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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B8E510 it is the complementary color #471AEF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B8E510. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B8E510 shade: #BDE50B, #CEF71E, #DFFF31, #F0FF44 and #FFFF57

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B8E510. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B8E510 shade: #B8E510, #A7D300, #96C100, #85AF00 and #749D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B8E510 shade: #B8E510, #E5D810, #E59F10, #E56610 and #E52C10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B8E510 shade: #B8E510, #7EE510, #45E510, #10E514 and #10E54E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B8E510 shade matches the following richer shades: #B8E510

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B8E510 shade: #B8E510, #ACD124, #A1BD38, #96A94B and #8A965F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B8E510 shade: #E59E10, #E5D710, #BAE510, #81E510 and #49E510

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B8E510 shade: #7A980B, #99BE0D, #B8E510, #C7F02E and #D2F354

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B8E510 shade: #B8E510, #10E565 and #BA10E5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B8E510 shade: #B8E510, #10BAE5 and #E510BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B8E510 shade: #B8E510, #10E565, #3B10E5 and #E51090

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B8E510 shade: #B8E510, #10E5A5, #3B10E5 and #E51050

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 93 / 10

HEX #B8E510

RGB 184 229 16

HSL 72.68, 0.87%, 0.48%

LAB 85.13, -38.07, 81.91

 

Complementary color

CMYK 70 / 89 / 0 / 6

HEX #471AEF

RGB 71 26 239

HSL 252.68, 0.87%, 0.52%

LAB 34.62, 71.82, -94.9

 

CMYK 17 / 0 / 95 / 10

HEX #BDE50B

RGB 189 229 11

HSL 71.01, 0.91%, 0.47%

LAB 85.44, -36.16, 82.78

 

CMYK 17 / 0 / 88 / 3

HEX #CEF71E

RGB 206 247 30

HSL 71.34, 0.93%, 0.54%

LAB 91.57, -37.25, 85.7

 

CMYK 13 / 0 / 81 / 0

HEX #DFFF31

RGB 223 255 49

HSL 69.32, 1%, 0.6%

LAB 94.92, -33.68, 85.13

 

CMYK 6 / 0 / 73 / 0

HEX #F0FF44

RGB 240 255 68

HSL 64.81, 1%, 0.63%

LAB 96.19, -26.22, 81.48

 

CMYK 0 / 0 / 66 / 0

HEX #FFFF57

RGB 255 255 87

HSL 60, 1%, 0.67%

LAB 97.42, -19.31, 76.59

 

CMYK 20 / 0 / 93 / 10

HEX #B8E510

RGB 184 229 16

HSL 72.68, 0.87%, 0.48%

LAB 85.13, -38.07, 81.91

 

CMYK 21 / 0 / 100 / 17

HEX #A7D300

RGB 167 211 0

HSL 72.51, 1%, 0.41%

LAB 78.93, -36.9, 78.16

 

CMYK 22 / 0 / 100 / 24

HEX #96C100

RGB 150 193 0

HSL 73.37, 1%, 0.38%

LAB 72.64, -35.53, 72.92

 

CMYK 24 / 0 / 100 / 31

HEX #85AF00

RGB 133 175 0

HSL 74.4, 1%, 0.34%

LAB 66.25, -34.15, 67.6

 

CMYK 26 / 0 / 100 / 38

HEX #749D00

RGB 116 157 0

HSL 75.67, 1%, 0.31%

LAB 59.73, -32.75, 62.17

 

CMYK 20 / 0 / 93 / 10

HEX #B8E510

RGB 184 229 16

HSL 72.68, 0.87%, 0.48%

LAB 85.13, -38.07, 81.91

 

CMYK 0 / 6 / 93 / 10

HEX #E5D810

RGB 229 216 16

HSL 56.34, 0.87%, 0.48%

LAB 84.9, -13.35, 83.16

 

CMYK 0 / 31 / 93 / 10

HEX #E59F10

RGB 229 159 16

HSL 40.28, 0.87%, 0.48%

LAB 70.52, 16.21, 72.49

 

CMYK 0 / 55 / 93 / 10

HEX #E56610

RGB 229 102 16

HSL 24.23, 0.87%, 0.48%

LAB 58.22, 45.67, 63.85

 

CMYK 0 / 81 / 93 / 10

HEX #E52C10

RGB 229 44 16

HSL 7.89, 0.87%, 0.48%

LAB 50.09, 67.62, 58.63

 

CMYK 20 / 0 / 93 / 10

HEX #B8E510

RGB 184 229 16

HSL 72.68, 0.87%, 0.48%

LAB 85.13, -38.07, 81.91

 

CMYK 45 / 0 / 93 / 10

HEX #7EE510

RGB 126 229 16

HSL 89.01, 0.87%, 0.48%

LAB 82.12, -58.76, 78.23

 

CMYK 70 / 0 / 93 / 10

HEX #45E510

RGB 69 229 16

HSL 105.07, 0.87%, 0.48%

LAB 80.37, -72.83, 76.08

 

CMYK 93 / 0 / 91 / 10

HEX #10E514

RGB 16 229 20

HSL 121.13, 0.87%, 0.48%

LAB 79.73, -78.51, 74.77

 

CMYK 93 / 0 / 66 / 10

HEX #10E54E

RGB 16 229 78

HSL 137.46, 0.87%, 0.48%

LAB 80.01, -74.89, 58.71

 

CMYK 20 / 0 / 93 / 10

HEX #B8E510

RGB 184 229 16

HSL 72.68, 0.87%, 0.48%

LAB 85.13, -38.07, 81.91

 

CMYK 20 / 0 / 93 / 10

HEX #B8E510

RGB 184 229 16

HSL 72.68, 0.87%, 0.48%

LAB 85.13, -38.07, 81.91

 

CMYK 18 / 0 / 83 / 18

HEX #ACD124

RGB 172 209 36

HSL 72.83, 0.71%, 0.48%

LAB 78.75, -33.31, 72.91

 

CMYK 15 / 0 / 70 / 26

HEX #A1BD38

RGB 161 189 56

HSL 72.63, 0.54%, 0.48%

LAB 72.4, -27.46, 60.66

 

CMYK 11 / 0 / 56 / 34

HEX #96A94B

RGB 150 169 75

HSL 72.13, 0.39%, 0.48%

LAB 66.03, -20.76, 45.53

 

CMYK 8 / 0 / 37 / 41

HEX #8A965F

RGB 138 150 95

HSL 73.09, 0.22%, 0.48%

LAB 59.93, -13.66, 27.61

 

CMYK 0 / 31 / 93 / 10

HEX #E59E10

RGB 229 158 16

HSL 40, 0.87%, 0.48%

LAB 70.28, 16.74, 72.31

 

CMYK 0 / 6 / 93 / 10

HEX #E5D710

RGB 229 215 16

HSL 56.06, 0.87%, 0.48%

LAB 84.64, -12.85, 82.96

 

CMYK 19 / 0 / 93 / 10

HEX #BAE510

RGB 186 229 16

HSL 72.11, 0.87%, 0.48%

LAB 85.26, -37.29, 82.06

 

CMYK 44 / 0 / 93 / 10

HEX #81E510

RGB 129 229 16

HSL 88.17, 0.87%, 0.48%

LAB 82.24, -57.82, 78.38

 

CMYK 68 / 0 / 93 / 10

HEX #49E510

RGB 73 229 16

HSL 103.94, 0.87%, 0.48%

LAB 80.46, -72.1, 76.19

 

CMYK 20 / 0 / 93 / 40

HEX #7A980B

RGB 122 152 11

HSL 72.77, 0.87%, 0.32%

LAB 58.62, -27.68, 59.83

 

CMYK 19 / 0 / 93 / 25

HEX #99BE0D

RGB 153 190 13

HSL 72.54, 0.87%, 0.4%

LAB 71.98, -32.76, 71.06

 

CMYK 20 / 0 / 93 / 10

HEX #B8E510

RGB 184 229 16

HSL 72.68, 0.87%, 0.48%

LAB 85.13, -38.07, 81.91

 

CMYK 17 / 0 / 81 / 6

HEX #C7F02E

RGB 199 240 46

HSL 72.68, 0.87%, 0.56%

LAB 89.23, -36.41, 80.29

 

CMYK 14 / 0 / 65 / 5

HEX #D2F354

RGB 210 243 84

HSL 72.45, 0.87%, 0.64%

LAB 90.98, -31.66, 70.09

 

CMYK 20 / 0 / 93 / 10

HEX #B8E510

RGB 184 229 16

HSL 72.68, 0.87%, 0.48%

LAB 85.13, -38.07, 81.91

 

CMYK 93 / 0 / 56 / 10

HEX #10E565

RGB 16 229 101

HSL 143.94, 0.87%, 0.48%

LAB 80.23, -72.16, 49.05

 

CMYK 19 / 93 / 0 / 10

HEX #BA10E5

RGB 186 16 229

HSL 287.89, 0.87%, 0.48%

LAB 47.58, 82.88, -67.39

 

CMYK 20 / 0 / 93 / 10

HEX #B8E510

RGB 184 229 16

HSL 72.68, 0.87%, 0.48%

LAB 85.13, -38.07, 81.91

 

CMYK 93 / 19 / 0 / 10

HEX #10BAE5

RGB 16 186 229

HSL 192.11, 0.87%, 0.48%

LAB 70.1, -23.57, -32.28

 

CMYK 0 / 93 / 19 / 10

HEX #E510BA

RGB 229 16 186

HSL 312.11, 0.87%, 0.48%

LAB 52.48, 83.73, -34.41

 

CMYK 20 / 0 / 93 / 10

HEX #B8E510

RGB 184 229 16

HSL 72.68, 0.87%, 0.48%

LAB 85.13, -38.07, 81.91

 

CMYK 93 / 0 / 56 / 10

HEX #10E565

RGB 16 229 101

HSL 143.94, 0.87%, 0.48%

LAB 80.23, -72.16, 49.05

 

CMYK 74 / 93 / 0 / 10

HEX #3B10E5

RGB 59 16 229

HSL 252.11, 0.87%, 0.48%

LAB 31.71, 71.19, -94.07

 

CMYK 0 / 93 / 37 / 10

HEX #E51090

RGB 229 16 144

HSL 323.94, 0.87%, 0.48%

LAB 50.74, 79.17, -12.25

 

CMYK 20 / 0 / 93 / 10

HEX #B8E510

RGB 184 229 16

HSL 72.68, 0.87%, 0.48%

LAB 85.13, -38.07, 81.91

 

CMYK 93 / 0 / 28 / 10

HEX #10E5A5

RGB 16 229 165

HSL 161.97, 0.87%, 0.48%

LAB 81.22, -60.58, 18.52

 

CMYK 74 / 93 / 0 / 10

HEX #3B10E5

RGB 59 16 229

HSL 252.11, 0.87%, 0.48%

LAB 31.71, 71.19, -94.07

 

CMYK 0 / 93 / 65 / 10

HEX #E51050

RGB 229 16 80

HSL 341.97, 0.87%, 0.48%

LAB 49.02, 74.5, 24.34

 

Description

Color code: HEX #B8E510 | qconv.com Color code: HEX #B8E510 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 229 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 229 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 93 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 93% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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