F4AD

RGB 184 244 173

HSL 110.7, 0.76%, 0.82%

LAB 90.74, -31.97, 28.28

 

CMYK 29 / 1 / 0 / 4

HEX #AEF2F4

RGB 174 242 244

HSL 181.71, 0.76%, 0.82%

LAB 91.25, -20.56, -7.79

 

CMYK 5 / 29 / 0 / 4

HEX #E8AEF4

RGB 232 174 244

HSL 289.71, 0.76%, 0.82%

LAB 78.44, 32.88, -26.66

 

CMYK 0 / 27 / 29 / 4

HEX #F4B1AE

RGB 244 177 174

HSL 2.57, 0.76%, 0.82%

LAB 78.31, 24.02, 11.21

 

CMYK 25 / 0 / 29 / 4

HEX #B8F4AD

RGB 184 244 173

HSL 110.7, 0.76%, 0.82%

LAB 90.74, -31.97, 28.28

 

CMYK 29 / 9 / 0 / 4

HEX #AEDDF4

RGB 174 221 244

HSL 199.71, 0.76%, 0.82%

LAB 85.63, -9.98, -16.18

 

CMYK 5 / 29 / 0 / 4

HEX #E8AEF4

RGB 232 174 244

HSL 289.71, 0.76%, 0.82%

LAB 78.44, 32.88, -26.66

 

CMYK 0 / 19 / 29 / 4

HEX #F4C5AE

RGB 244 197 174

HSL 19.71, 0.76%, 0.82%

LAB 83.03, 13.46, 17.86

 

Description

Color code: HEX #B8F4AD | qconv.com Color code: HEX #B8F4AD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 244 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 244 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 29 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 29% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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