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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B8DDE1 it is the complementary color #47221E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B8DDE1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B8DDE1 shade: #BDDDDC, #CEEFEF, #DFFFFF and #F0FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B8DDE1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B8DDE1 shade: #B8DDE1, #A7CBCE, #96B9BB, #85A7A8 and #749595

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B8DDE1 shade: #B7DCE0, #B7D1E0, #B7C6E0, #B7BBE0 and #BEB7E0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B8DDE1 shade: #B7DCE0, #B7D1E0, #B7C6E0, #B7BBE0 and #B7B7E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B8DDE1 shade matches the following richer shades: #B7DCE0, #AEE3E9, #A6EAF1 and #9EF0F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B8DDE1 shade: #B7DCE0, #BFD6D8, #C7CFD0, #CFC8C8 and #D8C2BF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B8DDE1 shade: #B7E0CE, #B7E0D9, #B7DDE0, #B7D2E0 and #B7C7E0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B8DDE1 shade: #7CC1C8, #9ACFD4, #B7DCE0, #D4EAED and #F1F8F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B8DDE1 shade: #B8DDE1, #C2B7E0 and #E0D3B7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B8DDE1 shade: #B8DDE1, #E0B7DD and #DDE0B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B8DDE1 shade: #B8DDE1, #C2B7E0, #E0BAB7 and #D5E0B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B8DDE1 shade: #B8DDE1, #CFB7E0, #E0BAB7 and #C8E0B7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 2 / 0 / 12

HEX #B8DDE1

RGB 184 221 225

HSL 185.85, 0.41%, 0.8%

LAB 85.68, -11.22, -6

Complementary color

CMYK 0 / 52 / 58 / 72

HEX #47221E

RGB 71 34 30

HSL 5.85, 0.41%, 0.2%

LAB 18.27, 17.13, 10.64

 

CMYK 14 / 0 / 0 / 13

HEX #BDDDDC

RGB 189 221 220

HSL 178.13, 0.32%, 0.8%

LAB 85.86, -10.69, -3.06

 

CMYK 14 / 0 / 0 / 6

HEX #CEEFEF

RGB 206 239 239

HSL 180, 0.51%, 0.87%

LAB 92.17, -10.67, -3.61

 

CMYK 13 / 0 / 0 / 0

HEX #DFFFFF

RGB 223 255 255

HSL 180, 1%, 0.94%

LAB 97.8, -10.25, -3.49

 

CMYK 6 / 0 / 0 / 0

HEX #F0FFFF

RGB 240 255 255

HSL 180, 1%, 0.97%

LAB 98.93, -4.88, -1.7

 

CMYK 18 / 2 / 0 / 12

HEX #B8DDE1

RGB 184 221 225

HSL 185.85, 0.41%, 0.8%

LAB 85.68, -11.22, -6

HEX #B8DDE1

CMYK 19 / 1 / 0 / 19

HEX #A7CBCE

RGB 167 203 206

HSL 184.62, 0.28%, 0.73%

LAB 79.26, -11.25, -5.47

HEX #A7CBCE

CMYK 20 / 1 / 0 / 27

HEX #96B9BB

RGB 150 185 187

HSL 183.24, 0.21%, 0.66%

LAB 72.74, -11.28, -4.92

HEX #96B9BB

CMYK 21 / 1 / 0 / 34

HEX #85A7A8

RGB 133 167 168

HSL 181.71, 0.17%, 0.59%

LAB 66.1, -11.34, -4.36

HEX #85A7A8

CMYK 22 / 0 / 0 / 42

HEX #749595

RGB 116 149 149

HSL 180, 0.13%, 0.52%

LAB 59.32, -11.4, -3.78

HEX #749595

CMYK 18 / 2 / 0 / 12

HEX #B7DCE0

RGB 183 220 224

HSL 185.85, 0.4%, 0.8%

LAB 85.32, -11.22, -6

 

CMYK 18 / 7 / 0 / 12

HEX #B7D1E0

RGB 183 209 224

HSL 201.95, 0.4%, 0.8%

LAB 82.41, -5.54, -10.33

 

CMYK 18 / 12 / 0 / 12

HEX #B7C6E0

RGB 183 198 224

HSL 218.05, 0.4%, 0.8%

LAB 79.52, 0.27, -14.64

 

CMYK 18 / 17 / 0 / 12

HEX #B7BBE0

RGB 183 187 224

HSL 234.15, 0.4%, 0.8%

LAB 76.67, 6.19, -18.93

 

CMYK 15 / 18 / 0 / 12

HEX #BEB7E0

RGB 190 183 224

HSL 250.24, 0.4%, 0.8%

LAB 76.19, 10.58, -19.62

 

CMYK 18 / 2 / 0 / 12

HEX #B7DCE0

RGB 183 220 224

HSL 185.85, 0.4%, 0.8%

LAB 85.32, -11.22, -6

 

CMYK 18 / 7 / 0 / 12

HEX #B7D1E0

RGB 183 209 224

HSL 201.95, 0.4%, 0.8%

LAB 82.41, -5.54, -10.33

 

CMYK 18 / 12 / 0 / 12

HEX #B7C6E0

RGB 183 198 224

HSL 218.05, 0.4%, 0.8%

LAB 79.52, 0.27, -14.64

 

CMYK 18 / 17 / 0 / 12

HEX #B7BBE0

RGB 183 187 224

HSL 234.15, 0.4%, 0.8%

LAB 76.67, 6.19, -18.93

 

CMYK 18 / 18 / 0 / 12

HEX #B7B7E0

RGB 183 183 224

HSL 240, 0.4%, 0.8%

LAB 75.65, 8.37, -20.49

 

CMYK 18 / 2 / 0 / 12

HEX #B7DCE0

RGB 183 220 224

HSL 185.85, 0.4%, 0.8%

LAB 85.32, -11.22, -6

 

CMYK 25 / 3 / 0 / 9

HEX #AEE3E9

RGB 174 227 233

HSL 186.1, 0.57%, 0.8%

LAB 86.91, -15.53, -8.46

 

CMYK 31 / 3 / 0 / 5

HEX #A6EAF1

RGB 166 234 241

HSL 185.6, 0.73%, 0.8%

LAB 88.59, -19.48, -10.21

 

CMYK 37 / 4 / 0 / 2

HEX #9EF0F9

RGB 158 240 249

HSL 185.93, 0.88%, 0.8%

LAB 90.06, -22.68, -12.25

 

CMYK 18 / 2 / 0 / 12

HEX #B7DCE0

RGB 183 220 224

HSL 185.85, 0.4%, 0.8%

LAB 85.32, -11.22, -6

 

CMYK 12 / 1 / 0 / 15

HEX #BFD6D8

RGB 191 214 216

HSL 184.8, 0.24%, 0.8%

LAB 84.03, -7.25, -3.6

 

CMYK 4 / 0 / 0 / 18

HEX #C7CFD0

RGB 199 207 208

HSL 186.67, 0.09%, 0.8%

LAB 82.55, -2.53, -1.45

 

CMYK 0 / 3 / 3 / 19

HEX #CFC8C8

RGB 207 200 200

HSL 0, 0.07%, 0.8%

LAB 81.15, 2.43, 0.85

 

CMYK 0 / 10 / 12 / 15

HEX #D8C2BF

RGB 216 194 191

HSL 7.2, 0.24%, 0.8%

LAB 80.15, 7.25, 4.32

 

CMYK 18 / 0 / 8 / 12

HEX #B7E0CE

RGB 183 224 206

HSL 153.66, 0.4%, 0.8%

LAB 85.92, -16.88, 4.39

 

CMYK 18 / 0 / 3 / 12

HEX #B7E0D9

RGB 183 224 217

HSL 169.76, 0.4%, 0.8%

LAB 86.2, -14.7, -1.01

 

CMYK 18 / 1 / 0 / 12

HEX #B7DDE0

RGB 183 221 224

HSL 184.39, 0.4%, 0.8%

LAB 85.59, -11.73, -5.61

 

CMYK 18 / 6 / 0 / 12

HEX #B7D2E0

RGB 183 210 224

HSL 200.49, 0.4%, 0.8%

LAB 82.67, -6.06, -9.93

 

CMYK 18 / 11 / 0 / 12

HEX #B7C7E0

RGB 183 199 224

HSL 216.59, 0.4%, 0.8%

LAB 79.78, -0.26, -14.25

 

CMYK 38 / 4 / 0 / 22

HEX #7CC1C8

RGB 124 193 200

HSL 185.53, 0.41%, 0.64%

LAB 73.93, -19.91, -10.4

 

CMYK 27 / 2 / 0 / 17

HEX #9ACFD4

RGB 154 207 212

HSL 185.17, 0.4%, 0.72%

LAB 79.76, -15.89, -8.04

 

CMYK 18 / 2 / 0 / 12

HEX #B7DCE0

RGB 183 220 224

HSL 185.85, 0.4%, 0.8%

LAB 85.32, -11.22, -6

 

CMYK 11 / 1 / 0 / 7

HEX #D4EAED

RGB 212 234 237

HSL 187.2, 0.41%, 0.88%

LAB 91.21, -6.63, -3.93

 

CMYK 3 / 0 / 0 / 2

HEX #F1F8F9

RGB 241 248 249

HSL 187.5, 0.4%, 0.96%

LAB 97.1, -2.12, -1.29

 

CMYK 18 / 2 / 0 / 12

HEX #B8DDE1

RGB 184 221 225

HSL 185.85, 0.41%, 0.8%

LAB 85.68, -11.22, -6

HEX #B8DDE1

CMYK 13 / 18 / 0 / 12

HEX #C2B7E0

RGB 194 183 224

HSL 256.1, 0.4%, 0.8%

LAB 76.51, 11.86, -19.1

HEX #C2B7E0

CMYK 0 / 6 / 18 / 12

HEX #E0D3B7

RGB 224 211 183

HSL 40.98, 0.4%, 0.8%

LAB 84.92, -0.03, 15.49

HEX #E0D3B7

CMYK 18 / 2 / 0 / 12

HEX #B8DDE1

RGB 184 221 225

HSL 185.85, 0.41%, 0.8%

LAB 85.68, -11.22, -6

HEX #B8DDE1

CMYK 0 / 18 / 1 / 12

HEX #E0B7DD

RGB 224 183 221

HSL 304.39, 0.4%, 0.8%

LAB 79, 21.14, -13.46

HEX #E0B7DD

CMYK 1 / 0 / 18 / 12

HEX #DDE0B7

RGB 221 224 183

HSL 64.39, 0.4%, 0.8%

LAB 88.02, -7.79, 19.78

HEX #DDE0B7

CMYK 18 / 2 / 0 / 12

HEX #B8DDE1

RGB 184 221 225

HSL 185.85, 0.41%, 0.8%

LAB 85.68, -11.22, -6

HEX #B8DDE1

CMYK 13 / 18 / 0 / 12

HEX #C2B7E0

RGB 194 183 224

HSL 256.1, 0.4%, 0.8%

LAB 76.51, 11.86, -19.1

HEX #C2B7E0

CMYK 0 / 17 / 18 / 12

HEX #E0BAB7

RGB 224 186 183

HSL 4.39, 0.4%, 0.8%

LAB 78.69, 13.14, 6.62

HEX #E0BAB7

CMYK 5 / 0 / 18 / 12

HEX #D5E0B7

RGB 213 224 183

HSL 76.1, 0.4%, 0.8%

LAB 87.42, -10.67, 18.87

HEX #D5E0B7

CMYK 18 / 2 / 0 / 12

HEX #B8DDE1

RGB 184 221 225

HSL 185.85, 0.41%, 0.8%

LAB 85.68, -11.22, -6

HEX #B8DDE1

CMYK 8 / 18 / 0 / 12

HEX #CFB7E0

RGB 207 183 224

HSL 275.12, 0.4%, 0.8%

LAB 77.59, 16.07, -17.37

HEX #CFB7E0

CMYK 0 / 17 / 18 / 12

HEX #E0BAB7

RGB 224 186 183

HSL 4.39, 0.4%, 0.8%

LAB 78.69, 13.14, 6.62

HEX #E0BAB7

CMYK 11 / 0 / 18 / 12

HEX #C8E0B7

RGB 200 224 183

HSL 95.12, 0.4%, 0.8%

LAB 86.51, -15.27, 17.45

HEX #C8E0B7

Description

Color code: HEX #B8DDE1 | qconv.com Color code: HEX #B8DDE1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 221 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 221 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 2 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 2% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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