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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B8DF09 it is the complementary color #4720F6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B8DF09. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B8DF09 shade: #BDDF04, #CEF117, #DFFF2A, #F0FF3D and #FFFF50

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B8DF09. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B8DF09 shade: #B8DF09, #A7CD00, #96BB00, #85A900 and #749700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B8DF09 shade: #B6DC09, #DCCA09, #DC9109, #DC5809 and #DC1F09

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B8DF09 shade: #B6DC09, #7DDC09, #44DC09, #0BDC09 and #09DC40

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B8DF09 shade matches the following richer shades: #B6DC09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B8DF09 shade: #B6DC09, #AACA1C, #9EB72E, #92A541 and #879253

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B8DF09 shade: #DC8F09, #DCC709, #B9DC09, #81DC09 and #49DC09

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B8DF09 shade: #748D06, #95B508, #B6DC09, #CDF519 and #D6F741

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B8DF09 shade: #B8DF09, #09DC57 and #AB09DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B8DF09 shade: #B8DF09, #09B9DC and #DC09B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B8DF09 shade: #B8DF09, #09DC57, #2C09DC and #DC098F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B8DF09 shade: #B8DF09, #09DC96, #2C09DC and #DC0950

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 96 / 13

HEX #B8DF09

RGB 184 223 9

HSL 70.93, 0.92%, 0.45%

LAB 83.43, -35.45, 81.26

 

Complementary color

CMYK 71 / 87 / 0 / 4

HEX #4720F6

RGB 71 32 246

HSL 250.93, 0.92%, 0.55%

LAB 36.04, 71.86, -96.5

 

CMYK 15 / 0 / 98 / 13

HEX #BDDF04

RGB 189 223 4

HSL 69.32, 0.96%, 0.45%

LAB 83.76, -33.5, 82.08

 

CMYK 15 / 0 / 90 / 5

HEX #CEF117

RGB 206 241 23

HSL 69.63, 0.89%, 0.52%

LAB 89.9, -34.68, 85.41

 

CMYK 13 / 0 / 84 / 0

HEX #DFFF2A

RGB 223 255 42

HSL 69.01, 1%, 0.58%

LAB 94.9, -33.88, 86.67

 

CMYK 6 / 0 / 76 / 0

HEX #F0FF3D

RGB 240 255 61

HSL 64.64, 1%, 0.62%

LAB 96.16, -26.5, 83.53

 

CMYK 0 / 0 / 69 / 0

HEX #FFFF50

RGB 255 255 80

HSL 60, 1%, 0.66%

LAB 97.37, -19.67, 79.05

 

CMYK 17 / 0 / 96 / 13

HEX #B8DF09

RGB 184 223 9

HSL 70.93, 0.92%, 0.45%

LAB 83.43, -35.45, 81.26

 

CMYK 19 / 0 / 100 / 20

HEX #A7CD00

RGB 167 205 0

HSL 71.12, 1%, 0.4%

LAB 77.21, -34.17, 76.86

 

CMYK 20 / 0 / 100 / 27

HEX #96BB00

RGB 150 187 0

HSL 71.87, 1%, 0.37%

LAB 70.89, -32.77, 71.59

 

CMYK 21 / 0 / 100 / 34

HEX #85A900

RGB 133 169 0

HSL 72.78, 1%, 0.33%

LAB 64.45, -31.36, 66.23

 

CMYK 23 / 0 / 100 / 41

HEX #749700

RGB 116 151 0

HSL 73.91, 1%, 0.3%

LAB 57.89, -29.94, 60.77

 

CMYK 17 / 0 / 96 / 14

HEX #B6DC09

RGB 182 220 9

HSL 70.81, 0.92%, 0.45%

LAB 82.46, -34.89, 80.45

 

CMYK 0 / 8 / 96 / 14

HEX #DCCA09

RGB 220 202 9

HSL 54.88, 0.92%, 0.45%

LAB 80.45, -10.26, 80.21

 

CMYK 0 / 34 / 96 / 14

HEX #DC9109

RGB 220 145 9

HSL 38.67, 0.92%, 0.45%

LAB 66.13, 19.73, 69.9

 

CMYK 0 / 60 / 96 / 14

HEX #DC5809

RGB 220 88 9

HSL 22.46, 0.92%, 0.45%

LAB 54.25, 48.79, 62.07

 

CMYK 0 / 86 / 96 / 14

HEX #DC1F09

RGB 220 31 9

HSL 6.26, 0.92%, 0.45%

LAB 47.26, 67.98, 58.07

 

CMYK 17 / 0 / 96 / 14

HEX #B6DC09

RGB 182 220 9

HSL 70.81, 0.92%, 0.45%

LAB 82.46, -34.89, 80.45

 

CMYK 43 / 0 / 96 / 14

HEX #7DDC09

RGB 125 220 9

HSL 87.01, 0.92%, 0.45%

LAB 79.37, -55.78, 76.71

 

CMYK 69 / 0 / 96 / 14

HEX #44DC09

RGB 68 220 9

HSL 103.22, 0.92%, 0.45%

LAB 77.54, -70.39, 74.47

 

CMYK 95 / 0 / 96 / 14

HEX #0BDC09

RGB 11 220 9

HSL 119.43, 0.92%, 0.45%

LAB 76.85, -76.54, 73.62

 

CMYK 96 / 0 / 71 / 14

HEX #09DC40

RGB 9 220 64

HSL 135.64, 0.92%, 0.45%

LAB 77.05, -73.9, 60.93

 

CMYK 17 / 0 / 96 / 14

HEX #B6DC09

RGB 182 220 9

HSL 70.81, 0.92%, 0.45%

LAB 82.46, -34.89, 80.45

 

CMYK 17 / 0 / 96 / 14

HEX #B6DC09

RGB 182 220 9

HSL 70.81, 0.92%, 0.45%

LAB 82.46, -34.89, 80.45

 

CMYK 16 / 0 / 86 / 21

HEX #AACA1C

RGB 170 202 28

HSL 71.03, 0.76%, 0.45%

LAB 76.6, -31.1, 72.79

 

CMYK 14 / 0 / 75 / 28

HEX #9EB72E

RGB 158 183 46

HSL 70.95, 0.6%, 0.45%

LAB 70.41, -26.34, 62.18

 

CMYK 12 / 0 / 61 / 35

HEX #92A541

RGB 146 165 65

HSL 71.4, 0.43%, 0.45%

LAB 64.49, -21.25, 48.34

 

CMYK 8 / 0 / 43 / 43

HEX #879253

RGB 135 146 83

HSL 70.48, 0.28%, 0.45%

LAB 58.35, -14.27, 32

 

CMYK 0 / 35 / 96 / 14

HEX #DC8F09

RGB 220 143 9

HSL 38.1, 0.92%, 0.45%

LAB 65.66, 20.81, 69.57

 

CMYK 0 / 10 / 96 / 14

HEX #DCC709

RGB 220 199 9

HSL 54.03, 0.92%, 0.45%

LAB 79.66, -8.74, 79.63

 

CMYK 16 / 0 / 96 / 14

HEX #B9DC09

RGB 185 220 9

HSL 69.95, 0.92%, 0.45%

LAB 82.66, -33.68, 80.69

 

CMYK 41 / 0 / 96 / 14

HEX #81DC09

RGB 129 220 9

HSL 85.88, 0.92%, 0.45%

LAB 79.54, -54.48, 76.92

 

CMYK 67 / 0 / 96 / 14

HEX #49DC09

RGB 73 220 9

HSL 101.8, 0.92%, 0.45%

LAB 77.65, -69.44, 74.61

 

CMYK 18 / 0 / 96 / 45

HEX #748D06

RGB 116 141 6

HSL 71.11, 0.92%, 0.29%

LAB 54.84, -24.97, 57.45

 

CMYK 18 / 0 / 96 / 29

HEX #95B508

RGB 149 181 8

HSL 71.1, 0.92%, 0.37%

LAB 69.08, -30.26, 69.26

 

CMYK 17 / 0 / 96 / 14

HEX #B6DC09

RGB 182 220 9

HSL 70.81, 0.92%, 0.45%

LAB 82.46, -34.89, 80.45

 

CMYK 16 / 0 / 90 / 4

HEX #CDF519

RGB 205 245 25

HSL 70.91, 0.92%, 0.53%

LAB 90.94, -36.84, 85.93

 

CMYK 13 / 0 / 74 / 3

HEX #D6F741

RGB 214 247 65

HSL 70.88, 0.92%, 0.61%

LAB 92.22, -32.96, 78.04

 

CMYK 17 / 0 / 96 / 13

HEX #B8DF09

RGB 184 223 9

HSL 70.93, 0.92%, 0.45%

LAB 83.43, -35.45, 81.26

 

CMYK 96 / 0 / 60 / 14

HEX #09DC57

RGB 9 220 87

HSL 142.18, 0.92%, 0.45%

LAB 77.24, -71.49, 51.82

 

CMYK 22 / 96 / 0 / 14

HEX #AB09DC

RGB 171 9 220

HSL 286.07, 0.92%, 0.45%

LAB 44.26, 79.96, -67.76

 

CMYK 17 / 0 / 96 / 13

HEX #B8DF09

RGB 184 223 9

HSL 70.93, 0.92%, 0.45%

LAB 83.43, -35.45, 81.26

 

CMYK 96 / 16 / 0 / 14

HEX #09B9DC

RGB 9 185 220

HSL 189.95, 0.92%, 0.45%

LAB 69.41, -26.3, -28.43

 

CMYK 0 / 96 / 16 / 14

HEX #DC09B9

RGB 220 9 185

HSL 309.95, 0.92%, 0.45%

LAB 50.59, 82.52, -36.91

 

CMYK 17 / 0 / 96 / 13

HEX #B8DF09

RGB 184 223 9

HSL 70.93, 0.92%, 0.45%

LAB 83.43, -35.45, 81.26

 

CMYK 96 / 0 / 60 / 14

HEX #09DC57

RGB 9 220 87

HSL 142.18, 0.92%, 0.45%

LAB 77.24, -71.49, 51.82

 

CMYK 80 / 96 / 0 / 14

HEX #2C09DC

RGB 44 9 220

HSL 249.95, 0.92%, 0.45%

LAB 29.15, 69.77, -93.19

 

CMYK 0 / 96 / 35 / 14

HEX #DC098F

RGB 220 9 143

HSL 321.9, 0.92%, 0.45%

LAB 48.75, 77.8, -14.81

 

CMYK 17 / 0 / 96 / 13

HEX #B8DF09

RGB 184 223 9

HSL 70.93, 0.92%, 0.45%

LAB 83.43, -35.45, 81.26

 

CMYK 96 / 0 / 32 / 14

HEX #09DC96

RGB 9 220 150

HSL 160.09, 0.92%, 0.45%

LAB 78.14, -60.81, 22.08

 

CMYK 80 / 96 / 0 / 14

HEX #2C09DC

RGB 44 9 220

HSL 249.95, 0.92%, 0.45%

LAB 29.15, 69.77, -93.19

 

CMYK 0 / 96 / 64 / 14

HEX #DC0950

RGB 220 9 80

HSL 339.81, 0.92%, 0.45%

LAB 46.96, 73.01, 21.31

 

Description

Color code: HEX #B8DF09 | qconv.com Color code: HEX #B8DF09 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 223 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 223 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 96 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 96% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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