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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B8D9FD00 it is the complementary color #47260200. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B8D9FD00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B8D9FD00 shade: #BDD9F800, #CEEBFF00, #DFFDFF00 and #F0FFFF00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B8D9FD00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B8D9FD00 shade: #B8D9FD00, #A7C7EA00, #96B5D700, #85A3C400 and #7491B100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B8D9FD00 shade: #B9DAFD, #B9C8FD, #BEB9FD, #D0B9FD and #E2B9FD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B8D9FD00 shade: #B9DAFD, #B9C8FD and #B9B9FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B8D9FD00 shade matches the following richer shades: #B9DAFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B8D9FD00 shade: #B9DAFD, #BFDAF7, #C5DAF2, #CBDBEC and #D0DBE6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B8D9FD00 shade: #B9FDFC, #B9ECFD, #B9DAFD, #B9C8FD and #BDB9FD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B8D9FD00 shade: #69AFFB, #91C4FC, #B9DAFD, #E2EFFE and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B8D9FD00 shade: #B8D9FD, #EAB9FD and #F5FDB9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B8D9FD00 shade: #B8D9FD, #FDB9DA and #DAFDB9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B8D9FD00 shade: #B8D9FD, #EAB9FD, #FDDCB9 and #CDFDB9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B8D9FD00 shade: #B8D9FD, #FDB9FC, #FDDCB9 and #B9FDBB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #B8D9FD00

RGBA 184 217 253 0

HSLA 211.3, 0.95%, 0.86%, 0

LABA 85.46, -2.96, -21.12, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #47260200

RGBA 71 38 2 0

HSLA 31.3, 0.95%, 0.14%, 0

LABA 18.93, 12.6, 26.77, 0

 

CMYK 0 / 0 / 0 / 0

HEX #BDD9F800

RGBA 189 217 248 0

HSLA 211.53, 0.81%, 0.86%, 0

LABA 85.62, -2.64, -18.21, 0

 

CMYK 0 / 0 / 0 / 0

HEX #CEEBFF00

RGBA 206 235 255 0

HSLA 204.49, 1%, 0.9%, 0

LABA 91.58, -5.35, -12.83, 0

 

CMYK 0 / 0 / 0 / 0

HEX #DFFDFF00

RGBA 223 253 255 0

HSLA 183.75, 1%, 0.94%, 0

LABA 97.29, -9.25, -4.24, 0

 

CMYK 0 / 0 / 0 / 0

HEX #F0FFFF00

RGBA 240 255 255 0

HSLA 180, 1%, 0.97%, 0

LABA 98.93, -4.88, -1.7, 0

 

CMYK 0 / 0 / 0 / 0

HEX #B8D9FD00

RGBA 184 217 253 0

HSLA 211.3, 0.95%, 0.86%, 0

LABA 85.46, -2.96, -21.12, 0

 

CMYK 0 / 0 / 0 / 0

HEX #A7C7EA00

RGBA 167 199 234 0

HSLA 211.34, 0.61%, 0.79%, 0

LABA 79.04, -2.81, -20.83, 0

 

CMYK 0 / 0 / 0 / 0

HEX #96B5D700

RGBA 150 181 215 0

HSLA 211.38, 0.45%, 0.72%, 0

LABA 72.52, -2.64, -20.56, 0

 

CMYK 0 / 0 / 0 / 0

HEX #85A3C400

RGBA 133 163 196 0

HSLA 211.43, 0.35%, 0.65%, 0

LABA 65.88, -2.45, -20.29, 0

 

CMYK 0 / 0 / 0 / 0

HEX #7491B100

RGBA 116 145 177 0

HSLA 211.48, 0.28%, 0.57%, 0

LABA 59.1, -2.23, -20.04, 0

 

CMYK 27 / 14 / 0 / 1

HEX #B9DAFD

RGB 185 218 253

HSL 210.88, 0.94%, 0.86%

LAB 85.78, -3.2, -20.63

 

CMYK 27 / 21 / 0 / 1

HEX #B9C8FD

RGB 185 200 253

HSL 226.76, 0.94%, 0.86%

LAB 81.13, 6.37, -27.7

 

CMYK 25 / 27 / 0 / 1

HEX #BEB9FD

RGB 190 185 253

HSL 244.41, 0.94%, 0.86%

LAB 77.72, 15.98, -32.91

 

CMYK 18 / 27 / 0 / 1

HEX #D0B9FD

RGB 208 185 253

HSL 260.29, 0.94%, 0.86%

LAB 79.16, 21.35, -30.58

 

CMYK 11 / 27 / 0 / 1

HEX #E2B9FD

RGB 226 185 253

HSL 276.18, 0.94%, 0.86%

LAB 80.72, 26.87, -28.05

 

CMYK 27 / 14 / 0 / 1

HEX #B9DAFD

RGB 185 218 253

HSL 210.88, 0.94%, 0.86%

LAB 85.78, -3.2, -20.63

 

CMYK 27 / 21 / 0 / 1

HEX #B9C8FD

RGB 185 200 253

HSL 226.76, 0.94%, 0.86%

LAB 81.13, 6.37, -27.7

 

CMYK 27 / 27 / 0 / 1

HEX #B9B9FD

RGB 185 185 253

HSL 240, 0.94%, 0.86%

LAB 77.34, 14.53, -33.52

 

CMYK 27 / 14 / 0 / 1

HEX #B9DAFD

RGB 185 218 253

HSL 210.88, 0.94%, 0.86%

LAB 85.78, -3.2, -20.63

 

CMYK 27 / 14 / 0 / 1

HEX #B9DAFD

RGB 185 218 253

HSL 210.88, 0.94%, 0.86%

LAB 85.78, -3.2, -20.63

 

CMYK 23 / 12 / 0 / 3

HEX #BFDAF7

RGB 191 218 247

HSL 211.07, 0.78%, 0.86%

LAB 85.97, -2.8, -17.13

 

CMYK 19 / 10 / 0 / 5

HEX #C5DAF2

RGB 197 218 242

HSL 212, 0.63%, 0.86%

LAB 86.22, -2.07, -14.09

 

CMYK 14 / 7 / 0 / 7

HEX #CBDBEC

RGB 203 219 236

HSL 210.91, 0.46%, 0.86%

LAB 86.71, -1.97, -10.14

 

CMYK 10 / 5 / 0 / 10

HEX #D0DBE6

RGB 208 219 230

HSL 210, 0.31%, 0.86%

LAB 86.89, -1.57, -6.66

 

CMYK 27 / 0 / 0 / 1

HEX #B9FDFC

RGB 185 253 252

HSL 179.12, 0.94%, 0.86%

LAB 94.99, -21.13, -6.34

 

CMYK 27 / 7 / 0 / 1

HEX #B9ECFD

RGB 185 236 253

HSL 195, 0.94%, 0.86%

LAB 90.5, -12.46, -13.52

 

CMYK 27 / 14 / 0 / 1

HEX #B9DAFD

RGB 185 218 253

HSL 210.88, 0.94%, 0.86%

LAB 85.78, -3.2, -20.63

 

CMYK 27 / 21 / 0 / 1

HEX #B9C8FD

RGB 185 200 253

HSL 226.76, 0.94%, 0.86%

LAB 81.13, 6.37, -27.7

 

CMYK 25 / 27 / 0 / 1

HEX #BDB9FD

RGB 189 185 253

HSL 243.53, 0.94%, 0.86%

LAB 77.64, 15.69, -33.04

 

CMYK 58 / 30 / 0 / 2

HEX #69AFFB

RGB 105 175 251

HSL 211.23, 0.95%, 0.7%

LAB 69.91, -0.15, -44.36

 

CMYK 42 / 22 / 0 / 1

HEX #91C4FC

RGB 145 196 252

HSL 211.4, 0.95%, 0.78%

LAB 77.6, -2.54, -32.81

 

CMYK 27 / 14 / 0 / 1

HEX #B9DAFD

RGB 185 218 253

HSL 210.88, 0.94%, 0.86%

LAB 85.78, -3.2, -20.63

 

CMYK 11 / 6 / 0 / 0

HEX #E2EFFE

RGB 226 239 254

HSL 212.14, 0.93%, 0.94%

LAB 93.91, -1.42, -8.7

 

CMYK 27 / 14 / 0 / 1

HEX #B8D9FD

RGB 184 217 253

HSL 211.3, 0.95%, 0.86%

LAB 85.46, -2.96, -21.12

 

CMYK 8 / 27 / 0 / 1

HEX #EAB9FD

RGB 234 185 253

HSL 283.24, 0.94%, 0.86%

LAB 81.45, 29.37, -26.87

 

CMYK 3 / 0 / 27 / 1

HEX #F5FDB9

RGB 245 253 185

HSL 67.06, 0.94%, 0.86%

LAB 97.29, -13.25, 31.75

 

CMYK 27 / 14 / 0 / 1

HEX #B8D9FD

RGB 184 217 253

HSL 211.3, 0.95%, 0.86%

LAB 85.46, -2.96, -21.12

 

CMYK 0 / 27 / 14 / 1

HEX #FDB9DA

RGB 253 185 218

HSL 330.88, 0.94%, 0.86%

LAB 82.19, 29.41, -6.81

 

CMYK 14 / 0 / 27 / 1

HEX #DAFDB9

RGB 218 253 185

HSL 90.88, 0.94%, 0.86%

LAB 95.44, -22.87, 28.92

 

CMYK 27 / 14 / 0 / 1

HEX #B8D9FD

RGB 184 217 253

HSL 211.3, 0.95%, 0.86%

LAB 85.46, -2.96, -21.12

 

CMYK 8 / 27 / 0 / 1

HEX #EAB9FD

RGB 234 185 253

HSL 283.24, 0.94%, 0.86%

LAB 81.45, 29.37, -26.87

 

CMYK 0 / 13 / 27 / 1

HEX #FDDCB9

RGB 253 220 185

HSL 30.88, 0.94%, 0.86%

LAB 89.66, 6.31, 21.42

 

CMYK 19 / 0 / 27 / 1

HEX #CDFDB9

RGB 205 253 185

HSL 102.35, 0.94%, 0.86%

LAB 94.62, -27.33, 27.68

 

CMYK 27 / 14 / 0 / 1

HEX #B8D9FD

RGB 184 217 253

HSL 211.3, 0.95%, 0.86%

LAB 85.46, -2.96, -21.12

 

CMYK 0 / 27 / 0 / 1

HEX #FDB9FC

RGB 253 185 252

HSL 300.88, 0.94%, 0.86%

LAB 83.24, 35.17, -23.44

 

CMYK 0 / 13 / 27 / 1

HEX #FDDCB9

RGB 253 220 185

HSL 30.88, 0.94%, 0.86%

LAB 89.66, 6.31, 21.42

 

CMYK 27 / 0 / 26 / 1

HEX #B9FDBB

RGB 185 253 187

HSL 121.76, 0.94%, 0.86%

LAB 93.52, -33.58, 24.96

 

Description

Color code: HEX #B8D9FD00 | qconv.com Color code: HEX #B8D9FD00 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 217 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 217 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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