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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B8D494 it is the complementary color #472B6B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B8D494. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B8D494 shade: #BDD48F, #CEE6A2, #DFF8B5, #F0FFC8 and #FFFFDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B8D494. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B8D494 shade: #B8D494, #A7C281, #96B06E, #859E5B and #748C48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B8D494 shade: #B9D595, #CAD595, #D5CE95, #D5BD95 and #D5AC95

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B8D494 shade: #B9D595, #A8D595, #97D595, #95D5A5 and #95D5B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B8D494 shade matches the following richer shades: #B9D595, #BBE189, #BCED7D and #BEF971

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B8D494 shade: #B9D595, #B8C9A1, #B6BDAD, #B5B1B9 and #B3A5C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B8D494 shade: #D5CE95, #CAD595, #B9D595, #A8D595 and #97D595

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B8D494 shade: #92BD5A, #A6C978, #B9D595, #CDE1B3 and #E0ECD0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B8D494 shade: #B8D494, #95D5BE and #D595D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B8D494 shade: #B8D494, #95B9D5 and #D595B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B8D494 shade: #B8D494, #95D5BE, #B195D5 and #D595AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B8D494 shade: #B8D494, #95D5D1, #B195D5 and #D59599

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 30 / 17

HEX #B8D494

RGB 184 212 148

HSL 86.25, 0.43%, 0.71%

LAB 81.52, -20.36, 28.67

 

Complementary color

CMYK 34 / 60 / 0 / 58

HEX #472B6B

RGB 71 43 107

HSL 266.25, 0.43%, 0.29%

LAB 24.09, 27.55, -32.74

 

CMYK 11 / 0 / 33 / 17

HEX #BDD48F

RGB 189 212 143

HSL 80, 0.45%, 0.7%

LAB 81.78, -19.21, 31.66

 

CMYK 10 / 0 / 30 / 10

HEX #CEE6A2

RGB 206 230 162

HSL 81.18, 0.58%, 0.77%

LAB 88.12, -19.25, 30.59

 

CMYK 10 / 0 / 27 / 3

HEX #DFF8B5

RGB 223 248 181

HSL 82.39, 0.83%, 0.84%

LAB 94.38, -19.27, 29.56

 

CMYK 6 / 0 / 22 / 0

HEX #F0FFC8

RGB 240 255 200

HSL 76.36, 1%, 0.89%

LAB 97.72, -13.95, 24.69

 

CMYK 0 / 0 / 14 / 0

HEX #FFFFDB

RGB 255 255 219

HSL 60, 1%, 0.93%

LAB 99.18, -5.87, 17.23

 

CMYK 13 / 0 / 30 / 17

HEX #B8D494

RGB 184 212 148

HSL 86.25, 0.43%, 0.71%

LAB 81.52, -20.36, 28.67

 

CMYK 14 / 0 / 34 / 24

HEX #A7C281

RGB 167 194 129

HSL 84.92, 0.35%, 0.63%

LAB 75.07, -20.38, 29.76

 

CMYK 15 / 0 / 38 / 31

HEX #96B06E

RGB 150 176 110

HSL 83.64, 0.29%, 0.56%

LAB 68.5, -20.38, 30.91

 

CMYK 16 / 0 / 42 / 38

HEX #859E5B

RGB 133 158 91

HSL 82.39, 0.27%, 0.49%

LAB 61.82, -20.35, 32.11

 

CMYK 17 / 0 / 49 / 45

HEX #748C48

RGB 116 140 72

HSL 81.18, 0.32%, 0.42%

LAB 55.01, -20.27, 33.34

 

CMYK 13 / 0 / 30 / 16

HEX #B9D595

RGB 185 213 149

HSL 86.25, 0.43%, 0.71%

LAB 81.88, -20.35, 28.65

 

CMYK 5 / 0 / 30 / 16

HEX #CAD595

RGB 202 213 149

HSL 70.31, 0.43%, 0.71%

LAB 83.08, -14.04, 30.47

 

CMYK 0 / 3 / 30 / 16

HEX #D5CE95

RGB 213 206 149

HSL 53.44, 0.43%, 0.71%

LAB 82.09, -6.29, 29.29

 

CMYK 0 / 11 / 30 / 16

HEX #D5BD95

RGB 213 189 149

HSL 37.5, 0.43%, 0.71%

LAB 77.7, 2.57, 23.37

 

CMYK 0 / 19 / 30 / 16

HEX #D5AC95

RGB 213 172 149

HSL 21.56, 0.43%, 0.71%

LAB 73.43, 11.64, 17.49

 

CMYK 13 / 0 / 30 / 16

HEX #B9D595

RGB 185 213 149

HSL 86.25, 0.43%, 0.71%

LAB 81.88, -20.35, 28.65

 

CMYK 21 / 0 / 30 / 16

HEX #A8D595

RGB 168 213 149

HSL 102.19, 0.43%, 0.71%

LAB 80.79, -26.42, 26.99

 

CMYK 29 / 0 / 30 / 16

HEX #97D595

RGB 151 213 149

HSL 118.13, 0.43%, 0.71%

LAB 79.81, -32.17, 25.5

 

CMYK 30 / 0 / 23 / 16

HEX #95D5A5

RGB 149 213 165

HSL 135, 0.43%, 0.71%

LAB 80.01, -30.05, 17.36

 

CMYK 30 / 0 / 15 / 16

HEX #95D5B6

RGB 149 213 182

HSL 150.94, 0.43%, 0.71%

LAB 80.38, -26.79, 8.87

 

CMYK 13 / 0 / 30 / 16

HEX #B9D595

RGB 185 213 149

HSL 86.25, 0.43%, 0.71%

LAB 81.88, -20.35, 28.65

 

CMYK 17 / 0 / 39 / 12

HEX #BBE189

RGB 187 225 137

HSL 85.91, 0.59%, 0.71%

LAB 85.11, -27.05, 39.02

 

CMYK 21 / 0 / 47 / 7

HEX #BCED7D

RGB 188 237 125

HSL 86.25, 0.76%, 0.71%

LAB 88.32, -33.71, 48.92

 

CMYK 24 / 0 / 55 / 2

HEX #BEF971

RGB 190 249 113

HSL 86.03, 0.92%, 0.71%

LAB 91.64, -39.63, 58.42

 

CMYK 13 / 0 / 30 / 16

HEX #B9D595

RGB 185 213 149

HSL 86.25, 0.43%, 0.71%

LAB 81.88, -20.35, 28.65

 

CMYK 8 / 0 / 20 / 21

HEX #B8C9A1

RGB 184 201 161

HSL 85.5, 0.27%, 0.71%

LAB 78.77, -12.88, 18.09

 

CMYK 4 / 0 / 8 / 26

HEX #B6BDAD

RGB 182 189 173

HSL 86.25, 0.11%, 0.71%

LAB 75.67, -5.35, 7.24

 

CMYK 2 / 4 / 0 / 27

HEX #B5B1B9

RGB 181 177 185

HSL 270, 0.05%, 0.71%

LAB 72.74, 2.92, -3.58

 

CMYK 9 / 16 / 0 / 23

HEX #B3A5C5

RGB 179 165 197

HSL 266.25, 0.22%, 0.71%

LAB 69.84, 11.2, -14.52

 

CMYK 0 / 3 / 30 / 16

HEX #D5CE95

RGB 213 206 149

HSL 53.44, 0.43%, 0.71%

LAB 82.09, -6.29, 29.29

 

CMYK 5 / 0 / 30 / 16

HEX #CAD595

RGB 202 213 149

HSL 70.31, 0.43%, 0.71%

LAB 83.08, -14.04, 30.47

 

CMYK 13 / 0 / 30 / 16

HEX #B9D595

RGB 185 213 149

HSL 86.25, 0.43%, 0.71%

LAB 81.88, -20.35, 28.65

 

CMYK 21 / 0 / 30 / 16

HEX #A8D595

RGB 168 213 149

HSL 102.19, 0.43%, 0.71%

LAB 80.79, -26.42, 26.99

 

CMYK 29 / 0 / 30 / 16

HEX #97D595

RGB 151 213 149

HSL 118.13, 0.43%, 0.71%

LAB 79.81, -32.17, 25.5

 

CMYK 23 / 0 / 52 / 26

HEX #92BD5A

RGB 146 189 90

HSL 86.06, 0.43%, 0.55%

LAB 71.72, -30.64, 44.96

 

CMYK 17 / 0 / 40 / 21

HEX #A6C978

RGB 166 201 120

HSL 85.93, 0.43%, 0.63%

LAB 76.82, -25.39, 36.68

 

CMYK 13 / 0 / 30 / 16

HEX #B9D595

RGB 185 213 149

HSL 86.25, 0.43%, 0.71%

LAB 81.88, -20.35, 28.65

 

CMYK 9 / 0 / 20 / 12

HEX #CDE1B3

RGB 205 225 179

HSL 86.09, 0.43%, 0.79%

LAB 87.04, -14.64, 20.32

 

CMYK 5 / 0 / 12 / 7

HEX #E0ECD0

RGB 224 236 208

HSL 85.71, 0.42%, 0.87%

LAB 91.86, -8.87, 12.22

 

CMYK 13 / 0 / 30 / 17

HEX #B8D494

RGB 184 212 148

HSL 86.25, 0.43%, 0.71%

LAB 81.52, -20.36, 28.67

 

CMYK 30 / 0 / 11 / 16

HEX #95D5BE

RGB 149 213 190

HSL 158.44, 0.43%, 0.71%

LAB 80.57, -25.16, 4.88

 

CMYK 0 / 30 / 1 / 16

HEX #D595D3

RGB 213 149 211

HSL 301.88, 0.43%, 0.71%

LAB 69.71, 34.02, -22.15

 

CMYK 13 / 0 / 30 / 17

HEX #B8D494

RGB 184 212 148

HSL 86.25, 0.43%, 0.71%

LAB 81.52, -20.36, 28.67

 

CMYK 30 / 13 / 0 / 16

HEX #95B9D5

RGB 149 185 213

HSL 206.25, 0.43%, 0.71%

LAB 73.48, -5.58, -18.02

 

CMYK 0 / 30 / 13 / 16

HEX #D595B9

RGB 213 149 185

HSL 326.25, 0.43%, 0.71%

LAB 68.86, 29.48, -9

 

CMYK 13 / 0 / 30 / 17

HEX #B8D494

RGB 184 212 148

HSL 86.25, 0.43%, 0.71%

LAB 81.52, -20.36, 28.67

 

CMYK 30 / 0 / 11 / 16

HEX #95D5BE

RGB 149 213 190

HSL 158.44, 0.43%, 0.71%

LAB 80.57, -25.16, 4.88

 

CMYK 17 / 30 / 0 / 16

HEX #B195D5

RGB 177 149 213

HSL 266.25, 0.43%, 0.71%

LAB 66.25, 22.93, -28.87

 

CMYK 0 / 30 / 19 / 16

HEX #D595AD

RGB 213 149 173

HSL 337.5, 0.43%, 0.71%

LAB 68.5, 27.56, -2.82

 

CMYK 13 / 0 / 30 / 17

HEX #B8D494

RGB 184 212 148

HSL 86.25, 0.43%, 0.71%

LAB 81.52, -20.36, 28.67

 

CMYK 30 / 0 / 2 / 16

HEX #95D5D1

RGB 149 213 209

HSL 176.25, 0.43%, 0.71%

LAB 81.06, -21.03, -4.54

 

CMYK 17 / 30 / 0 / 16

HEX #B195D5

RGB 177 149 213

HSL 266.25, 0.43%, 0.71%

LAB 66.25, 22.93, -28.87

 

CMYK 0 / 30 / 28 / 16

HEX #D59599

RGB 213 149 153

HSL 356.25, 0.43%, 0.71%

LAB 67.98, 24.64, 7.6

 

Description

Color code: HEX #B8D494 | qconv.com Color code: HEX #B8D494 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 212 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 212 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 30 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 30% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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