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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B8E8AD it is the complementary color #471752. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B8E8AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B8E8AD shade: #BDE8A8, #CEFABB, #DFFFCE, #F0FFE1 and #FFFFF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B8E8AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B8E8AD shade: #B8E8AD, #A7D69A, #96C487, #85B274 and #74A061

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B8E8AD shade: #B7E7AB, #C7E7AB, #D7E7AB, #E7E7AB and #E7D8AB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B8E8AD shade: #B7E7AB, #ABE7B0, #ABE7C1, #ABE7D1 and #ABE7E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B8E8AD shade matches the following richer shades: #B7E7AB, #B1F0A3 and #ACF99A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B8E8AD shade: #B7E7AB, #BCDFB4, #C2D6BD, #C7CDC5 and #CCC5CE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B8E8AD shade: #D7E7AB, #C7E7AB, #B7E7AB, #ABE7AF and #ABE7BF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B8E8AD shade: #7FD56B, #9BDE8B, #B7E7AB, #D3F1CC and #EEFAEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B8E8AD shade: #B8E8AD, #ABE7E7 and #E7ABCF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B8E8AD shade: #B8E8AD, #ABB7E7 and #E7ABB7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B8E8AD shade: #B8E8AD, #ABE7E7, #DBABE7 and #E7ABAB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B8E8AD shade: #B8E8AD, #ABD5E7, #DBABE7 and #E7BDAB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 25 / 9

HEX #B8E8AD

RGB 184 232 173

HSL 108.81, 0.56%, 0.79%

LAB 87.45, -26.31, 23.78

 

Complementary color

CMYK 13 / 72 / 0 / 68

HEX #471752

RGB 71 23 82

HSL 288.81, 0.56%, 0.21%

LAB 18.19, 32.52, -25.65

 

CMYK 19 / 0 / 28 / 9

HEX #BDE8A8

RGB 189 232 168

HSL 100.31, 0.58%, 0.78%

LAB 87.66, -25.38, 26.7

 

CMYK 18 / 0 / 25 / 2

HEX #CEFABB

RGB 206 250 187

HSL 101.9, 0.86%, 0.86%

LAB 93.92, -25.26, 25.71

 

CMYK 13 / 0 / 19 / 0

HEX #DFFFCE

RGB 223 255 206

HSL 99.18, 1%, 0.9%

LAB 96.68, -18.92, 20.03

 

CMYK 6 / 0 / 12 / 0

HEX #F0FFE1

RGB 240 255 225

HSL 90, 1%, 0.94%

LAB 98.23, -10.09, 12.66

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF4

RGB 255 255 244

HSL 60, 1%, 0.98%

LAB 99.73, -1.88, 5.24

 

CMYK 21 / 0 / 25 / 9

HEX #B8E8AD

RGB 184 232 173

HSL 108.81, 0.56%, 0.79%

LAB 87.45, -26.31, 23.78

 

CMYK 22 / 0 / 28 / 16

HEX #A7D69A

RGB 167 214 154

HSL 107, 0.42%, 0.72%

LAB 81.09, -26.47, 24.79

 

CMYK 23 / 0 / 31 / 23

HEX #96C487

RGB 150 196 135

HSL 105.25, 0.34%, 0.65%

LAB 74.64, -26.64, 25.86

 

CMYK 25 / 0 / 35 / 30

HEX #85B274

RGB 133 178 116

HSL 103.55, 0.29%, 0.58%

LAB 68.09, -26.82, 26.98

 

CMYK 28 / 0 / 39 / 37

HEX #74A061

RGB 116 160 97

HSL 101.9, 0.25%, 0.5%

LAB 61.41, -26.99, 28.17

 

CMYK 21 / 0 / 26 / 9

HEX #B7E7AB

RGB 183 231 171

HSL 108, 0.56%, 0.79%

LAB 87.07, -26.49, 24.3

 

CMYK 14 / 0 / 26 / 9

HEX #C7E7AB

RGB 199 231 171

HSL 92, 0.56%, 0.79%

LAB 88.08, -20.95, 25.84

 

CMYK 7 / 0 / 26 / 9

HEX #D7E7AB

RGB 215 231 171

HSL 76, 0.56%, 0.79%

LAB 89.18, -15.21, 27.51

 

CMYK 0 / 0 / 26 / 9

HEX #E7E7AB

RGB 231 231 171

HSL 60, 0.56%, 0.79%

LAB 90.36, -9.33, 29.31

 

CMYK 0 / 6 / 26 / 9

HEX #E7D8AB

RGB 231 216 171

HSL 45, 0.56%, 0.79%

LAB 86.52, -1.71, 24.09

 

CMYK 21 / 0 / 26 / 9

HEX #B7E7AB

RGB 183 231 171

HSL 108, 0.56%, 0.79%

LAB 87.07, -26.49, 24.3

 

CMYK 26 / 0 / 24 / 9

HEX #ABE7B0

RGB 171 231 176

HSL 125, 0.56%, 0.79%

LAB 86.48, -29.63, 20.78

 

CMYK 26 / 0 / 16 / 9

HEX #ABE7C1

RGB 171 231 193

HSL 142, 0.56%, 0.79%

LAB 86.83, -26.59, 12.42

 

CMYK 26 / 0 / 10 / 9

HEX #ABE7D1

RGB 171 231 209

HSL 158, 0.56%, 0.79%

LAB 87.2, -23.48, 4.57

 

CMYK 26 / 0 / 3 / 9

HEX #ABE7E1

RGB 171 231 225

HSL 174, 0.56%, 0.79%

LAB 87.6, -20.14, -3.24

 

CMYK 21 / 0 / 26 / 9

HEX #B7E7AB

RGB 183 231 171

HSL 108, 0.56%, 0.79%

LAB 87.07, -26.49, 24.3

 

CMYK 26 / 0 / 32 / 6

HEX #B1F0A3

RGB 177 240 163

HSL 109.09, 0.72%, 0.79%

LAB 89.07, -33.96, 31.03

 

CMYK 31 / 0 / 38 / 2

HEX #ACF99A

RGB 172 249 154

HSL 108.63, 0.89%, 0.79%

LAB 91.17, -40.97, 38.26

 

CMYK 21 / 0 / 26 / 9

HEX #B7E7AB

RGB 183 231 171

HSL 108, 0.56%, 0.79%

LAB 87.07, -26.49, 24.3

 

CMYK 16 / 0 / 19 / 13

HEX #BCDFB4

RGB 188 223 180

HSL 108.84, 0.4%, 0.79%

LAB 85.38, -19.42, 17.33

 

CMYK 9 / 0 / 12 / 16

HEX #C2D6BD

RGB 194 214 189

HSL 108, 0.23%, 0.79%

LAB 83.57, -11.3, 10.08

 

CMYK 3 / 0 / 4 / 20

HEX #C7CDC5

RGB 199 205 197

HSL 105, 0.07%, 0.79%

LAB 81.75, -3.51, 3.25

 

CMYK 1 / 4 / 0 / 19

HEX #CCC5CE

RGB 204 197 206

HSL 286.67, 0.08%, 0.79%

LAB 80.31, 4.07, -3.63

 

CMYK 7 / 0 / 26 / 9

HEX #D7E7AB

RGB 215 231 171

HSL 76, 0.56%, 0.79%

LAB 89.18, -15.21, 27.51

 

CMYK 14 / 0 / 26 / 9

HEX #C7E7AB

RGB 199 231 171

HSL 92, 0.56%, 0.79%

LAB 88.08, -20.95, 25.84

 

CMYK 21 / 0 / 26 / 9

HEX #B7E7AB

RGB 183 231 171

HSL 108, 0.56%, 0.79%

LAB 87.07, -26.49, 24.3

 

CMYK 26 / 0 / 24 / 9

HEX #ABE7AF

RGB 171 231 175

HSL 124, 0.56%, 0.79%

LAB 86.46, -29.8, 21.27

 

CMYK 26 / 0 / 17 / 9

HEX #ABE7BF

RGB 171 231 191

HSL 140, 0.56%, 0.79%

LAB 86.79, -26.96, 13.4

 

CMYK 40 / 0 / 50 / 16

HEX #7FD56B

RGB 127 213 107

HSL 108.68, 0.56%, 0.63%

LAB 77.97, -45.98, 44.1

 

CMYK 30 / 0 / 37 / 13

HEX #9BDE8B

RGB 155 222 139

HSL 108.43, 0.56%, 0.71%

LAB 82.42, -36.56, 34.16

 

CMYK 21 / 0 / 26 / 9

HEX #B7E7AB

RGB 183 231 171

HSL 108, 0.56%, 0.79%

LAB 87.07, -26.49, 24.3

 

CMYK 12 / 0 / 15 / 5

HEX #D3F1CC

RGB 211 241 204

HSL 108.65, 0.57%, 0.87%

LAB 92.18, -16.47, 14.62

 

CMYK 5 / 0 / 6 / 2

HEX #EEFAEC

RGB 238 250 236

HSL 111.43, 0.58%, 0.95%

LAB 97.07, -6.42, 5.34

 

CMYK 21 / 0 / 25 / 9

HEX #B8E8AD

RGB 184 232 173

HSL 108.81, 0.56%, 0.79%

LAB 87.45, -26.31, 23.78

 

CMYK 26 / 0 / 0 / 9

HEX #ABE7E7

RGB 171 231 231

HSL 180, 0.56%, 0.79%

LAB 87.77, -18.84, -6.16

 

CMYK 0 / 26 / 10 / 9

HEX #E7ABCF

RGB 231 171 207

HSL 324, 0.56%, 0.79%

LAB 76.45, 27.51, -9.61

 

CMYK 21 / 0 / 25 / 9

HEX #B8E8AD

RGB 184 232 173

HSL 108.81, 0.56%, 0.79%

LAB 87.45, -26.31, 23.78

 

CMYK 26 / 21 / 0 / 9

HEX #ABB7E7

RGB 171 183 231

HSL 228, 0.56%, 0.79%

LAB 75.01, 6.31, -25.33

 

CMYK 0 / 26 / 21 / 9

HEX #E7ABB7

RGB 231 171 183

HSL 348, 0.56%, 0.79%

LAB 75.78, 23.72, 2.51

 

CMYK 21 / 0 / 25 / 9

HEX #B8E8AD

RGB 184 232 173

HSL 108.81, 0.56%, 0.79%

LAB 87.45, -26.31, 23.78

 

CMYK 26 / 0 / 0 / 9

HEX #ABE7E7

RGB 171 231 231

HSL 180, 0.56%, 0.79%

LAB 87.77, -18.84, -6.16

 

CMYK 5 / 26 / 0 / 9

HEX #DBABE7

RGB 219 171 231

HSL 288, 0.56%, 0.79%

LAB 76.04, 27.85, -23.4

 

CMYK 0 / 26 / 26 / 9

HEX #E7ABAB

RGB 231 171 171

HSL 0, 0.56%, 0.79%

LAB 75.49, 21.99, 8.64

 

CMYK 21 / 0 / 25 / 9

HEX #B8E8AD

RGB 184 232 173

HSL 108.81, 0.56%, 0.79%

LAB 87.45, -26.31, 23.78

 

CMYK 26 / 8 / 0 / 9

HEX #ABD5E7

RGB 171 213 231

HSL 198, 0.56%, 0.79%

LAB 82.92, -9.7, -13.36

 

CMYK 5 / 26 / 0 / 9

HEX #DBABE7

RGB 219 171 231

HSL 288, 0.56%, 0.79%

LAB 76.04, 27.85, -23.4

 

CMYK 0 / 18 / 26 / 9

HEX #E7BDAB

RGB 231 189 171

HSL 18, 0.56%, 0.79%

LAB 79.8, 12.4, 14.76

 

Description

Color code: HEX #B8E8AD | qconv.com Color code: HEX #B8E8AD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 232 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 232 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 25 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 25% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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