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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B8D41D it is the complementary color #472BE2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B8D41D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B8D41D shade: #BDD418, #CEE62B, #DFF83E, #F0FF51 and #FFFF64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B8D41D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B8D41D shade: #B8D41D, #A7C20A, #96B000, #859E00 and #748C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B8D41D shade: #B7D31D, #D3BE1D, #D38D1D, #D35B1D and #D32A1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B8D41D shade: #B7D31D, #86D31D, #55D31D, #24D31D and #1DD347

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B8D41D shade matches the following richer shades: #B7D31D and #C5E609

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B8D41D shade: #B7D31D, #AAC030, #9CAC44, #8F9957 and #81856A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B8D41D shade: #D38D1D, #D3BE1D, #B8D31D, #87D31D and #56D31D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B8D41D shade: #788A13, #98AF18, #B7D31D, #C9E435 and #D3E85A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B8D41D shade: #B8D41D, #1DD35D and #A51DD3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B8D41D shade: #B8D41D, #1DB8D3 and #D31DB8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B8D41D shade: #B8D41D, #1DD35D, #381DD3 and #D31D93

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B8D41D shade: #B8D41D, #1DD393, #381DD3 and #D31D5D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 86 / 17

HEX #B8D41D

RGB 184 212 29

HSL 69.18, 0.76%, 0.47%

LAB 80.39, -30.04, 76.12

 

Complementary color

CMYK 69 / 81 / 0 / 11

HEX #472BE2

RGB 71 43 226

HSL 249.18, 0.76%, 0.53%

LAB 35.12, 62.41, -86.67

 

CMYK 11 / 0 / 89 / 17

HEX #BDD418

RGB 189 212 24

HSL 67.34, 0.8%, 0.46%

LAB 80.72, -28.1, 77.45

 

CMYK 10 / 0 / 81 / 10

HEX #CEE62B

RGB 206 230 43

HSL 67.7, 0.79%, 0.54%

LAB 86.94, -29.13, 79.21

 

CMYK 10 / 0 / 75 / 3

HEX #DFF83E

RGB 223 248 62

HSL 68.06, 0.93%, 0.61%

LAB 93.09, -29.99, 79.99

 

CMYK 6 / 0 / 68 / 0

HEX #F0FF51

RGB 240 255 81

HSL 65.17, 1%, 0.66%

LAB 96.26, -25.61, 77.23

 

CMYK 0 / 0 / 61 / 0

HEX #FFFF64

RGB 255 255 100

HSL 60, 1%, 0.7%

LAB 97.51, -18.57, 71.69

 

CMYK 13 / 0 / 86 / 17

HEX #B8D41D

RGB 184 212 29

HSL 69.18, 0.76%, 0.47%

LAB 80.39, -30.04, 76.12

 

CMYK 14 / 0 / 95 / 24

HEX #A7C20A

RGB 167 194 10

HSL 68.8, 0.9%, 0.4%

LAB 74.08, -28.91, 73.45

 

CMYK 15 / 0 / 100 / 31

HEX #96B000

RGB 150 176 0

HSL 68.86, 1%, 0.35%

LAB 67.68, -27.57, 69.17

 

CMYK 16 / 0 / 100 / 38

HEX #859E00

RGB 133 158 0

HSL 69.49, 1%, 0.31%

LAB 61.17, -26.09, 63.76

 

CMYK 17 / 0 / 100 / 45

HEX #748C00

RGB 116 140 0

HSL 70.29, 1%, 0.27%

LAB 54.52, -24.59, 58.22

 

CMYK 13 / 0 / 86 / 17

HEX #B7D31D

RGB 183 211 29

HSL 69.23, 0.76%, 0.47%

LAB 80.04, -29.98, 75.81

 

CMYK 0 / 10 / 86 / 17

HEX #D3BE1D

RGB 211 190 29

HSL 53.08, 0.76%, 0.47%

LAB 76.54, -7.73, 73.86

 

CMYK 0 / 33 / 86 / 17

HEX #D38D1D

RGB 211 141 29

HSL 36.92, 0.76%, 0.47%

LAB 64.15, 18.32, 63.81

 

CMYK 0 / 57 / 86 / 17

HEX #D35B1D

RGB 211 91 29

HSL 20.44, 0.76%, 0.47%

LAB 53.41, 44.37, 55.05

 

CMYK 0 / 80 / 86 / 17

HEX #D32A1D

RGB 211 42 29

HSL 4.29, 0.76%, 0.47%

LAB 46.44, 63.23, 49.32

 

CMYK 13 / 0 / 86 / 17

HEX #B7D31D

RGB 183 211 29

HSL 69.23, 0.76%, 0.47%

LAB 80.04, -29.98, 75.81

 

CMYK 36 / 0 / 86 / 17

HEX #86D31D

RGB 134 211 29

HSL 85.38, 0.76%, 0.47%

LAB 77.13, -48.76, 72.2

 

CMYK 60 / 0 / 86 / 17

HEX #55D31D

RGB 85 211 29

HSL 101.54, 0.76%, 0.47%

LAB 75.21, -63.39, 69.79

 

CMYK 83 / 0 / 86 / 17

HEX #24D31D

RGB 36 211 29

HSL 117.69, 0.76%, 0.47%

LAB 74.22, -71.8, 68.54

 

CMYK 86 / 0 / 66 / 17

HEX #1DD347

RGB 29 211 71

HSL 133.85, 0.76%, 0.47%

LAB 74.38, -69.49, 55.43

 

CMYK 13 / 0 / 86 / 17

HEX #B7D31D

RGB 183 211 29

HSL 69.23, 0.76%, 0.47%

LAB 80.04, -29.98, 75.81

 

CMYK 14 / 0 / 96 / 10

HEX #C5E609

RGB 197 230 9

HSL 68.96, 0.92%, 0.47%

LAB 86.25, -33.44, 83.8

 

CMYK 13 / 0 / 86 / 17

HEX #B7D31D

RGB 183 211 29

HSL 69.23, 0.76%, 0.47%

LAB 80.04, -29.98, 75.81

 

CMYK 11 / 0 / 75 / 25

HEX #AAC030

RGB 170 192 48

HSL 69.17, 0.6%, 0.47%

LAB 73.84, -25.62, 65.06

 

CMYK 9 / 0 / 60 / 33

HEX #9CAC44

RGB 156 172 68

HSL 69.23, 0.43%, 0.47%

LAB 67.27, -20.37, 50.27

 

CMYK 7 / 0 / 43 / 40

HEX #8F9957

RGB 143 153 87

HSL 69.09, 0.28%, 0.47%

LAB 61.05, -14.19, 33.4

 

CMYK 3 / 0 / 20 / 48

HEX #81856A

RGB 129 133 106

HSL 68.89, 0.11%, 0.47%

LAB 54.54, -6.43, 14.09

 

CMYK 0 / 33 / 86 / 17

HEX #D38D1D

RGB 211 141 29

HSL 36.92, 0.76%, 0.47%

LAB 64.15, 18.32, 63.81

 

CMYK 0 / 10 / 86 / 17

HEX #D3BE1D

RGB 211 190 29

HSL 53.08, 0.76%, 0.47%

LAB 76.54, -7.73, 73.86

 

CMYK 13 / 0 / 86 / 17

HEX #B8D31D

RGB 184 211 29

HSL 68.9, 0.76%, 0.47%

LAB 80.11, -29.57, 75.89

 

CMYK 36 / 0 / 86 / 17

HEX #87D31D

RGB 135 211 29

HSL 85.05, 0.76%, 0.47%

LAB 77.18, -48.41, 72.26

 

CMYK 59 / 0 / 86 / 17

HEX #56D31D

RGB 86 211 29

HSL 101.21, 0.76%, 0.47%

LAB 75.24, -63.15, 69.82

 

CMYK 13 / 0 / 86 / 46

HEX #788A13

RGB 120 138 19

HSL 69.08, 0.76%, 0.31%

LAB 54.26, -21.38, 54.59

 

CMYK 13 / 0 / 86 / 31

HEX #98AF18

RGB 152 175 24

HSL 69.14, 0.76%, 0.39%

LAB 67.58, -25.8, 65.6

 

CMYK 13 / 0 / 86 / 17

HEX #B7D31D

RGB 183 211 29

HSL 69.23, 0.76%, 0.47%

LAB 80.04, -29.98, 75.81

 

CMYK 12 / 0 / 77 / 11

HEX #C9E435

RGB 201 228 53

HSL 69.26, 0.76%, 0.55%

LAB 86.09, -29.85, 75.65

 

CMYK 9 / 0 / 61 / 9

HEX #D3E85A

RGB 211 232 90

HSL 68.87, 0.76%, 0.63%

LAB 88.11, -25.72, 64.7

 

CMYK 13 / 0 / 86 / 17

HEX #B8D41D

RGB 184 212 29

HSL 69.18, 0.76%, 0.47%

LAB 80.39, -30.04, 76.12

 

CMYK 86 / 0 / 56 / 17

HEX #1DD35D

RGB 29 211 93

HSL 141.1, 0.76%, 0.47%

LAB 74.6, -66.86, 46.05

 

CMYK 22 / 86 / 0 / 17

HEX #A51DD3

RGB 165 29 211

HSL 284.84, 0.76%, 0.47%

LAB 43.63, 74.55, -63.67

 

CMYK 13 / 0 / 86 / 17

HEX #B8D41D

RGB 184 212 29

HSL 69.18, 0.76%, 0.47%

LAB 80.39, -30.04, 76.12

 

CMYK 86 / 13 / 0 / 17

HEX #1DB8D3

RGB 29 184 211

HSL 188.9, 0.76%, 0.47%

LAB 68.93, -27.9, -24.23

 

CMYK 0 / 86 / 13 / 17

HEX #D31DB8

RGB 211 29 184

HSL 308.9, 0.76%, 0.47%

LAB 49.72, 78.32, -37.79

 

CMYK 13 / 0 / 86 / 17

HEX #B8D41D

RGB 184 212 29

HSL 69.18, 0.76%, 0.47%

LAB 80.39, -30.04, 76.12

 

CMYK 86 / 0 / 56 / 17

HEX #1DD35D

RGB 29 211 93

HSL 141.1, 0.76%, 0.47%

LAB 74.6, -66.86, 46.05

 

CMYK 73 / 86 / 0 / 17

HEX #381DD3

RGB 56 29 211

HSL 248.9, 0.76%, 0.47%

LAB 30.45, 62.74, -85.8

 

CMYK 0 / 86 / 30 / 17

HEX #D31D93

RGB 211 29 147

HSL 321.1, 0.76%, 0.47%

LAB 48.05, 73.81, -18.45

 

CMYK 13 / 0 / 86 / 17

HEX #B8D41D

RGB 184 212 29

HSL 69.18, 0.76%, 0.47%

LAB 80.39, -30.04, 76.12

 

CMYK 86 / 0 / 30 / 17

HEX #1DD393

RGB 29 211 147

HSL 158.9, 0.76%, 0.47%

LAB 75.42, -57.2, 19.95

 

CMYK 73 / 86 / 0 / 17

HEX #381DD3

RGB 56 29 211

HSL 248.9, 0.76%, 0.47%

LAB 30.45, 62.74, -85.8

 

CMYK 0 / 86 / 56 / 17

HEX #D31D5D

RGB 211 29 93

HSL 338.9, 0.76%, 0.47%

LAB 46.34, 69, 12.1

 

Description

Color code: HEX #B8D41D | qconv.com Color code: HEX #B8D41D | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 212 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 212 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 86 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 86% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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